FIBA Assist 33
FIBA Assist 33
assist33
Pianigiani-Banchi
The high
pick-and-roll
Ettore Messina
Pat Sullivan
The “point zone”
Lele Molin
Jim Cervo
Understanding
3-person mechanics Fitting
Rich Dalatri
Band exercises
the opponent
tables of contents
Zone Offense
Principles
by Don Showalter
Don Showalter graduated with a physi- 1. Fast breaks beat the zone down the cally know what to do during the game
cal education major and a biology minor floor. when a similar situation arises.
at Wartburg College in 1974. In the same 2. We must have constant player move-
year he started his coaching career at ment. DRILL N. 1
Lone Tree Schools, where he worked 3. We must penetrate the gaps. ▼ 1 passes inside to 5 and moves to the
until 1976. From 1976 to 1984 he was head 4. We need to make all movements right or left away from the defender,
coach at Central Elkander Community meaningful and fast. preferably in the direction of the de-
Schools, where he also teached biology. 5. We need aggressive board play. fender’s back. 5 then passes back out
Since 1984 he is head coach at Mid- 6. We must show patience against all to 1 for an open shot (diagr. 1).
Prairie Community Schools. During his zone defenses. Point of emphasis: The offense should
career, he won 15 district titles. 7. We must find ways to get the ball in- always relocate after a pass. Do not
side. stand in the same spot you passed the
We look to play a very efficient and ef- ball from.
fective zone offense. To achieve our I will now suggest some specific drills
goal, the players must first understand that I find useful for helping players un- DRILL N. 2
the basic foundations of a solid zone of- derstand the correct application of these ▼ 1 penetrates the gap between X1 and
fense. Therefore, they need to under- zone offense concepts. Repeat these X2. Once X1 and X2 stop, 1 passes to 2
stand that: drills often and players should automati- or 3 (diagr. 2).
page 4 | 33 2008 | Fiba Assist Magazine
D.1 D.4 D.7
DRILL N. 7
▼ The perimeter offensive players, 1,
2, and 3, must make a pass and then
fake a pass the second time the ball
is touched. This is especially impor-
tant for the player on top of the key
(diagr. 7).
Point of emphasis: Pass fakes
against a zone are possibly more ef-
fective than the passes themselves.
By making a pass fake (selling it
D.3 D.6
with a good, hard fake), you can get
all five defenders to shift positions.
skip pass. 2 must stay outside 15-20
feet for the shot (diagr. 4). DRILL N. 8
Point of emphasis: Wing players should ▼ 3 puts up the shot and 2 crashes the
make themselves open for skip passes. board from the weak side (diagr. 8).
Point of emphasis: This is a great
Point of emphasis: Penetrating the DRILL N. 5 opportunity to get the rebound be-
gaps in the zone forces two defenders ▼ 1, 2, and 3 should reverse the ball cause there are no blocking out as-
to guard one offensive player, thereby quickly from one side of the court to signments.
opening up a teammate on another the other. This forces the low for-
part of the court. ward to step out and guard the wing DRILL N. 9
player (diagr. 5). ▼ 1 uses the dribble to drag the de-
DRILL N. 3 Point of emphasis: Once the forward fender over towards him. He then
▼ 1 passes to 5 on the low block. 5 turns commits to guarding the wing, the can pass the ball to 2, who is now
and passes out to 2 for a shot (diagr. 3). offense can attack. open, creating an attack situation
Point of emphasis: The ball must go (diagr. 9).
inside and then back out to the weak DRILL N. 6 Point of emphasis: Drag the defense
side perimeter. This technique keeps ▼ When ball is on the wing and the op- with you, then release the ball. The
the defense from cheating in too much posite low post 5 sees an opening in dribble will pull the defense out of
and should also help isolate the post the middle of the zone, he flashes to position.
player with the ball. that open spot (diagr. 6).
Point of emphasis: Post players must DRILL N. 10
DRILL N. 4 flash to the middle to keep the de- ▼ 3 dribbles up from the baseline, pull-
▼ 2 should step into the open spot for a fense honest. ing the defense up with him. 4 steps
Fiba Assist Magazine | 33 2008 | Page 5
COACHES - FUNDAMENTALS AND YOUTH BASKETBALL
D.9
D.10
D.18 D.22
DRILL N. 11
▼ 1 passes to 4 in the short corner. The D.19 D.23
high post 5 dives to the basket down
the middle of the zone. 4 looks to then step to the ball. The perimeter
pass to 5 for the shot (diagr. 11). players can utilize pass fakes to set
Point of emphasis: If a player re- up the post player (diagr. 14).
ceives a pass in the short corner, the Point of emphasis: The screen can
defense should cover that player, be used to open up a player for a
thereby opening up the middle for skip pass. If defended, the screener
the high post. should step to the ball and may find
himself open.
