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Ethereal Pain

The document is a musical score titled "Ethereal Pain" composed by Vanessa Pérez Uribe. It is scored for violin, viola, and cello. The score consists of a series of melodic phrases played by each instrument with pauses between. The music conveys a sense of sadness and longing through its slow, drawn out melodies and silences.

Uploaded by

Vanessa Pérez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
79 views5 pages

Ethereal Pain

The document is a musical score titled "Ethereal Pain" composed by Vanessa Pérez Uribe. It is scored for violin, viola, and cello. The score consists of a series of melodic phrases played by each instrument with pauses between. The music conveys a sense of sadness and longing through its slow, drawn out melodies and silences.

Uploaded by

Vanessa Pérez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Ethereal

pain

   
"There's nothing left"


Composed by Vanessa Pérez Uribe

        
 
        
 = 90

 
Violín

   
         



 
      
Violín

        
    


      
Viola

            
   
 

Violonchelo

   
                    
 

 
   
6


Vln.

                 
     
  


   
Vln.

       
        
 
   
 

   
   
Vla.

            
    
    
  


 
Vc.


                
   
   

   
11

 
Vln.

     
  
  

    
Vln.

  
       
       



   


     
Vla.

                    

  




Vc.
 
  
VPU
   
     
             
   
 
17

     
Vln.


          

 
        
Vln.

      
  
  



Vla.

       
               
  
  

Vc.

            
                  
   
 
22

      
Vln.

           
                
     
Vln.

             
                
                 
Vla.

 
        
      
 

Vc.

 

       
   
                  
   
26

Vln.

                   
         
   
   

   
     
Vln.

 
                    
  

 


 
               
Vla.

       
   
   

   
Vc.

   
2 VPU
 
  
 
      
 
        
     

30

Vln.


         
    

 
Vln.

 
               
          

     

    
                       
Vla.

         
    

Vc.

   

               


           
   
36

     
Vln.

            
  
  

   
Vln.

      
      
  


 
 

 
           

Vla.

       
   
 


 


Vc.

  

        
         

Solo
42

          
Vln.

       
  
  Solo

  
Vln.

     


   


Vla.

             
 

 
Solo

Vc.

  
VPU 3
       
            
    
 
48

 
Vln.

 
              

 

     
Vln.

 
                
    
 Solo  

 
Vla.

                   
 
  

Vc.

  



                 
 
  
52

Vln.

                  
 
      



       
Vln.

                  

          
Vla.

    
         


  
Vc.



  
          
    
       
    
56

Vln.

   


    
        
    

      
       
 

Vln.

   
                


  


Vla.

                
        
    


Vc.

    
4 VPU
 
                    
   

61

  
Vln.

     
  
  

   
Vln.

         
         


   


    
   
Vla.

           
   
  
 


Vc.

  

 

67

 
Vln.

Vln. 

  

  
Vla.

Vc. 

VPU 5

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