||ॐ||
Omkara. OM or AUM. is the most known mantra, frequently written about online and most
of us have heard and read about it. Instead of me repeating information that is circulating or
trying to re-explain what Kaulantak Nath has told me; I invite you to start practicing it for
yourself. Let this mantra speak for itself.
2 ||OM SAM SIDDHAYE NAMAH||
The path of Siddhas. This mantra is a salutation to all the highly evolved souls, self-realized,
enlightened beings and masters who carry immense knowledge and abilities. They are all
connected to various lineages and Siddha traditions since all of them have needed to walk
different paths to become who/what they are. In simple words; by chanting this mantra we
invoke and increase connection/association/resonance with the essence of Siddha. If you are
very interested; download the free book “The message of Siddhas” from the official web page
of Kaulantak Peeth and have a read: http://kaulantakpeeth.com/en/free-book.php
3 ||OM MAHA HIMALAYAYE NAMAH||
Maha Himalaya. In short, there is no other place on earth where the concentration of
practicing Sadhakas, Yogis and Siddhas is that high. And it is so because Himalaya is the
place where the original Guru-disciple tradition has kept itself alive, most in secret. Until a
future post about Maha Himalaya see Kaula Bhairavs post:
https://kaulabhairav.wordpress.com/2013/07/05/maha-himalaya-entering-higher-dimensions/
By chanting this exquisite mantra one salutes this sacred place, increases the essence of
Himalaya within oneself as well as supports and sustains the true source, the mother board of
conscious evolution.
4 ||OM SRI GURU MANDALAYE NAMAH||
Reverence to the council of Guru Mandala. Here is a brief description of what this is
knowing that no words and not even the sound of music will ever be enough: Guru Mandala
is a council of Gurus, some on earth in deep Himalayas and some in higher realms of reality.
They are all Siddha masters in different fields of existence and spiritual practice. Ishaputra –
Kaulantak Nath has been a disciple of 38 of these Gurus in various intensity during his life
and this is the source of his immense knowledge.
One example Ishaputra told me about in Sweden, it is also available on the official web page
of Kaulantak Peeth and it beautifully says:
His Guru Shri Siddha Siddhant Nath Ji Maharaj instructed Ishaputra to visit a village in
Assam to study Tantra and Aghora under a mysterious Bhairavi known as ‘Jayendra
Bhairavi Ji’ or ‘Daian Maa’. She is one of the thirty eight gurus of Ishaputra. This lady guru
is so mysterious that even her family has no idea of her being a siddha of highest order in
field of Tantra and Aghora. Even though she has never visited Himachal Pradesh, she and
Ishaputra’s satguru Shree Siddha Siddhanta Nath Ji Maharaj have astral communications.
By chanting this mantra we are saluting and connecting with the sacred circle of
compassionate and intelligent Siddha masters who collectively are called Guru Mandala.
5 ||OM MAHAKALAYA VIKARTANAYA MAYADHARAYA NAMO NAMAHA||
Guru Mantra. This is the mantra one sees in the beginning of every post on this blog. Why?
For lack of better words, this is the mantra where one salutes the ultimate Guru. Master of the
concept of Time, Life force/ Light and Maya. The one who will lead you to master the veils
of the sensory world (Matrika/Matrix). Without connection to this tattva / essence of Guru,
there is no spiritual growth in this day and age. Nowadays even the most spiritual societies
have lost the Guru-disciple tradition where the Guru is still connected and in communion
with the greater universal Gurus. Kaulantak Peeth in Himalaya, is still keeping this tradition
alive through Ishaputra – Kaulantak Nath and his divine manifestation on earth.
How do we chant? Maybe we are already planning to go to Himalaya for the opportunity to
be in the presence of Kaulantak Nath and the Bhairav-Bhairavis in Kaulantak Peeth, or
maybe we just want to try these mantras in the comfort of our own space and see the effects.
If one is interested and drawn to know how exactly to chant these mantras the opportunity
will come for that person to learn. A suggestion is to chant from the core of heart, for all that
is worth no matter how we do it….calling upon guidance, finding soothing comfort knowing
there are beings who exist to support our evolution. We open ourselves up by showing
reverence and respect to all who have walked miles and miles before us, paving the dark and
unknown paths with their light.
It is suggested to use Rudraksha beads (108 beads reciting the mantra in cycles of 108
repetitions), red coloured sitting asana (mat) and wearing red clothing facing towards the
direction of Himalaya. In the contact section of this blog you can send a message if you have
further comments or questions.
