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Meiyazhagan (2024)
A Timeless Ode to Identity, Roots, and the Soul of Village Life
Meiyazhagan is an evocative exploration of identity, community, and the beauty of a life deeply rooted in tradition. At the heart of this cinematic journey is Karthi, whose character's name, Meiyazhagan, is subtly kept hidden until the very last scene, adding a layer of intrigue that pulls viewers deeper into the narrative. Living a tranquil, unassuming life in Arvind's village, he embodies the spirit of rural simplicity, a world unhurried, untouched by the incessant churn of modernity.
The film is a tender ode to the rhythms of village life, where memories and relationships are cherished and upheld across generations, standing in stark contrast to the transient, sometimes forgetful lives led in urban centers like Madras. Through Meiyazhagan's journey, we witness a poignant reminder of the value found in constancy and closeness, in bonds that age gracefully over time rather than fray in the rush of city life.
In its gentle yet powerful storytelling, Meiyazhagan compels us to reconnect with our roots, to visit those who have stayed anchored in tradition, preserving a simpler, yet richer way of life. It's a heartfelt invitation to rekindle ties with friends and family in our native villages, to immerse ourselves, if only for a moment, in a universe where change is slow, memories endure, and the passage of time is met with quiet resilience.
This film leaves a lingering warmth and a profound appreciation for the enduring charm of village life. A definite must-watch, Meiyazhagan not only captures hearts but also rekindles a sense of nostalgia, urging us to embrace the timeless connections that often hold the truest meaning.
Lubber Pandhu (2024)
Bound by Cricket, Fueled by Emotions
The film sounds like a mix of sports and drama with a strong focus on its main characters, Gethu and Anbu, who share a passion for cricket. It's interesting to see how the movie uses cricket as a medium to build the intense drama and emotions that keep the story engaging, even though the cricketing shots themselves could have been better executed.
The love story, while feeling somewhat forced, seems to add depth to Anbu and Gethu's relationship, making their bond stronger and more relatable. This approach, though common, can be effective in connecting the audience emotionally with the characters. The film's "entertainment spices" probably make it enjoyable despite some technical shortcomings in the sports scenes.
Overall, Lubber Pandhu is an engaging watch with a good balance of emotions, character depth, and entertainment value, making up for its minor flaws. It seems like the movie succeeds in delivering a memorable viewing experience.
Under the Shadow (2016)
Where Patriarchy Meets the Paranormal
Under the Shadow is a captivating blend of horror and social commentary, skillfully portraying the struggles faced by women in patriarchal Iran, set against the tense backdrop of the Iran-Iraq War. The film centers on Shideh, a mother who is left to care for her young daughter, Dorsa, while her husband is away. The oppressive environment restricts her in nearly every facet of life-whether it's her inability to study or the requirement to wear a hijab in public. Even her small acts of rebellion, like practicing aerobics at home, are shadowed by the constant fear of being reprimanded. These elements paint a realistic and disturbing picture of the difficulties faced by women in conservative Iran, adding layers of realism to the horror that eventually unfolds.
The supernatural element enters subtly and intensifies as the movie progresses, with the appearance of a Djinn that seems to be a manifestation of Shideh's fears and repressed anxieties. The Djinn's attempts to take her daughter symbolize the many forces in her society that seek to control and restrict her freedom. Her fight against this supernatural force becomes a reflection of her fight against societal expectations, ultimately symbolizing her desire to break free from these oppressive norms. The ending, where she musters the courage to confront the Djinn and save her daughter, suggests the power of a mother's love and the strength needed to break free from societal shackles.
This film is a one-of-a-kind take on the horror genre, as it weaves supernatural elements with social issues, making it more than just a ghost story. It's a smartly crafted narrative that uses horror to highlight real-world struggles, giving a voice to women's issues in a highly restrictive environment. Under the Shadow is a thought-provoking one-time watch, with solid storytelling that makes it a standout in the horror genre.
Dunkirk (2017)
A Sonic and Visual Masterpiece of Survival and Sacrifice
Dunkirk is nothing short of a cinematic triumph, an audacious, visceral masterpiece that pulls audiences into the raw heart of survival and sacrifice. Christopher Nolan's visionary storytelling, paired with the bone-rattling intensity of Hans Zimmer's score, makes for an experience that transcends conventional war films. The sound mix, layered with meticulous precision, envelops you in the chaos, each explosion and engine hum contributing to the overwhelming tension and escalating heartbeat of the narrative.
