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The Cuban Love Song is an early talkie with soaring tunes and a touching performance by Lupe Velez, who struggles, mightily, however, to sing the Herbert Stothart music. Most of the vocal duties are carried by Tibbett, whose excellent voice makes up for somewhat wooden acting that was unfortunately typical of the era. As a plot, the film depends on the old Madame Butterfly story (also used in Miss Saigon) of a military man stationed in the developing world (in this case, Cuba) who falls in love with, then loses, a local girl. Viewed today, the story seems tainted with racism, and Velez does occasionally overdo the cuchi-cuchi stuff. But the scene where Tibbett is called away to fight in WWI, and the Velez character tries to put up a bold front, has true emotional impact. Incidentally, the score contains "The Peanut Song," sung in Spanish, later used as a rousing number in the Judy Garland version of "A Star is Born."

Much of what is written here is useful, but I'd like to add a few comments. Interestingly for Universal horror fans, House of Dracula is the only film in the Frankenstein series that does not star Karloff or Lugosi. The absence of these two horror heavyweights makes the film seem more disjointed than other entries (though still fun.) (John Carradine, I think scores best, while Mr. Chaney, Jr., is merely repeating himself. House of D also introduces a female hunchback!) I wonder if Karloff and Lugosi are both absent because they were working on "The Body Snatcher," which was released the same year and is arguably Karloff's last great horror film.