Comic Art

• Original Comic Art
  • Comic Art: Cover 17 items
  • Comic Art: Splash Page 23 items
  • Comic Art: Double Page Splash 5 items
  • Comic Art: Interior Page 251 items
  • Comic Art: Double Page Spread 8 items
  • Comic Art: Complete Story 8 items
  • Comic Art: Comic Strip 58 items
  • Comic Art: Unpublished Page 6 items
• Drawings, Sketches, Paintings, etc.
• Prints and Lithographs
• Production Art
• Animation Art
• Wall Art/Posters

Original Art from Action Comics #363 (1968) Page 24 Pencils and Inks by Kurt Schaffenberger In auction ending January 14 from Action Comics (1938 DC) 363 1968 DC The Maid of Might has her hands...full trying to deal with some extraterrestrial brats in this delightful page by the great Kurt Schaffenberger. When buildings and monuments across the world are mysteriously pulled into the sky, Supergirl leaps in to action only to find that the culprits are a couple of extraterrestrial children playing a game of Monopoly on a massive scale. Some beautiful work by Schaffenberger inking himself here, especially in the angry expression of Supergirl in the third panel. Pencil and ink on art board. 10 3/4" x 16 3/4".

Original Art from Adventures in the DC Universe #5 (1997) Page 10 Pencils by John Delaney, Inks by Ron Boyd Price: $150.00 from Adventures in the DC Universe (1997) 5 1997 DC A page full of fantastic action as Martian Manhunter takes on a genuine flying saucer over his adopted home city of Denver! This story also does some nice character work with the civilians as we've previously learned in the issue that Megan is a recent Metropolis transplant who fancies herself as unfazed by the destruction of a superhero battle. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #5 (1997) Page 12 Pencils by John Delaney, Inks by Ron Boyd Price: $120.00 from Adventures in the DC Universe (1997) 5 1997 DC A great big action page that sees Martian Manhunter heading back towards the flying saucer he damaged in order to stop it from crashing into an abandoned house where children were (unwisely!) trying to observe the battle. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #6 (1997) Page 1 Pencils by John Delaney, Inks by Ron Boyd Price: $70.00 from Adventures in the DC Universe (1997) 6 1997 DC Some classic criminal hijinks to open this Aquaman-centric issue as a pair of goons prepare some hand-crafted cement shoes for a former associate who double crossed the outfit. Delightful cartooning on this page, especially in the fourth panel as poor Fred hears what's swimming in the water below! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #6 (1997) Page 16 Pencils by John Delaney, Inks by Ron Boyd Price: $85.00 from Adventures in the DC Universe (1997) 6 1997 DC The second chapter of this issue's story opens with the focus switching from Aquaman to Power Girl (seen in an instantly recognizable silhouette in the first panel) as the police ask for her help in stopping a group of criminals on their way to stage a jailbreak a Bell Reve! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #8 (1997) Page 17 Pencils John Delaney by Inks by Ron Boyd Price: $125.00 from Adventures in the DC Universe (1997) 8 1997 DC A fantastic 9-panel page that sees Vic Sage (better known as The Question!) doing what he does best- investigating, finding a clue, and leaping to follow it! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #9 (1997) Page 17 Pencils by John Delaney Inks by Ron Boyd Price: $95.00 from Adventures in the DC Universe (1997) 9 1997 DC Working off a lead that there would be a microchip heist, Black Canary arrives to find that the robbery has already taken place and gets a nice dose of exposition from the battered security guard. The fifth panel on this page is especially great as we see Canary reflected in the broken glasses of the guard. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 19 Pencils by John Delaney Inks by Ron Boyd Price: $170.00 from Adventures in the DC Universe (1997) 9 1997 DC A frenetic action page as Canary leaps into action with a quip that doesn't quite land for her literal-minded foe. The stylization of the DCAU line shines here with the physically opposite designs for the two villains making a fun nice contrast while Canary tries to take them both on. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 20 Pencils by John Delaney Inks by Ron Boyd Price: $250.00 from Adventures in the DC Universe (1997) 9 1997 DC An action-packed fight page with Black Canary using her fighting prowess (thanks, Ted!) to take down the massive Hammer. Not much else to say other than SMEK! THUNK! KLANG! SPAK! KLUNK! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #9 (1997) Page 22 Pencils by John Delaney, Inks by Ron Boyd Price: $120.00 from Adventures in the DC Universe (1997) 9 1997 DC A dramatic and somewhat gruesome final page caps off Morrie's short-lived life of crime (this is his only appearance!) with a THOP! Canary uses the villain's talent for remembering everything he's ever seen or heard against him, depicted marvelously in the first panel with a dizzying array of memories and information filling his mind. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #11 (1998) Page 15 Pencils by John Delaney, Inks by Ron Boyd Price: $140.00 from Adventures in the DC Universe (1997) 11 1998 DC Trapped in a dimension of nightmares without his ring, Kyle Rayner is in need of a rescue- thankfully a lack of superpowers doesn't phase Wonder Woman as she stages a jailbreak in this action heavy page. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #11 (1998) Page 16 Pencils by John Delaney, Inks by Ron Boyd Price: $175.00 from Adventures in the DC Universe (1997) 11 1998 DC A beautifully drawn full-length panel of Toxxis, the ruler of The Pit of Despair, is the centerpiece of this page that sees the de-powered Wonder Woman and Green Lantern fight for lives against an army of henchmen. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #11 (1998) Page 17 Pencils by John Delaney, Inks by Ron Boyd Price: $115.00 from Adventures in the DC Universe (1997) 11 1998 DC Depowered and trapped in an alternate dimension known as The Pit of Despair, Wonder Woman and Green Lantern make a daring escape via jumping blindly through a hole in the wall! Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #11 (1998) Page 20 Pencils by John Delaney, Inks by Ron Boyd Price: $120.00 from Adventures in the DC Universe (1997) 11 1998 DC After regaining his confidence thanks to Wonder Woman, Kyle and the Amazonian have turned the tide in their battle to escape Toxxis' Pit of Despair leading to some classic dialogue from the villain- "How dare you?! I will crush you for this insolence!" Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Adventures in the DC Universe #15 (1998) Page 10 Pencils by John Delaney, Inks by Ron Boyd Price: $125.00 from Adventures in the DC Universe (1997) 15 1998 DC With Zeus testing the hero by only allowing him to access his powers while in the form of Billy Batson, Captain Marvel has to figure out a way to foil a criminal plot to unleash a powerful robot. A fantastic onomatopoeia fourth panel and a great shot of the adult Captain Marvel kicking in a door (it's flimsy!) close out this page. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #15 (1998) Page 9 Pencils by John Delaney, Inks by Ron Boyd Price: $100.00 from Adventures in the DC Universe (1997) 15 1998 DC With Zeus' machinations leaving Billy stuck in his child form as the only way to access his powers, he finds help from a young Batman fan who's seen the true plans of the thought-to-be-foiled bank robbers. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #18 (1998) Page 5 Pencils by John Delaney, Inks by Ron Boyd Price: $145.00 from Adventures in the DC Universe (1997) 18 1997 DC A fantastic half splash of Amazo carving out a message in the middle of Metropolis Park with a Lantern construct opens this page with Green Lantern watching from the satellite and delivering a classic Looney Tunes line. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Adventures in the DC Universe #19 (1998) Page 18 Pencils by John Delaney, Inks by Ron Boyd Price: $200.00 from Adventures in the DC Universe (1997) 19 1998 DC Double crossed by her ancient god-powered employer after stealing Wonder Woman's lasso, Catwoman proves she's not JUST a callous thief by showing up to save Diana's life and help fight the monster. A fun action page with the feline felon wielding the lasso and showing off her acrobatic skills! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Alien Encounters #7 (1985) Page 3 Pencils and Inks by Bo Hampton In auction ending January 14 from Alien Encounters (1985 Eclipse) 7 1986 Eclipse With a script from Bruce Jones, this grim entry in Eclipse's fantastic sci-fi anthology is an examination of the cycle of endless war that societies become trapped in. Hampton illustrates this beautifully in a packed panel page that sees two human fighters encounter an enemy alien soldier. Fantastic storytelling and emotion conveyed with a high level of craft! Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Alien Encounters #7 (1985) Page 4 Pencils and Inks by Bo Hampton In auction ending January 14 from Alien Encounters (1985 Eclipse) 7 1986 Eclipse Beautiful work from Hampton on this page from a story about the cycle of endless war as two human fighters encounter an alien soldier in a fog-filled battlefield. A great display of Hampton's storytelling skills here in this packed page as the two humans skirt the lines of the Geneva Conventions. Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from All Star Batman and Robin the Boy Wonder #8 (2008) Page 15 Pencils by Jim Lee, Inks by Scott Williams Price: $4,500.00 from All Star Batman and Robin the Boy Wonder (2005) 8A 2008 DC "I need some tights. And a mask." says a young Dick Grayson to the "British accent" speaking to him from the darkness of the cave in this fantastic page from one of the biggest books of the 00's! Frank Miller's prequel to his legendary Dark Knight Returns is, to put it lightly, absolutely bonkers (complimentary). A much harder-edged take on the mythos, we see Batman rescue a young Dick Grayson and...lock him in the Batcave with no food and no clue what's going on. Of course the young acrobat rises to challenge and embraces his destiny with a little help from the Bat-armory, grabbing a bow and fashioning himself after Robin Hood. Signed by the artists in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Amazing Spider-Man Family #7 (2009) Page 20 Pencils by Val Semeiks, Inks by Mike Getty In auction ending January 14 from Amazing Spider-Man Family (2008) 7 2009 Marvel With May's marriage to Jonah Jameson approaching, she invites Pete over and recounts the story of how she met and fell in love with Ben in this touching issue. With the night drawing to a close, Pete heads out and thinks on what he's just learned realizing that May, Ben, Richard, and Mary all had secrets that they kept. Also included is a copy of the published issue. Signed by Semeiks in lower Margin. 11" x 17 1/4".

Original Art from Archard's Agents The Case of the Puzzled Pugilist (2003) Pg 14 Pencils and Inks by Mike Perkins Price: $150.00 from Archard's Agents (2003 One-Shot) The Case of the Puzzled Pugilist 1 2003 CrossGen Comics On the run from some unsavory folks, bareknuckle boxer Peter Grimes takes refuge as a hired hand at a country estate- but is high society even more dangerous than organized crime? Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Archie #479 (1999) Complete 6-Page Story 'Guy Magnet' Pencils by Stan Goldberg, Inks by Bob Smith Price: $600.00 from Archie (1943 Archie Comics) 479 1999 Archie Publications If you ever needed proof of what a decent guy Archie is, look no further than this story! After a modern makeover makes Archie the toast of the ladies of Riverdale, he reverts back to his old look after realizing all the attention is causing problems for his mom. What a guy! Pencil and ink with title/credits stats and text corrections on six pages of Archie Comics art board. Each measures 11 1/2" x 17".

Original Art from Archie and Friends #37 (1999) Page 7 Pencils by Dan DeCarlo, Inks by John Lowe Price: $95.00 from Archie and Friends (1991) 37 1999 Archie Publications After a tiff with the gang and some urging from her country club friends, Veronica decides to go to boarding school in Europe (Vuldavia, to be precise). Of course, the gang can't stand that and head out to convince her to come home- though it might not take that much convincing! Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art from Archie and Friends #37 (1999) Page 9 Pencils by Dan DeCarlo, Inks by John Lowe Price: $95.00 from Archie and Friends (1991) 37 1999 Archie Publications Now that Veronica has reconsidered her rash decision to attend a European boarding school (with the help of her friends, of course) she needs to figure out how to get back home- with her dignity intact. Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art from Archie's Double Digest #217 (2011) Complete 8-Page Story 'The Mad Cowboy of Riverdale High' Pencils by Jeff Shultz, Inks by Mark McKenna Price: $535.00 from Archie's Double Digest (1982) 217 2011 Archie Publications A very special entry of Archie featuring Dallas Cowboys tight end Jason Witten! With prom less than 24 hours away, the gang learns that the party they planned to attend was going to feature an uninvited guest- alcohol! Thankfully, Witten's speech to the school helps the students understand the dangers of drink! Pencil and ink on 8 sheets of comic art board, each measures 11" x 17".

Original Art from Artemis Requiem #2 (1996) Page 8 Pencils by Ed Benes, Inks by Doug Selogy Price: $545.00 from Artemis Requiem (1996) 2 1996 DC An ominous page that brings to mind the horror mags of the 70's! Artemis has only just brushed the dirt off after rising from the grave and finds herself in the midst of a satanic nazi cult's human sacrifice ritual! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Cover Art for Avengers #11 (2011) Pencils by John Romita Jr., Inks by Klaus Janson Price: $7,500.00 from Avengers (2010 4th Series) 11A 2011 Marvel An incredibly powerful cover- but what else would you expect from two legends like John Romita Jr. and Klaus Janson? Parker Robbins, The Hood, has been levelling up. After seizing control of organized crime in the Marvel Universe, the villain now seeks to control the Infinity Gems- and he's got three already. JRJR and Janson grace this cover with all of the power and weight that should come a long with a story centered around the Infinity Gems with the God of Thunder making a dramatic stand against the overpowered hoodlum. Also included is a copy of the published issue. Pencil, ink, and correction fluid on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #11 (2011) Page 3 Pencils by Tom Raney, Inks by Scott Hanna Price: $500.00 from Avengers Academy (2010) 11 2011 Marvel A magnificent splash that also serves as the title page for this issue showcasing the return of one of the Avengers' most dangerous foes- Korvac! In an attempt to bring Janet Van Dyne back to life, Avengers Academy student Veil has instead revived Carina Tivan, Michael Korvac's wife (and daughter of The Collector!), which has of course attracted Korvac's attention. Raney and Hanna inject a ton of power into this page with Korvac's form dissipating into massive clouds of energy- dotted with some Kirby Krackle! Signed by Raney in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #27 (2012) Page 14 Pencils by Karl Moline, Inks by Jim Fern Price: $99.99 from Avengers Academy (2010) 27 2012 Marvel As the Runaways and the students of the Avengers Academy move past their differences and start to get along, Giant Man and Tigra realize they might not be able to just let the youngest Runaways (Molly and Klara) continue on with their vagabond existence. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #27 (2012) Page 15 Pencils by Karl Moline, Inks by Jim Fern Price: $99.99 from Avengers Academy (2010) 27 2012 Marvel Reptil shows off his shapeshifting abilities to the Runaways as the two teams of young heroes await Hank Pym's word that they're ready to rescue Old Lace. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #28 (2012) Page 20 Pencils by Karl Moline, Inks by Jim Fern In auction ending January 14 from Avengers Academy (2010) 27 2012 Marvel A sweet final page highlighting the relationship between Hank Pym and Tigra that has a...complicated history thanks to the Skrulls! Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #28 (2012) Page 15 Pencils by Karl Moline, Inks by Jim Fern Price: $99.99 from Avengers Academy (2010) 28 2012 Marvel Having achieved empathy and understand thanks to a spell from Nico, the Runaways and the Avengers Academy make up after fighting one and a half super-powered battles over the Runaways' vagabond lifestyle in the wake of the Superhuman Registration Act. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Arena #13 (2013) Page 5 Pencils by Karl Moline, Inks by Mark Pennington Price: $99.99 from Avengers Arena (2012) 13 2013 Marvel It's taken 13 issues, but someone has caught on to Arcade's abduction of several young heroes to compete in a battle to the death- The Runaways! Specifically, Molly Hayes who seems to be the only one who can see through Arcade's tricks and absolutely insists on investigating. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Undercover #7 (2014) Page 20 Inks by Jason Gorder, Printed Pencils by Kev Walker Price: $200.00 from Avengers Undercover (2014) 7 2014 Marvel One of the most fun tropes in comics is a shocking last page villain reveal splash and this is a great example. Thought killed by a group of the teen heroes who survived Avengers Arena, it turns out that Arcade is still alive! After Ink over printed pencils on comic art board. 11" x 17".

Original Art from Baby Snoots #15 (1973) 'In the Nap of Time' Story Page 7 Price: $140.00 from Baby Snoots (1970 Gold Key) 15 1973 Gold Key A fanciful page that sees Baby Snoots and Uptite Mouse trying to help an alien from the pastry-themed world of Doughbovia find a new crown for his king! Artists are uncredited. Pencil and ink on art board. 14" x 20 1/2".

Original Art from Barbie #13 (1992) Page 24 Pencils by Mary Wilshire, Inks by John Lucas Price: $100.00 from Barbie (1991 Marvel) 13 1992 Marvel A fun page from a story that finds Barbie encountering a celebrity whose fame eclipses her own! While doing a beachwear shoot in the middle of winter, Barbie and fellow model Loulou LaBelle are knocked into the freezing water by a stampede of fans rushing to get a glimpse of "Jackie Michaels". Thankfully the pop star is a gentleman, and immediately rushes to help the ladies out. Signed by Wilshire in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Barbie Fasion #16 (1992) Page 19 Pencils by Mary Wilshire, Inks by John Lucas Price: $100.00 from Barbie Fashion (1991 Marvel) 16 1992 Marvel It's Sadie Hawkins Dance drama for Skipper! With the dance fast approaching, Courtney is pressuring Skipper to ask Brad- it's only natural as she's the head of the pep squad and Brad is the QB, but it looks like Skipper might have some competition! Signed by Wilshire in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Batman: Batgirl #1 (1997) Page 29 Pencils by Matt Haley, Inks by Karl Kesel In auction ending January 14 from Batman Batgirl (1997) 1 1997 DC Coinciding with Batgirl's big screen debut in Batman & Robin, this one shot took place early in Barbara's career and told the story of her first encounter with the Joker- which has gone horrifyingly awry. After accidentally killing a thug attempting to take a family hostage and being knocked out by the Joker, Batgirl attempts to lead the only other survivor of the attack to safety. Signed by Kesel in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Cover Art for Batman Eternal #44 (2015) Pencils and Inks by Ethan Van Sciver Price: $4,460.00 from Batman Eternal (2014) 44 2015 DC Think the TSA is a pain? Try flying out of Gotham! This action-packed, detailed cover sees Batman doing his best to make sure Professor Milo doesn't make his flight! Also included is a copy of the published issue. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #9 (2000) Page 18 Pencils by Roger Robinson, Inks by John Floyd Price: $123.00 from Batman Gotham Knights (2000) 9 2000 DC In the midst of a dramatic rooftop battle with Hugo Strange, Batman suddenly leaped off of Wayne Tower and landed perfectly in the Batmobile- which suddenly exploded! A stunned Hugo Strange looks down at the carnage from above while Dick Grayson tries a bit of undercover work to get in the building and get at Strange Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #9 (2000) Page 19 Pencils by Roger Robinson, Inks by John Floyd Price: $137.00 from Batman Gotham Knights (2000) 9 2000 DC In the aftermath of an explosion that's seemingly killed Batman, Dick Grayson makes use of his acrobatics skills to get past emergency services- while Tim tries to maintain a modicum of opsec. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #9 (2000) Page 20 Pencils by Roger Robinson, Inks by John Floyd Price: $130.00 from Batman Gotham Knights (2000) 9 2000 DC With Batman seemingly dead in an explosion after a battle with Hugo Strange at the top of Wayne Tower, Strange makes his escape as Dick Grayson rushes to find him before he can get away! Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #25 (2002) Page 16 Pencils by Roger Robinson, Inks by John Floyd Price: $95.00 from Batman Gotham Knights (2000) 21 2002 DC Bruce Wayne's arrest on the charge of murder has rocked the inhabitants of Gotham City- none more than his closest allies Alfred Pennyworth and Dick Grayson. Here, the pair compare notes and discuss next steps in front of the court house. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #26 (2002) Page 4 Pencils by Roger Robinson, Inks by John Floyd Price: $191.00 from Batman Gotham Knights (2000) 26 2002 DC A haunting and instantly iconic image from this thrilling storyline! With Bruce rejecting the help of his friends and allies while awaiting trial for murder, Alfred returns to Wayne Manor to clean the crime scene where Vesper Fairchild was murdered. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #37 (2003) Page 17 Pencils by Scott Beatty, Inks by John Floyd Price: $161.00 from Batman Gotham Knights (2000) 37 2003 DC After having to call in Metamorpho to stop a Kobra terrorist plot, Batman turns to Spoiler to run down her failures on this mission. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #47 (2004) Page 15 Pencils by Scott Beatty, Inks by John Floyd Price: $123.00 from Batman Gotham Knights (2000) 47 2004 DC Drama in the Bat-Family! Alfred, Leslie, Dick, and Tim sit down with Bruce to have a conversation about Bane- who Bruce has gifted a shot at redemption along with the means to track down his birth father and not everyone is happy about that. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #49 (2004) Page 17 Pencils by Charlie Adlard, Inks by John Floyd Price: $102.00 from Batman Gotham Knights (2000) 49 2004 DC The Bat Family strikes! As Bane and his newly discovered father King Snake finally grasp the weapon that will help King Snake take control of KOBRA, Batman and Robin spring into action! Signed by Floyd on the reverse. Pencil and ink on DC Comics art board. 11 1/4" x 17"

Original Art from Batman Gotham Knights #49 (2004) Page 18 Pencils by Charlie Adlard, Inks by John Floyd Price: $196.00 from Batman Gotham Knights (2000) 49 2004 DC The Bat family has closed in on Bane and his biological father King Snake as they attempt to loot a powerful weapon and in the heat of the fight, Bane makes choice- the man who once broke the Bat sacrifices himself to save the Bat! Pencil and ink on DC Comics art board. 11 1/4" x 17"

Original Art from Batman Gotham Knights #49 (2004) Page 22 Pencils by Roger Robinson, Inks by John Floyd Price: $276.00 from Batman Gotham Knights (2000) 49 2004 DC It's been a tumultuous time for both The Bat and the man who broke him! Bane's search for his biological father led him to King Snake and when Bane was forced to choose between aiding his father's plans for domination or sacrificing himself to save the life of the Batman, he chose the latter. Healed by a damaged Lazarus Pit, Bane and his former nemesis take a moment to reflect on this hopeful final page. A Signed by Floyd on the reverse. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Grendel II #1 (1996) Page 7 by Matt Wagner In auction ending January 14 from Batman Grendel II (1996) 1 1996 DC/Dark Horse One of the best visual storytellers in comics, Matt Wagner turns in a beautiful page for the inciting event for his creation's second crossover with the Dark Knight! The Gotham City Museum is hosting an exhibit dedicated to the many villains who have plagued the city over the decades and the centerpiece is the skull of Hunter Rose, the original Grendel. With mobs of protestors gathered outside, Commissioner Gordon and the GCPD are out to keep the peace- though they might need some assistance if say, an enhanced assassin from the future chooses this moment and place to travel back in time! Signed by the artist in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Streets of Gotham #1 (2009) Story Page 1 Pencils by Georges Jeanty, Inks by Karl Story Price: $600.00 from Batman Streets of Gotham (2009) 1A 2009 DC When you're in Gotham City, be sure to visit their famous gargoyles and brood in the rain a bit- it's the citywide pastime! Kate Spencer, the most recent character to bear the title of Manhunter, gets into the noir spirit of her new home city in this bold first page splash. Signed by Jeanty in lower margin. Blue-line pencil and ink on DC comics art board. 11" x 17".