More than just an evacuation, Dunkirk becomes a tribute to resilience, capturing the grueling, almost primal fight for survival that defined this pivotal moment in history. It's in the quiet stoicism of men who, despite insurmountable odds, continue to hope, fight, and endure. Emotionally wrenching scenes like Collin's agonizing plane descent, George's unsung heroism, and the haunting silence as Tom Hardy's pilot is captured, leave an indelible impact, each moment calibrated to make audiences catch their breath or even bring tears.
The film's simplicity in plot only amplifies its power, crafting a relentless journey that feels both intimate and epic. It's as though Nolan has painted a portrait of war not in words but in heartbeats and gasps, with each soundscape and visual echoing the inner turmoil of survival. Imagining this alongside Darkest Hour brings to mind an unparalleled epic, a seamless blend of front-line struggle and political urgency that would redefine war cinema. Yet, even on its own, Dunkirk stands as a profound, chilling achievement in film, one that warrants a strong 9.1 out of 10.
Darkest Hour (2017)
Voice of Defiance
Darkest Hour immerses viewers in one of Britain's most perilous moments, masterfully portraying the political and moral crucible faced by newly appointed Prime Minister Winston Churchill. Directed by Joe Wright, the film delves into the intense backdrop of World War II as Churchill confronts a Parliament fractured by fear and dissent, especially with Dunkirk and Calais on the brink of collapse under Hitler's siege. The story captures Churchill's struggle not only with the external forces threatening Britain but also with the skeptical voices within his own government. Here, the man deemed erratic and mercurial, known for his ceaseless drinking and volatile temperament, must prove himself as a resolute leader with an iron will.
Gary Oldman delivers an astonishingly transformative performance as Churchill, embodying his quirks, ferocity, and resilience with unrivaled authenticity. His portrayal of Churchill unveils the Prime Minister's rare brand of leadership, marked by an indomitable spirit and an extraordinary gift for rhetoric that could rouse even the most despondent. In a climactic moment, he powerfully delivers the line, "He mobilized the English language and sent it into battle." symbolizing how Churchill's words became his greatest weapon, stirring both Parliament and the nation to resist surrender.
The film's cinematography and atmospheric score further elevate its intensity, while its historical fidelity brings the era to life with harrowing realism. Although Darkest Hour leans into a reverent portrayal of Churchill, often romanticizing his journey, it's this blend of myth and human vulnerability that makes the film so compelling. For anyone drawn to the intricacies of history or captivated by powerhouse performances, Darkest Hour is essential viewing, with Gary Oldman's riveting portrayal making it an unforgettable cinematic experience.
Zwigato (2022)
A Raw Dive into Life's Daily Battles, with Kapil Sharma's Unlikely Brilliance
Zwigato delivers a stark and poignant glimpse into the often-overlooked life of a delivery worker, capturing the relentlessness and vulnerability of the job with raw realism. Kapil Sharma, stepping away from his comedic roots, surprises with a nuanced and earnest portrayal that grounds the film's emotional depth. The story itself unfolds with an intentional pace, immersing viewers in the character's daily struggles, minor victories, and quiet despair -hallmarks of impactful art cinema that aim to evoke empathy rather than thrill.
The screenplay complements this storytelling approach, carefully crafting each moment to let audiences experience both the heaviness and fleeting joys of the protagonist' life. This slower rhythm is the film's strength, allowing the narrative to resonate on a deeper level. However, the one noticeable flaw is Sharma's Bhojpuri accent, which seems unnecessary and occasionally detracts from the authenticity of his character.
Shahana Goswami, as his wife, shines throughout with a performance that is as natural as it is compelling, while Nandita Das's direction brings it all together with a restrained yet powerful hand, enhancing the film's realism and emotional gravity. Altogether, Zwigato emerges as a film of profound sensitivity and relevance-a must-watch for those who appreciate cinema that challenges and engages on a human level.
Loups-Garous (2024)
Game Overload: Family Pack Unleashes the Ultimate Family Fiasco!
Family Pack is an unexpected oddity that combines a mix of 60s-70s story tropes with a 2024 release, leaving viewers scratching their heads yet strangely entertained. The plot follows a family - a mom, dad, three children, and a granddad - who somehow acquire powers through a game and end up trapped inside it, forced to fight werewolves to escape.