Goddess Tara Mantra List:
Tara Mool Mantra:
ॐ ह्रीं स्त्रीं हुं फट् ॥
Om Hreem Streem Hum Phat॥
Ekakshari Tara Mantra (1 Syllable Mantra):
ॐ त्रीं
Om Treem
Tin Akshari Tara Mantra (3 Syllables Mantra):
ॐ हं ू स्त्रीं हं ॥
ू
Om Hum Streem Hum॥
Chaturakshar Tara Mantra (4 Syllables Mantra):
ॐ ह्रीं ह्रीं स्त्रीं हं ॥
ू
Om Hreem Hreem Streem Hum॥
Panchakshari Tara Mantra (5 Syllables Mantra):
ॐ ह्रीं त्रीं ह्रुं फट् ॥
Om Hreem Treem Hum Phat॥
Shadakshar Tara Mantra (6 Syllables Mantra):
ऐं ॐ ह्रीं क् रीं हं ू फट् ॥
Aim Om Hreem Kreem Hum Phat॥
Saptakshar Tara Mantra (7 Syllables Mantra):
ॐ त्रीं ह्रीं, ह्रूं, ह्रीं, हुं फट् ॥
Om Treem Hreem, Hrum, Hreem, Hum Phat॥
Hansa Tara Mantra:
ऐं स्त्रीं ॐ ऐं ह्रीं फट् स्वाहा॥
Aim Streem Om Aim Hreem Phat Svaha॥
तारा TĀRĀ
Tāra means saviour or protector; it also means shining, a mystical monosyllable like om.
Often, Tārā is worshiped in both Buddhism and Jainism. There is a story associated with Her
origin. When the kṣīrasāgara (mythological ocean of milk) was churned, both nectar and
poison were obtained. Though all other gods and goddesses were afraid on seeing the deadly
poison, only Śiva remained unperturbed. Hence He is also known as Akṣobha (meaning
unperturbed). Śiva consumed halāhala, the deadly poison. While He was consuming this
poison, Pārvatī, His Consort, held His throat to prevent poison percolating into His body. As
a result of this, halāhala was struck at His throat and it became blue in colour and hence Śiva
is also known as Nīlakaṇṭha (blue necked). The power of Śiva to remain as akṣobha comes
from Tārā and the power of Śiva to consume halāhala comes from Pārvatī. This is how Tārā
Devi is known to us. She has few other forms like Ugra Tārā, Nīlā Sarasvati and Ekajaṭa. She
is the primordial sound (śabdabrahman) from which the speech originates. She controls one’s
emotions.
She is Nāda and Śiva is Bindu.
नाद विन्दु* कलाती नमो नम। वे द मन्त्र स्वरूपा नमो नम॥
nāda vindu* kalātī namo nama | veda mantra svarūpā namo nama ||
*bindu and vindu are the same.
She appears more or less like Kālī, except the protruding tongue and the chopped head. She
also holds a sickle and a scissor in Her left hand and a lotus flower and varada mudra in Her
right hands. She is also wearing a garland made of skulls. She is standing on a corpse. It is
said that attaining Her is much easier than other Goddesses of Daśa Mahāvidyā. There are no
restrictions (niyama) to worship Her. She also represents om. According to some Scriptures,
She belongs to uttarāmnāya.
Number of benefits is enumerated if She is worshipped. Important of them are allaying fears,
fear from wild animals, water and phantasms, attaining both material and spiritual
knowledge. It is said that Tārā Kurukullā drives away evil spirits. She can never be
approached with a specific way of worship. Visualising Her all the time is the best way to
attain Her Grace. However, it is important that the one who practices Her mantra should
never utter lies under any circumstances.
HER DHYĀNA VERSES:
The commonly known dhyāna verse describes Her as follows:
1. “I meditate upon Tārā Devi with three eyes, adorned with white garments, whose lustre is
like that of the moon, with crescent moon on Her head and who holds lotuses, a sickle and a
skull in Her hands.” This mantra gives all kinds of prosperity and attainments.
There are other dhyāna verses which describes Her like this.
2. She is seated on a swan with four faces and eight hands. She is clad in white dress. She
holds a kamaṇḍalu (a vessel for holding water), a lotus, noose, another weapon called śakti, a
rosary, a garland, varada and abhaya mudras. Meditating on this form is known as sṛṣṭi
(creation) dhyāna.
3. She is in Śvetadvīpa, known as White Island (a mythological island where liberated souls
live (they are frequently sent back to earth on various assignments; very close or similar to
incarnations). She is with red garments and seated on a red throne. She has one face and four
hands. She holds a rosary, a cup filled with inebriant and varada and abhaya mudras.