DRILL N. 12
▼ 1 skip passes the ball over the zone When the moves of the previous drills
to 2. The opposite wing 2 stays out- are assimilated, we can sum them up
side the three-point line, and gets D.20 with the following 4-on-4 zone offense
ready to receive the pass and take plays:
the shot (diagr. 12).
Point of emphasis: 2, by staying out- Point of emphasis: The weak side Attack the diamond: 1 penetrates the
side the three-point circle, forces defense is probably already cheat- gap between X1 and X2 and passes to 3
the defense to stay spread out and ing to the middle of the court to cov- in the short corner; 3 makes a pass to 2
cover more area. er the post players. The penetration on the weak side. 4, who was in the low
might draw them in more and open post on the weak side, opens himself in
DRILL N. 13 up the court for outside shots. the short corner, ready to get the ball
▼ The wing players should look to pen- from 2 (diagr. 15).
etrate the guard/forward gap in the DRILL N. 14
zone and kick the ball out to the op- ▼ The post players 4 should look to 3 vs. box: 1 passes the ball to 2 on the
posite wing for the shot (diagr. 13). screen the baseline defenders and wing; 2 pretends to drive to the basket
Fiba Assist Magazine | 33 2008 | Page 7
COACHES - FUNDAMENTALS AND YOUTH BASKETBALL
but instead makes a pass to the weak to the low post on the strong side, ready
side player, 3, who penetrates and pass- to get the ball from 1, who received from
es again out to 1 (diagr. 16). 2 (diagr. 26).
Hi-lo drill: We want to train “hi-lo” “Hammer” offense: 2 receives the ball
moves. After a pass from 1 to 2, the ball from 1, then passes to 4 in the corner. 4
goes to the high post 4, who made a passes the ball to 3 on the opposite
flash cut, coming from the low post on wing and makes a flash cut to the ball,
the weak side. 5, who is in the low post exploiting a screen by 5, who opens in
on the strong side, opens himself in the low post (diagr. 27).
center of the area, ready to get the ball
from 4 (diagr. 17). D.28 “Iowa” offense: 1 passes to 3, who
passes back to 1, while from the oppo-
4-on-4 Zone: 1 penetrates the gap be- site wing, 2 cuts to the angle using a
tween the first defensive line, then strong side along the baseline, and 5 screen by 5, who opens up and is ready
passes to 2, who fakes a drive to the shifts centrally to the free-throw line to receive the ball (diagr. 28).
basket and passes the ball to the oppo- (diagr. 23). We can finalize: 3 can go to
site side to 3, who makes a dribble, then the basket or else pass to 4 for a shot “Martin” offense: 1 is in the middle of
gives the ball to 4, coming along the from the corner and then cut to start a the court with the ball. 2 is at the free-
baseline from the opposite side (diagr. new move; other players move at the throw line and 3, 4, and 5 are flanked in
18). same time (diagr. 24). low post. 2 opens in the wing; after this
Now, let’s take a look to some effective move, 3 opens in the opposite wing, 4
5-on-5 offensive plays. “Cyclone” offense: 1 drives and passes goes under the basket, and 5 opens in
to 2 on the wing. 5, who is in the low the middle of the lane ready to get the
1-3-1 offense: 1 passes to 3 on the wing, post on the strong side, fakes a cut un- ball from 1, to which 2 has passed the
while 4, from the low post, gets open in der the basket and turns again towards ball back (diagr. 29).
the corner (diagr. 19). 3 passes to 4 and the ball, ready to receive it from 2. In
cuts towards the basket, while 1 replac- the meantime, 4, moving from the low “Overload” offense: 1 passes to 3 on the
es him. 2 replaces 1 and 5 moves to the post on the weak side, makes a flash wing, 3 passes to 4 on the corner; mean-
elbow (diagr. 20). The ball is passed cut to the elbow on the strong side (dia- while, 2, coming from the opposite wing,
back to 1 and 3 continues his cutting gr. 25). cuts to the angle on the strong side, first
move to the weak side, while 5 goes to exploiting screens by 5, who cuts from
the low post (diagr. 21). Now we want to “Double” offense: 1 passes to 2 and the low post on the weak side to the
pass the ball: 1 passes to 2, 5 makes a cuts to the angle on the weak side. 2 high post on the strong side, and anoth-
flash cut toward the opposite elbow, dribbles to the opposite wing, while 3, er screen by 4, after he has has passed
and 3 opens in the wing (diagr. 22). from the wing, and 4, from the low post, back to 3. He opens in the corner, ready
When 3 receives the ball, 4 cuts to the set a stagger screen for 5, who moves to get a ball for the shot (diagr. 30).