Despite the lackluster storyline, subpar VFX, and exaggerated acting from the cast, there's a certain allure in its unabashedly outdated premise. The film doesn't aim for realism or modern finesse but rather indulges in a kind of absurdity that's oddly charming. The overacting and the obvious budgetary constraints somehow work in its favor, making viewers stay hooked, if only to see how far it goes. By the end, it's hard not to wonder, What did I just watch? Yet, it's this exact blend of ridiculousness and nostalgia that makes Family Pack strangely memorable - even if, objectively, it's a "pathetic" piece of cinema.
Sweet Bobby: My Catfish Nightmare (2024)
Unmasking the Dark Side of Facebook
Sweet Bobby: My Catfish Nightmare touches on the darker side of social media and its impact on individuals, particularly within the Facebook ecosystem. It highlights how the documentary exposes stories of countless victims whose experiences often go unnoticed, shedding light on how people become consumed by carefully curated images rather than real-life connections. The point about gullibility, especially concerning Kirat, challenges viewers to consider the widespread nature of this issue - suggesting it's not just about individual naivety, but a reflection of how social media platforms like Facebook shape behavior, particularly in places like India.
While I acknowledge that people are more aware of these dangers now, it is an interesting contrast, noting that they weren't as cautious in the earlier days of social media. Conclusion, giving it a 7 out of 10, seems fair and balanced, recognizing the documentary's relevance but also implying there's more to be explored.
El hombre que amaba los platos voladores (2024)
Fading Signals: The Man Who Loved UFOs
The Man Who Loved UFOs is an Argentinian film set in the 1980s, and its cinematography effectively captured the essence of the era. The visual style was fitting, offering a nostalgic look that complemented the period. However, the film's storyline lacked the necessary depth and punch. There were moments where more thought-provoking events could have driven the narrative, especially in the middle portion of the film, which could have sustained viewer engagement for at least 30-40% of the runtime.
The central character's performance stood out as one of the strengths of the film, delivering a compelling portrayal amidst a relatively weak script. Unfortunately, the first half of the movie struggled to captivate, making it challenging to stay engaged throughout. Despite these shortcomings, The Man Who Loved UFOs was still a commendable attempt from Argentina, showing potential, even if it missed the mark in terms of storytelling.
Vedaa (2024)
Emotions Hit Hard, But the Action Falls Flat
Vedaa offers a mixed experience, led by Sharavari's compelling performance. She delivers a range of emotions and excels in her role with strong expressions and good dialogue delivery, truly carrying the film's emotional weight. John Abraham, though mostly expressionless, surprisingly fits his character, where a lack of emotion is justified.
The first half of the movie works well, keeping the audience engaged with a balanced narrative. However, the film takes a nosedive when the typical, outdated one-man-army action scenes take over, dragging down the overall impact. This formulaic action, where one character single-handedly takes on entire forces, feels repetitive and unrealistic, making it hard to stay invested.
While the screenplay shows promise, the execution, especially with the action sequences, hurts the film's flow. Additionally, the background score fails to elevate the tense moments, adding to the overall drop in quality during the second half.
In summary, Vedaa starts strong but falters, particularly in its action scenes and sound design. It's a film with both high points and significant shortcomings, and I'd agree with a rating of around 6/10.
Vaazhai (2024)
A Slow-Burning Masterclass in Authentic Filmmaking
The film seems to be a slow-burn narrative that resonates more with an audience familiar with rural life and its everyday struggles, rather than catering to mainstream entertainment. While it lacks the high-paced drama or action many viewers might expect, the technical aspects such as cinematography, direction, acting, and background score are undoubtedly praiseworthy, which is often a hallmark of art films.
The comparison to Rahul Dravid's batting style -steady, technically sound, and unflashy - perfectly encapsulates the film's approach. It's methodical and patient, not relying on extravagant or high-intensity moments, but rather on the steady build-up of simple yet meaningful storytelling. The climax, as you pointed out, brings everything together and provides a satisfying conclusion, making the earlier slow pace feel justified.
In summary, Vazhai appears to be a well-crafted art film, best suited for audiences with an appreciation for subtle, authentic filmmaking rather than those seeking high entertainment value.
Stree 2: Sarkate Ka Aatank (2024)
While Stree 2 promises a scream, it delivers little more than a sigh
While Stree 2 boasts impressive cinematography, it unfortunately falls short in key areas. The horror element, which should have been central, feels more like an afterthought, failing to evoke any real sense of fear or tension. I understand that the movie leans heavily on the horror-comedy genre, but sadly, even the comedic aspects didn't hit the mark. The humor felt mundane and forced, lacking the originality or wit needed to stand out.
