akshatsheth08
Joined Jan 2014
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Story: 'Mubarakan' is a story of twin brothers; Karan and Charan, one is based in London while the other is from Punjab. Karan is head over heels in love with Sweety (Ileana) and Charan has a soft corner in his heart for Nafisa (Neha Sharma). Their families are unaware of their relationship. Enter Jitto (Ratna Pathak) who sets up Charan's marriage with Binkle (Athiya), daughter of the rich Mr Sandhu (Rahul Dev). Charan seeks uncle Kartar's (Anil Kapoor) help to solve his love-problem. The rest of the film is about how the two brothers, along with their uncle Kartar solve their problems, confusion and all the madness that surrounds the family.
Review: Mubarakan is one of those films that entertains from start to finish, a 'paisa vasool' entertainer of a dysfunctional Punjabi family. It doesn't get into slapstick zone, the funny scenes haven't been forced into the screenplay to make the audience laugh. Instead, what we get is a bunch of actors who excel with their comic timing and situations that will have the audience in splits. The first half is excellent, Anees Bazmee is in top-form, as good as he was in films like 'Welcome' and 'No Entry'. Things begin to slow down in the second half and as the drama takes over from the comedy, the film gets more predictable. But 'Mubarakan' does end well.
Moving on to the performances, Mubarkan is Arjun Kapoor's best performance since his debut film 'Ishaqzaade'. He excels as Charan, the Punjabi character. What stands out is the amount of shared screen-time that both characters have. It would've been incredibly difficult for one actor to make two characters look completely different. Arjun succeeds and how. Anil Kapoor is fantastic in Mubarakan. His comic timing and expressions add tremendous value to the film. Pavan Malhotra is brilliant. Ileana D'Cruz looks stunning and acts well. Athiya Shetty has less screen time, she is okay. Neha Sharma has a small role, she does well. Ratna Pathak is excellent.
The music of the film is a mixed bag. 'Hawa Hawa' is the best song in the album and it's the only song that stays with you after the closing credits. Amar Mohile's background score is good. The cinematography and production design are top notch, something that wasn't visible in the promos of the film.
Overall, 'Mubarakan' is one of the most entertaining films of the year so far. A film that should be watched and enjoyed with the entire family. It has scenes that you recall and laugh, after the film has ended. It's films that 'Mubarakan' that most of the Hindi film audience has grown up watching and it's these kind of films that have, quite unfortunately, been missing on the silver screen. If you love clean entertainers, 'Mubarakan' is the film to watch this weekend.
Positives: Anees Bazmee's direction Clean family entertainer Excellent first half Performances by Arjun Kapoor, Anil Kapoor and the rest of the supporting cast.
Negatives: Second half weaker as compared to first.
Review: Mubarakan is one of those films that entertains from start to finish, a 'paisa vasool' entertainer of a dysfunctional Punjabi family. It doesn't get into slapstick zone, the funny scenes haven't been forced into the screenplay to make the audience laugh. Instead, what we get is a bunch of actors who excel with their comic timing and situations that will have the audience in splits. The first half is excellent, Anees Bazmee is in top-form, as good as he was in films like 'Welcome' and 'No Entry'. Things begin to slow down in the second half and as the drama takes over from the comedy, the film gets more predictable. But 'Mubarakan' does end well.
Moving on to the performances, Mubarkan is Arjun Kapoor's best performance since his debut film 'Ishaqzaade'. He excels as Charan, the Punjabi character. What stands out is the amount of shared screen-time that both characters have. It would've been incredibly difficult for one actor to make two characters look completely different. Arjun succeeds and how. Anil Kapoor is fantastic in Mubarakan. His comic timing and expressions add tremendous value to the film. Pavan Malhotra is brilliant. Ileana D'Cruz looks stunning and acts well. Athiya Shetty has less screen time, she is okay. Neha Sharma has a small role, she does well. Ratna Pathak is excellent.
The music of the film is a mixed bag. 'Hawa Hawa' is the best song in the album and it's the only song that stays with you after the closing credits. Amar Mohile's background score is good. The cinematography and production design are top notch, something that wasn't visible in the promos of the film.