page 8 | 33 2008 | Fiba Assist Magazine
COACHES - FUNDAMENTALS AND YOUTH BASKETBALL
The data in the printout are analysed for each player separately
at the highest levels of the decision tree (POTENTIAL, Morpho-
The test results of individual players were processed by a spe- logical potential and Motor potential). Then the analysis covers
cial SMMS 1.0 software application designed at the Faculty of the results at lower levels as regards the morphological and mo-
Sport. The application is based on multi-parameter decision- tor potentials. In the decision tree that was used, the morpho-
making. logical potential only consists of body height. Motor potential is
structured at three levels, which is why the data are first analy-
Figure 4 shows a printout of the results of four guards of different sed at the top level (Conditional abilities and Technique and co-
quality levels. It consists of a decision tree, the players’ rough ordination) and then also at lower levels.
results and their conversion into numerical and descriptive
forms. The application multiplies the numerical results with re- The Faculty of Sport uses a similar method to process and evalu-
spective weights and divides the result by the weight specified ate the results of testing all young male and female players of the
on the first branch of the tree. Slovenian national teams. A more complex decision tree is used,
Then the results on each first branch of the decision tree are comprising a wider battery of motor, functional and psycho-so-
summed up. The outcome is an evaluation of the factor which cial tests as well as higher norms for evaluating the achieved
determines each first branch of the tree. This procedure involv- results (by gender, age and playing position). The results of our
ing multiplication, division and addition is carried out in the same studies show that the male and female basketball players of the
way at all higher-level branches, up to the trunk of the tree (PO- Slovenian national teams with high scores for the said morpho-
TENTIAL). logical-motor potential were also better players in general.
Fiba Assist Magazine | 33 2008 | Page 11
coaches - offense
Fitting
the opponent
by Ettore Messina by Lele Molin
D.4
D.5
Posting up the
by Kestutis Kemzura
perimeter players
Kestutis Kemzura started his coaching throw line extended.
career in 2001, as assistant coach at The play starts with 1 passing the ball to
Besiktas Istanbul. From 2002 at 2004, he the top to 4 (PF), while at the same time
works with Lietuvos Rytas, first as as- 5 (C) sets a back screen for 1 who makes
sistant coach, then as head coach from a shuffle cut across the lane. 4 can pass
the second half of the 2003/04 season. In the ball to 1 for the lay up if he's open or
2004/05 he became assistant coach of hit 5, who flashes to the elbow after
David Blatt at the Dynamo St. Peters- making the pick for 1 (diagr. 1).
burg, where he won the Euroleague.
From 2005 to the first half of the 2006/07 When 5 receives ball on the elbow, 3
he was assistant coach of the Benetton (SF) cuts across the lane and sets a
Treviso, again with Blatt, winning one cross pick for 1, forcing defenders to D.1
Italian Championship in 2006. Since switch and create a mismatch situation
February 2007, he is head coach of the against smaller defender. At the same
Khimki Moscow, where he won the time, 4 screens away for 2 (SG) to occu-
Russian Cup and reached the finals of py defenders (diagr. 2).
Russian Championship in the last sea-
son. In 2005/06, he also worked in the The first option is to hit 3 deep in the
coaching staff of the Lithuanian Nation- paint (he has to set good screen and
al team. He won an Intercontinental Cup turn to the ball, making sure that he
in 2005 with the Lithuanian National B keeps the defender behind his back),
team. second, to hit 1 in the short corner (or
low post) for a jump shot, while the third
Every coach looks to highlight the strong option is to pass the ball to 2 and con-
points of his team and hide weaknesses. tinue play with high pick and roll (diagr.
D.2
He wants to create the best situations 3).
on offense for his best players so they
can have every advantage possible. The We can run the same play in a different
more versatile a team is on offense, the way using it even as a secondary of-
more difficult it will be to stop. fence. Every player runs their lanes on
the break and 1 then passes the ball
ahead to 3 at free-throw line extended
Because we had tall and athletic guards
and cuts to the strong side corner (diagr.