Original Art from Betty & Veronica #23 (1989) Page 29 Pencils by Dan DeCarlo, Inks by Jim DeCarlo Price: $95.00 from Betty and Veronica (1987 1st Series Archie) 23 1989 Archie Publications Veronica is furious after calling Archie and getting his answering machine (she refuses to talk to machines), Betty comes up with an absolute ingenious solution to the problem! Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art for Betty and Veronica (1987) Issue 147, Complete Story 'Guest Distress' by Dan DeCarlo and Rudy Lapick Price: $555.00 from Betty and Veronica (1987 1st Series Archie) 147 2000 Archie Publications Original Art for Betty and Veronica (1987) Issue 147, Pages 27-31 "Guest Distress" by Dan DeCarlo and Rudy Lapick. Pencil and ink on Archie Comics Bristol board. 11 1/2" x 17" each, B&W.

Original Art from Betty & Veronica #217 (2006) Page 30 Pencils by Jeff Shultz Price: $311.00 from Betty and Veronica (1987 1st Series Archie) 217 2006 Archie Publications Despite all of the amenities Riverdale has to offer, including a lovely beach, nothing can compare to yapping on the phone with your bestie. Pencil and ink on comic art board. 11" x 17".

Original Art from Birds of Prey #29 (2001) Page 9 Pencils and Inks by Butch Guice Price: $400.00 from Birds of Prey (1999 1st Series) 29 2001 DC Black Canary takes on a band of Vikings in this frenetic fight page from the great Butch Guice! Time travel shenanigans abound when STAR Labs discovers an ancient tablet engraved with Dinah's image and shanghaies her into a mission to the past to find out what's going on. Guice does a beautiful job here with subtle panel breaks that give the page a ton of energy. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Birds of Prey #63 (2004) Page 8 Pencils by Cliff Richards, Inks by Alex Lei Price: $450.00 from Birds of Prey (1999 1st Series) 63 2004 DC A great central image of Batgirl on this page that sees Oracle passing along some bad intel! Looking for drugs (or at least weapons), Cassandra finds only crates full of Wonder Woman dolls- though if it helps they're probably counterfeit! Pencil and ink on DC comics art board. 11 1/2" x 17".

Original Art from Birds of Prey #127 (2009) Page 18 Pencils by Claude St. Aubin, Inks by John Floyd Price: $205.00 from Birds of Prey (1999 1st Series) 127 2009 DC A bittersweet final page to this long running, fan favorite series! With Barbara Gordon/Oracle deciding to take some time to figure out who she is and what she wants to do, Huntress and Misfit ride off into the sunset! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art for Bishop War College #5 (2023) Complete Issue by Sean Damien Hill Price: $3,000.00 from Bishop War College (2023 Marvel) 5 2023 Marvel The final issue in Bishop's (overdue) spotlight miniseries for the Krakoan age is full of fantastic action pages as Bishop and his team of young mutants in training fend off an assault by Orchis and the Fenris twins in the tunnels below Krakoa. Hill's rich, bold pencil work shines in these original pages- especially in the issue's opening closeup of Bishop being (once again) pulled through time and space against his will. Also included is a copy of the published issue. 21 pages (cover and 20 interior pages) on Marvel Comics art board. Cover is pencil and ink, interior pages are pencil. All measure 11" x 17". NOTE: While the cover art included here is nearly identical, the published cover was drawn by Ken Lashley and Juan Fernandez. The cover art included with this set was drawn by series artist Sean Damien Hill and was not published.

Original Art from Blaze # 7 (1995) Page 7 Pencils by Henry Martinez, Inks by Bud Larosa Price: $250.00 from Blaze (1994) 7 1995 Marvel If Johnny Blaze thought being free of the Spirit of Vengeance would mean a nice quiet life, he was sorely mistaken! After rejecting the talents of trick-shooter Double Tap for the Quentin Carnival, Johnny's stunt performance is violently interrupted by the shootist in this action packed page! Also includes a copy of the original issue. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4", B&W.

Original Art from Bloodstone #3 (2002) Page 13 Pencils by Michael Lopez, Inks by Scott Hanna Price: $700.00 from Bloodstone (2001 Marvel) 3 2002 Marvel As Elsa Bloodstone wraps up her first big monster-hunting outing, we're taken to Zaire where a crew of armored troops prepare to do a little testing on a village overrun by vampires. Some great storytelling on this page, especially in that striking first panel! Signed by Hanna on the reverse. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4".

Original Art from Bloodstone #3 (2002) Page 16 Pencils by Michael Lopez, Inks by Scott Hanna Price: $700.00 from Bloodstone (2001 Marvel) 3 2002 Marvel A great reveal for this interlude teasing the danger Elsa Bloodstone will soon face! After raining down holy water on a vampire-infested village, the masked operators return to their helicopter for evac- where it's revealed that they themselves are vampires! Signed by Hanna on the reverse. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4".

Original Art from Cage #8 (1992) Page 31 Pencils by Dwayne Turner, Inks by Chris Ivy Price: $215.00 from Cage (1992 1st Series) 8 1992 Marvel As Luke Cage gives a reporter an earful for his muckracking on television, Luke's brother James realizes Luke may be hot on his trail- and closer to discovering the secret that their father is still alive! Some absolutely fantastic cartooning from Turner and Ivy, especially in the first two panels. Signed by Ivy in top margin. Pencil, ink, and screentone on Marvel Comics art board with plastic overlay affixed at the top with tape (one text stat attached to overlay). 11" x 17".

Original Art from Captain America #9 (1997), Page 18 by Joe Bennett, inks by Mark McKenna Price: $1,200.00 from Captain America (1996 2nd Series) 9 1997 Original Art from Captain America #9 (1997) page 18 by Joe Bennett, inks by Mark McKenna. This action-packed page from Cap's Heroes Reborn era sees the Star-Spangled hero taking down members of the Sons of the Serpent in almost every large panel! Pencil and ink on Image Comics art board. 11" x 17", B&W. Note: The issue credits Sandra Hope and Homage Studios with inks for this issue, but this page is signed by Mark McKenna. Also includes a copy of the original issue.

Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope Price: $2,000.00 from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue.

Original Cover Art for Captain America The 1940s Newspaper Strip #3 (2010) by Butch Guice Price: $8,000.00 from Captain America 1940s Newspaper Strip (2010) 3 2010 Marvel Original Cover Art for Captain America The 1940s Newspaper Strip #3 by Butch Guice (2010). Quite possibly one the most iconic Captain America vs the Red Skull cover in the modern era! Without the busy background or coloring present on the final cover, Guice's beautiful brushwork practically jumps off of the page, highlighting this truly striking cover. Pencil and ink on Marvel Comics art board with title logo and cover copy stats professionally added to the piece. 11" x 17 1/4", B&W. Includes a copy of the original issue.

Original Art from Captain Atom #6 (1987) Page 1 Pencils by Pat Broderick, Inks by Bob Smith Price: $270.00 from Captain Atom (1987 DC) 6 1987 DC An ominous opening to this issue- who is the mysterious man with the long coat and bad aura? Could he be one of THOSE types? Well, fortunately (or unfortunately) it's not a flasher- it's Dr. Spectro! Pencil and ink on DC Comics art board. 11" x 16 1/2".

Original Art Captain Paragon & the Sentinels of Justice #4 (1995)Story Page 15 Pencils by Erik Larsen, Inks by Jim Sanders III Price: $225.00 from Captain Paragon and the Sentinels of Justice (1985) 4 1995 Americomics (AC) With a traitor in their midst, Captain Paragon consults with new head of security Detective Diamond to try and crack the case. Pencil and ink on art board. 12" x 17".

Original Art from Cartoon Network Presents #13 (1998) Page 11 Pencils by Graham Manley, Inks by Jorge Pacheco Price: $170.00 from Cartoon Network Presents (1997) 13 1998 DC A great Herculoids page that sees Zandor and Gloop riding Zok as they bring down an alien ship that's been dumping radioactive fuel over the Herculoids valley with great spotlights for Gloop's shapeshifting and Zok's laser eyes! Signed by Pacheco in bottom margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Conan #8 (1996) Page 14 Pencils by Joe Bennett, Inks by John Floyd Price: $162.00 from Conan (1995 Marvel) 8 1996 Marvel Tensions are high after the army of men Conan was hired to lead were slaughtered in a sneak attack by the Picts, the survivors regroup as one of the scouts meant to report on the Picts movements returns- and Conan's got some choice words for him! Signed by Floyd on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Conan #8 (1996) Page 17 Pencils by Joe Bennett, Inks by John Floyd Price: $224.00 from Conan (1995 Marvel) 8 1996 Marvel Though their numbers have been cut from over 300 to 13 in a surprise attack by the Picts, Conan refuses to retreat and instead proposes what some might call a suicide run! Signed by Floyd on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Conan #8 (1996) Page 5 Pencils by Joe Bennett, Inks by John Floyd Price: $115.00 from Conan (1995 Marvel) 8 1996 Marvel A well-armored Conan consults with the leader of the forces who hired him to lead their campaign against the Picts. All seems to be in order with enough time for some light horseplay- surely the Picts wouldn't launch a surprise attack during such a wholesome scene, right? Signed by Floyd on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Crossgen Chronicles #3 (2001) Page 9 Pencils by George Perez, Inks by Mike Perkins Price: $600.00 from CrossGen Chronicles (2000) 3 2001 CrossGen Comics A prequel story that deepens the lore of the world of Meridian, this issue tells the story of how Sephie's parents met. This fancifully romantic page sees Ideria realize that her feelings for Turos may mean more than her desire for adventure. Perez and Perkins make a fantastic penciller/inker team! Blue line pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris Price: $350.00 from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Curse of Rune #2 (1995) Pages 2-3 by Kyle Hotz Price: $1,350.00 from Curse of Rune (1995) 2 1995 Malibu Graphics Inc. An incredible 'widescreen' double page spread from Hotz opens this issue that sees the vampiric extraterrestrial battle the Soul Gem to control its power. A fantastic example of Hotz's craftsmanship, the oversized layout for this page allows him render the battle-damaged Rune in gruseome detail. Pencil and ink with correction fluid on two sheets of comic art board attached to each other with tape on the reverse. 17" x 22 3/4".

Original Art from Daredevil #235 (1986) Page 31 Breakdowns by Steve Ditko, Finishes by Danny Bulanadi Price: $2,000.00 from Daredevil (1964 1st Series) 235D 1986 Marvel After a night of battling Mr. Hyde and doing some self-reflection, Matt Murdock is need of a nice stroll with Karen. Unfortunately, an encounter with a childhood bully sends Matt back into brooding mode. Some wonderful layouts by Ditko here, especially the last panel, that Bulandani finishes with rich inks. Pencil and ink on Marvel Comics art board. 11" x 16 3/4". NOTE: Three word balloons are missing from the page. A transparent overlay with printed replacements attached has been affixed to the rear with masking tape.

Original Cover Art for Dark Web #1F (2022) by Carlos Gomez Price: $4,500.00 from Dark Web (2022 Marvel) 1F 2022 Marvel A stunner of a cover featuring every major player in this Spidey event! Spider-Man, MJ, Venom, Black Cat, Gold Goblin (Norman!), Ms. Marvel, Chasm (Ben Reilly!), and Hallow's Eve all look ready for action here thanks to Gomez's tight pencils and bold, blocky shading. Signed by the artist in lower right. Also included is a copy of the published issue. Pencil on art board. 11 3/4" x 16 1/2".

Original Art from Deadpool #17 (1998) Page 17 Pencils by Walter McDaniel, Inks by John Livesay Price: $800.00 from Deadpool (1997 1st Series) 17 1998 Marvel Is Deadpool the prophesied intergalactic messiah known as the Mithras said to bring about a universal utopia? A group of employees from the intergalactic holding company Landau, Luckman, and Lake seem to think so, even if the Merc With a Mouth doesn't! We get a beautiful central image of Deadpool aiming his gun at Zoe Culloden on this page which is hilariously undercut just below. Signed by McDaniel at top of page. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld Price: $4,000.00 from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17".

Original Art from Deadpool Kills the Marvel Universe #1 (2012) Page 11 Pencils and Inks by Dalibor Talajic Price: $650.00 from Deadpool Kills the Marvel Universe (2012) 1A 2012 Marvel While it would seem that being bound in straight jacket and placed in asylum might be helpful to Deadpool in a lot of ways, the benefits are cancelled out when that asylum is Ravencroft! The first issue of this now classic series sees Deadpool convinced to cut a bloody swath through the entirety of the Marvel Universe thanks to the meddling of Dr. Pyscho posing as a psychiatrist. Blue line pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Detective Comics #417 (1971) Page 30 Pencils and Inks by Don Heck In auction ending January 14 from Detective Comics (1937 1st Series) 417 1971 DC A beautifully drawn page that also happens to be a crucial moment in Bat-lore from the great Don Heck! After Batgirl aids an overwhelmed Commissioner Gordon in taking down a group of cop-killing radicals (who were themselves being set up by the mob!), all that's left is for the two definitely-not-related crimefighters to head home. Heck's inking is outstanding here, especially in the close shot of Gordon's face in the the third panel. The most notable thing about this page however is that it reveals that Gordon, through some deductive reasoning worthy of the Dark Knight, has known for a while now that his daughter is Batgirl. Pencil and ink on art board. 10 1/2" x 16".

Original Art from Detective Comics #559 (1985) Page 17 Pencils by Gene Colan, Inks by Bob Smith In auction ending January 14 from Detective Comics (1937 1st Series) 559 1985 DC A great page from a great issue that finds the Dark Knight and the Emerald Archer at philosophical odds while trying to take down a corrupt chemical manufacturer! Some great panels on this page, especially the third featuring Canary in her new costume. Signed by Colan in lower margin. Pencil and ink on comic art board. 10 3/4" x 16 1/4".

Original Cover Art from Dick Tracy Monthly #145 (1961) by Joe Simon Price: $1,475.00 from Dick Tracy Monthly (1948-1961 Dell/Harvey) 145 1961 Harvey The legendary Joe Simon gives this final issue of the daring detective's long-running series the send off it deserves in this action packed cover. Also included is a copy of the published issue. Pencil, ink, and stats on art board. 13 1/2" x 18 1/2". NOTE: The original art portion of this cover is on a sheet of art board that has been cut to fit and pasted onto a larger board containing the title logo/copy stats.

Original Art from Doctor Strange #60 (1983) Page 12 Pencils by Dan Green, Inks by Terry Austin Price: $2,000.00 from Doctor Strange (1974 2nd Series) 60 1983 Marvel Under the command of Dracula himself, a mob of vampires are assaulting Avengers mansion- and the only one who knows what's going on is the Master of the Mystic Arts himself (with a little assist from Hannibal King)! A great panel page with some great spell-slinging and an absolutely stunning second panel where Green and Austin render Dracula's thralls in heavy, spooky shadow. Signed by Green in lower margin. Pencil and ink on Marvel Comics art board. 11" x 16".

Original Art from Doctor Strange #42 (1992) Page 26 Pencils and Inks by Geof Isherwood Price: $825.00 from Doctor Strange (1988 3rd Series) 42 1992 Marvel An Infinity War crossover! Rintrah is unexpectedly left on his own as Clea hops into a portal on an unknown mission while we Doctor Strange has already left with Galactus! Rich, beautiful work by Isherwood here, especially on Clea and Rintrah in the inset first panel! Signed by the artist in lower margin. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4".

Original Art from Dreadstar #51 (1990) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Eric Vincent In auction ending January 14 from Dreadstar (1986 First) 51 1990 First Publishing A nice sci-fi page with great creature design for this story set in the aftermath of a war (that Dreadstar and his crew helped win) that may not be as over as everyone seems to think! Signed by Wojtkiewicz in lower margin. Pencil and ink on First Comics art board.

Original Art from Elven #2 (1995) Page 15 Pencils by Aaron Lopresti, Inks by Hilary Barta In auction ending January 14 from Elven (1995) 2 1995 Malibu Graphics Inc. A great fight page punctuated with some of offbeat post-modernism that made the Malibu universe stand out! Elven, a heroine with great power and a mysterious connection to Prime, takes on a mysterious beast in her therapist's office as a news crew (called by the therapist) arrives to get the story. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Elven #2 (1995) Page 23 Pencils by Aaron Lopresti, Inks by Hilary Barta In auction ending January 14 from Elven (1995) 2 1995 Malibu Graphics Inc. Elven finds that her help isn't always appreciated after she nearly disembowels a man who drunk and annoying his girlfriend, flying off into the night and contemplating her mysterious origins. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Exiles #67 (2005) Page 16 Pencils by Jim Calafiore, Inks by Mark McKenna Price: $150.00 from Exiles (2001 1st Series Marvel) 67 2005 Marvel The multiverse hopping mutants find themselves in a world plagued by giant monsters, kept at bay only by the Science Squad! Arriving on this earth seeking the aid of its Curt Conners, the team must first help the Science Squad defeat Krakoa, The Island that Walks Like a Man. Hey, those ships look kind of familiar...wonder if they can combine to form a large mech... Signed by Calafiore in bottom margin. Pencil and ink on Marvel Comics art board.

