aadesh-ceb
Joined Jan 2015
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Reviews2
aadesh-ceb's rating
Very well directed. Good story.
Suspense will hold you till last episode.
he film is well shot, with cinematographer Priya Seth achieving the right mix of impressive aerial shots and cramped hand-held bits, and reasonably well-textured with credible Middle Eastern detailing.
There are hiccups -- like Kumar singing a Hindi song moments after refusing to listen to Hindi songs -- and the songs do indeed get in the way every single time they come on, but things are smoothened over by the solid character artists populating this film, from the surprisingly effective Purab Kohli to the ever-excellent Kumud Mishra to the businessmen who play Kumar's buddies to the fascinatingly helpless Feryna Wazheir, who plays a Kuwaiti woman hoping to make her escape with the Indians.
It isn't all on the up and up, though: Prakash Belawadi, who seems to be in every film now post his star turn in Talvar, plays an infuriatingly pigheaded and badly written character.
Meanwhile Nimrat Kaur, who plays Kumar's wife, seems challenged by the brief of speaking softly with a strain of Punjabi, like a woman from a Pakistani play, while constantly wearing make-up regardless of how harrowed her character is, like a woman from an Indian television show.
There are hiccups -- like Kumar singing a Hindi song moments after refusing to listen to Hindi songs -- and the songs do indeed get in the way every single time they come on, but things are smoothened over by the solid character artists populating this film, from the surprisingly effective Purab Kohli to the ever-excellent Kumud Mishra to the businessmen who play Kumar's buddies to the fascinatingly helpless Feryna Wazheir, who plays a Kuwaiti woman hoping to make her escape with the Indians.
It isn't all on the up and up, though: Prakash Belawadi, who seems to be in every film now post his star turn in Talvar, plays an infuriatingly pigheaded and badly written character.
Meanwhile Nimrat Kaur, who plays Kumar's wife, seems challenged by the brief of speaking softly with a strain of Punjabi, like a woman from a Pakistani play, while constantly wearing make-up regardless of how harrowed her character is, like a woman from an Indian television show.