(Anton Ponkrashov) and small forwards
4).
(Kelly McCarty, Vladimir Dyatchok) on
the team, who could play with their
This simple action forces players to run
backs to the basket, we wanted to use
the floor harder and move the ball
their size and skills in different ways to ahead, so we can get into our set faster
get an advantage against our opponents. and attack the defense better. 3 passes D.3
We also had big players who could play ball to the top to 4 and receives a back
successfully on perimeter and be dan- screen for a shuffle cut. 4 can hit 3 back
gerous with their outside shooting. This for a lay-up if he's open, swing the ball
let us space the floor well and gave us to 2, or pass the ball to 5 on the elbow
an advantage in the paint by allowing us (diagr. 5).
to post up our guards and small for-
wards. If 4 passes to 5, 1 goes across the lane
and sets across pick for 3, while at the
We start our offence with this set: 1 (PG) same time 4 screens away for 2 (diagr. 6).
with the ball on right (or left) side of the
court at free-throw line extended, center If 5 hits 3 in the post, he screens away
(5) in mid post, power forward (4) at the for 2 and 4 down screens for 1 on the
top on three-point line, small forward (3) weak side (diagr. 7).
on the strong side corner, and the shoot- These actions occupy defenders and D.4
ing guard (2), on the weak side at free- help to space floor well.
page 16 | 33 2008 | Fiba Assist Magazine
D.5
The
The high
high
pick-and-roll
pick-and-roll
by Simone Pianigiani
by Luca Banchi
Simone Pianigiani's first coaching ex- reer with the youth teams at Grosseto. Sana Basket Siena, where his teams
perience was with Mens Sana Siena In the 1985/86 season, he was assistant won two Italian Championships and
1871; from 1995 to 2006 he was assist- coach with Forze Armate Vigna di Valle one Italian Supercup.
ant coach in Italian Serie A with Mens (Italian serie B2), and a year later with
Sana Basket Siena, where his team Affrico Firenze he served as assistant READING AND SPACING
won the Saporta Cup in 2002, and one coach and was responsible for youth The evolution of the game (more speed,
Italian Championship and Italian Su- teams. From 1987 to 1999, he was at Don more strength, more athleticism, and
percup in 2004. He was also responsi- Bosco Livorno, where his teams won less time to end the play) and the fre-
ble for the youth teams until 2005, three Italian youth titles (1995, 1996, quent use of adapted defenses with
participating in eleven national finals 1997). In 1997/98, he became head systematical changes have led to an ex-
and winning five consecutive national coach of the main team (Italian serie ponential increase of the use of pick-
titles. Since the summer of 2006, he has A2). In 1999, he was head coach with and-roll.
been head coach of Mens Sana. In his Pallacanestro Trieste in the Serie A1. This collaboration of two offensive play-
first two years as head coach, his From 2001 to 2004, he worked again at ers allows us to find good conclusions
teams have won two Italian Champion- Livorno. In 2004/05 he coached Basket when we are not able to complete a
ships and one Italian Supercup (2008). Trapani and in 2005/06 Aurora Jesi, both particular play. Every player is capable
in the Italian serie A2. Since 2006, he of being involved in a pick-and-roll,
Luca Banchi started his coaching ca- has been the assistant coach at Mens even those who may not have the best
page 18 | 33 2008 | Fiba Assist Magazine
D.1 D.5
D.2 D.6
D.3 D.7
D.9 D.13
D.10 D.14
D.11 D.15
D.12 D.16
the perimeter (up and down moves, pecially in relation to their characteristics
cuts), improving their technique and and opponents’ defensive habits, specu-
sense of timing; lating on their probable deficiencies.