Original Art from Fantastic Four #114 (1971), Page 21 by 'Big' John Buscema with inks by Frank Giacoia Price: $6,000.00 from Fantastic Four (1961 1st Series) 114 1971 Marvel Original Art from Fantastic Four #114 (1971), Page 21 by "Big" John Buscema with inks by Frank Giacoia. The first panel features Mr. Fantastic in a striking pose, looking out from the Baxter building and considering his next move. The rest of page follows the mysterious Over-Mind as he returns to his ship and tames a wild dog with his powers. Nice, tight line work on beautiful Bronze Age art! Pencil and ink on art board. 15 3/4" x 10 3/4", B&W.

Original Art from Fantastic Four #114 (1971), Page 23 by 'Big' John Buscema with inks by Frank Giacoia Price: $6,000.00 from Fantastic Four (1961 1st Series) 114 1971 Marvel Original Art from Fantastic Four #114 (1971), Page 23 by John Buscema with inks by Frank Giacoia. The Over-Mind, an Eternal known also as Grom, makes his second appearance in comics in this powerful Bronze Age page. Over-Mind is seen here in all his powerful glory tossing aside scrap cars as well as opening his ship with telekinesis. A fantastic showcase for this deadly villain! Pencil and ink on art board. 15 3/4" x 10 3/4", B&W.

Original Art from Fantastic Four #212 (1979) Page 19 Pencils by John Byrne, Inks by Joe Sinnott Price: $8,500.00 from Fantastic Four (1961 1st Series) 212D 1979 Marvel A fantastic villain origin page for the former Egyptian wizard now known as the immortal Sphinx! The Sphinx Reed and the rest of the FF are in dire straits while recovering from a battle with the Skrulls so they're forced to turn to the only being powerful enough to take on The Sphinx- Galactus! While the World-Eater and his herald make their way to the showdown, The Sphinx stands in front of the pyramids (likely place for him to be) and ponders on his origins. Some great panels here, especially the 5th panel which sees the villain begin to put his plan into motion with some Kirby Krackle! Signed by writer Marv Wolfman in bottom margin. Pencil and ink on Marvel Comics art board. 10 1/2" x 15 3/4". NOTE: Two lines of dialogue from this page "was once a face--" and "once called Xandar" are edits where the original lettering was cut out and the new lines placed in and secured with tape on the reverse.

Original Art from Fantastic Four #275 (1985) Page 6 Pencils by John Byrne, Inks by Al Gordon In auction ending January 14 from Fantastic Four (1961 1st Series) 275D 1985 Marvel A...fantastic page from this solo Shulkie story from John Byrne who would go on to redefine the character in her solo series just a few years later! After a sleazy paparazzo snaps some pictures of a topless She-Hulk on the roof of the Baxter Building, a chase ensues in the skies over New York, which Byrne and Gordon depict beautifully with some outstanding panels- especially the second and fourth! Pencil and ink on Marvel Comics art board. 10 3/4" x 16". NOTE: The image of the Chrysler building in the first panel is a pasted in stat.

Original Art from Fantastic Four #304 (1987), Page 20 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott Price: $5,000.00 from Fantastic Four (1961 1st Series) 304 1987 Marvel Original Art from Fantastic Four #304 (1987), Page 20 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott. It's a battle for the ages as Quicksilver, mad with jealousy, kidnaps Alicia Masters and attacks the FF! On this very climactic page, Ben sets him up and Johnny knocks him down (with a PLOW!) ending the battle with a single flaming punch! A Bronze Age battle page at its best! Pencil and ink on art board. Signed by Sinnott on the reverse and dated 1/87. 16 1/2" x 10 3/4", B&W. Minor light glue staining.

Original Art from Fantastic Four #388 (1994) Page 17 Pencils by Paul Ryan, Inks by Danny Bulanadi Price: $1,624.00 from Fantastic Four (1961 1st Series) 388 1994 Marvel Time travel almost never works out the you want it to, even if you're in the Fantastic Four! After showing up in the Silver Age on the trail of the mysterious Dark Rider, the FF's 90's looks and attitudes find themselves tangling with their past selves- and the Avengers! Bulanadi does a beautiful job inking Ryan here, with a level of detail and texture not apparent in the colored published pages. Signed by Ryan in left margin. Pencil and ink on Marvel Comics art board. 11" x 17". NOTE: One word balloon is missing from the 6th panel ("YOW!").

Original Art from Fantastic Four #388 (1994) Page 29 Pencils by Paul Ryan, Inks by Danny Bulanadi Price: $1,624.00 from Fantastic Four (1961 1st Series) 388 1994 Marvel A stunner of a first panel opens this tragic page! After the mysterious Dark Raider strikes a decisive blow, killing the Reed and Sue of the Silver Age the villain disappears into the time stream, leaving the Avengers and both groups of FFs to ponder their next move- with the Franklin Richards of the future making plans of his own. Signed by Ryan below third panel. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Fathom #5 (2006) Page 19 Pencils by Koi Turnbull, Inks by Jason Gorder Price: $270.00 from Fathom (2005 Aspen 2nd Series) 5 2006 Aspen A long-awaited reunion between father and daughter quickly turns to panic as Aspen's appearance at her adopted father's desert home triggers a trap set by Maylander. Some fantastic sequential work by the artists here as Captain Matthew's expression turns from warmth to terror in an instant. Also included is a copy of the published issue. Pencil and ink on Aspen Comics art board. 11" x 17".

Original Art from Fathom #8 (2006) Page 4 Pencils by Koi Turnbull, Inks by Jonathan Glapion Price: $270.00 from Fathom (2005 Aspen 2nd Series) 8A 2006 Aspen A romantic scene on the beach as Aspen and Chance mourn their lack of alone time in a quiet moment before she heads off to the city of Saba. Also included is a copy of the published issue. Pencil and ink on Aspen Comics art board. 11" x 17".

Original Art from The First #18 (2002) Page 12 Pencils by Andrea Di Vito, Inks by Rob Hunter Price: $190.00 from First (2000) 18 2002 CrossGen Comics The long lost leader Altwaal watches the fire and waits for the intruder he knows his coming! Pencil and ink on Crossgen comic art board. 11" x 17". NOTE: Tape affixed to the top of the page in margin.

Original Art from The First #36 (2003) Pages 14-15 Pencils by Marat Mychaels, Inks by Armando Durruthy Price: $425.00 from First (2000) 36 2003 CrossGen Comics With panic and confusion gripping The First after some shocking revelations, Trenin and House Dexter take the opportunity to mount an assault on Sehan and House Sinister. This powerful double page splash sees the first blow landed by Sehan as the rest of groups let the two titans fight. Pencil and ink on two sheets of Crossgen comic art board affixed with tape on the rear. 20 1/2" x 17".

Original Art from First Love Illustrated #60 (1956 Harvey), Page 25 'Acceptable Accessories!' Pencils and Inks by Tom Hickey Price: $725.00 from First Love Illustrated (1949-1963 Harvey) 60 1956 Harvey Original Art from First Love Illustrated #60 (1956 Harvey), Page 25 'Acceptable Accessories!' Pencils and Inks by Tom Hickey. A check list for the essential accessories- Hats, Gloves, Leather Belts, Jewelry, Purses, and Opera Pumps. All finely illustrated by Tom Hickey. Pencil and ink on art board. 15" x 22", B&W.

Original Art from First Love Illustrated #77 (1956 Harvey) Complete 6-Page Story 'Too Young to Know!', Pencils by Lee Elias Price: $1,750.00 from First Love Illustrated (1949-1963 Harvey) 77 1956 Harvey Original Art from First Love Illustrated #77 (1956 Harvey) Complete 6-Page Story 'Too Young to Know!', Pencils by Lee Elias. The art for this story, first published in First Romance Magazine #8 (1951), is especially interesting as you can see the many, many edits to it that were made to both art and text in the previously published story due to the recently implemented Comics Code! The final panel of the third page has a paste-in edit that's loose enough to see the original underneath where a kiss on the neck was removed! Pencil, ink, and correction fluid on art board. Pages measure 15" x 20". Note: Several paste-in edits, both art and text, are partially detached due to age.

Original Art from First Love Illustrated #90 (1956 Harvey) Complete 6-Page Story 'Choose Well, My Heart!', Artist(s) Uncredited Price: $950.00 from First Love Illustrated (1949-1963 Harvey) 90 1956 Harvey Original Art from First Love Illustrated #90 (1956 Harvey) Complete 6-Page Story 'Choose Well, My Heart!', Artist(s) Uncredited. A dramatic tale of a woman forced to choose between her poor but loving boyfriend and a rich guy who hit her with his car. Pencil and ink on art board. Pages measure 14" x 19".

Original Art from Flash #104 (1995) Page 11 Pencils by Roger Robinson, Inks by Jasen Rodriguez In auction ending January 14 from Flash (1987 2nd Series) 104 1995 DC As exciting as Flash's speedy exploits are, the drama in Wally and Linda's relationship could be just as thrilling as evidenced by this great 'drama' page that finds the pair talking things out after it's revealed that the story Linda was investigating (and the imminent monster attack) involved an ex-husband that she never told Wally about. Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Flash #104 (1995) Page 2 Pencils by Roger Robinson, Inks by Jasen Rodriguez In auction ending January 14 from Flash (1987 2nd Series) 104 1995 DC An exciting and beautifully drawn page that finds Wally and Linda in a tight spot as Linda's reporting (and Wally's chasing after her) has led them both into a mysterious underground temple filled with Werewolf-like monsters who are somehow fast enough to challenge the Flash. Dynamic figure work and appropriately moody inking make this page a real eye-catcher! Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Flash #208 (2004) Page 18 Pencils by Howard Porter, Inks by John Livesay Price: $250.00 from Flash (1987 2nd Series) 208 2004 DC In dealing with the emotional fallout of having the Spectre erase the knowledge of his identity from everyone on earth, Wally West is going through a bit of a (lowercase) crisis. After being rescued from a Rogues attack by Jay Garrick and Bart Allen, the trio of speedsters are invited to take a look at the new Flash Museum. Porter and Livesay do some tremendous scene work on this page, with the intricately drawn tile mosaic (donated by Bruce Wayne!) and the display of D-list heroes. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Flash #208 (2004) Page 19 Pencils by Howard Porter, Inks by John Livesay Price: $275.00 from Flash (1987 2nd Series) 208 2004 DC Much of Geof Johns' DC work revolves around the theme of legacy, and his Flash run is no different. Porter and Livesay do a beautiful job of conveying that in this emotional page that finds Wally West scrambling to make sense of his life in the wake of The Spectre erasing his identity from the minds of everyone on earth- including his friends. Signed by Porter in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Flash Annual #3 (2020) Page 34 Pencils by Carlo Pagulayan, Inks by Jason Paz Price: $300.00 from Flash (2016 5th Series) Annual 3 2020 DC It's the Scarlet Speedster vs. the Terminator (not that one) in this fantastically laid out fight page! When circumstances put Flash on the same side as the Suicide Squad, the Fastest Man Alive has no choice but to come to their aid when Deathstroke sets out to collect a bounty on semi-reformed villains. The half splash to open the page with Flash showing up to save Captain Boomerang just in the nick of time is beautiful with Pagulayan and Paz doing great work illustrating the hero's powers. Blue line pencil and ink on DC Comics art board. 11" x 17". NOTE: Blue line pencils are possibly printed, but as the page is fairly tightly inked, we cannot say for certain.

Original Art from Freex #5 (1993) Page 21 Pencils by Ben Herrera, Inks by Larry Welch In auction ending January 14 from Freex (1993 Malibu) 5 1993 Malibu Graphics Inc. The teenage science experiments known as the Freex are about to make a quick getaway after narrowly fending off the Master of The Hunt and his dog-men in this tense page that's capped off with a beautifully drawn final panel as they realize their enemy isn't completely dead! Signed by Herrera in lower margin. Pencil and ink on Malibu Comics art board. 11 1/2" x 17 1/2".

Original Art from Ghost Rider #24 (1992) Page 28 Pencils and Inks by Mark Texeira Price: $1,250.00 from Ghost Rider (1990 2nd Series) 24 1992 You want vengeance? You got it! Plaguing Danny and the Ghost Rider since the first issue of this series, the Rider finally takes the villain down in this gorgeous page from Texeira. The series of close shot, wide panels make for a dramatic sequence as Ghost Rider plunges his chain into Deathwatch's midsection, causing him to burst with energy and explode both his base of operations and henchmen in the process. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from GI Combat #202 (1977) Page 49 Pencils and Inks by Romeo Tanghal Price: $335.00 from GI Combat (1952) 202 1977 DC From the short and nasty story titled "AWOL...Until DOOMSDAY", a great page that sees some nazis get their comeuppance! After massacring a group of Canadian soldiers and dumping their bodies in the river, the nazis decide to go for a swim themselves- not realizing that retribution can happen in an instant as they're grabbed from below. Pencil and ink on comic art board. 10 1/2" x 15 3/4"

Original Art from GI Combat #206 (1978) Page 18 Pencils and Inks by ER Cruz Price: $335.00 from GI Combat (1952) 206 1978 DC From the OSS story titled "The 2 Faces of the General" a dramatic opening scene of General Eisenhower being assassinated by Axis forces...or was he? The shocking opening is revealed to be staged for the benefit of the real Eisenhower in the beautifully drawn fourth panel, contrasting the action of opening with the shadow world of intelligence operations. Pencil and ink on comic art board. 10 1/2" x 15 1/2".

Original Art from GI Combat #225 (1981) Page 24 Pencils & Inks by ER Cruz Price: $335.00 from GI Combat (1952) 225 1981 DC A prime example of how suited Cruz's art was to depicting the espionage of World War 2! Under orders from Control, operative Phoenix has snuck himself into Italy to ambush and capture Hitler's head of chemical weapons. Cruz's inking truly shines here, especially in the first panel as the mounted nazis are bathed in machine gun fire. Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from Girls' Romances #134 (1968) Page 10 Pencils by Jack Sparling Price: $350.00 from Girls' Romances (1950) 134 1968 DC Paula's romantic misadventures have come to an end in light of refraining from documenting everything about her relationship with Rudy in her diary- a revelation she comes to for herself in the optimistic final panel. Pencil and ink on art board. 10 3/4" x 16".

Original Art from Girls' Romances #134 (1968) Page 2 Pencils by Jack Sparling Price: $425.00 from Girls' Romances (1950) 134 1968 DC While Paula is searching high and low for love, her true devotion is to her diary- which she realizes may be at the root of her troubles in this beautifully drawn page. Pencil and ink on art board. 10 3/4" x 16".

Original Art from Girls' Romances #134 (1968) Page 5 Pencils by Jack Sparling Price: $375.00 from Girls' Romances (1950) 134 1968 DC Paula's obsession with documenting her romantic adventures in her diary leads her on trip down memory lane as she remembers her past paramours- and what led to their breakups! Pencil and ink on art board. 10 3/4" x 16".

Original Art from Girls' Romances #134 (1968) Page 6 Pencils by Jack Sparling Price: $400.00 from Girls' Romances (1950) 134 1968 DC Paula's breakup with Stan is depicted here in a beautifully dramatic fashion as she realizes that her obsession with documenting everything in her diary may be what's causing her relationships to fizzle out. A fantastic example of the dramatic framing that makes romance comics a great showcase for visual storytelling. Pencil and ink on art board. 10 3/4" x 16".

Original Art from Green Arrow #97 (1995) Page 1 Pencils by Rodolofo Damaggio In auction ending January 14 from Green Arrow (1987 1st Series) 97 1995 DC A dramatic opening to this issue, part of Ollie's last arc (for a while, anyway) before his shocking death! Having learned secondhand that Connor Hawke is his son, Ollie is NOT happy about being deceived by the young hero and wants to make that clear. It's a big moment in the story that ups the stakes for what's to come! Signed by Damaggio in lower margin. Pencil, ink, and screentone on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 2 Pencils by Rodolofo Damaggio In auction ending January 14 from Green Arrow (1987 1st Series) 97 1995 DC A dramatic page, and a pivotal moment for the Arrow clan as Ollie shares his feelings about Connor hiding the fact that he's his illegitimate son from him in this issue appropriately titled "Father's Day". Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 24 Pencils by Rodolofo Damaggio In auction ending January 14 from Green Arrow (1987 1st Series) 97 1995 DC Don't call him Speedy! Things did not go...well when Ollie found out that Connor Hawke was actually his son and backup was needed. Why just grab one gun when you can bring the entire Arsenal? A great last-page splash with a downright iconic image of the former sidekick in his full tactical regalia! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #101 (1995) Page 12 Pencils by Rodolfo Damaggio, Inks by Robert Campanella In auction ending January 14 from Green Arrow (1987 1st Series) 101 1995 DC "He's the greatest guy and the biggest jerk I've ever known", a line from Black Canary that perfectly sums up her relationship with the recently deceased Oliver Queen as she receives the news of his death from Connor Hawke- along with the surprise that Connor is Ollie's son. It's a downbeat, heavy moment but this was the 90's and so it's punctuated with some beautifully drawn, sharply inked cheesecake! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17"

Original Art from Green Lantern Corps #63 (2011) Page 2 Pencils & Inks by Joe Prado Price: $425.00 from Green Lantern Corps (2006 1st Series DC) 63A 2011 DC A fantastic showcase for Boodikka, a Lantern from a warrior society (and one time sexual partner of Lobo!) who eventually gave up much of her organic body to become an Alpha Lantern. Here we see her in all three forms- as an Alpha Lantern grappling with her new life, as a warrior on the planet Bellatrix, and as a member of the Green Lantern Corps! Signed by the artist in bottom margin. Pencil and ink on DC COmics art board.

Original Art from Guardians of the Galaxy #5 (2019) Page 18 Pencils and Inks by Geoff Shaw Price: $400.00 from Guardians of the Galaxy (2019 6th Series) 5A 2019 Marvel Thanos is dead, long live Thanos! After Gamora assassinated her father to stop him from once again using the Infinity Gems, the galaxy has been in chaos- chaos orchestrated by Hela in order to set the conditions to bring Thanos back. After springing her trap and placing Thanos' consciousness in the body of Eros (Starfox), here we see the pair examining the new body she has constructed for the Mad Titan! Red pencil and ink over printed roughs on art board. 11" x 17".

Original Art from Hawkman #23 (1995) Page 11 Pencils by Steve Lieber, Inks by Curt Shoultz In auction ending January 14 from Hawkman (1993 3rd Series) 23 1995 DC It's an intergalactic rescue mission as Hawkman and other Justice Leaguers assault the Tormock homeworld to save Guy Gardner! This beautifully inked page sees Hawkman, Wonder Woman, and Probert (a mercenary who managed to snag some Green Lantern powers!) commandeering a Tormock ship. Signed by Lieber in last panel. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Invaders #1 (1993) Page 1 Pencils by Dave Hoover, Inks by Brian Garvey Price: $381.00 from Invaders (1993 Marvel 2nd Series) 1D 1993 Marvel A bold scene-setting first page takes us back to the height of World War 2 where a Nazi sub is set to attack a blacked-out New York City! Thankfully it looks like help is arriving in the last panel! Signed by Hoover in third panel. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Iron Man #211 (1986) Page 8 Pencils by Alex Saviuk, Inks by Sam de la Rosa Price: $225.00 from Iron Man (1968 1st Series) 211 1986 Marvel With the shocking news that her estranged, drug-addicted husband was still alive, Bethany Cabe sets off to find him in Berlin- and does. Though she may not have gotten the reception she was looking for! Pencil, ink, and screentone on Marvel Comics art board. 11" x 16 1/4".

Original Art from Jaguar #5 (1991) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Jose Marzan Jr. In auction ending January 14 from Jaguar (1991) 5 1991 DC With narration from the new Jaguar, Maria De Guzman, about the purpose of Universities we get a classic sci-fi trope and a great opening page as we witness an ambitious experiment going awry! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from JLA #17 (1998) Page 22 Pencils by Arnie Jorgenson, Inks by Mark Pennington Price: $1,600.00 from JLA (1997) 17 1998 DC A splash so great, it needs a role call- we've got Electric Blue Superman, Wonder Woman, Aquaman (spear hand era), Flash (Wally), Green Lantern (Kyle), Batman, Martian Manhunter, Catwoman, Plastic Man, Orion, Big Barda, Oracle, Steel, Huntress, and of course- Zauriel! This fantastic full team splash is a pleasant bit of hopefulness after the team just barely fended off an attack from the mysterious Prometheus. Signed by Pennington in lower left (personalized). Pencil and ink on DC Comics art board. 11" x 17".