Meditating on this form is known as sthiti (maintenance) dhyāna.
4. She is seated in a boat, in the middle of the ocean of blood, with black garments, wearing
ornaments made of bones. She has nine faces and 18 hands. She holds different powerful
weapons in Her 16 hands and varada and abhaya mudras in to hands. Meditating on this form
is known as saṁhāra (destruction) dhyāna.
HER MANTRAS:
This mantra gives all kinds of prosperity and attainments.
1. ॐ ह्रीं त्रीं हुं फट् ॥ om hrīṁ trīṁ huṁ phaṭ ||
Sage Vasiṣṭha meditated the above mantra for a long time and She did not appear and hence
he cursed this mantra and after his curse the above mantra lost its potency. Soon after his
anger subsided, he removed his curse on the mantra by modifying trīṁ as strīṁ and thereafter
the mantra started yielding fruits. This mantra is thus modified and this modified mantra
alone gives results.
2. ॐ स्त्रीं ह्रीं हुं फट् ॥ om strīṁ hrīṁ huṁ phaṭ ||
3. ॐ त्रीं ह्रां हुं नमस्ताराय महातारायै सकल दुस्तरां स्तारय ताराय तर तर स्वाहा॥
om trīṁ hrāṁ huṁ namastārāya mahātārāyai sakala dustarāṁstāraya tārāya tara tara svāhā ||
Apart from the above mantras, there are eight mantras by which Brahmā and Viṣṇu
worshiped Her.
1. ॐ त्रीं ह्रीं हुं फट् ॥ om trīṁ hrīṁ huṁ phaṭ ||
2. ॐ ऐं ह्रीं श्रीं क्लीं सौः हुं उग्रतारे हुं फट् ॥
om aiṁ hrīṁ śrīṁ klīṁ sauḥ huṁ ugratāre huṁ phaṭ ||
3. ॐ हुं ह्रीं क्लीं ह्सौः हुं फट् ॥ om huṁ hrīṁ klīṁ hsauḥ huṁ phaṭ ||
4. ॐ ऐं ह्रीं श्रीं क्लीं ह्सौः हुं उग्रतरे हुम् फट् ॥
om aiṁ hrīṁ śrīṁ klīṁ hsauḥ huṁ ugratare hum phaṭ ||
5. ॐ हुं ह्रीं क्लीं ह्सौः हुं फट् ॥ om huṁ hrīṁ klīṁ hsauḥ huṁ phaṭ ||
6. ॐ ह्रीं हुं ह्रीं हुं फट् ॥ om hrīṁ huṁ hrīṁ huṁ phaṭ ||
7. ॐ त्रीं हुं ह्रीं हुं फट् ॥ om trīṁ huṁ hrīṁ huṁ phaṭ ||
8. ॐ त्रीं हुं फट् क्लीं ऐं॥ om trīṁ huṁ phaṭ klīṁ aiṁ ||
Ekajaṭā mantra:
1. ॐ ह्रीं स्त्रीं हुं फट् ॥ om hrīṁ strīṁ huṁ phaṭ ||
2. ॐ ह्रीं नमो भगवत्ये कजटे मम वज्रपु ष्पं प्रतीच्छ स्वाहा॥
om hrīṁ namo bhagavatyekajaṭe mama vajrapuṣpaṁ pratīccha svāhā ||
Nīla sarasvati mantra:
Form: She holds in Her left hands the bell and skull and in Her right hands, a trident and a
sword. She has crescent moon and She stands on a corpse. This mantra gives victories in
arguments in court cases.
1. ॐ श्रीं ह्रीं ह्सौः हुं फट् नील सरस्वत्यै स्वाहा॥
om śrīṁ hrīṁ hsauḥ huṁ phaṭ nīla sarasvatyai svāhā ||
2. ॐ ह्रीं स्त्रीं हुं॥ om hrīṁ strīṁ huṁ ||
Vidyārājñī mantra:
(This mantra bestows both material benefits and liberation).
ॐ ऐं ह्रीं श्रीं क्लीं सौं क्लीं ह्रीं ऐं ब्लूं स्त्रीं नीलतारे सरस्वति द्रां द्रीं क्लीं ब्लूं सः ऐं ह्रीं श्रीं
क्लीं सौः सौः ह्रीं स्वाहा॥
om aiṁ hrīṁ śrīṁ klīṁ sauṁ klīṁ hrīṁ aiṁ blūṁ strīṁ nīlatāre sarasvati drāṁ drīṁ klīṁ
blūṁ saḥ aiṁ hrīṁ śrīṁ klīṁ sauḥ sauḥ hrīṁ svāhā ||