Overall, 'Mubarakan' is one of the most entertaining films of the year so far. A film that should be watched and enjoyed with the entire family. It has scenes that you recall and laugh, after the film has ended. It's films that 'Mubarakan' that most of the Hindi film audience has grown up watching and it's these kind of films that have, quite unfortunately, been missing on the silver screen. If you love clean entertainers, 'Mubarakan' is the film to watch this weekend.
Positives: Anees Bazmee's direction Clean family entertainer Excellent first half Performances by Arjun Kapoor, Anil Kapoor and the rest of the supporting cast.
Negatives: Second half weaker as compared to first.
Every time Venkat Prabhu's movie hits the theatres the expectation is to see variety with a bash of youthful energy, and the ace director this time has adopted the most successful genre in the recent times- horror comedy. Both stars Venkat Prabhu and Suriya have been aching to get back to the business after Anjaan bombed at BO and Massu seems to have laid the road, let's dig in and see what's spooky about it.
Plot:
Horror Comedy is quite an interesting concept and now it's not far away from being deemed as "Done and dusted", well here is VP with a new trick up his sleeve. Considering the genre of the movie, the lesser you know its better. The movie kicks off with Suriya and Premji two bonded-for- life amigos, who thrive on petty robberies. A song, action and a pot boiling chase stops at an accident after which Suriya is bestowed with a super natural power of seeing dead people. Why, what and how he deals with the power is to watch and relish.
Suriya and Premji set the pace of movie with light hearted comedy amidst spooky super natural elements in a rather interesting way. A horror movie is never complete without a flashback and a strong backstory. In 'Massu' you do see them after a series of VP's usual topsy turvy twists. When we say Horror, there is a big expectation of a scary road down the lane with some thrills and fear, Masss is more of a "Dealing with spirit's and their emotions" kind of movie and would be a long shot to put it in Horror genre. The first half is about how Suriya blends with his character of Massilamani the Masss, accepts his fear factor and channelize it to make it a living out of it. Once the core plot starts unveiling, the later part of second half does become very predictable and the screenplay chugs along with just the entertainment quotient to make it a fair play.
The "other" Suriya is a surprise element and VP touches the character with a Sri Lankan Tamil flavor and kudos to Suriya for pulling it rather brilliantly with the help of Rajasekar's perfect cinematography, not to forget the CGI effects through the movie giving life to the spirits. Nayanthara and Praneetha are the two leading ladies in 'Massu' and they have little to offer to the script and merely play love bugs.
VP's movies are always rich in casting, an ensemble cast of biggies, and a few cameos are his signature style. In Masss while Arvind, Jai, Vijay Vasanth appear in a cameo, two other important stars Parthiban and Samuthrakani add their star value. Both of them have meaty roles as a policeman and a politician, good or bad? Well watch and find out.
Things that stand out:
Suriya's characterization as Masss the hero and as a Srilankan Tamilian is commendable, as with all of VP's movies, he brings out the best out of his heroes. Suriya's dialogue delivery and screen presence catapults the movie forward. To quote a scene, the one in which Suriya feels for his friend Premji in front of Nayanthara is hilarious. VP has been stereotyped as the director who loves party hard movies, a bit of adult humor and all that but in Masss he has steered clear of those elements and has given a wholesome family entertainer with an interesting storyline for the summer. As much as we ridicule Premji's antics we cannot but admire him here for his timely tickles and his funny body language, which make a definite impact in Masss. Yuvan's music is certainly not the best, but the Poochandi and the BGM in the revenge sequences are a definite treat. The Poochandi song starts off in MJ's thriller style and then moves in good spirit, you really have to applaud VP for placing the song at the perfect juncture of the movie. A Special mention to stunt master Silva in the first half, for the car chase and fights made up for the action ingredients required for the commercial flick.
Things that could have been better:
The film is spanned around 155 minutes, but it's those predictable scenes that make the sequences look even longer than reality. The Editing work in the first half is crisp especially with the one liners and comedy scenes not dragging, but loses steam in the second opening doors for improvement. VP's known for his signature style delivery of his intended storyline, Masss however is little less on the funny quotient and rather relies and thrives heavily on Suriya's super strength and mass factor. As with most of VP's movies the heroines don't have much of a part and a mature actress like Nayanthara could have been used better.