Original Art from John Aman Amazing Man #2 (2014) Page 14 Pencils & Inks by Steven Butler Price: $175.00 from John Aman Amazing Man (2014 Gallant Comics) 2B 2014 A classic trope plays out as the loner Amazing Man attempts to play nice with the government's X-Bureau during a briefing on a mission to rescue his 'close friend' Zoe Henderson from the clutches of Horace Googer as Blue Beetle and Miss Masque look on. Signed by Butler in bottom margin. Pencil and ink on Gallant Comics art board. 12" x 18".

Original Art from John Aman Amazing Man #2 (2014) Page 16 Pencils & Inks by Steven Butler Price: $350.00 from John Aman Amazing Man (2014 Gallant Comics) 2B 2014 A stunner of a splash page that finds John Aman in his full glory as his explodes out of the roof of an X-Bureau transport and into the sky, deciding to attempt to rescue his kidnapped friend Zoe Henderson without their aid. Signed by Butler in bottom margin. Also included is a copy of the published issue. Pencil and ink on Gallant Comics art board. 12" x 18".

Original Art from John Aman Amazing Man #3 (2014) Complete Captain Battle Story Pages 19-24 Pencils & Inks by Steven Butler Price: $850.00 from John Aman Amazing Man (2014 Gallant Comics) 2B 2014 A thrilling story tracing the origins of Captain Battle that takes place during the American Revolution! Butler's bold linework hops off the page in this tense story that finds an assassin, disguised with the help of a magical coin, make an attempt on the life of George Washington! All pages are signed by Butler in bottom margin. Blue line pencil and ink on 6 sheets of Gallant Comics art board. Each sheet measures 11 1/2" x 18".

Original Back Cover Art for Just Imagine Stan Lee's The Flash #1 (2001) by Adam Hughes Price: $4,000.00 from Just Imagine Flash (2001) 1 2001 DC One of the modern masters of comic art brings Kevin Maguire and Stan Lee's reimagining of the Flash to thrilling life in this kinetic image! The sleek design of Mary Maxwell's suit seems almost tailor-made for Hughes' style, especially with Hughes' trademark eyes giving the reader a glance through her visor as she refuses to acknowledge the concept of traffic! Signed by Hughes and Stan Lee. Also included is a copy of the published issue Pencil and ink on the reverse of Blanc Noir comic art board. Title and cover copy stats are reproductions, affixed to the page with tape on the reverse. Page measures 11" x 17 1/2", full piece measures 12 1/4" x 18".

Original Art from Justice League #9 (1987) Page 1 Pencils by Kevin Maguire, Inks by Al Gordon Price: $6,000.00 from Justice League America (1987) 9 1987 DC A fantastic title splash page from this landmark iteration of the Justice League that saw the team get a surprising new lineup and expand their operations to a truly global scale! In the wake of the revelations from the Guardians that Manhunters have been infiltrating earth disguised as humans, the team mulls over next steps as they head into Bialya. Signed by Maguire in lower margin. Pencil and ink on DC Comics art board. 11" x 16 1/4".

Original Art from Justice League America #93 (1994) Page 20 Pencils by Chuck Wojtkiewicz, Inks by Bob Dvorak In auction ending January 14 from Justice League America (1987) 93 1994 DC A surprise attack from the horrific Scarabus has the League reeling- though his true target is Power Girl's newborn son! Thankfully, it's revealed here that the child possesses powers of his own as he forms a force field to save himself and his mother-though their final destination of Atlantis will likely bring some more challenges! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board with vellum overlay that has additional art. 11 1/2" x 16 1/2".

Original Art from Justice League America #95 (1995) Page 17 Pencils by Chuck Wojtkiewicz, Inks by Rich Rankin In auction ending January 14 from Justice League America (1987) 95 1995 DC The League has been adjusting to their new base of operations on the Overmaster's former ship, though the fact that it's still inhabited is a bit of a hiccup! Thankfully, some help from future JLA ally Yazz convinces most of the aliens to call of their attack...most. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz- including one of Yazz, likely as part of his first appearance in this issue. Signed by Wojtkiewicz in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #95 (1995) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Rich Rankin In auction ending January 14 from Justice League America (1987) 95 1995 DC Though the threat of an alien ambush on the League's new headquarters has passed, Hawkman recognizes the species the ringleader hails from- and it doesn't bode well for earth! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #95 (1995) Page 7 Pencils by Chuck Wojtkiewicz In auction ending January 14 from Justice League America (1987) 95 1995 DC It may not seem so at a glance, but this is a terrifying page! Imagine scoring a date with a Brazilian model/superhero and hitting the club for a night on the town only to be chased off the dancefloor by an angry mob who hates your moves and THEN you find out there's no chemistry with your date. This is the reality for Albert Rothstein (aka Nuklon) on this fantastically drawn page that perfectly captures the sitcom-esque appeal of this era of the League. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: Multiple inkers are credited for this issue- Bob Dvorak, Rich Rankin.

Original Art from Justice League America #98 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Bob Dvorak In auction ending January 14 from Justice League America (1987) 98 1995 DC In the wake of Max Lord's death, several Leaguers decide to come to the aid of a woman with a vague problem- her town has become 'strange'. Incognito, Nuklon, Hawkman, Wonder Woman, and Crimson Fox check out the local diner for a bit of intel and receive some less than stellar service from the waitress! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #98 (1995) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Bob Dvorak In auction ending January 14 from Justice League America (1987) 98 1995 DC Wojtkiewicz and Dvorak absolutely nail the americana-noir in this tense scene as disguised Leaguers Wonder Woman, Hawkman, Nuklon, and Crimson Fox investigate a small town at the behest of a resident. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Ken Branch In auction ending January 14 from Justice League America (1987) 101 1995 DC Tensions are high in the League as they rocket towards an alien army bent on invading earth, thanks in no small part to Blue Devil's flippant attitude towards the danger they face. A great character moment on this page as Devil gets some advice from the League's former "jerk", Guy Gardner. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 14 Pencils by Chuck Wojtkiewicz, Inks by Ande Parks In auction ending January 14 from Justice League America (1987) 101 1995 DC While the majority of the League is in space trying to stop an invasion of Earth, Metamorpho and Crimson Fox are on a much more personal mission- tracking down the assassin who killed the previous Crimson Fox. Some great shots of both heroes here showing off the excellent character designs. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 15 Pencils by Chuck Wojtkiewicz, Inks by Ande Parks In auction ending January 14 from Justice League America (1987) 101 1995 DC A great chaotic action page as the League's ship is attacked sending the heroes scrambling to control the situation. Nice images of just about every hero involved thanks to the packed and detailed panels. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #103 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci In auction ending January 14 from Justice League America (1987) 103 1995 DC After a particularly difficult experience fending off an alien invasion, Fire and Icemaiden's relationship can be described as tense at best. Here we see Fire grappling with some past abandonment trauma- though Icemaiden aims to prove she won't leave her teammate. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #105 (1995) Page 10 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci In auction ending January 14 from Justice League America (1987) 105 1995 DC A break from the superheroic mayhem of the rest of the issue for a look at the simmering political thriller that will soon be a problem for the League! Here we see the results of The Arcana's schemes as a senatorial hopeful's car is blown up and Leonidas gets the "good" news. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #105 (1995) Page 5 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci In auction ending January 14 from Justice League America (1987) 105 1995 After the shocking last page stinger of the last issue that saw the team discover Obsidan stabbing himself repeatedly (to no effect) in a suicide attempt, the League is taking their teammate to get some help- but what help can a therapist be to someone who can only see the darkness? Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board with vellum overlay with a stat for the background of panel 3. Additionally, the same artwork on the stat is on a sheet of acetate affixed to the page with tape. 11 1/2" x 16 1/2".

Original Art from Justice League America #106 (1995) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci In auction ending January 14 from Justice League America (1987) 106 1995 DC Nuklon's attempt to help his buddy Obsidian's mental state continues to go...not great in this page that's clearly (if also a bit clumsily) telegraphing the eventual revelation that he's gay. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #107 (1996) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci In auction ending January 14 from Justice League America (1987) 107 1996 DC Jungle Action! In the midst of a world-wide monster attack, Crimson Fox is drawn to the jungles of Thailand where she finds Power Girl being attacked by a mysterious and feral leopard/human hybrid. Thankfully Kara wakes up to land the final blow on the feline creature- but the fight isn't over yet! Signed by Wojtkiewicz in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #108 (1996) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci In auction ending January 14 from Justice League America (1987) 108 1996 DC A battle long in the making, Scarabus is finally having it out with the League- and Power Girl's infant son who has suddenly become a full grown adult man named Equinox! A great fight panel between Scarabus and Wonder Woman stands out here showing off the villain's delightfully creepy design. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #110 (1996) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg In auction ending January 14 from Justice League America (1987) 110 1996 DC There's trouble down Texas way! The League heads down to Dos Rios, Texas after hearing reports that local vigilante El Diablo/town councilman Rafael Sandoval is in trouble. Here we see Hawkman and Fire doing a bit of detective work- and dropping the subtleties! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2"

Original Art from Justice League America #110 (1996) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg In auction ending January 14 from Justice League America (1987) 110 1996 DC While Yazz and Icemaiden work on a merchandising deal for the League, Nuklon and Obsidan have more important matters to discuss. Signed by Wojtkiewicz in lower margin. Wojtkiewicz plays out the dramatics well here with his panel progression and facial expressions. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2"

Original Art from Justice League America #111 (1996) Page 3 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg In auction ending January 14 from Justice League America (1987) 111 1996 DC A captivating opening to this issue that reveals the history of the mysterious group Arcana that's been pulling strings in the pages of JLA for a while contrasted with the history of Aztec king Netzahualcoyotl who's currently possessing the body of Texas vigilante El Diablo. All that AND the revelation to the rest of the League that Blue Devil has been working (somewhat unwittingly) with an agent of Arcana! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #112 (1996) Page 16 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg In auction ending January 14 from Justice League America (1987) 112 1996 DC A page full of heroes! With the JLA's base on The Refuge in "Purge Mode", the heroes not on the ship race to rescue their allies. Great shots of Green Lantern, Wonder Woman, and Flash here as they head off into space! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #113 (1996) Page 18 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg In auction ending January 14 from Justice League America (1987) 113 1996 DC Freed from intergalactic slaver Flicker by Power Girl's rage, the JLA prepares to head back to earth to end their final adventure together. Some great touches on this page from the hand-drawn onomatopoeia of El Diablo removing the teleporter from Flicker's body, to the silhouette of the team saying goodbye to Yazz. Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #61 (1994) Page 14 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore In auction ending January 14 from Justice League Europe (1989) 61 1992 DC The Justice League is in peril on this great action page that sees the extraterrestrial Family easily taking down the heroes as they search for their son- who just happens to be the mysterious League ally Godfrey! Great character design on The Family's Angstra in the first panel and a chilling close to this page as matriarch Matilda tosses aside Flash's lifeless body in silhouette. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #62 (1994) Page 15 Pencils by Chuck Wojtkiewicz In auction ending January 14 from Justice League Europe (1989) 62 1994 DC A nice example of teamwork from this version of the League who are often bickering! In the shadow of a colossal alien foe so powerful he has his own gravity, Doctor Light leads the team in forming a lens to enhance her own power- and hopefully stop "Daddy"! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: Multiple inkers are credited for this issue- Michael Oeming, Rich Ranking, and Don Hillsman.

Original Art from Justice League International #63 (1994) Page 15 Pencils by Chuck Wojtkiewicz In auction ending January 14 from Justice League Europe (1989) 63 1994 DC Following Metamorpho's hunch, the team heads to Africa to track down the "Old Culture" conspiracy and finds a hidden city full of ruins and advanced technology. This gorgeous half splash features a great large panel of the mysterious city as well as a fantastic hero shot of Metamorpho springing into action. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: Multiple inkers are credited for this issue- Bob Dvorak and Rich Rankin.

Original Art from Justice League International #64 (1994) Page 11 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore In auction ending January 14 from Justice League Europe (1989) 64 1994 DC The Cadre, a group of people given power by a mysterious benefactor with the goal of bringing ancient cultures back to dominance get a surprise from Metamorpho here as he reveals they're working for an alien! The fantastic second panel emphasizes the great designs on the villains and Gilmore's inking adds a lot of impact to the final panel. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #64 (1994) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore In auction ending January 14 from Justice League Europe (1989) 64 1994 A dramatic villain death opens this page as The Immortal is struck down by his mysterious "Master" from beyond! In the aftermath, the League pulls itself back together in this packed page. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #64 (1994) Page 8 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore In auction ending January 14 from Justice League Europe (1989) 64 1994 DC Investigating a hidden city in the jungles of Africa on the trail of a conspiracy, Metamorpho charges ahead and enters a hidden chamber to find the body of an old League foe! Great design on Rex here as well in the impactful reveal of the Dreamslayer. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #65 (1994) Page 2 Pencils by Chuck Wojtkiewicz In auction ending January 14 from Justice League Europe (1989) 65 1994 DC Now that's how you open a comic book! In the midst of the Judgement Day storyline with the League scrambling, Booster Gold miraculously gets up and walks out of the operating room- despite the fact that he has no vital signs whatsoever. It's a bold, striking image that sets up the surprising revelation that since Overmaster's attack life on earth has been 'frozen' with no births or deaths reported! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2

Original Art from Justice League of America #159 (1978 DC), Page 19 Pencils by Dick Dillin and Finishes by Frank McLaughlin Price: $1,500.00 from Justice League of America (1960 1st Series) 159 1978 DC Original Art from Justice League of America #159 (1978 DC), Page 19 Pencils by Dick Dillin and Finishes by Frank McLaughlin. In the middle of the annual JLA/JSA meet-up (always a favorite when these two teams get together), the heroes of two worlds are attacked- by DC heroes of the past! As Wonder Woman's invisible jet goes down (after colliding with Viking Prince's flying longboat), the Mighty Amazon finds herself swashbuckling on the wing with The Black Pirate. Also featuring The Flash and Elongated Man, this page is packed full of action and drama, the perfect encapsulation of Bronze Age DC comics! Pencil and ink on DC Comics art board. 15 1/2" x 10 3/4", B&W. Note: Small amount of tape on edges.

Original Art from Justice League of America #243 (1985) Page 12 Pencils by George Tuska, Inks by Mike Machlan Price: $765.00 from Justice League of America (1960 1st Series) 243D 1985 DC With the rest of the team attempting to stop Amazo as he blazes a path of destruction across the country, Martian Manhunter and Dale Gunn take a trip up North to the Fortress of Solitude to investigate how the adapting android broke loose in the first place. Signed by Tuska in fourth panel. Pencil and ink on DC Comics art board. 11" x 16". NOTE: Page displays some minor staining in the lower right corner.

Original Art from Justice League of America #50 (2010) Pages 2-3 Pencils by Mark Bagley, Specific Inker Not Credited Price: $700.00 from Justice League of America (2006 2nd Series) 50A 2010 DC Work sucks, I know- unless of course you've got some super-speed to spice things up! A fantastic double page spread to open the issue finds Supergirl and Jesse Quick racing to get their monitor duty tasks done so that they can have a heart to heart about the current state of affairs for the League and the JSA. Credited inkers for the issue are Rob Hunter and Norm Rapmund. Pencil and ink on two sheets of DC Comics art board affixed with tape on the reverse. Full spread measures 21 1/2" x 17".

Original Art from JSA 80-Page Giant (2010) #1 Page 33 Pencils by Roberto Castro, Inks by John Floyd Price: $186.00 from Justice Society of America 80-Page Giant (2010) 1 2010 After having his powers removed by the gods who granted them, Amazing Man regains them just in time to save a group of civilians trapped in a building! A great showcase for Amazing Man's powers here as he learns that his matter absorption powers can be transferred to those in contact with him- illustrated here as he turns the civilians to a liquid form to keep them from drowning! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Ka-Zar the Savage #14 (1982) Page 5 Layouts by Brent Anderson, Finishes by Armando Gil Price: $570.00 from Ka-Zar the Savage (1981 Marvel) 14 1982 Marvel Superheroes, they're just like us! A fantastic Ka-Zar page that sees the jungle hero grappling with the revelation that Shanna has married- and a cheeky appearance by the She-Devil herself in the last panel! Pencil and ink on comic art board. 10 1/2" x 16 1/4".

Orginal Art from Lady Pendragon #4 (1999) Pages 11-12 Pencils by John Stinsman, Specific Inker Not Credited Price: $795.00 from Lady Pendragon Dragon Blade (1999) 4 1999 Image A magnificent double page spread that sees Jennifer Drake confronted by the first wave of Morgana's forces- a rider on a black horse backed by a horde of undead warriors! Some fantastic closeups of Jennifer and her allies on the right page make this an outstanding showcase for the series as a whole! Signed by Stinsman in top margin of page 12 Pencil and ink on two unattached sheets of Image Comics art board. Each sheet measures 11" x 17".

Original Cover Art for Laugh Comics Digest #185 (2003) Pencils by Jeff Shultz, Inks by Henry Scarpelli Price: $360.00 from Laugh Comics Digest (1974) 185 2003 Archie Publications Veronica isn't feeling so merry on this fantastic cover that proves that in Riverdale, even when you're angry you've gotta make a pun about it. Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Cover Art for Lil Jinx Giant Laugh-Out #33 (1971) by Joe Edwards Price: $700.00 from Lil Jinx Giant Laugh-Out (1971) 33 1971 Archie Publications Archie Comics' mischievous Lil' Jinx gets a Giant series of her own with this first issue featuring 52 pages of mostly reprints of her previous appearance in backup stories from other Archie titles. As this was the first issue of this series, the title logo which took up a little less than half of the standard page size was removed from this page, presumably to be reused for later issues. Pencil and ink on art board. 14" x 12 1/4".

Original Art from Loners #1 (2007) Page 13 Pencils & Inks by Karl Moline Price: $99.99 from Loners (2007 Marvel) 1 2007 Marvel An interesting series penned by the future EiC of Marvel Comics CB Cebulski, Loners followed a support group made up of former heroes trying to put their powers behind them. Here we catch up with Mattie Franklin (Spider Woman) and Chris Powell (Darkhawk) outside of the meeting where Mattie reveals to Chris that she's NOT trying to give up the hero game and in fact needs his help to take down an MGH operation! Signed by Moline in the lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Loners #4 (2007) Page 21 Pencils & Inks by Karl Moline Price: $99.99 from Loners (2007 Marvel) 4 2007 Marvel An interesting series penned by the future EiC of Marvel Comics CB Cebulski, Loners followed a support group made up of former heroes trying to put their powers behind them. Having just had her dreams of movie stardom shattered thanks to a lecherous director, Julie Power returns to the group and gives an impassioned monologue about the emotional burden of the necessary lies that come along with a secret identity. Signed by Moline in the lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Loners #4 (2007) Page 9 Pencils & Inks by Karl Moline In auction ending January 14 from Loners (2007 Marvel) 4 2007 Marvel An interesting series penned by the future EiC of Marvel Comics CB Cebulski, Loners followed a support group made up of former heroes trying to put their powers behind them in Los Angeles. Here we catch up with Johnny Gallo (Ricochet) and Julie Power as they live the LA dream- getting discovered! Not as actors, unfortunately, but as stunt performers thanks to their powers...which they aren't supposed to be using. Signed by Moline in the lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Cover Art for Lost Planet #4 (1987) by Bo Hampton Price: $4,490.00 from Lost Planet (1987 Eclipse) 4 1987 Eclipse A magnificent cover for Hampton's dark fantasy series that sees our heroes in the clutches of the evil Count Zorrin! Hampton's brush work on the Count and the mountain in the background gives some nice texture to the powerful image that calls to mind both the outrageous stories of the Silver Age and the darker, more grounded fantasy and sci-fi of the 70's. Signed by the artist in lower margin. Pencil and ink on comic art board with partial acetate overlay for the title logo and cover copy. 11" x 17".