▼ Improving the technique of the first This kind of collaboration allows us to
step on the drive, reversal pass, back set a screen on the ball with different
pass, diagonal skip pass, and faking angles, often managing to catch the de-
a pass. fender who can’t see the screen coming
We can position the players differently because he is concentrating on guard-
on the perimeter when they are not di- ing the ballhandler. The man who sets
rectly involved in the two-man play, es- the screen should fill the widest possible
page 20 | 33 2008 | Fiba Assist Magazine
D.17
D.18
D.19
D.20
D.21
D.22
defenses on the pick-and-roll. Defensive ceive the ball, punishing the recovery
reactions will depend on our aggressive- after the help with passes or a drive and
ness at setting and exploiting the screen; kick-off pass for the best positioned
we should gain a space and time advan- teammate. Many teams are worried by a
tage on these reactions. This advantage cutter’s aggressiveness and they tend to
must be preserved and exploited using jam the lane. Knowing this, the offensive
technique. If the defense makes an ag- player who receives the ball should be
gressive help that is perpendicular to the able to control his body in order to shoot
baseline, our ballhandler should be able or make a kick-off pass. This is the rea-
to step back, without stopping the drib- son why we ask the screener to sprint
ble, until he decides the moment of the the first meters of the cut after the
pass or the drive following the release of screen. We then want him to slide in or-
the helping defender. This player must der to get the best possible angle to re-
D.23 master the ability to step back and quick- ceive the ball against a possible
ly drive forward again. The screener, no- defensive rotation. He should be better
ticing the help, will roll hard to the positioned to get the ball and offers a
them to determine the driving side and
basket, preferably with a front turn, be- better target for his teammates to pass
the help side. We can also use a side (or
cause he’s far from the basket. He should to him (diagr. 7 and 8). After receiving the
perpendicular) screen, screening the
be taking care of the speed of his move. ball, the offensive player should be able
defender’s inside shoulder, when he de-
Once he’s near the basket, he should to exploit the advantage gained, having
cides to force the ballhandler towards
change his run to a slide, looking to cut used a correct technique of passes to
one side of the half court. The screen
off possible defensive rotations (diagr. 3 the lane or to the three-point line against
should be set strongly, having a low
and 4). This choice involves an offensive the defenders’ possible rotation (diagr. 9,
stance, hitting the defender with a tech-
overload under the ball line that we 10, 11 and 12) or drive to the basket on
nique similar to a jump stop. The player
could exploit only with the collaboration the opposite direction to the defenders’
needs to be in balance and take a tough
of every offensive player. recovery (diagr. 13 and 14). If the defense
and strong position (diagr. 2). Setting a
succeeds in anticipating the ball going
screen after a fake to go to the opposite
▼ First goal: don’t stop the dribble. to the perimeter, the reaction of the play-
side will help us to further reduce the
▼ Second goal: roll hard to the basket. er in the high post now takes on more
speed of the defender’s help on the fol-
▼ Third goal: create effective pass importance, because he’ll be the “play-
lowing drive. The next collaborations
lines (diagr. 5 and 6). maker” of the play and all the next solu-
will depend on the defenders’ reactions.
tions will come him: reversal pass,
Players need to learn to read and recog-
HOW TO BEAT A DEFENSIVE RECOVERY diagonal skip pass, or back pass to the
nize them during the practice sessions
OR ROTATION playmaker for another pick-and-roll. Be-
so they will be able to anticipate the
A side from the defensive mistakes that cause we have screeners on our team
moves of the defenders. We would like
allow the dribbler to cut the corner of the who are able to perform both the roll in-
to now analyze only the offensive play-
screen to drive to the basket, every of- side and the fade away move (Ress,
ers reactions when they face the help-
fensive player on the court should move Stonerook, and Lavrinovic), we added
and-recover, the trap, or the jam
in order to create a diagonal line to re- unpredictability to our play based on
page 22 | 33 2008 | Fiba Assist Magazine
based on the defenders' reaction. The
screener can pop out, keeping the de-
fense at the three-point line, thanks to
his shooting ability (diagr. 15).
The ballhandler should be able to use
passing technique on the screener’s fade
away, exploiting the pivot and turn
moves.
Whoever receives the ball should close
his move going toward the ball. This
means he should offer a wide target to
the passer in order to hinder the de- D.26 D.30
fender, who has rotated. The ultimate
effectiveness of the shot, drive, or pass
will be connected to the spacing ability
(diagr. 16 and 17).
If the defense rotates, the player, who
receives the ball, should use the revers-
al pass or a back-door pass to a team-
mate who is left alone by the defender
who has rotated (diagr. 18 and 19).
If defense decides to protect the area at
the time of the same screen, keeping
the defensive big man on the penetra-
tion line, new plays start to form.