Most of the cast delivered solid performances, but there were notable letdowns from Shraddha and Pankaj, particularly in scenes where their impact should have been stronger. The integration of Bhediya and Akshay Kumar seemed more like a forced attempt at crossover appeal rather than a seamless addition to the story. While there were a few punchlines that worked, they weren't enough to justify sitting through the full 2.5-hour runtime.
Overall, despite some positive aspects, Stree 2 is a below-average film, and it doesn't live up to the potential of its predecessor.
Kooki (2023)
Powerful Story Undone by Poor Execution
The movie Kooki seems to have a compelling and intense storyline, addressing a difficult subject matter of love, trauma, and violence. However, the execution falls short, likely due to budget constraints and lack of experience among the cast. While the message is strong and certain parts of the film manage to engage, the overuse of drone shots and exaggerated performances by 80% of the actors create a disjointed viewing experience. These flaws overshadow the emotional depth the film tries to deliver. With its uneven direction and amateurish acting, it's difficult to stay engaged throughout, earning it a 6 out of 10.
CTRL (2024)
UPDATED: REFRESHING into the digital horror era
It is a clear frustration, especially with the pacing, the start of the movie, and the acting. A movie that opens with two slow songs and lacks a clear direction early on can be tough to engage with, especially if it doesn't quickly match expectations set by the description.
Overacting, as you must have noted with Ananya, can make it hard for viewers to feel connected to the story or characters. It seems like the film didn't quite deliver on its initial promise.
Hopefully, if you do revisit it, you'll find some redeeming qualities further into the movie, but it's clear that the first impression wasn't great for not just me but must be for everyone. If it still doesn't improve, it might just be one of those films that aren't for everyone.
UPDATE: HAD to revisit the movie and must say I had to change the rating from 2 to 7. It is a good episode of digital horror that we often see in the Black Mirror. There were some downs in the execution but the storyline was superb.
The Great Indian Kapil Show (2024)
A Faded Echo of Its Former Glory
The Great Indian Kapil Show on Netflix seems to have lost much of its original appeal compared to its earlier version on Sony TV. The wit, charm, and spontaneity that once made the show entertaining have diminished, leaving behind uninspired humor that often falls flat. The jokes come across as forced, and the once-lively energy feels replaced by a hollow attempt to recreate past success. Guests on the show continue to laugh at the unfunny jokes, likely as part of their paid appearance, but for the audience, it results in an experience devoid of genuine laughter. Even the recurring characters, who were once a source of amusement, have become tiresome due to their lack of novelty and freshness. Instead of evoking laughter, they now provoke boredom. The show's repetitiveness and absence of engaging content make it hard to watch, especially for those who remember the earlier seasons. In its current form, the show is a mere shadow of what it used to be, and it's probably best avoided unless you're watching out of sheer nostalgia.
Ulajh (2024)
An Intriguing Tale Undermined by Complexity and Uneven Performances
Ulajh, starring Jhanvi Kapoor and Gulshan Devaiah, presents a mixed bag of strengths and weaknesses.
Acting (1.2/2): The performances by most of the cast were commendable, although a few actors, including the Prime Minister of Pakistan, some police officers, and Jhanvi Kapoor in certain scenes, tended to overact. The director made a genuine effort to manage these portrayals, but the exaggerated moments detracted from the overall impact.
Screenplay (0.8/1.5): The storyline centers around the idea that the political systems of both countries are deeply corrupt. However, the narrative was unnecessarily complicated, featuring an abundance of twists and turns that muddled a relatively straightforward concept. Despite this complexity, the screenplay eventually managed to deliver its core message.
Background Score (0.9/1): The background score was arguably the film's strongest element, enhancing the overall mood and making a lasting impression.
Direction (1/1.5): The direction was decent-neither particularly remarkable nor poor. While there were opportunities for improvement, it was executed competently.
Dialogues (0.6/1): The dialogues were adequate, fulfilling their purpose without being especially memorable or impactful.
Cinematography, Casting, and Miscellaneous (2.2/3): These aspects were well-handled, with the cinematography offering engaging visuals and the casting being suitable for the roles, resulting in an above-average experience.
Overall Rating: 6.7/10
"Ulajh" has its share of strengths, particularly in the background score and technical elements, but falls short in areas like acting and screenplay, where more refinement could have elevated the film.
Vaazha: Biopic of a Billion Boys (2024)
A Tale of Brotherhood That Strikes Every Indian Heart
Vaazha captures a deep sense of connection with the story and the characters. It sounds like the film resonated with me on a personal level, reflecting the journey and struggles of many young Indian boys, which made it all the more relatable. The bond between the five main characters seems to have been portrayed authentically, keeping us invested throughout the film.