Original Art from Mantra #6 (1993) Page 11 Pencils by Terry Dodson, Inks by Andrew Pepoy In auction ending January 14 from Mantra (1993 1st Series) 6 1993 Malibu Graphics Inc. Where better to spend Christmas Eve than...the moon?? A great shocker of a splash page as Mantra finds themself teleported to the moon after seeing a vision of Lukasz's face in it. Great composition from Dodson with Mantra's cape sweeping across the page and framing the Apollo lander and earth above it! Speaking of the lander, the top half of the craft was airbrushed out when someone realized that that portion was what brought the astronauts back! Signed by Dodson in lower margin. Pencil and ink on art board. 11 1/2" x 17".

Original Art from Mantra #2 (1995) Story Page 1 Pencils by Chuck Wojtkiewicz, Inks by Terry Austin In auction ending January 14 from Mantra (1995 2nd Series) 2 1995 Malibu Graphics Inc. Part of the Phoenix Resurrection storyline that was serialized in the back of each of the recently relaunched Ultraverse titles, this title page does a solid job of introducing readers to the new Mantra, teenager Lauren Sherwood. Signed by Wojtkiewicz in lower margin. Pencil and ink on Malibu Comics art board. 12" x 17 1/2".

Original Art from Mantra #2 (1995) Story Page 3 Pencils by Chuck Wojtkiewicz, Inks by Terry Austin In auction ending January 14 from Mantra (1995 2nd Series) 2 1995 Malibu Graphics Inc. The final page to this short backup story intended as a primer for new readers in the wake of Malibu being purchase by Marvel, the new Mantra Lauren Sherwood finds herself with an unexpected dinner guest- Gateway, the teleporting mutant! Silent as usual, he disappears without a trace leaving Lauren with an omen of what's to come as she ponders her new life as Mantra! Signed by Wojtkiewicz in lower margin. Pencil and ink on Malibu Comics art board. 12" x 17 1/2".

Original Art from Marvel Comics Presents #64 (1990) Page 5 Pencils by Mark Texeira, Inks by Harry Candelario Price: $3,000.00 from Marvel Comics Presents (1988) 64 1990 Marvel Half a world apart and fighting the same enemy! In the opening chapter to this 5-part story, Wolverine is trying to enjoy a drink in Madripoor while Danny Ketch is in Brooklyn meeting a childhood friend at his dojo when both are attacked by Deathwatch's Deathspawn ninja! A great panel page showing off Texeira's sequential skills that deftly depicts the flowing action as both heroes hit their signature poses. Signed by Texeira in lower margin. As a bonus, there are some fun sketches on the reverse of the piece- a lightly penciled sketch of Ghost Rider and an inked sketch of a very buff Batman (almost Absolute-esque!) Pencil, ink, and screentone on Marvel Comics art board. 11 1/2" x 17 1/2".

Original Art from Marvel Team-Up #9 (2005) Page 10 Pencils and Inks by Scott Kolins Price: $350.00 from Marvel Team-Up (2004 3rd Series) 10 2005 It doesn't get much better than Daredevil tangling with Stiltman high above the streets of New York! Thankfully this time DD's got a bit of help from Luke Cage who delivers a solid "WRACK" to Stilt Man's dome in the first panel. Signed by the artist (personalized) in lower left margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Marvel Zombies #5 (2006) Pages 2-3 Pencils and Inks by Sean Phillips Price: $7,000.00 from Marvel Zombies (2005) 5A 2006 Marvel The stunning opening to the final issue of the smash-hit fan favorite and what an opening it is! Set in a universe where all earth's heroes and villains were infected by a zombie virus, the zombified metahumans have consumed all that earth had to offer- so for once it's a good thing that Galactus has arrived. While it's earth's "heroes" who strike the killing blow to the galactic titan, it's the villains who are first to the feast as we see Green Goblin, Super Skrull, Venom, Doom and more scrambling to avoid being crushed! Ink over printed roughs on art board. 22" x 16 1/2".

Original Art from Meridian #32 (2003) Pages 14-15 Inks by Roland Paris, Printed Pencils by Greg Tocchini Price: $375.00 from Meridian (2000) 32 2003 CrossGen Comics Banished from Cadador, Sephie and her crew head to Akasia to liberate the child laborers working in its factory- which she does spectacularly in this (literally) explosive double page splash! But is this the kind of help Akasia needs? Ink over printed pencils on Crossgen comic art board. 20" x 16 1/2". NOTE: The inker credited for this issue is Tony Simmons, however this page is signed twice by Paris in what was likely an uncredited assist.

Original Art from Mickey Spillane's Mike Danger #10 (1997) Page 2 Pencils by Brad Gorby, Inks by Terry Beatty Price: $425.00 from Mike Danger (1996 Big) 10 1997 Big Entertainment A fantastic page emblematic of the pulpy energy of Mike Danger as he and a femme fatale slug it out in bed- before he shoots her and she turns to dust! Pencil and ink on Tekno Comix/Big Entertainment art board. 11" x 17". NOTE: Page displays some staining, mostly outside of the art area.

Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg Price: $500.00 from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W.

Original Art from Mystery in Space #5 (2007) Page 9 Pencils by Shane Davis, Inks by Matt 'BATT' Banning Price: $235.00 from Mystery in Space (2006 2nd Series) 5 2007 DC Undercover on Hardcore Station, Captain Comet investigates the ELC church and their army of cloned psychic assassins- and finds a tank of floating lifeforms who symbiotically attach to the dead of the universe! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from New Mutants #29 (1985), Page 17 by Bill Sienkiewicz Price: $8,000.00 from New Mutants (1983 1st Series) 29D 1985 Marvel Original Art from New Mutants #29 (1985), Page 17 by Bill Sienkiewicz. Kidnapped and whisked away to battle to the death in the Mutant Arena, Sunspot's cries of anger are answered- by Axe! Sienkiewicz' talents are on full display in this bold, action-packed panel page. Signed by Sienkiewicz in bottom left. Pencil and ink on Marvel Comics art board. 11" x 17", B&W.

Original Art from Night Nurse #4 (1973) Page 2 Pencils and Inks by Win Mortimer In auction ending January 14 from Night Nurse (1973) 4 1973 Marvel A great page from this gothic story that finds Christine Palmer, The Night Nurse, approaching a remote mansion in the middle of a rainstorm. Here we get a short recap of Palmer's somewhat tragic history that's led her to accept this mysterious job. Absolutely beautiful work by Mortimer here, especially in the inking on the closeup of Christine in panel three. Pencil and ink on comic art board. 10 1/2" x 16". NOTE: Panels two and three and a portion of panel six have been affixed to the rest of the board with tape and glue on the reverse, likely due to heavy revisions after the initial page was completed.

Original Cover Art for Nightwing Annual #2 (2007) by Joe Bennett with Inks by Jack Jadson Price: $5,300.00 from Nightwing (1996 DC) Annual 2 2007 DC Original Cover Art for Nightwing Annual #2 (2007) by Joe Bennett with inks by Jack Jadson. This issue is a touching and turbulent trip through the personal history of Dick Grayson and Barbara Gordon, perfectly captured on this iconic cover featuring the two heroes in their classic costumes swinging over Gotham City. Original pencil and ink on DC Comics art board. The title logo and cover copy stats are on a sheet of acetate affixed to the back of the art. 11 1/2" x 17", B&W. Also included is a copy of the issue itself.

Original Art from Normandy Gold #1 (2017) Page 16 Pencils and Inks by Steve Scott Price: $175.00 from Normandy Gold (2017 Titan) 1A 2017 Titan The 1970's setting of this conspiracy noir come to beautiful life thanks to Scott's knack for fashion and detail. Signed by the artist in bottom margin. Pencil and ink on art board. 11" x 17".

Original Art from Over the Edge #4 (1996) Page 14 Pencils by Robert Brown, Specific Inker Not Credited Price: $325.00 from Over the Edge (1995) 4 1996 Marvel A wonderful example of 90's tacti-cool as the Ghost Rider Task Force gears up and moves out once again to go after the bike-bound demon who has supposedly gone on a bombing spree in Brooklyn! The specific inker for this page is not credited, but the list of inkers credited with work on this issue is: Tom Palmer, Brad Vancata, Bud LaRosa, and Mike Witherby. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: One word balloon is missing from the page, second panel "Once and for all, like the commish says."

Original Art from Peter Parker Spider-Man #44 (2002) Page 3 Pencils by Humberto Ramos, Inks by Wayne Faucher In auction ending January 14 from Peter Parker Spider-Man (1999) 44 2002 Marvel A powerful splash from this intense issue that sees the return of the Green Goblin to Pete's life! In the midst of a torrential storm, Pete is troubled by a recurring nightmare and where else does one plagued by nightmares go than to their mother (figure)! A great example of Ramos' ability to create powerful and energetic figures, even in a 'civilian' scene! Signed by the artists in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: Title logo, credits, and indicia stats are reproductions.

Original Art from Phantom Stranger #38 (1975) Story Page 6 Pencils and Inks by Fred Carillo In auction ending January 14 from Phantom Stranger (1969 2nd Series) 38 1975 DC The final page to this Black Orchid backup story just might reveal the mystery behind the heroine's identity as "Heiress, Race-Car Driver, Stunt Pilot, and member of the international jet set" Ronnie Kuhn dons the Black Orchid's costume. To save you a Google, no, this is not the true identity of the Black Orchid, but who can complain when the art is this gorgeous? Carillo delivers a lush, detailed page with beautiful figure work and great design- especially on that racing suit. Pencil and ink on art board. 10 1/2" x 16". NOTE: A portion of the dialogue in the third panel is pasted in and affixed with tape on the front and clue on back.

Original Art from Phantom Stranger #41 (1976) Story Page 2 Pencils and Inks by Fred Carillo In auction ending January 14 from Phantom Stranger (1969 2nd Series) 41 1976 DC Ronne Kuhn, an heiress and member of the "Black Orchid Legion", finds herself face to face with the real thing as the real Black Orchid shows up to save the day! Some nice action on this page as the (possibly) real Orchid flings a massive vault door into the sky before it can explode. Pencil and ink on art board. 10 1/2" x 16".

Original Art from Phantom Stranger #41 (1976) Story Page 6 Pencils and Inks by Fred Carillo In auction ending January 14 from Phantom Stranger (1969 2nd Series) 41 1976 DC The final appearance of Black Orchid until Blue Devil Annual #1 in 1984 leaves both the cast of the story and readers in the dark about the hero's true identity! In the aftermath of an attempted bank robbery perpetrated by Orchid impersonators, Ronne Kuhn (herself a Orchid impersonator, but a good one) gets to take a bit of the credit for saving the day as the real hero has once again mysteriously disappeared. Pencil and ink on art board. 10 1/2" x 16".

Original Cover Art for Poison Elves: Lusiphur & Lirilith #4 (2001) by Jason Shawn Alexander Price: $3,500.00 from Poison Elves Lusiphur and Lirilith (2001) 4 2001 Sirius "Life is what you make of it...and sometimes...sometimes you're what life makes you." The final issue of this prequel series that expands on the star-crossed lovers' relationship and its subsequent dissolution gets a phenomenal cover from the multi talented Alexander. With Lusipher's mind set on murderous revenge and Lirilith committed to a life as a healer, the end is nigh- something Alexander captures wonderfully here with small touches their body language and the detail of Lusiphur's bloodied hands reaching out for her. Also included is a copy of the published issue signed by Alexander. Pencil, watercolor, and oil paint with sealant. 18" x 23 1/4".

Original Art from Powers #26 (2002) Page 17 Pencils and Inks by Michael Avon Oeming In auction ending January 14 from Powers (2000 1st Series Image) 26 2002 Image A dead hero, a perverse sex tape, a former superteam now bitterly feuding- it's the perfect recipe for a case that only Detectives Pilgrim and Walker could handle! Here we see Pilgrim and Walker alongside NYPD Detective Mack attempting to interview former Unity member Ultrabright who has the power to compel men to do her bidding. After Pilgrim makes a crack about her aging body, Ultrabright powers up and suits up and tells the investigators to kick rocks. Signed by Oeming in the second panel. NOTE: This page slightly differs from the printed version. Panels 6 and 7 were replaced, likely to better fit the dialogue (it is a Bendis book after all!). Pencil and ink on art board. 11" x 17".

Original Art from Red Goblin #9 (2023) Page 3 Inks by Roberto Poggi, Printed Pencils by Chris Campana Price: $750.00 from Red Goblin (2023 Marvel) 9 2023 Marvel While there are certainly some downsides to having a symbiote attached to you as a child, there is the fact that you could show up to your bully's house in the middle of the night and scare the bejeezus him as Normie Osborn does here! A fantastic splash here with the Red Goblin in all of his horrifying glory. Ink over printed pencils on Marvel Comics art board. 11" x 17".

Original Art from Red Goblin #10 (2024) Page 12 Inks by Roberto Poggi, Printed Pencils by Chris Campana Price: $650.00 from Red Goblin (2023 Marvel) 10 2024 Marvel A fantastic splash that gives the Red Goblin the hero spotlight he's finally earned! After bonding with the symbiote named Rascal, Normie Osborn has been having trouble controlling the symbiote's base urge to, ya know, eat people. In this final issue, the collateral damage during a fight with his friend Venom (Dylan Brock) convinces the child and the symbiote to join the side of angels as he leaps into action to save some civilians. Ink over printed pencils on Marvel Comics art board. 11" x 17".

Original Art from Red Tornado #2 (2009) Page 3 Pencils by Jose Luis, Inks by JP Mayer Price: $300.00 from Red Tornado (2009 DC 2nd Series) 2 2009 DC A great action page that sees everyone's favorite red robot taking on...The United States Air Force over Pearl Harbor? Having parsed the clues, Red Tornado has just found his long lost 'sister', a water elemental named Red Torpedo. Unfortunately, due to some past events, the military isn't too fond of unidentified flying objects around this particular base! Pencil and ink on DC Comics art board. 11 1/2" x 17", B&W.

Original Art from Robin #118 (2003) Page 9 Pencils by Pete Woods, Inks by Andrew Pepoy In auction ending January 14 from Robin (1993 DC) 118 2003 DC Worried that he's being tracked by the villain Jaeger and that his secret identity is compromised, Robin goes on the offensive and begins hunting right back! Some classic Gotham vigilante imagery here with Robin in silhouette looking out at a Waynetech building and a great final panel of the Boy Wonder diving into the city. Signed by Woods in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Robotech The New Generation #1 (1985) Page 4 Pencils by Reggie Byers, Inks by Tom Poston Price: $400.00 from Robotech The New Generation (1985) 1 1985 Comico A tense, scene-setting page for this chapter in the Robotech saga as members of the REF head back to Earth to combat a surprise Invid invasion. A solid page from the series that shows off the REF fleet and armored soldiers preparing for combat. Pencil and ink on art board. 12" x 16 3/4". NOTE: There is a piece of masking tape on the reverse of the piece that notes that this page was drawn by Neil Vokes, however neither the credits in the issue itself nor the issue's entry in the Grand Comics Database credit Vokes with any work on this issue.

Original Art from Ruse #8 (2002) Pages 10-11 Pencils by Jackson 'Butch' Guice, Inks by Mike Perkins Price: $400.00 from Ruse (2001) 8 2002 CrossGen Comics Having escaped captivity and deduced the secret of the Telestroud, Archard of course must monologue about it- leaving a moment open for the genetically 'invisible' citizens of the city to attack! A fantastic double-page spread with a great widescreen action panel. Signed by Perkins in right margin. Pencil and ink on Crossgen comic art board. 22" x 17".

Original Art from Sad Sack and Sarge #58 (1966) Complete 5-Page Story 'Spit and Polish' Price: $570.00 from Sad Sack and the Sarge (1957 Harvey) 58 1966 Harvey It's a shame that Sad Sack isn't around to see Sarge get some comeuppance for his own fashion follies in this five-pager! Pencil and ink on five sheets of art board. Each measures 14 3/4" x 23". NOTE: First page displays some moisture damage to the top of the page, well outside of the art area.

Original Art from Sandman Universe Nightmare Country #5 (2022) Page 7 by Aaron Campbell Price: $3,500.00 from Sandman Universe Nightmare Country (2022 DC) 5A 2022 DC An absolutely incredible splash page that revisits one of the most iconic (and creepy) moments from the Doll's House arc of the original Sandman series! Reborn in this new series, The Corinthian recalls his last moments before being unmade at the Cereal Convention, which was in actuality a convention for serial killers. Campbell's technique is just astounding here from the smudging used to give Morpheus a glow to the beautiful linework that plays wonderfully with the painted background. Signed by the artist in lower margin. Mixed media on heavy art stock. 11" x 17".

Original Art from Savage Avengers #3 (2022) Page 20 by Carlos Magno Price: $475.00 from Savage Avengers (2022 Marvel) 3A 2022 Marvel A phenomenal last-page splash reveal! With the Savage Avengers shanghaied back to the Hyperborean age by Deathlok alongside Conan, the team faces a tough battle in getting back to their time- a battle they nearly win before Thulsa Doom's interference gives Deathlok a chance to escape. On this gorgeous final page, we see an injured Deathlok beginning to remember his pre-undead-cyborg life...as Miles Morales! Pencils are on paper, inked art is done over printed pencils on art board. Both measure 11 3/4" x 16 1/2".

Original Art from Savage Avengers #4 (2022) Page 2 by Carlos Magno Price: $325.00 from Savage Avengers (2022 Marvel) 4 2022 Marvel We love a bit of a future shock in our superhero comics don't we? With the last issue's surprise reveal that the version of Deathlok that's been plaguing the Savage Avengers was once Miles Morales, this issue picks up with a bit of back story. Here we see Miles trying to track down Doc Ock before he releases an Annihilation Wave in Dallas (a bit close to home for us!) before the memory is interrupted by Deathlok's programming fighting the human consciousness. Magno does a brilliant job illustrating this idea in the final panel here. Pencils are on paper, inked art is done over printed pencils on art board. Both measure 11 3/4" x 16 1/2".

Original Art from Savage She-Hulk #8 (1980) Page 18 Breakdowns by Mike Vosburg, Finishes by Chic Stone In auction ending January 14 from Savage She-Hulk (1980) 8 1980 Marvel An absolutely fantastic Shulkie page featuring the Man-Thing! Captured by a mysterious pair of being and taken to a hidden city built around the fountain of youth that also flattened human emotion, Jen Walters used her legal know-how to convince the society that what they had wasn't truly living. Expelled from the secret hideway, she wanders the swamps of Florida only to find herself in the clutches of the Man-Thing. While Jennifer Walters may know fear, the Savage She-Hulk does not and some green on green violence is imminent! Pencil and ink on Marvel Comics art board. 10 1/2" x 15 3/4".

Original Art from Savage She-Hulk #15 (1981) Page 1 Pencils by Mike Vosburg, Inks by Frank Springer Price: $3,200.00 from Savage She-Hulk (1980) 15 1981 Marvel A not-so-savage opening page that finds Shulkie in fine form! It's rare that a Hulk gets to enjoy some R&R and Jen is making the most of it here, stealing away to her boyfriend Zapper's parents' beach house for a day of surf and sand. Vosburg and Springer make for a solid art team with great layouts and beautiful inkwork from Springer- especially on the engine of Zapper's dune buggy and Shulkie's figure in the last panel. Also included is a copy of the published issue. Pencil and ink on Marvel Comics art board. 16 1/2" x 10 3/4".

Original Art from Scion #17 (2001) Pages 18-19 Pencils by Andrea Di Vito, Inks by Rob Hunter Price: $450.00 from Scion (2000) 17 2001 CrossGen Comics A powerful double-splash with a tremendous amount of detail that sees Prince Eric, overcome with the horror of the atrocities created in Doctor Tyrrus' labs, make sure that it can never happen again- by smashing. Pencil and ink on Crossgen comic art board. 20 1/2" x 17". NOTE: The credited inker for the issue is Rob Hunter, however the name written on this page for inker is "Bobby C". It's likely that the assigned inker was changed after the pencils were produced.

Original Cover Art for Scion #40 (2003) Pencils by Luke Ross, Inks by John Dell Price: $425.00 from Scion (2000) 40 2003 CrossGen Comics A terrific hero pose from Prince Ethan on the cover for this pivotal issue that sees him tested like never before! Also included is a copy of the published issue. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Cover Art for Scion #43 (2004) Pencils by Luke Ross, Inks by John Dell Price: $600.00 from Scion (2000) 43 2004 CrossGen Comics A thrilling, action-packed cover for the final issue of the series that sees Prince Ethan and Princess Ashleigh taking on a mech from the Tigris Empire which has launched a surprise assault on their lands! Also included is a copy of the published issue. Pencil and ink on Crossgen Comic Art board. 11" x 17". NOTE: The cover was possibly intended to be used for issue #42 as evidenced by the notation at the top.