D.31
The player who exploits the screen D.27
by Pat Sullivan
D.2 D.6
D.3 D.7
D.4 D.8
D.23
D.24
penetration, defend the ball, if it gets into the X4 on the right side. We want X1 as much made to the left side with X1 and X3 (diagr.
high post, give help against high pick-and- as possible to “point” the ball handler, 7), if we see it is an overload. We are trying
rolls, and front the post if the ball is in the when we are in our 2-3 look, unless the ball to limit X4 from covering the corner to re-
corner. is past the pro lane extended on the right strict his area of coverage.
side of the floor. Our rule for defending the At this point, the rule is: when X1 or X4
HOW THE “POINT” IS INITIATED AND DEFENDING initial wing entry pass, is what we will hold “point” the zone, X2 and X3 are always in
THE INITIAL POINT TO WING PASS and bump against the first pass on the right the wing position and when X2 or X3
We will begin in a 2-3 zone alignment until side of the floor (diagr. 6) with X4 and X2 “point” the zone, X1 and X4 are always in
the ball leaves one-third of the floor. We (unless the first pass is made to the corner), the wing position. This will always give our
want X1 and X3 on the left side and X2 and and we will only bump versus the first pass point zone a look of a 1-3-1 zone. The ball
Fiba Assist Magazine | 33 2008 | Page 27
COACHES - DEFENSE
defense
will see a 1-3-1 alignment unless the ball is DEFENDING THE SKIP PASS point is going to be. Close out in a no-
in the corner (diagr. 8, 9 and 10). As a re- If the skip pass is in front of his field of vision middle stance.
sult, since you would never rotate a de- as he looks directly to the ceiling, it is his 4. Open up after your man passes the ball
fender off the court, when the ball is in a “point” in the zone (diagr. 16, 17, 18 and 19); if with your butt to the baseline and point
corner, our zone will now look like a 2-3 the pass is behind his field of vision, it is the to your next rotation. Don't let cutters get
alignment. Thus, when X4 points the ball in next defender's point on the perimeter (dia- behind you.
the corner, X1 will be at the weakside el- gr. 20 and 21). For the most part everything 5. Your next “point” is your blockout as-
bow (diagr. 11). By rule, anytime X3 points above the free-throw line extended should signment.
the ball around the free-throw line extend- be covered by X1 and X2. 6. Weakside defenders must call out cut-
ed area and X5 is above the block, X4 ters and locate blockouts.
would cross the lane. X4 come across the AREAS OF COVERAGE 7. Don't get screened. Sit on the high side
lane and have his left hand in the low post In the diagram 22, the dotted lines refer to and leave when the ball is in the air.
almost touching X5's right hand (diagr. 12). the areas of coverage each player will have 8. When the ball goes into low post, X5
In spite of the rule, we will have X4 make in the “point” zone; in the diagram 23, in- have to defense.
the decision how far he will rotate over stead, X5 will work the “small triangle” and 9. Must adjust quickly on bumps, especially
based on wheter the ballside corner is will be between the ball and the basket. In X1 on X2/X4 bump down.
filled or not. If the ballside corner is empty, the definition of “areas of coverage”, there
X4 can cheat towards the rim and kick X2 are important points of emphasis: DEFENDING THE HIGH PICK-AND-ROLL VERSUS THE
out (diagr. 13). X4 must talk to X5 and tell 1. We must declare “the point”. POINT ZONE
him he is by himself to defend the low post. 2. Once the “point” has been established, it We will determine wheter X1/X2 will go over/
If X5 is on the block or below, the opposite is crucial that we control the ball. We under the pick based on scouting. We want
defender on the wing will not rotate over. need good ball pressure to limit crisp the defender on the ball to keep coming and
X3/X4 will stay weakside. X5 will front the passes. stay with the ball. X5's job in the zone is to
post (diagr. 14 and 15). 3. You must always know where your next stay between the ball and the basket. He will
page 28 | 33 2008 | Fiba Assist Magazine
D.35
D.36
D.37
D.43
FIBA Coaching
by Raffaele Imbrogno
Library
Raffaele Imbrogno has been coaching
since 1980. He is an Instructor for the Ital- In this section, we introduce the latest books, videos, CDs, and other tools that are
ian National Coaches Committee of the primarily aimed at coaches, but certainly useful for all of our readers. Please send
Federation and has been Director of the your suggestions and comments about our basketball-related media for review in
Italian Basketball Federation Study Cen- this section.
ter. Imbrogno is also the author of several
technical basketball publications.
Understanding
3-Person Mechanics
Hopefully, this article can shed more light this is another situation requiring the lead
on that potential weakness, help you un- official to begin a rotation. The set-up po-
derstand why, and increase your level of sition on the opposite side is exactly the
comfort in using this set of mechanics. same, approximately one meter off the
endline and in the best position to observe
LEAD OFFICIAL play.