Even though the ending wasn't a traditionally "happy" one, lets just appreciate the emotional closure and the fact that the friendship endured, which added to the movie's charm. The performances of the actors were evidently impressive, as they brought their characters to life, making the emotional highs and lows feel genuine. The background score also seems to have enhanced the overall experience without overpowering the narrative.
Giving it an 8 out of 10 shows that I found Vaazha both engaging and satisfying, despite its bittersweet conclusion.
Bokser (2024)
A Punching Tale of Redemption and Polish Pride
Boxer tells the story of a young boy with a troubled upbringing, dominated by his abusive father. Despite his difficult childhood, the boy excels in chemistry, a talent that takes a backseat after his father's death when he transitions into the world of boxing. The movie captures his rise to fame, with Eryk Kulm delivering an outstanding performance as the protagonist. His portrayal of a boxer grappling with fame and internal demons is both powerful and nuanced.
The boxing scenes, while good, could have been more polished. Some moments lacked the intensity that makes boxing films truly stand out. Nevertheless, the story holds its own, particularly as it touches on the emotional and cultural realities of Polish sportsmen seeking opportunities abroad. While this is often viewed as a loss for the country, Boxer frames it as a narrative of triumph.
The movie is consistently engaging, though it is occasionally interrupted by a few boring scenes every 15-20 minutes, which slightly disrupt the overall flow. Despite these small hiccups, Boxer is an entertaining film that offers a compelling blend of personal struggle, sports, and Polish cultural commentary.
Sector 36 (2024)
Deepak and Vikrant, another Wednesday
Sector 36 is a compelling cinematic experience that excels in several key areas. The film's cinematography and overall filmmaking are notably impressive, creating a visually engaging and polished final product. The cast delivers strong performances, with Deepak Dobariyal standing out for his extraordinary portrayal, which many consider a career-defining role.
Vikrant Massey plays a cunning character who, while not embodying the traditional traits of a criminal, offers a satisfying performance that adds to the film's intrigue. The film's pacing and narrative structure are well-crafted, delivering key plot points and twists at just the right moments.
The film also benefits from Netflix's commitment to quality content, as evidenced by its effective use of budget and resources. Symbolic scenes, such as the cockroach being crushed and the reel Ravan chasing the real Ravan, are particularly noteworthy for their depth and creativity. Overall, Sector 36 is a strong entry in its genre, deserving of a high rating and recognition for its impressive execution.
IC 814: The Kandahar Hijack (2024)
So we won. Did we? We fought. Did we?
IC 814 delivers an exceptional experience with its brilliant cinematography and masterful filmmaking. The performances are top-notch; this isn't just a star-studded affair-it's a showcase of true acting talent. Rajeev Thakur, in particular, surprises with a powerful performance that rivals, if not surpasses, the work of his comedy peer, Kapil Sharma.
Whether or not the series leans into propaganda, that's up for debate. What is undeniable is the sheer entertainment value and craftsmanship on display. The decision to present the harrowing eight-day hijacking as a series rather than a movie proves wise, allowing for the depth and detail this story demands.
Criticism might stem from perceived biases, but from a filmmaking perspective, this is international-level quality. It's an experience well worth watching, regardless of where one stands on the narrative's leanings.
Kill (2023)
The Indian Raid
Kill delivers a relentless, high-octane action experience that keeps you on the edge of your seat from start to finish. Set entirely on a moving train, the movie skillfully uses its confined space to heighten the tension and create a unique atmosphere for its combat scenes. The non-stop action is the film's strongest point, making it an exhilarating watch for fans of the genre.
However, as with many action-heavy films, realism takes a backseat. Some sequences, like the protagonist surviving multiple knife attacks, stretch believability. But given that the movie's main focus is on delivering intense action, such exaggerations can be overlooked. The rooftop scenes, while thrilling, occasionally suffer from looking artificial, which might pull some viewers out of the moment.
Raghav's performance stands out, bringing a grounded intensity to the chaos that unfolds. His portrayal adds a layer of grit and determination to the character, making it easier to root for him amidst the relentless violence.
Overall, Kill might not be the most realistic or polished film, but if you're in the mood for some adrenaline-pumping action, it delivers. It's a solid 90-minute thrill ride, and despite its flaws, it earns a respectable 7.4 out of 10 for its sheer entertainment value.