Original Art from Secret Origins #34 (1988), Page 18 by Alan Weiss with Inks by Joe Rubinstein Price: $395.00 from Secret Origins (1986 DC 2nd Series) 34 1988 DC Original art from Secret Origins #34 (1988), page 18 by Alan Weiss with inks by Joe Rubinstein. Captain Atom's entry to the DC Universe came as the Cold War was winding down and thus necessitated a new origin- one that was a bit more cynical. On this final page of his Secret Origins story, we see a cabal of military and private interests discussing the cover story for this new origin around a table featuring a model of the 'classic' Captain Atom, beautifully emphasized in the final panel. Pencil and ink on DC Comics art board. 10 1/4" x 16", B&W. Includes a copy of the original issue.

Original Art from Sensational She-Hulk #35 (1992) Page 17 Pencils by John Byrne, Inks by Keith Williams In auction ending January 14 from Sensational She-Hulk (1989) 35 1992 Marvel Having let Black Talon and his Unliving X-Humed slip away while trying to convince the Keeper of the Comics Code to give her a little backup, Shulkie and Weezi attempt a little aerial reconnaissance as they hunt down the villain. Great visual storytelling here with an eye-catching first panel and nice shots of our Heroines planning their next move. Pencil, ink, and screentone on Marvel Comics art board. 11 1/4" x 17".

Original Cover Art for Sgt. Rock #327 (1979) Pencils and Inks by Joe Kubert Price: $8,500.00 from Sgt. Rock (1977) 327 1979 DC An absolutely iconic cover from Sgt. Rock's creator himself, the legendary Joe Kubert! Kubert's trademark brush work is showcased beautifully on this cover, especially in the closeup of Rock's face as he surveys the gruesome scene in front of Easy Company. Signed by Kubert. Also included is a copy of the published issue. Pencil and ink on DC Comics art board with title stats. 11 1/4" x 17". NOTE: Page displays oxidation, mainly to the reverse.

Original Art from She-Hulk #19 (2007) Page 4 Pencils by Rick Burchett, Inks by Cliff Rathburn Price: $400.00 from She-Hulk (2005 2nd Series) 19 2007 Marvel Goodman, Lieber, Kurtzberg & Holliway have a new client- and Jennifer Walters isn't going to like it! A great title page splash reveal to open this issue as Jen's coworker and rival Mallory Book is introduced to her new client- The Leader! Signed by Burchett in lower left. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from She-Hulk Annual #1 (2019) Page 11 Pencils and Inks by Andy MacDonald Price: $200.00 from She-Hulk (2019 Marvel) Annual 1A 2019 Marvel Thanks to a body-swapping scheme by Bullseye, She-Hulk is trapped in the mechanical body of Machinesmith! Having found out where the deadly assassin has taken her body, it's time to roll out- and Jen's got plenty of transportation options thanks to Machinesmith's absolutely stuffed garage. MacDonald does a fantastic job filling the 3/4 splash with loads of tech to marvel at without making the page seem too messy. Ink over printed roughs on art board. 11" x 17".

Original Art from Showcase #85 (1969 DC) Pages 14-15 Double Page Splash Pencils and Inks by Joe Kubert Price: $5,400.00 from Showcase (1956-1978) 85 1969 DC Original Art from Showcase #85 (1969 DC) Pages 14-15 Double Page Splash Pencils and Inks by the legendary Joe Kubert. This absolutely magnificent double page splash from the first appearance and origin story of Firehair is a prime example of what makes Kubert one of the masters of comic art. Depicting Firehair's visions during his time in a sweat lodge, Kubert captures the majesty and wonder of Firehair's life caught between two worlds as only he could. Pencil and ink on two 11" x 16" art boards, B&W. Note: Pages are separate pieces and not taped together.

Original Art from Sigil #17 (2001) Pages 6-7 Pencils by Scot Eaton, Inks by Andrew Hennessey Price: $425.00 from Sigil (2000) 17 2001 CrossGen Comics A fantastic double page spread! After Sam mysteriously vanished in the midst of a heated battle, his shocked allies and enemy prepare for next steps- and Sam comes to just in time to avoid a very bad haircut! Pencil and ink on two sheets of Crossgen comic art board affixed with tape on the rear. 20 1/2" x 17".

Original Art from Sludge #3 (1993) Page 22 Pencils by Aaron Lopresti, Inks by Gary Martin In auction ending January 14 from Sludge (1993) 3 1993 Malibu Graphics Inc. A bold action page featuring the Ultraverse's gooiest character! Sludge has had a rough day and it's not getting any easier as he's caught between crime boss Lord Pump and a very well-armed rival gang. While Sludge consider's Pump's offer, the rival gang attacks necessitating some quick thinking from Sludge. Pencil and ink on Malibu Comics art board. 11 1/2" x 17 1/2".

Original Art from Sludge #12 (1993) Page 11 Pencils by Aaron Lopresti, Inks by Gary Martin In auction ending January 14 from Sludge (1993) 12 1993 Malibu Graphics Inc. WOW what a page! The Ultraverse's heavy hitters are doing some...well, some heavy hitting as Prime and Sludge (both under the influence of evil forces) have a knockdown drag-out fight in Central Park. Pencil and ink on Malibu Comics art board. 12" x 17 1/2".

Original Art from Solo Ex-Mutants #3 (1988) Page 18 Pencils by Myke Maldonado, Inks by Jimmy Palmiotti Price: $305.00 from Solo Ex-Mutants (1988) 3 1988 Eternity After a solo trek into the wasteland to clear her mind, Ex-Mutant Angie finds herself the captive of a horde of mutants intent on making her the bride of their leader! Pencil, ink, and screentone on DC Comics art board. 11 1/4" x 16 3/4".

Original Art from The Spectre #16 (2002) Page 11 Pencils by Norm Breyfogle In auction ending January 14 from Spectre (2001 4th Series) 16 2002 DC With Hal Jordan taking up the mantle of the Spectre, it's natural that the scope of the character's stories would become more cosmic! In the top 2/3 of the page here we see the Spectre being captured by a society of beings made of pure energy who notice a likeness in the ethereal spirit of vengeance. At the same time light years away, an Ungaran is surprised to see the return of an old friend- the Green Lantern Abin Sur! Signed by Breyfogle in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from The Spectre #18 (2002) Page 4 Pencils by Norm Breyfogle, Inks by Dennis Janke In auction ending January 14 from Spectre (2001 4th Series) 18 2002 DC As if hosting the spirit of vengeance wasn't enough of a responsibility, Hal Jordan is also tasked with caring for his niece Helen after her parents tragic car accident. Thankfully, The Risen have sent some help in the form of Materna Minxx who promises to provide the girl with a proper education- one that involves flying carpets and intergalactic adventures as beautifully illustrated on this fanciful page. Signed by Breyfogle in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Spider-Man The Mutant Agenda #1 (1994) Page 20 Pencils by Scott Kolins, Inks by Sam de la Rosa Price: $800.00 from Spider-Man The Mutant Agenda (1994) 1 1994 Marvel An extremely cool Spider-Man origin page from comics veterans Scott Kolins and Sam de la Rosa that sees Peter meditating on the circumstances that led to his powers as he tours Brand conference. Signed by Kolins in bottom left. Also included is a copy of the published issue. Pencil and ink on Marvel Comics art board with acetate overlay. 11" x 17".

Original Art from Spirits of Vengeance #2 (2024) Page 13 Inks by Roberto Poggi, Printed Pencils by Chris Campana Price: $400.00 from Spirits of Vengeance (2024 Marvel) 2A 2024 Marvel While Atlantis may be one of the last places you'd expect to find someone with a flaming head, the Ghost Rider must go where vengeance is needed! In this case, an innocent soul is trapped in Atlantis' most remote penal colony and after a long trek, Ghost Rider has come face to face with the warden- who gets a penance stare when he proves uncooperative! Ink over printed pencils on Marvel Comics art board. 11" x 17".

Original Art from Stuff Of Legend Vol. 2, #1 Page 18 by Charles Paul Wilson III Price: $456.00 from Stuff of Legend The Jungle (2010 Th3rd World Studios) 1A 2010 Th3rd World Studios Original Art from Stuff Of Legend Vol. 2, #1 Page 18 pencils by Charles Paul Wilson III. There are few things more villainous than making ominous small talk over a war map covered in models, and that's where we find the Boogeyman, not-so-subtly threatening his very worried General. Pencil on art board. 14" x 11", B&W.

Original Art from Supervillain Team-Up #10 (1977), Page 11 by Bob Hall with Inks by Don Perlin Price: $6,750.00 from Super-Villain Team-Up (1975) 10 1977 Marvel Original art from Supervillain Team-Up #10, page 11 by Bob Hall with inks by comic veteran Don Perlin. This stunning 3/4 splash page features Namor in all his glory- graceful, determined, and of course surly. The striking posing almost overtakes the background visage of Atlantis, still showing the scars from Dr. Doom's attack in a previous issue. Pencil, ink, and screentone on Marvel Comics art board. 10 1/2" x 15 3/4", B&W. Also includes a copy of the original issue.

Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder Price: $2,000.00 from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad.

Original Art from Supergirl #22 (1998) Page 15 Pencils by Leonard Kirk, Inks by Prentis Rollins In auction ending January 14 from Supergirl (1996 3rd Series) 22 1998 DC Where does a superhero with strong moral convictions find a few million dollars quickly? Sunken treasure that no one else could get to, of course! While Supergirl goes on a treasure hunt, Comet finds that his debt has been sent to collections. Signed by Kirk in top right of page. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Superman #6 (1987), Page 20 by John Byrne with Inks by Karl Kesel Price: $8,000.00 from Superman (1987 2nd Series) 6D 1987 DC Original Art for Superman #6 (1987) page 20 by fan-favorite John Byrne and inks by Karl Kesel. This battle page from part two of the story "The Last Five Hundred" sees a stubble-bearing Man of Steel fighting off the villainous robot Host as a possessed Lois Lane looks on and gives orders to Host! Byrne's talent for expressive faces is beautifully displayed in the second panel as the possessed Lois realizes that Superman can fly. Pencil and ink on art board. 16 1/2" x 11 1/4", B&W. Includes a copy of the original issue.

Superman The Man of Steel #28 (1993) Page 7 Pencils by Chuck Wojtkiewicz, Inks by Dennis Janke In auction ending December 26 from Superman The Man of Steel (1991) 28 1993 DC Some intrigue at LexCorp as Lex "Jr." deals with some loose lips that have led to a scathing report from Lois Lane as Supergirl watches. The page is punctuated with an iconic shot of Lex glaring out the window as Superman flies by. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Unused Cover Art for Teenage Mutant Ninja Turtles #14B (2012) by Kevin Eastman Price: $4,500.00 from Teenage Mutant Ninja Turtles (2011 IDW) 14B 2012 It doesn't get better than this for TMNT fans! All four Turtles, Master Splinter, April, and Casey Jones all on one page drawn by creator Kevin Eastman! Atmosphere just drips off this page thanks to Eastman's heavy, blocky inks and clever use of ink splatter. Initially drawn as a variant cover, the piece was redrawn for final publication by Eastman to remove April and Casey and add some decoration to the sewer at the request of editorial. Also included is a copy of the published issue signed and remarked by Eastman as well as copy of the Teenage Mutant Ninja Turtles Time Capsule, a packet put together by Eastman that includes a signed photo and letter as well as reproductions of early TMNT art and materials. Includes a certificate sticker on the reverse signed by Eastman. Pencil and ink on comic art board. 11" x 17".

Original Cover Art for Teenage Mutant Ninja Turtles Turtles in Time #1 Hastings Variant by Sophie Campbell Price: $2,800.00 from Teenage Mutant Ninja Turtles Turtles in Time (2014) 1RE.HASTINGS 2014 For the better part of a decade, Sophie Campbell has become synonymous with the Teenage Mutant Ninja Turtles both as a writer and an artist and it's easy to see why in this delightful cover that captures the spirit of team perfectly. Also included is a copy of the published issue signed and remarked by Campbell. Pencil and ink on art board. 10 1/2" x 14".

Original Cover Art for Thor Annual #17 (1992) Pencils and Inks by Dan Panosian Price: $5,400.00 from Thor (1962 Marvel 1st Series Journey Into Mystery) Annual 17 1992 Marvel Eric Masterson, the Thor of the 90's, finds himself tossed through time and ends up facing off with Prester John and his Evil Eye, a plot wonderfully summed up in this powerful cover that sees the two warriors locked in the heat of battle! Pencil and ink on Marvel Comics art board with title logo and cover copy stats on acetate affixed to the board with tape. 11" x 17". NOTE: Two portions of the art are pasted-in redraws (Thor's left forearm/hand and an area just below Prester John's right knee which was likely initially left blank for a barcode box).

Original Art from Ultimate Avengers #4 (2010) Story Page 19 Pencils by Carlos Pacheco, Inks by Dexter Vines Price: $390.00 from Ultimate Avengers (2009) 4 2010 Marvel After (barely) taking down a rogue Captain America, the Ultimate Avengers (Nick Fury, Dr. Gregory Stark, Hawkeye, Black Widow II, Wasp II) and Nerd Hulk gather to lick their wounds and prepare for their next mission- taking on AIM to stop them from building a Cosmic Cube! Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Vengeance of Vampirella Wizard 1/2 (1995) Pages 4-5 Pencils and Inks by Rudy Nebres Price: $1,500.00 from Vengeance of Vampirella (1996) Wizard 1/2 1A 1994 Harris Comics Fifteen years after his last Vampirella story, Rudy Nebres makes a triumphant return to the extraterrestrial bloodsucking bad girl for this 1/2 issue that sets up Harris Comics' introduction of Nyx to Vampi's world! This beautiful spread is classic Nebres, packed with rich detail and a layout that flows beautifully. Also included is a copy of the published issue. Pencil and ink on the reverse of two unattached sheets of Harris Comics art board. Each measures 11" x 17".

Original Art from Veronica #80 (1998) Page 29 Pencils by Jeff Shultz, Inks by Rich Koslowski Price: $178.00 from Veronica (1989 Archie) 80 1998 Archie Publications Veronica's tennis prowess is on full display in this fantastic page that sees her outgunning everyone she knows and needing professional help to find a new challenger. Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art from Victoria's Secret Service #1 (2006) Page 11 Pencils by Nadir Balan Price: $225.00 from Victoria's Secret Service (2005) 1A 2006 Alias Enterprises LLC A good shower is essential, especially after taking down a deranged leprechaun in the sewer! A great Good Girl page kept in front of the beaded curtain by some well-placed steam! Blue line and standard pencil on comic art board. 11" x 17".

Original Art from Victoria's Secret Service #1 (2006) Page 12 Pencils by Nadir Balan Price: $100.00 from Victoria's Secret Service (2005) 1A 2006 Alias Enterprises LLC It's not all fun and games in the black ops espionage business- but it is a little bit! Taking a well-deserved shower after defeating a leprechaun terrorist in the sewers, Lark finds herself facing a new danger- Raven with a towel waiting to be snapped! Blue line and standard pencil on comic art board. 11" x 17".

Original Art from The Walking Dead #105 (2012) Page 22 Pencils and Inks by Charlie Adlard Price: $2,500.00 from Walking Dead (2003 Image) 105 2012 Image A Nice 3/4 splash caps off this issue of Walking Dead that, while not Negan's first appearance, is entirely devoted to him and in which he receives most of the dialogue. It's an incredible showcase for one of the great villains of the modern age as he leads the recently captured Carl around his compound, giving him and the reader a chilling view of the smiling sadism that makes him such an icon. Pencil and ink on Image Comics art board. 8 1/2" x 14". Word balloon stats are attached to a transparent overlay which is affixed with tape on the rear of the page.

Original Art from War of the Gods #3 (1991 DC), Page 10 Layouts by George Perez (Inker(s) Not Specifically Credited Price: $1,500.00 from War of the Gods (1991) 3A 1991 DC Original Art from War of the Gods #3 (1991 DC), Page 10 Layouts by the late, great George Perez (Inker(s) Not Specifically Credited). With the world under siege by every pantheon of gods, Black Adam and the Suicide Squad have (kind of) teamed up to take the fight to the real threat- Wonder Woman's foe, the evil Circe. This page is quintessential Black Adam as his offer to Amanda Waller of a team-up was merely a ploy to create a distraction so that he could win the day himself. The last panel features Teth-Adam in a powerful hero pose, smashing his way through the creatures protecting their sorceress! Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2", B&W. Note: Small glue stain in last panel due to missing caption box stat.

Original Art from Weapon Zero #14 (1997) Pages 5-6 Pencils by Joe Benitez, Specific Inker not Credited Price: $1,000.00 from Weapon Zero (1995 2nd Series) 14 1997 Image A powerful double page spread that captures the spirit of the sci-fi epic perfectly! The series' penultimate issue of the series sees the shadow war between the Batai and T'siri come into the light as a young Batai is hunted through the city by a a deadly T'siri hunter. The grim central image of the hunter holding his prey's severed head is a stunner that hammers home the impact of the series' final arc. Credited inkers for this issue as a whole are: Joe Weems, Livesay, Jason Gorder, Walden Wong, and Whitney McFarland. Pencil and ink on two unattached sheets of comic art board. Each measures 11" x 17".

Original Art from Weird Western Tales #65 (1980) Page 29 Pencils by Dick Ayers, Inks by Romeo Tanghal Price: $370.00 from Weird Western Tales (1972 1st Series) 65 1980 DC A grim but ultimate hopeful final page to this story about the madness of war! Ke-Woh-No-Tay (better known as Scalphunter) and his new travelling companion have been saved from a crazed Confederate soldier by a bolt of lightning- one that also shocked his ally into his right mind as he throws down his gun and abandons the bloodlust that had gripped them. Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from Western Action #1 (1975) Story Page 8 Pencils by Jack Abel, Inks by Al Milgrom Price: $655.00 from Western Action (1975 Atlas) 1 1975 Atlas You can't ask for a better western page than this- an old fashioned saloon brawl that explodes through the window and out into the street with action in every panel! The Comanche Kid, after saving a young boy whose home had been attacked by bandits, heads into town looking for the culprits and spots them roughing up the girls at the local watering hole- time for some frontier justice! Pencil and ink on comic art board. 10 1/2" x 15 3/4".

Original Art from What If? #37 (1982 Marvel), Page 2 Pencils by Arvell Jones and Inks by Sam de la Rosa Price: $2,200.00 from What If (1977 1st Series) 32 1982 Marvel Original Art from What If? #37 (1982 Marvel), Page 2 Pencils by Arvell Jones and Inks by Sam de la Rosa (of Venom fame!) The ever-lovin' blue-eyed Thing is the focus of this What If? tale, as thanks to MODOK he's infected with a virus that continues to mutate. This jam packed page is full of details that don't pop as well in the finished issue, especially the use of screen tone on the cell in panel two, and the beginnings of Ben's mutations in panel five making this piece something really special to behold. Pencil, ink, and screen tone on Marvel Comics art board. 11" x 16", B&W. Note: Panel three has been cut out and pasted back in to conform to the editor's note of placing the caption box at the bottom- an excellent decision as it would have bled into MODOK's sdialogue!

Original Art from Graphic Storytelling and Visual Narrative (1996) Page by 10 Will Eisner Price: $2,100.00 from Will Eisner Graphic Storytelling and Visual Narrative SC (1996 Pourhouse Press) 1-1ST 1996 The legendary Will Eisner's mastery of sequential art is illustrated (both figuratively and literally) on this page with a simple but beautiful example of how the medium of comics works. Pencil and ink on art board. 10 1/2" x 14".

Original Art from Graphic Storytelling and Visual Narrative (1996) Page 9 by Will Eisner Price: $2,000.00 from Will Eisner Graphic Storytelling and Visual Narrative SC (1996 Pourhouse Press) 1-1ST 1996 A true master of sequential art, Will Eisner's instructional/theory works are required reading not only for artists but fans as well. This chapter title page from early in the book features a beautifully drawn single image filled with Eisner's beautiful inks. The central image is pencil and ink on art board which has been pasted into the larger page from the back. Text is a stat, but the graph is hand drawn. 10 1/2" x 14".

Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited Price: $1,300.00 from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17".

Original Art from World's Finest #271 (1981) Page 31 Pencils by Rich Buckler, Inks by Frank McLaughlin Price: $1,095.00 from World's Finest (1941) 271 1981 DC In celebration of 200 issues of Batman/Superman team-ups (the first 71 issues of WF only featured the two in separate stories), this Roy Thomas-penned tale finds the pair reflecting on their earliest meetings as they engage in a lengthy battle with Atoman. This fantastic page revisits Superman #76 where the two are thrust together in strange circumstances. The highlight here is the dramatic final panel which mirrors one from the original story as the two change into their costumes with Batman in shadow and Superman bathed in light! Pencil and ink on DC Comics art board. 10 1/2" x 15 3/4".

Original Art from X-51 #8 (2000), Page 18 Pencils by Joe Bennett Inks by Bob Wiacek Price: $1,300.00 from X-51 (1999) 8 2000 Marvel Original Art from X-51 #8 (2000), Page 18 Pencils by Joe Bennett, Inks by Bob Wiacek. If you want an action page, it's hard to do better than this one which sees X-51 (better known as Jack Kirby's Machine Man!) taking on Wolverine, Kitty Pryde, and Jubilee! A dynamic series of panels fill this page with thrilling vignettes from the battle- Wolverine getting clobbered out of frame, Kitty barely phasing through a powerful punch, and Jubilee blasting the robot with her pyrotechnics to little avail. Pencil and ink on Marvel Comics art board. 11" x 17 1/4", B&W.

Original Art from X-Men Adventures Season II #12 (1995) Page 22 Pencils by John Herbert, Inks by Greg Adams Price: $600.00 from X-Men Adventures (1994 Marvel) Season II 12 1995 Marvel On a walkabout in the Savage Land, Professor Xavier and Magneto have formed a fragile alliance with Ka-Zar as the trio head towards Magneto's former citadel to confront the new master of the mutates and hopefully rescue Shanna! A beautiful page with a fantastic, panel-breaking hero shot of Ka-Zar and Zabu leaving the depowered mutant leaders to fend for themselves. Signed by Herbert in top margin. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from X-Men First Class #11 (2008) Pencils and Inks by Nick Dragotta Price: $750.00 from X-Men First Class (2007 2nd Series) 11 2008 Marvel An absolutely incredible Marvel Comics page that sees young Jean, Bobby, and Hank trying to take on Galactus (or at least something that appears to be Galactus) with the threat of a piece of ice shaped like The Ultimate Nullfier! Dragotta is in especially fine form here, with his style that's incredibly singular while still drawing influence from artists like Kirby and Timm to create art that feels quintessentially Marvel. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from X-Men Manifest Destiny: Nightcrawler #1 (2009) Page 28 Inks by Vicente Cifuentes, Printed Pencils by Ardian Syaf Price: $350.00 from X-Men Manifest Destiny Nightcrawler (2009) 1 2009 Marvel After leaving the X-Men and heading back to his home town in Germany, Nightcrawler learns that, sadly, patterns repeat themselves. After failing to reach a teenager who was cursed and turned into a 'monster', Mephisto shows up to rub some salt in the wound but thankfully this only strengthen's Kurt's resolve to do the right thing. Ink over printed pencils on art board. 11 3/4" x 15 1/2".

All His Marbles Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink with watercolor on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Bachelor Party Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Bubbaworld Comix 'Dawn of Time' Comic Strip (1/4/2011) by Andy Childress Price: $70.00 2011 Signed by the artist (personalized) in the lower left of the first panel. Pencil and ink on heavy paper stock. 17" x 11".

Chastity Belt Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Economy Size Gag Cartoon by Scott Shadburne Price: $95.00 Pre1950 Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 8 1/2" x 11 1/2".

Exciting New Gormet Dish Gag Strip by Jack Chism Price: $35.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Get Out of the Hole Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Going Fishing Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Got Any Buttercrunch? Gag Strip by Jack Chism Price: $35.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink with watercolor on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

He Says to Tell You.. Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Hurry Up and Get In There Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Jumbo Jet Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Last Punch Gag Strip by Jack Chism Price: $45.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Men Working Above Gag Cartoon by Scott Shadburne Price: $115.00 Pre1950 Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 8 1/2" x 11 1/2".

My Husband is Quite Jealous Gag Strip by Jack Chism Price: $35.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Not Done In Yet Gag Strip by Jack Chism Price: $35.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Original Art A Wife Can Tell Pinup Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on paper. 8 3/4" x 11 3/4".

Original Art Betty and Veronica One-Pager by Jeff Shultz Price: $179.00 2000s Archie Publications Betty and Veronica have spirit (yes they do), but the golf course may not be the best place to express it as they learn from noted golf pro Tom Ward! Pencil and ink on Archie Comics art board. 11 1/2" x 17 1/2".

Original Art By Grannies! Pinup Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on heavy paper stock. 8 1/2" x 11".

Original Art Dressing Room Pinup Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on paper. 8 1/2" x 11".

Original Art for a Judomaster Story from Blockbuster/Comics Cavalcade Weekly #4 (Unpublished) by Frank McLaughlin Price: $300.00 1980s DC An interesting artifact from DC's acquisition of Charlton, Blockbuster (as it's titled on the page) or Comics Cavalcade Weekly was intended to be an anthology showcase for the Charlton heroes who editorial did not think could support their own books. Further, the series would have also included reprints of the Superman Sunday strips to attract readers. The first issue of the series would have sported a cover by Dave Gibbons, who of course went on to co-create Watchmen which used the Charlton heroes as the basis for its main cast. This page from what was intended to be Blockbuster #4's Judomaster story sees Judomaster and Tiger wrapping up from last issue's adventure before shifting focus to the next threat- the rise of Swordmaker! Pencil and ink DC Comics art board. 11 1/4" x 16 1/2", B&W.

Original Art for a Judomaster Story from Blockbuster/Comics Cavalcade Weekly #5 (Unpublished) by Frank McLaughlin Price: $350.00 1980s DC An interesting artifact from DC's acquisition of Charlton, Blockbuster (as it's titled on the page) or Comics Cavalcade Weekly was intended to be an anthology showcase for the Charlton heroes who editorial did not think could support their own books. Further, the series would have also included reprints of the Superman Sunday strips to attract readers. The first issue of the series would have sported a cover by Dave Gibbons, who of course went on to co-create Watchmen which used the Charlton heroes as the basis for its main cast. This page from what was intended to be Blockbuster #5's Judomaster story sees the criminal element that haunts the Geisha Gardens bar realize that maybe they should have joined up with Swordmaster when he asked the first time! Pencil and ink DC Comics art board with vellum overlay for the effects in the second to last panel. 11 1/4" x 16 1/2", B&W.

Original Art for the Annie Comic Strip (May 9th, 2004) by Alan Kupperberg Price: $215.47 2004 A somewhat maudlin Sunday entry of the long-running finds Annie and companions searching the mountains of Alaska for a 'lonely grave' which they find thanks to the tracking skills of her faithful dog Sandy. Pencil and ink with title logo/text stats on heavy stock. 15" x 11 1/4", B&W.

Original Art for the Archie Comic Strip (August 20, 1961) by Bob Montana Price: $1,600.00 1961 Archie Publications It's Jughead's world and we're all living in it! Every gal in town already has a date to the big street dance- and it's Jughead. Why on earth would the notoriously aromantic burger fiend want this many dates? Because the man always has a plan. Pencil and ink with title logo stat on art board. 22" x 15", B&W.

Original Art for the Bringing Up Father Comic Strip (4/5/1970) by Frank Fletcher In auction ending January 14 1970 Pencil and ink on art board which has been affixed to a sheet of heavy board with glue on the reverse. Art measures 22 1/2" x 15", heavy board measures 16 1/2" x 25". NOTE: Heavy board displays some moisture damage on the reverse, which does not appear to have affected the art board that the strip is drawn on.

Original Art for the Judge Parker Comic Strip (11/5/00) by Harold LeDoux Price: $109.00 2000 Signed by the artist in top margin (personalized). Pencil and ink on art board. 19" x 13 1/2". NOTE: The top third of the piece is on a separate piece of art board, attached to the rest of the strip with tape on the reverse.

Original Art for the Judge Parker Comic Strip (4/4/1965) with Color Guide Price: $225.00 1965 The original art is pencil and ink on three sheets of art board which have been affixed to each other on the reverse with tape. The full measurements for the piece are 23" x 15 1/2". The color guide is watercolor on paper and measures 13" x 7 3/4". NOTE: Original series artist Dan Heilman left the strip some time in 1965 and was replaced by Harold LeDoux.

Original Art for the Mary Worth Comic Strip (2/27/1990) by Bill Ziegler Price: $30.00 1990 Pencil and ink on art board. 5 1/2" x 16 1/2".

Original Art for the Mary Worth Comic Strip (3/10/1990) by Bill Ziegler Price: $25.00 1990 Pencil and ink on art board. 5 1/2" x 16 1/2".

Original Art for the Mary Worth Comic Strip (3/17/1990) by Bill Ziegler & Jim Armstron Price: $30.00 1990 Pencil and ink on art board. 5 1/2" x 16 1/2".

Original Art for the Mary Worth Comic Strip (3/7/1990) by Bill Ziegler & Jim Armstron Price: $25.00 1990 Pencil and ink on art board. 5 1/2" x 16 1/2".

Original Art for the Mother Goose and Grimm Comic Strip (6/12/1994) by Mike Peters Price: $450.00 1994 A great gag entry from this strip, that often took time away from its central characters to tell a good joke! Pencil and ink on art board. 6 1/4" x 16 1/4". NOTE: The first panel is on a separate piece of board from the rest of the strip and is affixed to the rest of the strip with glue.

Original Art for the Muppets Comic Strip (2/6/1983) by Guy and Brad Gilchrist Price: $311.00 1983 America's greatest stand-up comedian, Fozzie Bear takes center stage in this oversized Sunday strip as he attempts to meet Kermit at a football game. It goes about as well as you'd expect! Signed (personalized) by Guy Gilchrist in the title panel. Pencil and ink on pieces of art board affixed to and lined up on the full sheet with attached vellum overlay which features the color art done in marker. 23" x 16 3/4". NOTE: Title panel is a stat, all other panels are original art.

Original Art for the Nancy Comic Strip (11/28/99) by Guy Gilchrist Price: $151.00 1999 Aunt Fritzi discovers a parenting life hack in this charming fall-themed entry. Signed by the artist in first panel. 15" x 11".

Original Art for the Nancy Comic Strip (4/20/97) by Guy Gilchrist Price: $151.00 1997 Sluggo's grades may not be the best, but he's clearly a trendsetter! Signed by the artist in top margin. Pencil and ink on art board. 17" x 11 1/2".

Original Art for the Nancy Comic Strip (6/6/99) by Guy Gilchrist Price: $151.00 1999 Nancy's attempt to help her Aunt with the home decor doesn't go quite as planned! Signed by the artist in first panel. Pencil and ink on art board. 17" x 11".

Original Art for the Star Trek Comic Strip (3/21/1982) by Ron Harris Price: $1,000.00 1982 A wonderful Sunday entry of the short-lived (and little known!) Star Trek comic strip with everything a Trekkie could ask for- a nicely designed technical panel, beautifully drawn closeup panels of Spock and Kirk, a lively scene in the cargo bay, and an ominous tease of the Ferreth Starfleet officer Mernat. Pencil and ink on art board. 24 1/4" x 17 1/2".

Original Art for the Winnie Winkle Comic Strip (1/10 & 1/11 1996) by Frank Bolle Price: $50.00 1996 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (1/17 & 1/18 1996) by Frank Bolle Price: $35.00 1996 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (1/19 & 1/20 1996) by Frank Bolle Price: $30.00 1996 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (1/26 & 1/27 1996) by Frank Bolle Price: $30.00 1996 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (6/23 & 6/24 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (6/5 & 6/6 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (6/9 & 6/10 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (7/19 & 7/20 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (7/21 & 7/22 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (7/24 and 7/25 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art for the Winnie Winkle Comic Strip (7/28 & 7/29 1995) by Frank Bolle Price: $35.00 1995 Pencil and ink on art board. 13 1/2" x 10".

Original Art from Avengers #288 (1988) Page 3 Pencils by John Buscema, Inks by Tom Palmer Price: $900.00 1988 Marvel A great half-splash opens this page as we see Kree Sentry 459 (previously defeated by both the FF and Mar-Vell) laying in a field surrounded by junk as some fairly blasé locals hang out around its body. Unfortunately, this bucolic scene which could only take place in the Marvel Universe is disrupted when the Super Adaptoid and Machine Man descend looking to add another metallic member to their group. Pencil and ink on Marvel Comics art board. Pencil and ink on Marvel Comics art board. 11" X 16 1/4".

Original Art from Batman #572 (1999) Page 1 Pencils by Damion Scott, Inks by John Floyd In auction ending January 14 1999 DC Renee Montoya and her brother are being kept prisoner in this No Mans Land story. The cell, with its flowery bed spread and stuffed animals, shows an attempt to give her confinement a more homily feel- does her captor...care for her? Printed stat on DC comics art board. 11 1/4" x 17". NOTE: The art on this page is ENTIRELY made up of a printed stat with the exception of the top inch around the framing copy. It is likely a final proof that required more editing at the last second.

Original Art from Batman #572 (1999) Page 16 Pencils by Damion Scott, Inks by John Floyd Price: $166.00 1999 DC One of the more unique subplots in the epic No Man's Land Event, Two-Face's obsession with and kidnapping of Renee Montoya continues to play out here as Renee discusses the situation with her also-captive parents. Some great framing here from Scott who parallels Two-Face's split personalities with Renee positioned between her parents whose opinions on the matter somewhat differ. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman #572 (1999) Page 17 Pencils by Damion Scott, Inks by John Floyd Price: $166.00 1999 DC The Montoya family's saga as prisoners of Two-Face begin to come to a head as Renee's parents watch her don the blues once more at Harvey's behest, though they're not the ones she's used to wearing. Does Two-Face just like his girls in uniform like Renee's father thinks, or is there more to this dastardly divided deviant's scheme? Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman #572 (1999) Page 18 Pencils by Damion Scott, Inks by John Floyd Price: $190.00 1999 DC A fantastically drawn panel of Two-Face opens this page as he interrupts Renee's reunion with her parents when he comes to begin...well we don't know what it is yet, but knowing Two-Face it's probably a really dramatic mock trial of some kind! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman #572 (1999) Page 20 Pencils by Damion Scott, Inks by John Floyd Price: $175.00 1999 DC The psychological thriller that is the Renee Montoya and Two-Face subplot of No Man's Land comes to a head here as the defendant for Two-Face's trial is revealed to be none other than Commissioner Jim Gordon! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman #574 (2000) Page 15 Pencils by Dale Eaglesham, Inks by John Floyd Price: $175.00 2000 DC Huntress has a particularly rough time in No Man's Land- and things aren't getting any easier! In the second chapter of the story's final arc, Helena finds herself caught between William Pettit, leader of a militia made up of former GCPD, and the Joker. After shooting one of his own men for desertion, Huntress has had enough and begins beating him senseless in this brutal fight page- just as he's struck by a bullet from off page. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman #574 (2000) Page 20 Pencils by Dale Eaglesham, Inks by John Floyd Price: $250.00 2000 DC It may be the end of the road for Huntress! After losing her mantle as Batgirl and fighting a crazed ex-GCPD officer and his militia she's just sent an army of Joker's goons running. Just when it looks like she's won, BLAMM, a gunshot from The Joker hits her in the side. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 1 Pencils by Roger Robinson, Inks by John Floyd Price: $125.00 2003 DC A grim opening page as two shadowy figures casually dispose of a body- though judging by the "--your tax dollars at work, huh?" line these aren't your run of the mill Gotham criminals! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 2 Pencils by Roger Robinson, Inks by John Floyd Price: $275.00 2003 DC Something is amiss at Wayne Manor! It appears that Bruce Wayne is...playing around and having fun? It's a quiet night in Gotham so Bruce has apparently decided to stay in and spend some time with his oldest friend, though Alfred has some doubts. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 3 Pencils by Roger Robinson, Inks by John Floyd Price: $250.00 2003 DC Surprising both Alfred and the reader, Bruce Wayne has decided to have a quiet evening at home with his trusty butler playing chess. Of course, as in most fiction chess isn't just chess as Alfred makes the true opening move and asks Bruce which of the 'kids' he wants to talk about first. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 4 Pencils by Roger Robinson, Inks by John Floyd Price: $275.00 2003 DC A hard cut from the cozy scene in Wayne Manor's library to Huntress' disoriented POV as she's awoken in the middle of some kind of action by Robin. Robinson and Floyd do a fantastic job depicting her discombobulated state of mind with the heavy crosshatching on Robin coming into focus and then an abundance of motion lines as she's thrust into action. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 5 Pencils by Roger Robinson, Inks by John Floyd Price: $600.00 2003 DC A phenomenal title page splash of Huntress, although that appears to be Helena Wayne's Huntress costume- not Helena Bertinelli's. It's a telegraphing of the story to come that finds Helena drugged and in the custody of Checkmate who have suddenly taken an interest in Gotham's vigilantes. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 6 Pencils by Roger Robinson, Inks by John Floyd Price: $500.00 2003 DC A great mirror to the title page that immediately precedes this page that saw Huntress in the exact same pose clad in the Bronze Age Huntress costume, here we get the reveal that she's actually locked in a padded cell and being monitored by someone with an affinity for blondes. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 7 Pencils by Roger Robinson, Inks by John Floyd Price: $350.00 2003 DC Huntress's drug induced psychosis while under observation by Checkmate continues as visions of Prometheus and Omerta appear to attack her while the unseen voices continue to observe her from behind the glass. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #38 (2003) Page 8 Pencils by Roger Robinson, Inks by John Floyd Price: $275.00 2003 DC Trapped in a padded cell and heavily drugged by Checkmate, Huntress brutally takes out two security guards who she thinks are Omerta and Prometheus as the still unseen observers offer their commentary through mirrored glass. A great fight page that contrasts well with the almost meta dialogue from those watching her. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #39 (2003) Page 15 Pencils by Roger Robinson, Inks by John Floyd Price: $350.00 2003 DC As a great man once said, "Where does he get those wonderful toys?" A great page that showcases Batman's sleek Batcycle as the Caped Crusader and Boy Wonder (Tim Drake) speed through the city to track down a wayward Batarang. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #39 (2003) Page 16 Pencils by Roger Robinson, Inks by John Floyd Price: $300.00 2003 DC A great action page as Batman and Robin (Tim Drake) run down tow truck hauling a car according to Batman's GPS has a stray Batarang in it- possibly a bit of overkill considering the driver is just doing his job!. Pencil and ink on DC Comics art board. 11 1/4" X 17". NOTE: The two panels at the bottom of the page are pasted in stats.

