Dua Lipa, the people’s critic
The popstar is championing literary culture to a generation for whom reading has become passé.
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Ellen Peirson-Hagger
Ellen Peirson-Hagger is a former New Statesman assistant culture editor. She covers education as senior writer at Tes, and music and books as a freelance writer.
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Elsa Morante’s wild, compelling fiction
This vivid story of class and family by the rediscovered Italian novelist was where Elena Ferrante “discovered what literature…
ByInside the Royal Society of Literature’s civil war
Amid allegations of censorship, secrecy and elitism, the 300-year-old institution is tearing itself apart.
ByAli Smith’s data dystopia
Her mind-expanding new novel Gliff draws battle lines between art, language and Big Tech.
ByWhy Han Kang won the Nobel Prize in Literature
Han, the first South Korean author to win the award, tackles humanity “from the sublime to the brutal” in…
ByJanet Frame’s asylum dreams
The New Zealand author, born 100 years ago, was both tormented and inspired by her experience of mental illness.
ByPJ Harvey’s songs of England
Across her varied discography, the singer-songwriter conjures images of hyper-local folk tales and white Dorset cliffs.
ByNeuroscientist Charan Ranganath: “People have this illusion that personality is static. It’s not true”
The author of Why We Remember on memory, identity formation and “digital amnesia”.
ByAlba de Céspedes’s life of resistance
Informed by the novelist’s fight against Fascism in Italy, Her Side of the Story is a remarkable investigation into…
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