As with 2-person mechanics, the lead of-
ficial’s prime responsibility is to referee It is important that all three officials an-
the post play. Whether right after the ticipate when a rotation is to occur. In
opening toss or during transition, when transition to the opposite end of the floor,
by Jim Cervo moving to the set-up position, the lead the lead official becomes the new trail of-
needs to observe the post players as soon ficial and follows the play up the court.
as possible in order to see the entire play
and ensure neither player is being dis- TRAIL OFFICIAL
Jim Cervo is currently serving as the Ed- placed. The initial set-up position should In 3-person mechanics, the trail position
ucation Officer for CABO (Canadian be approximately a meter (three ft.) off is not very different from what it is in the
Association of Basketball Officials). He the endline and in the best spot to ob- 2-person system. However, since an extra
also is the Chairman of CABO's National serve play and see the space between set of eyes is assisting from the center
Evaluators Panel. He was official for 24 players. The lead official should not be position, the trail can focus more atten-
years, officiating 10 National Champion- more than a step or two on either side of tion on the ball carrier.
ship Tournaments; he also was a CIS the restricted area and on ball side.
(University) official. In 2005 he received When there is full court pressure, the
the CABO Wink Willox Award. Always “referee the defense.” This is center official will cover play on the side
critical in the lead position whether the of the floor opposite from the trail, but the
The use of 3-person mechanics is becom- ball is passed into the post or if the defen- trail official still has the responsibility for
ing more prevalent at all levels of play, sive post player leaves his/her initial the back court count. As the ball moves
from the international level, down to the assignment to become the secondary de- up the floor, the trail official follows the
university, and now U17 and high school fender on another opponent. Any time the play as it moves into the front court. In or-
games. Not only is it a more effective and lead official makes a call, he/she must de- der to always keep the play in front of
efficient way to officiate and manage a termine whether or not the defensive him/her after a score, the new trail should
game, it is adding longevity to the careers player established legal guarding posi- not leave the endline until the ball is
of many senior officials. What a great tion. When a double whistle occurs, the thrown in and play begins to progress up
benefit to have these individuals nurture lead official should take the call since it is the floor.
the “up and coming” group of officials likely the play is coming towards him/her
that we are seeing in many countries. Un- and he/she has probably seen the entire The trail official sets up on the same side
fortunately in some instances, when the play. The lead official sets up on the same of the floor as the lead official so they are
concept of 3-person mechanics is not side of the floor as the trail official so he/ usually on the ball side, whether the ball
well understood, it may not result in any- she is usually on the ball side. The lead is in the trail or in the lead official’s area.
thing more than having a third official official has the responsibility to initiate The set-up position is at the edge of the
added to a 2-person game. When used ef- rotations and there are a few triggers to team bench area near the sideline. As the
fectively, however, the credibility of the key on, with the location of the ball being play moves towards the basket, the trail
crew is enhanced, the call selection im- the main element. The lead should “mir- official needs to penetrate and referee
proves and the end result is a better ror” the ball. In other words, if the ball is the play all the way to the basket and then
officiated game. near the side his/her on their side of the be prepared for rebounding action. If the
floor, positioning should be just outside ball is passed into the post player, the trail
A more accurate understanding of each the restricted area; when the play moves official needs to trust his partner and al-
position will make the transition from 2- towards the middle of the floor, the lead low the lead official to referee the play.
person to 3-person more accessible and should move closer to the basket. Anytime the ball is in his/her area and the
effective. This article is directed towards offensive player is being closely guarded,
those individuals, who are new to these The first key for the lead official to initiate the trail official must begin a visual 5-sec-
mechanics or only have limited experi- a rotation is when the ball moves to the ond count. When a shot is attempted from
ence. Sometimes we are taught where to opposite side of the floor. When the cent- the center official’s area, the trail official
stand and where to go, but without a com- er official is refereeing more than 2 must observe activity around the basket
prehensive explanation of the purpose. players and the ball is on that same side, and be prepared to call basket interfer-
page 32 | 33 2008 | Fiba Assist Magazine
ence if it occurs. If the ball moves to the area, particularly on jump shots and not get caught up in your position; that
opposite side of the floor, the trail official drives to the basket. This takes a lot of will come with time. Because your area
must be prepared to rotate to the centre pressure and responsibility off the trail of responsibility is reduced, you can be
official position as soon as a rotation is official. When the ball swings to the cen- more patient and eliminate some of the
initiated by the lead official. tre’s side of the floor, the centre needs to guessing that happens in 2-person me-
anticipate the lead official rotating to his/ chanics because there is another official
CENTRE OFFICIAL her side of the floor and, if so, move to taking care of a blind spot on the floor.
