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Minerva: Allegro Espressivo e Brioso Violini Ii

This document contains a musical score for string instruments. It consists of musical notation symbols arranged on staffs over multiple pages. The score directs the string instruments in an expressive and lively musical piece that uses techniques like dolce, rinf, and pizzicato. It contains the typical musical notation elements of clefs, notes, dynamics, tempo markings, and other performance instructions to guide the string instruments.

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Anonymous 1Us2F6
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39 views4 pages

Minerva: Allegro Espressivo e Brioso Violini Ii

This document contains a musical score for string instruments. It consists of musical notation symbols arranged on staffs over multiple pages. The score directs the string instruments in an expressive and lively musical piece that uses techniques like dolce, rinf, and pizzicato. It contains the typical musical notation elements of clefs, notes, dynamics, tempo markings, and other performance instructions to guide the string instruments.

Uploaded by

Anonymous 1Us2F6
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ARIA

VIOLINI II Minerva

   
                           
Allegro espressivo e brioso

 
 
      
  


                                       
4

     

      

       
7

                 
     

                                    
12

    
 

   
16

   
                       
  

                  
21

  
              
  

      
                                   

26

dolce 

                                

31

         
 dolce  dolce


  
              

36

         
          

                       
41

  
          

                
     
45

         
  

              
                             
49

  
dolce rinf.

                 
             
52

     

  
 
                             
56

   
           
       
dolce

             
                
61

               
     
  
                          
67

dolce
 

            
      
71

  
     
dolce

       
75

   
              

                     
                          
81

 dolce

   
                           
86

 
   

                                  
91

 

   
           
96

      
  

      
                             
100
Andante

 
   

    
                                
108



119 
            
Tempo primo

         

  

                              

124

         
  
              
128

     
                    
   
  

                              
133

dolce
   

  
                       
138

       
dolce

               
            
144

      

              
                                  
149

dolce  
 
                     
154

  
   

                    
159

        
 

         
                    
164

    
  

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