Verdict : In all, the movie is a good watch for this late summer to quench your thirst with laughs and occasional surprises.
Plot:
Horror Comedy is quite an interesting concept and now it's not far away from being deemed as "Done and dusted", well here is VP with a new trick up his sleeve. Considering the genre of the movie, the lesser you know its better. The movie kicks off with Suriya and Premji two bonded-for- life amigos, who thrive on petty robberies. A song, action and a pot boiling chase stops at an accident after which Suriya is bestowed with a super natural power of seeing dead people. Why, what and how he deals with the power is to watch and relish.
Suriya and Premji set the pace of movie with light hearted comedy amidst spooky super natural elements in a rather interesting way. A horror movie is never complete without a flashback and a strong backstory. In 'Massu' you do see them after a series of VP's usual topsy turvy twists. When we say Horror, there is a big expectation of a scary road down the lane with some thrills and fear, Masss is more of a "Dealing with spirit's and their emotions" kind of movie and would be a long shot to put it in Horror genre. The first half is about how Suriya blends with his character of Massilamani the Masss, accepts his fear factor and channelize it to make it a living out of it. Once the core plot starts unveiling, the later part of second half does become very predictable and the screenplay chugs along with just the entertainment quotient to make it a fair play.
The "other" Suriya is a surprise element and VP touches the character with a Sri Lankan Tamil flavor and kudos to Suriya for pulling it rather brilliantly with the help of Rajasekar's perfect cinematography, not to forget the CGI effects through the movie giving life to the spirits. Nayanthara and Praneetha are the two leading ladies in 'Massu' and they have little to offer to the script and merely play love bugs.
VP's movies are always rich in casting, an ensemble cast of biggies, and a few cameos are his signature style. In Masss while Arvind, Jai, Vijay Vasanth appear in a cameo, two other important stars Parthiban and Samuthrakani add their star value. Both of them have meaty roles as a policeman and a politician, good or bad? Well watch and find out.
Things that stand out:
Suriya's characterization as Masss the hero and as a Srilankan Tamilian is commendable, as with all of VP's movies, he brings out the best out of his heroes. Suriya's dialogue delivery and screen presence catapults the movie forward. To quote a scene, the one in which Suriya feels for his friend Premji in front of Nayanthara is hilarious. VP has been stereotyped as the director who loves party hard movies, a bit of adult humor and all that but in Masss he has steered clear of those elements and has given a wholesome family entertainer with an interesting storyline for the summer. As much as we ridicule Premji's antics we cannot but admire him here for his timely tickles and his funny body language, which make a definite impact in Masss. Yuvan's music is certainly not the best, but the Poochandi and the BGM in the revenge sequences are a definite treat. The Poochandi song starts off in MJ's thriller style and then moves in good spirit, you really have to applaud VP for placing the song at the perfect juncture of the movie. A Special mention to stunt master Silva in the first half, for the car chase and fights made up for the action ingredients required for the commercial flick.
Things that could have been better:
The film is spanned around 155 minutes, but it's those predictable scenes that make the sequences look even longer than reality. The Editing work in the first half is crisp especially with the one liners and comedy scenes not dragging, but loses steam in the second opening doors for improvement. VP's known for his signature style delivery of his intended storyline, Masss however is little less on the funny quotient and rather relies and thrives heavily on Suriya's super strength and mass factor. As with most of VP's movies the heroines don't have much of a part and a mature actress like Nayanthara could have been used better.
Verdict : In all, the movie is a good watch for this late summer to quench your thirst with laughs and occasional surprises.
Story: Shammi (Arshad Warsi) and Kedar Patel (Jackky Bhagnani) are like Lloyd and Dunne of Dumb and Dumber. They are bestiez who have grown up together. Kedar is the son of Mitesh Patel (Dalip Tahil) who is an event manager for weddings in Jamnagar, Gujarat. Shammi on the other hand is an ex-navy officer who is kicked out of the force thanks to his stupidity. While Kedar is obsessed with going to the U.S., after being rejected a visa because of his surname.