Original Art from Batman Gotham Knights #39 (2003) Page 17 Pencils by Roger Robinson, Inks by John Floyd Price: $300.00 2003 DC Following the GPS tracker embedded in a lost Batarang, Batman and Robin (Tim Drake) find it stuck in a car that had previously been used by drug runners but has since been auctioned off by the GCPD. Some great contrast and use of negative space on this page, giving the snowy scene a great sense of atmosphere. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #39 (2003) Page 18 Pencils by Roger Robinson, Inks by John Floyd Price: $175.00 2003 DC Storylines converge on this page as we see Checkmate tracking Helena Bertinelli, the Huntress, after her 'escape' from their facility while in the last panel, Batman and Robin continue to track down wayward Batarangs...once of which is in Helena's possession! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #39 (2003) Page 19 Pencils by Roger Robinson, Inks by John Floyd Price: $225.00 2003 DC While Batman and Robin are spending their evening using GPS tracking to hunt down wayward Batarangs, Helena Bertinelli aka Huntress is on the run after escaping from a Checkmate facility and here they collide in spectacular fashion. Insurance is gonna have a heck of a time sorting this one out. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #39 (2003) Page 20 Pencils by Roger Robinson, Inks by John Floyd Price: $300.00 2003 DC A striking, beautiful page that sees Batman and Robin (Tim Drake) rescuing a drugged and discombobulated Huntress who's just escaped from a Checkmate facility. What our heroes don't know however is that this was all part of Checkmate's plan and they're currently mobilizing to track down the Dark Knight! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #39 (2003) Page 22 Pencils by Roger Robinson, Inks by John Floyd Price: $350.00 2003 DC A fantastic cliffhanger splash as Checkmate has finally tracked down the Dark Knight thanks to a tracking device inserted into Huntress when she was in their custody. Robinson and Beatty make great use of negative space here, cutting through the murk of the sewer tunnel that leads to the Batcave with large blank areas depicting the harsh glow of the Checkmate operatives' tactical flashlights. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #42 (2003) Page 1 Pencils by David Ross, Inks by John Floyd Price: $315.00 2003 DC As the Bat-Family struggles with Alfred's worsening condition, questions arise as to the cause of the illness and how to prevent a mass pandemic. A great title page that contrasts Leslie Thompkins and Bruce wonderfully. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #43 (2003) Page 15 Pencils by Roger Robinson, Inks by John Floyd Price: $225.00 2003 DC In this flashback issue we see an early adventure of Jason Todd, the second Robin, and Barbera Gordon, the first Batgirl, as they investigate a case with Barbera being told to keep an extra eye on Jason. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #43 (2003) Page 17 Pencils by Roger Robinson, Inks by John Floyd Price: $270.00 2003 DC With the bad guys handled, Batgirl and Robin (Jason Todd) dive into the fishy business they've stumbled upon- while doing a little nautical banter. A fantastically moody page thanks to some great crosshatching from Floyd! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #43 (2003) Page 20 Pencils by Roger Robinson, Inks by John Floyd Price: $270.00 2003 DC An absolutely brilliant page from this story about Jason Todd's death coming back to haunt Batman! As Bruce moodily ponders his shrine to Jason Barbara Gordon appears behind him, sandwiching Bruce between the consequences that come with allowing others to put on the mask. Robinson and Floyd are firing on all cylinders here from the blocking and framing of the scene to the expressive faces on our heroes. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #43 (2003) Page 21 Pencils by Roger Robinson, Inks by John Floyd Price: $270.00 2003 DC A powerful page that finds Barbara attempting to help Bruce process his emotions over Jason Todd's death- a fight that all things considered is tougher than taking on Bane! Great writing infinitely enhanced by Robing and Floyd's moody, evocative art! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Batman Gotham Knights #43 (2003) Page 22 Pencils by Roger Robinson, Inks by John Floyd Price: $270.00 2003 As the captions continue Barbara Gordon's words to Bruce about whether he was a good 'father' to Jason, we cut to a wonderfully noir-infused scene of the evidence collected by the police officer looking into Bruce Wayne's possible involvement in Jason's death. Pencil and ink on DC Comics art board. 11 1/4" X 17"

Original Art from Batman Gotham Knights #44 (2003) Page 2 Pencils by Roger Robinson, Inks by John Floyd Price: $98.00 2003 DC Facing pressure from his boss, the detective looking into odd behavior surrounding Bruce Wayne pushes back with some (circumstantial in our opinion!) evidence about the billionaire. Little does he know that the man himself is listening to the entire conversation! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Blue and Gold #2 (2021) Page 1 Pencils and Inks by Ryan Sook Price: $175.00 2021 DC Booster Gold tests the limits of self driving cars! A well crafted, downright cinematic opening page with wide shots that slowly close in to reveal that Booster in a bad way, tied to the hood of a driverless car heading straight for a cliff edge!. Pencil and ink on Comics art board. 11" X 17".

Original Art from Blue and Gold #2 (2021) Pages 2-3 Pencils and Inks by Ryan Sook Price: $700.00 2021 DC A big, bold double page spread title page opens this issue as Blue Beetle, in one of his many vehicles, races to catch up to the driverless van that his best friend Booster Gold is tied to the top of. Will Blue Beetle be able to stop the van or is this the end of tomorrow's greatest hero? Pencil and ink on two sheets of comic art board affixed with tape on the rear. 20 3/4" X 17"

Original Art from Booster Gold #47 (2011) Page 19 Pencils by Dan Jurgens, Inks by Norm Rapmund Price: $200.00 2011 DC This page finds booster appearing in the Vanishing Point, a place outside the waves of time. He doesn't know why or how he got there- in fact, the only thing he does know is that he needs a new suit. Pencil and ink on DC Comics art board. 11" X 17".

Original Art from DC Special Series #11 (1979) Page 54 Pencils by Kurt Schaffenberger, Inks by Murphy Anderson Price: $525.00 1979 DC This page from the Flash spectacular features Jay Garrick getting a much needed rub down from his wife after his earlier super speed exploits when Johnny Quick shows up and reveals his true identity. Things are about to get even more hectic as Gorilla Grodd uses his ray gun on Johnny. Can the Scarlet speedster stop this irate primate or will it be to much for him to overcome? Pencil and ink on DC comics art board. 10 3/4" X 15 3/4".

Original Art from Detective Comics #739 (1999) Page 4 Pencils by Damion Scott, Inks by John Floyd Price: $350.00 1999 DC While the trial of Jim Gordon (presided over and prosecuted by Two-Face, of course) begins, the Dynamic Duo do a little recon and find that things might be a little more complicated than they expected. A fantastic central image of Robin framed by binocular panels! Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Detective Comics #739 (1999) Page 5 Pencils by Damion Scott, Inks by John Floyd Price: $275.00 1999 DC Harvey Bullock, master negotiator, puts his skills to the test in this dynamic page- unfortunately things don't go his way as he is promptly shot in the chest! Good thing he wore the Kevlar. Pencil and ink on DC Comics art board. 11 1/4" X 17".

Original Art from Detective Comics #739 (1999) Page 8 Pencils by Damion Scott, Inks by John Floyd Price: $225.00 1999 DC As chaos reigns on the streets of Gotham during No Man's Land, Two-Face's "trial" of Jim Gordon continues as Renee takes the witness stand. The court transcript format of this page works well, giving Scott and Floyd a chance to shine with the large closeup of Montoya. Pencil and ink with text stat on DC Comics art board. 11 1/4" X 17".

Original Art from Flash #11 (1988) Page 3 Pencils by Butch Guice, Inks by Romeo Tanghal Price: $350.00 1988 DC A great showcase page for Chunk, one of the coolest supporting characters in comics! Stuck in the pocket universe contained within himself, Chunk is at the wrong side of an angry mob- one made up of people trapped here by Chunk himself. Can Flash get chunk the help he needs, or will he implode taking them all to an even worse place than where they are now? Pencil and ink on DC comics art board. 11" X 16 1/2".

Original Art from Flash #12 (1988) Page 10 Pencils by Mike Collins, Inks by Larry Mahlstedt Price: $320.00 1988 DC A Cold War victory for capitalism! Former Red Trinity speedster Anatole and his teammates have moved to the USA and formed the Kapitalist Kouriers! Hired to deliver a package at super speed, Anatole is shocked when he's set upon by a pair of speeding highwaymen. Guess it comes with the territory! Signed by Mike Collins in bottom right margin. Pencil, ink, and screentone on DC comics art board. 11" X 16 1/2".

Original Art from Flash #21 (1988) Page 20 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $350.00 1988 DC A great page from Flash's chapter in the classic Invasion! crossover. With the metahuman resistance spread thin, Flash and Chunk are dispatched to Cuba to fight back against the shapeshifting Durlans' schemes- which involved kidnapping and replacing Fidel Castro! A neat page as Flash swaps out the imposter for the real deal in the second panel, forcing him to shapeshift and then bringing him back out on stage to reveal to the press. Pencil and ink on DC comics art board. 11" X 16 1/4".

Original Art from Flash #21 (1988) Page 21 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $300.00 1988 DC A team-up too brave and too bold to miss out on- Flash and Fidel Castro! Sent to Cuba to fight back against the shapeshifting Durlans, Flash encounters Fidel Castro hiding in the jungle and helps the leader expose the Durlan who replaced him- and convinces the others across the country to unmask in the process. A great final panel caps off this page as the dúo dinámico watch the people rise up and fight back against the alien invaders. Pencil and ink on DC comics art board. 11" X 16".

Original Art from Flash #247 (2009) Page 12 Pencils by Jim Calafiore, Inks by Drew Geraci Price: $600.00 2009 DC A fantastic 3/4 splash from the final issue of Wally's Flash series! With Linda barely clinging to life, Jai and Iris kidnapped, and his powers on the fritz, Wally is gonna need some help. Thankfully he's got some powerful friends as we see Cyborg, Arsenal, Beast Boy (in bear form), and Nightwing bust into Queen Bee's hideout alongside the Scarlet Speedster to rescue the kids. Pencil and ink on DC comics art board. 11 1/2" X 17".

Original Art from Flash #25 (1989) Page 11 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $125.00 1989 DC Tensions rise as Tina, Jerry (formerly known as Speed Demon!), and Mason are stuck on the road together, following the trail of destruction left by an out-of-control Wally. Can these three put aside their frustrations with each other and find the Flash? Pencil and ink on DC comics art board. 11 1/4" X 16".

Original Art from Flash #25 (1989) Page 19 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $125.00 1989 DC Our team of three intrepid investigators (Tina, Mason, and Jerry- formerly known as Speed Demon!) are hot on the trail of an out-of-control Flash when they find signs of him in the Texas desert. With hopes high that this mystery will not end with the finding the Flash's corpse, they set off once more. Pencil and ink on DC comics art board. 11 1/4" X 16".

Original Art from Flash #25 (1989) Page 20 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $125.00 1989 DC Road trips can be stressful enough, even without the pressure of trying to track down an out-of-control Flash before he dies or causes a disaster! Tempers flare on this page as Tina, Mason, and Jerry (formerly the Speed Demon!) decide to call it a night. Pencil and ink on DC comics art board. 11" X 16 3/8".

Original Art from Flash #25 (1989) Page 21 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $125.00 1989 DC There's nothing like the forced togetherness of a road trip to rekindle an old flame! While trying to track down and out-of-control Flash, Tina and Jerry (formerly Speed Demon!) share a tender moment in the desert. Pencil and ink on DC comics art board. 11 1/4" X 16".

Original Art from Flash #25 (1989) Page 9 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $125.00 1989 DC After losing his powers during the Invasion! crossover, Wally's attempt to get them back caused him to uncontrollably speed away, leaving a trail of damage across the Northeastern US! Now, it's up to Tina, Jerry (formerly known as Speed Demon!), and Mason to track him down. But as they follow, it becomes unclear if they will find Wally or a corpse at the end of the road. Pencil, ink, and screentone on DC comics art board. 10 3/4" X 16". NOTE: The map in the first panel is a pasted in stat.

Original Art from Flash #34 (1990) Page 13 Pencils by Greg LaRocque, Inks by Larry Mahlstedt Price: $250.00 1990 DC Trapped in a sensory deprivation room by the Turtle in this story aptly title "White Out", Wally begins to hallucinate new friends, old enemies, and even Barry Allen! A great first panel of Flash being torn at by unknown horrors is juxtaposed well with the third panel where we see him flailing on the floor alone like a bug. Pencil and ink on DC comics art board. 11" X 16 1/4".

Original Art from Flash #6 (1987) Page 19 Pencils by Butch Guice, Inks by Larry Mahlstedt Price: $275.00 1987 DC As Flash confronts Dr. Bortz, Speed Demon makes his move and pins the scarlet speedster under a pane of unbreakable glass. Can our hero stop this freaky fast foe or will Speed Demon prove to much for the world's fastest man? Pencil, ink, and screentone on DC comics art board. 10 3/4" X 16 1/4".

Original Art from Flash #71 (1992) Page 21 Pencils by Greg LaRocque, Inks by Roy Richardson Price: $250.00 1992 DC The Flash's confrontation with The Alchemist, a new villain using Dr. Alchemy's Philosopher stone comes to head on this thrilling page! Thanks to his previous run-ins with Dr. Alchemy, Flash thinks he has everything under control...better hope the Alchemist doesn't have any tricks up his robe! Signed by Mark Waid and Roy Richardson in lower margin. Pencil and Ink on DC comics art board. 11 1/2" X 16 1/2".

Original Art from Flash 80-Page Giant #2 (1999) Page 24 Pencils by Mike Collins, Inks by Tom Palmer Price: $450.00 1999 DC In the "Last Dance" story from this oversized anthology special, we see Wally as he tries to juggle all of his new responsibilities as the Flash with his active night life- by trying to be in three places at once! As Wally rushes from one date to another, he realizes the ladies will have to wait because the Flash is needed! A fantastic, boldly drawn panel of Wally readying his suit caps off this beautiful page. Signed by Mike Collins and Tom Palmer in the lower right margin. Pencil and ink on DC comics art board. 11" X 17".

Original Art from Flash Annual #3 (1989) Page 4 Pencils and Inks by Don Simpson Price: $300.00 1989 DC From "A Chunk at the JLI!" Chunk and Wally attempt to build the Flash's Matter Transferal Tube but, due to an error while using Bart Sturm's Amplifying helmet, Wally's brain is fried. What follows is a light hearted, slapstick story where our two heroes ruin the day of a certain Green Lantern. Fantastic work on this page the great Simpson who's very much in his element with this story. Also included is Simpson's full-sized prelim for the page. Final page is pencil and ink on DC comics art board and measures 11" X 16 1/4", prelim page pencil and ink on paper and measures 12" x 19". Both pages are signed by Simpson in the lower right. Prelim page is folded.

Original Art from Justice League of America #244 (1985) Page 10 Pencils by Joe Staton, Inks by Mike Machlan Price: $375.00 1985 DC In this crossover, the Justice League is on the run from Infinity Inc.! After the beating they took last issue Martian Manhunter makes the executive decision that the team of Vibe, Zatana, Elongated man, Gypsy, and himself are not going to be enough and decides to look out of universe in search of aid. A great example of the fun dynamic this fan-favorite JLA lineup had! Signed by Joe Staton in the lower middle margin. Pencil and ink on SC comics art board. 11" X 16 1/4".

Original Art from Lady Death The Wild Hunt #3 (Unpublished) Page 12 Pencils by Jim Cheung, Inks by Mark Pennington Price: $300.00 2004 CrossGen Comics A moody, gorgeously inked page that finds Lady Death in mystical chains as a fight between her captors ensues. Pencil and ink on Crossgen Comic art board. 11" x 17".

Original Art from Manifest Destiny #20 (2016) Page 1 Inks by Tony Akins, Printed Pencils by Matthew Roberts Price: $350.00 2016 Image A terrifying take on the legendary journey of Lewis and Clark, the expedition has been waylaid by rough weather and a lack of food- which has turned the men to cannibalism. As the situation gets even more tense, Lewis and Clark discover a skull in the fireplace of a derelict cabin...a cyclops skull! Signed by Akins in lower left. Ink over printed pencils on art board. 11" X 17".

Original Art from Trinity #19 (2008) Page 20 Inks by John Floyd, Printed Pencils by Mike Norton Price: $350.00 2008 DC Something isn't right in the world! After the Troika's victory, Superman, Batman, and Wonder Woman are erased from existence- though their legacies do endure in the subconscious of the world's citizens. Some great action on this page as Firestorm, unaffected by the change and trying to make sense of this new reality, stops to take down Mammoth triggering a memory of the original Justice League in a civilian- a fantastic half-splash of the JLA rushing into action! Ink over printed pencils on DC Comics art board. 11" X 17".

Original Art from Trinity #19 (2008) Page 21 Inks by John Floyd, Printed Pencils by Mike Norton Price: $150.00 2008 DC In a world where Batman, Superman, and Wonder Woman never existed, those who remain struggle with both the new order of the world and with visions of what should be. As Firestorm finds his heroics not welcome here, a civilian named Desiree returns home to find her abusive husband unhappy with her drawings of the world before. Ink over printed pencils on DC Comics art board. 11" X 17".

Original Art from Trinity #19 (2008) Page 22 Inks by John Floyd, Printed Pencils by Mike Norton Price: $60.00 2008 DC In a world where Wonder Woman, Superman, and Batman never existed, the residents of earth yearn for an existence that's just of their minds' reach. In this tragic final page, a young woman named Desiree mourns the burned remnants of her drawings depicting the world of heroes and in the narration wishes for "someone who could help make the world better..." Ink over printed pencils on DC Comics art board. 11" X 17".

Original Art Girl Wanted Pinup Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on paper. 8 1/2" x 11".

Original Art Helpful Usher Pinup Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on paper. 8 1/2" x 11".

Original Art Lost Ring Pinup Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on paper. 8 1/2" x 11".

Original Art Pinup Indian Mounds Gag Strip by Walter Fitzpatrick Price: $50.00 1950s While the place of publication for this piece is unknown, Fitzpatrick was a prolific cartoonist contributing mainly to various Humorama publications like Jest and Gaze in the 50's and early 60's. Signed by the artist. Pencil and ink on heavy paper stock. 8 1/2" x 11".

Original Art Unpublished Alpha Flight Story (c. Early 90's) Page 1 Pencils by June Brigman, Inks by Bruce Patterson In auction ending January 14 1990s Marvel A fantastic title page splash for this unpublished inventory story with a great image of Heather Hudson, Vindicator, standing tall as she coordinates rescue efforts in the wake of an avalanche. Brigman and Patterson do a neat trick here, slowly dropping detail from the image as the eye moves further 'back' into it, creating a great sense of focus on our hero. Pencil and ink on Marvel Comics Art board. 11" x 17 1/4".

Original Art Unused Marvel Handbook Entry for Leiko Wu by David Day Price: $375.00 1980s Marvel Even a tome as comprehensive as the Official Handbook of the Marvel Universe has some limitations and unfortunately this great piece of art and the entry for its subject was cut from the issue. Leiko Wu is a mainstay of Shang-Chi comics, first appearing in Master of Kung Fu #33 and continuing on as a supporting character to the present day! Pencil and ink on Marvel Comics art board. 11 1/4" x 17".

Original Cartoon Art from The Saturday Review of Literature by C.W. Anderson Price: $300.00 1934 Signed by the artist. Ink on paper which has been matted. NOTE: The tope layer of matting is loose and mostly detached from the rest of the piece. 12 1/8" x 16 1/8".

Original Cover Art for Johnny Phantasm Tales of New Detroit 1977 #2 (2020) Parnell Price: $1,499.00 2020 A fantastically fun cover, Parnell injects a lot of life into this image between Johnny's wide skeleton smile and the flying blood and teeth from his unfortunate and unseen opponent! Signed by the artist. Also included is a copy of the published issue as well as two trading cards that were produced with the image. Pencil and ink over printed roughs on art board. 11" x 17".

Radar Cooked Political Cartoon by Scott Shadburne Price: $140.00 Pre1950 A prescient riff on the newly popular food vending machines that were sweeping the nation at the time. Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 13 1/2" x 16".

Simmer Down Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Small Potatoes Gag Cartoon by Scott Shadburne Price: $95.00 Pre1950 Likely published in a local Springfield, Missouri newspaper as Shadburne was employed by Springfield Newspapers Inc. until his death in 1953. Signed by the artist. Pencil and ink on art board. 8 1/2" x 11 1/2".

Something With Less Action Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Sorry to You on the End Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink with watercolor on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Surprise, Wendal! Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

The Friendly Skies Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

The Fun's Just Begun Gag Strip by Jack Chism Price: $40.00 1970s Chism was a prolific cartoonist, contributing mainly to Charlton's compilations including Good Humor and Cartoon Carnival. Signed by the artist. Pencil and ink on paper with a custom stamp from Chism on the reverse. 8 1/2" x 11"

Wolverine/Gambit Tryout Pages by Mike Leonard Price: $200.00 2000s This pair of pages from Leonard is a great example of sequential action storytelling in comics with the first page's near splash of Wolverine leaping after a shadowy figure transitioning to the next page's close-in shots of a thrilling sequence of action. Pencil on art board. Both measure 11" x 17"

Original Art Unpublished Captain America Story (c. 1970's) Page 13 Pencils and Inks by Jack Abel Price: $650.00 1970s An emotional moment from this inventory story finds Cap confronted with his World War 2 past by a man who was unwittingly caught up in an espionage plot and imprisoned for decades because of it. Not only do we get a nice hero shot of Cap in panel two, we get to see Cap's true power as he immediately displays empathy towards the man. Pencil and ink on Marvel Comics art board. 11" x 17".