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darkzero's rating
Shining like a beacon through the abyss of dull, uninspired web series comes "The Adventures of Superseven", a nano-budget sendup of swingin' 60's spy thrillers! This multi-award-winning cyberspace serial consistently belies its budget, delivering more entertainment in ten minutes than many of today's Summer blockbusters can muster in two hours!
"Superseven" is a labor of love, and it shows. Writer/director/producer/creator Scott Rhodes, an avid fan of/virtual encyclopedia of knowledge on all things 60's spy, has taken his affinity for this genre and injected it into every facet of the series. "Superseven" is replete with echoes of "James Bond", "Get Smart", "The Man From U.N.C.L.E.", "The Avengers", "The Prisoner", and countless other lesser known spy sagas of yesteryear. Make no mistake, however - "Superseven" is no mere pastiche of tongue-in-cheek homages; it is an inspired, original romp with a style and flavor all its own.
Series star Jerry Kokich is a joy to watch in the role of the eponymous superspy hero. Channeling the likes of Adam West and William Shatner, Kokich brings the perfect amount of deadpan savvy to the character.
The lovely and talented Olivia Dunkley co-stars as the sultry "Sandra West", alternately Seven's foil/love interest.
Rounding out the cast of regulars is up-and-comer Anne Leighton, who utterly sparkles as the adorable "Sparky", Seven's trusty mechanic and unrequited admirer.
Zany and fun recurring characters like the villainous "Thunderpussy" (Michelle Jubilee Gonzalez) compliment the series leads.
Oh, yes - the work behind the camera matches the talent in front of it. "Superseven" is expertly shot and edited, and features impressive stunt work coordinated by Rhodes himself (an accomplished veteran stuntman).
Veteran FX wiz Doug Drexler chips in with top-notch digital effects.
Smart, action-packed and rife with laughs, this spirited valentine to 60's spy thrillers proves heart and imagination can outshine the biggest budget.
Whether or not you are a fan of the genre, "The Adventures of Superseven" is one web series worth checking out!
"Superseven" is a labor of love, and it shows. Writer/director/producer/creator Scott Rhodes, an avid fan of/virtual encyclopedia of knowledge on all things 60's spy, has taken his affinity for this genre and injected it into every facet of the series. "Superseven" is replete with echoes of "James Bond", "Get Smart", "The Man From U.N.C.L.E.", "The Avengers", "The Prisoner", and countless other lesser known spy sagas of yesteryear. Make no mistake, however - "Superseven" is no mere pastiche of tongue-in-cheek homages; it is an inspired, original romp with a style and flavor all its own.
Series star Jerry Kokich is a joy to watch in the role of the eponymous superspy hero. Channeling the likes of Adam West and William Shatner, Kokich brings the perfect amount of deadpan savvy to the character.
The lovely and talented Olivia Dunkley co-stars as the sultry "Sandra West", alternately Seven's foil/love interest.
Rounding out the cast of regulars is up-and-comer Anne Leighton, who utterly sparkles as the adorable "Sparky", Seven's trusty mechanic and unrequited admirer.
Zany and fun recurring characters like the villainous "Thunderpussy" (Michelle Jubilee Gonzalez) compliment the series leads.
Oh, yes - the work behind the camera matches the talent in front of it. "Superseven" is expertly shot and edited, and features impressive stunt work coordinated by Rhodes himself (an accomplished veteran stuntman).
Veteran FX wiz Doug Drexler chips in with top-notch digital effects.
Smart, action-packed and rife with laughs, this spirited valentine to 60's spy thrillers proves heart and imagination can outshine the biggest budget.
Whether or not you are a fan of the genre, "The Adventures of Superseven" is one web series worth checking out!
"Manos: The Hands of Fate" will go completely over the head of anyone but the super-intelligent. However, there is depth and metaphor in this divinely-crafted piece of art, which you will find nowhere else. If you ignore the misguided and uneducated popular opinion long enough to treat yourself to this gem, you will be rewarded for years to come. It is perhaps the most disturbing psychological thriller ever made.
Although, at first glance, elements like the protracted cuts of the car driving through the desert seem to be gratuitous incompetence on the part of director Hal Warren, they are actually expertly calculated devices designed to engender unparalleled tension (I felt like I was actually experiencing the horrific events myself). What is considered "bad acting" and boring, inane dialogue by most, is in fact Warren's almost supernatural ability to weave a sense of ultra-realism from his supremely skilled thespians. The delicious set design and cinematography are gothically postmodern, conveying an atmosphere of impending dread. Last but not least, kudos of kudos must be given to the brilliant score, particularly the haunting, minimalistic "Torgo" theme. All of these components converge to yield a profoundly subtle epic, a superlative achievement in innovative film-making - in short, one of the greatest films ever made. I could tell you more, but I don't wish to spoil a second of this masterpiece, nor its climactic twist, which would turn M. Night Shaymalan green with envy.
God rest your soul, Hal Warren. One can only imagine what other cinematic wonders you would have blessed us with if only your uncanny genius had been recognized and appreciated. Films like "Manos: The Hands of Fate" are the reason celluloid was invented.
Although, at first glance, elements like the protracted cuts of the car driving through the desert seem to be gratuitous incompetence on the part of director Hal Warren, they are actually expertly calculated devices designed to engender unparalleled tension (I felt like I was actually experiencing the horrific events myself). What is considered "bad acting" and boring, inane dialogue by most, is in fact Warren's almost supernatural ability to weave a sense of ultra-realism from his supremely skilled thespians. The delicious set design and cinematography are gothically postmodern, conveying an atmosphere of impending dread. Last but not least, kudos of kudos must be given to the brilliant score, particularly the haunting, minimalistic "Torgo" theme. All of these components converge to yield a profoundly subtle epic, a superlative achievement in innovative film-making - in short, one of the greatest films ever made. I could tell you more, but I don't wish to spoil a second of this masterpiece, nor its climactic twist, which would turn M. Night Shaymalan green with envy.
God rest your soul, Hal Warren. One can only imagine what other cinematic wonders you would have blessed us with if only your uncanny genius had been recognized and appreciated. Films like "Manos: The Hands of Fate" are the reason celluloid was invented.