On a drunk night, Shammi suggests that he and Kedar leave for America on a cruise, even though they laugh it off in that instance, in a freak accident by the sea, Kedar and Shammi who are supposed to manage a wedding baraat on a cruise, leave without the baraatis only to lose their direction and land up in Karachi, Pakistan.
What entails is a series of stupid events as they enter forbidden territories of Taliban.
Star Performances: Arshad Warsi as Shammi Thakur is decent enough. He does what he is best at, excel at the comic timing but it's just that the content does not support much here. We have seen him do much more rib tickling fun in other films and I wonder what made him choose this.
Jackky Bhagnani as Kedar Patel tries his best to perfect the Gujarati accent and he does manage a good attempt. Only in a certain scenes, it becomes ham but overall he holds it well. His character is an understatement for dumb and he pulls it off just fine.
Lauren Gottlieb promoted this film with full swing but little did we know that she has only a blink and miss performance in the film. She essays the role of an Intelligence officer but other than her song Shakira, she hardly has any screen space.
Direction,editing & screenplay: Ashish R Mohan directs this film and well, I have a lot of complaints for him. To start off, the film's special effects look pathetic and the scene where Shammi and Kedar are caught in the sea storm, the special effects used are so weak that even TV serials have better ones.
Secondly, if it is a comedy film, one need not use background music that hammers into your head the cues for every upcoming joke. I am completely not in favour of those 'tings' and 'tongs' that play pre and post jokes as if watching a comedy show.
The first half in itself is a tiring ride with majority of the gags failing and so when the second half kick starts, you have already given up on the film. The curse of the first half continues in the second, leaving you wanting to see predictable ending. The film has an open ending and well, if they earlier thought of continuing with a sequel, the makers need to sleep on it and forget this dream.
Basically, the director tries nothing to save his already shoddy content as even the music has disappointing tracks.
The Last Word: Welcome to Karachi promises nothing but slapstick humor. There is not one moment in the film where you get a good laugh and sadly not even a satirical one. This proved to be a yawn-fest for me and I am going with a 4/10 for the film.
On a drunk night, Shammi suggests that he and Kedar leave for America on a cruise, even though they laugh it off in that instance, in a freak accident by the sea, Kedar and Shammi who are supposed to manage a wedding baraat on a cruise, leave without the baraatis only to lose their direction and land up in Karachi, Pakistan.
What entails is a series of stupid events as they enter forbidden territories of Taliban.
Star Performances: Arshad Warsi as Shammi Thakur is decent enough. He does what he is best at, excel at the comic timing but it's just that the content does not support much here. We have seen him do much more rib tickling fun in other films and I wonder what made him choose this.
Jackky Bhagnani as Kedar Patel tries his best to perfect the Gujarati accent and he does manage a good attempt. Only in a certain scenes, it becomes ham but overall he holds it well. His character is an understatement for dumb and he pulls it off just fine.
Lauren Gottlieb promoted this film with full swing but little did we know that she has only a blink and miss performance in the film. She essays the role of an Intelligence officer but other than her song Shakira, she hardly has any screen space.
Direction,editing & screenplay: Ashish R Mohan directs this film and well, I have a lot of complaints for him. To start off, the film's special effects look pathetic and the scene where Shammi and Kedar are caught in the sea storm, the special effects used are so weak that even TV serials have better ones.
Secondly, if it is a comedy film, one need not use background music that hammers into your head the cues for every upcoming joke. I am completely not in favour of those 'tings' and 'tongs' that play pre and post jokes as if watching a comedy show.
The first half in itself is a tiring ride with majority of the gags failing and so when the second half kick starts, you have already given up on the film. The curse of the first half continues in the second, leaving you wanting to see predictable ending. The film has an open ending and well, if they earlier thought of continuing with a sequel, the makers need to sleep on it and forget this dream.
Basically, the director tries nothing to save his already shoddy content as even the music has disappointing tracks.
The Last Word: Welcome to Karachi promises nothing but slapstick humor. There is not one moment in the film where you get a good laugh and sadly not even a satirical one. This proved to be a yawn-fest for me and I am going with a 4/10 for the film.