Raayan (2024)
Dhanush all the way with outstanding background music
Raayan is an action-packed drama that showcases Dhanush at his finest. His portrayal of the lead character is a masterclass in intense action and emotive performance, making him the heart and soul of the movie. The background score, particularly during the build-up to action scenes and the sequences themselves, elevates the film, creating an atmosphere of tension and anticipation that pulls you in.
The screenplay is majorly well-constructed, with a few noticeable flaws that are easy to overlook given the film's overall pace and engaging plot. The story is gripping, and while it occasionally stumbles, it quickly regains momentum, keeping the audience hooked.
One of the standout performances comes from the actress playing Dhanush's sister. Her role adds emotional depth to the film, and she delivers a memorable performance that contrasts sharply with the relatively weaker portrayal of Dhanush's brothers. They feel underdeveloped and fail to make much of an impact.
Prakash Raj, as always, delivers a solid performance, bringing shrewdness and complexity to his role. His presence adds gravitas to the film, although one wishes the villains were cast with the same level of care. The antagonists, while serviceable, lack the intensity and screen presence that could have made the confrontations with Dhanush's character even more electrifying.
Overall, Raayan is a thrilling watch with outstanding performances, a captivating background score, and just enough emotional weight to keep you invested. Despite its minor flaws, it's film that Dhanush fans and action lovers will thoroughly enjoy.
Munjya (2024)
The forced comedy era is long gone now, wake up
Munjya strives to be a horror-comedy but struggles to hit the mark. One of the biggest issues is the overdone sound design, with spiked volume every time the cartoonish Munjya appears. Instead of adding tension, these moments are more grating than scary.
The comedy, unfortunately, feels contrived. Neither Munjya nor the human characters manage to evoke real humor, leaving many scenes flat and uninspired. Despite the cast's best efforts, the jokes simply fail to land.
In terms of performances, Abhay and Saravari, along with the supporting actors, deliver commendable work. However, strong acting cannot compensate for a screenplay and dialogue that falter. While there are moments where the film holds your attention, it never quite manages to spark genuine laughter or fear.
Ultimately, Munjya is a forgettable experience. With its uninspired humor and flawed execution, there's little desire for a sequel. One film is more than enough.
Kalki 2898-AD (2024)
Prabhas, please retire or you will make us retire from watching cinema
Kalki is an ambitious attempt by Indian cinema to delve into the dystopian genre, and while it shines in some aspects, it falters in others. The cinematography is one of the film's highlights, effectively capturing the grandeur of a dystopian future, and the VFX work is above average, adding depth to the visuals.
However, the CGI falls flat in certain key areas, particularly in the de-aging of Amitabh Bachchan's character and the depiction of the prehistoric lion. These elements felt more cringe-worthy than groundbreaking, detracting from the immersive experience.
Acting-wise, most of the cast delivers strong performances, but Prabhas' portrayal disappoints, failing to meet the expectations set by the film's high stakes and narrative demands. His performance stands out as a weak link.
The background score, unfortunately, did not leave a lasting impact. If it had been composed by someone like Anirudh Ravichander, the film could have had a more memorable auditory experience, potentially adding an extra star to the rating.
Overall, while Kalki is overhyped, it remains a noteworthy attempt at dystopian storytelling in Indian cinema. Despite its potential, the issues with CGI, the background score, and Prabhas' acting bring the final score down to a 5.2 out of 10.
Sprint (2024)
Very well crafted sports docuseries of Noah Lyles
"Sprint" is a gripping and inspiring docuseries that delves into the high-octane world of sprinting, spotlighting the journeys of athletes like Noah Lyles, Sha'Carri Richardson, Shericka Jackson, Fred Kerley, Zharles Hughes, Marcell Jacobs and few other great athletes of today's era. The series shines with its authenticity, capturing the raw emotions, relentless training, and personal challenges faced by these world-class sprinters. What sets Sprint apart is its unscripted nature, allowing viewers to witness the athletes' true grit and determination as they strive for greatness.
The storytelling is enhanced by a dynamic soundtrack that perfectly complements the intensity and drama on screen, making each moment more powerful. The series does an excellent job of balancing the athletes' professional achievements with their personal stories, giving viewers a well-rounded understanding of what it takes to compete at the highest level.
The cinematography is stunning, capturing both the thrill of the race and the quieter, reflective moments of the athletes. Sprint is more than just a sports documentary; it's a celebration of human spirit and perseverance. Whether you're a track and field enthusiast or simply someone who appreciates a well-crafted documentary, Sprint is a must-watch that will leave you both moved and motivated.