adrian-43767
Joined Jun 2017
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Reviews157
adrian-43767's rating
There is a rather cartoonish side to the sense of comedy in LE CERVEAU, so no wonder that midway through the film there is a cartoon sequence depicting the Brain's plan to steal money from a NATO convoy.
Director Gerard Oury maintains the great form he had shown in LE CORNIAD and LA GRANDE VADROUILLE, but here he has an even better cast to work with (though I think that if a role could have been found for Louis de Funés, who was the lead in the other two films, it would have been a real delight).
Niven lives up to his usual impeccable standards as NATO Colonel Matthews, Belmondo was riding the crest of his wave at the time, Wallach delivers another profanity-driven super performance in three languages (French, English and Italian), Silvia is breath-takingly beautiful and sexy... and Bourvil, playing a well-meaning simpleton who doubles up as thief, is the funniest of the lot.
Very good special effects, super stunts, competent camera work, and script with some unusual punchlines, including outrageously funny sequences, especially involving Suzanne, Col Matthews' leopard.
Ultimately what I really enjoyed was that everyone seemed to have good fun participating in this flick, even if the ending is somewhat less than satisfactory.
Director Gerard Oury maintains the great form he had shown in LE CORNIAD and LA GRANDE VADROUILLE, but here he has an even better cast to work with (though I think that if a role could have been found for Louis de Funés, who was the lead in the other two films, it would have been a real delight).
Niven lives up to his usual impeccable standards as NATO Colonel Matthews, Belmondo was riding the crest of his wave at the time, Wallach delivers another profanity-driven super performance in three languages (French, English and Italian), Silvia is breath-takingly beautiful and sexy... and Bourvil, playing a well-meaning simpleton who doubles up as thief, is the funniest of the lot.
Very good special effects, super stunts, competent camera work, and script with some unusual punchlines, including outrageously funny sequences, especially involving Suzanne, Col Matthews' leopard.
Ultimately what I really enjoyed was that everyone seemed to have good fun participating in this flick, even if the ending is somewhat less than satisfactory.
In MYSTIC RIVER, Eastwood brings a clinical eye to bear on the truth, regardless of how hard it might be to swallow. He examines with the same clinical eye the development of the characters of the main figures. Tim Robbins and Sean Penn post superlative performances, but Bacon also does well, albeit in a less eye-catching manner.
Interestingly, Laura Linney and Marcia Gay Harden reflect the strengths and weaknesses of their husbands.
Ultimately, Eastwood's clinical also bores clinically and inexorably into the many appearances that pass for reality in the minds of people, and his sober approach is, in my view, what adds real greatness to this work and to that end, it is helped by superlative cinematography, great action sequences, and, most of all, a lucid and highly intelligent script.
Eastwood's direction is sublime.
MYSTIC RIVER is a must-see masterpiece.
Interestingly, Laura Linney and Marcia Gay Harden reflect the strengths and weaknesses of their husbands.
Ultimately, Eastwood's clinical also bores clinically and inexorably into the many appearances that pass for reality in the minds of people, and his sober approach is, in my view, what adds real greatness to this work and to that end, it is helped by superlative cinematography, great action sequences, and, most of all, a lucid and highly intelligent script.
Eastwood's direction is sublime.
MYSTIC RIVER is a must-see masterpiece.