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17 - Violoncelli

The document appears to be a musical score containing notation represented by symbols. It is for violoncello and marked "Andante brioso". The score contains multiple lines of musical notation symbols without any other text, indicating it is likely a solo piece for cello.

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37 views4 pages

17 - Violoncelli

The document appears to be a musical score containing notation represented by symbols. It is for violoncello and marked "Andante brioso". The score contains multiple lines of musical notation symbols without any other text, indicating it is likely a solo piece for cello.

Uploaded by

Anonymous 1Us2F6
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ARIA

VIOLONCELLI Marte

       


Andante brioso

                                        
5

                       
10

       

                    
15

           
dolce

             
      
22

        
 

                
28

     

                 
     
35

       
rinforz.  dolce

                                
41

      
 

                        

46

   
 rinforz.

           
  
52

        
 dolce

     
            
58

       
 
 

    
                 
64

         
 dolce

    
        
 
71

      
 dolce  

     

 
 
           
78

     
 tenuta 
      
          
        
      
85

       

                            
90

                
dolce

            
                       
96

   
  


           
riten.

      
101

    

         

Andante
               
108

      

 
             
   
Tempo I
        
117

    
  

           
       
128

    
 dolce

                 
134

            

               
    
     
141

   
 

                  
147

           
 dolce
 dolce 
           
    
154

      
  tenuta

 
               

161

     

        
 
167
    
               
        

dolce

                               

172

             

                 
    
177


   


          
riten.

  
182

  


            

 
187

     

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