The centre official position in the 3-per- the trail position. Anytime the ball is in
son system really represents the most his/her area and the offensive player is By and large, the success of a 3-person
significant difference from to the 2-per- being closely guarded, the centre official crew is predicated to the following princi-
son system. The centre set-up position is needs to begin a 5 second visual count. ples: teamwork, trust, respect, and
one or two steps below the free-throw When the ball turns over in the front patience. Referee your primary and allow
line on the opposite side of the floor from court or following a made basket, the your partners to take care of their respec-
the trail and lead officials. The ball is usu- centre official needs to hold his/her posi- tive areas; be ready to help but only when
ally on the opposite side of the floor so tion, read the play and not abandon the needed. Trust and respect your partners
the centre official has a prime responsi- lead official. as you expect them to have faith in your
bility for off ball coverage. ability to make the correct calls.
As with most things in life, experience is
In today’s game, a lot of action takes the best teacher. The more opportunity Be patient. It may be that nothing is hap-
place at the “elbows”. Therefore, in this you have to use 3-person mechanics, the pening in your area for a while. Don’t start
position, particular attention is required better it will be; your comfort level will in- looking for infractions outside your area;
to observe illegal screening and bump- crease. Even while learning these observe play as it occurs. Be ready to in-
ing. The centre official is in an excellent mechanics, you must remember the most tervene to help the flow of the game
position to referee play in the restricted important thing is to referee the game and proceed in the spirit of fairness.
Fiba Assist Magazine | 33 2008 | Page 33
referees and game administration
RIGHT OR WRONG?
The following questions focus on the docu-
ment, “FIBA Official Basketball Rules: Offi-
cial Interpretations”. A free download is
provided on the FIBA website (www.fiba.
com). For additional clarifications, explana-
tions or examples, please consult this doc-
ument.
by Judy Smith
BAND
by Rich Dalatri
EXERCISEs
Rich Dalatri was the first full-time strength with heavier band loads in a controlled OVERHEAD THROW
and conditioning coach in the NBA in the speed for strength, as in regular weight The band is anchored at chest height, 3
1987 with the New Jersey Nets. He has training, or with lesser resistance for higher sets of 8 reps for each side, on Tue and Fri.
worked with the Nets since 1987 to 1992 speed of movement. Each has its own spe- Start in a throwing position with the arm
and since 1997 to now. He also worked cific benefits. You can use the band for any extended overhead, and behind you as in
with the Cleveland Cavaliers in the NBA, exercise you do with weights. The band the start of a throw. The band is anchored
the New York Giants in the NFL and the can also be used in sport specific move- behind you. Start the movement by pulling
Mississippi University. He was strength ments to overload exact movements of the the handle forward as in a throw. Try to
and conditioning coach in Italy of Fortitudo sport you play. We use this in basketball to keep the hand and arm a little higher and
Bologna and Phonola Caserta. Since 2001 overload a specific court movement at top extended than you would in a normal throw
to 2007 he has been conditioning coach of speed with no overload. This training stimu- (photo 5). Finish in a balanced position with
the Italian National Team with whom he lates the neuromuscular system to higher the arm extended out in front of you (photo
won the bronze medal in the 2007 European levels of development than can be attained 6). The movement should be fast and explo-
Championship and the silver medal in the by regular strength training or practice sive. Return to the start position under con-
2004 Olympic Games. He is also an author alone. This option of band work has en- trol and do the prescribed reps.
of many sport's books and articles and he hanced the variety of our program tremen-
coached many clinics around the Europe. dously because of the limitless number of OUTLET PASS
exercises you can do. The band is anchored at chest height, 3
The use of elastic bands in our training pro- sets of 8 reps, on Tue and Fri. Start facing
gram gives us another variable to work our CHEST PRESS WITH TWIST forward with the feet shoulder width apart,
player's strength, core, body control and The band is anchored at chest height, 3 and the band anchored behind you. Grip
balance. The band work is used in different sets of 8 reps for each side, on Mon and one handle with each hand. Start the move-
ways on different days, depending on the Thu. Start in a sideways stance with feet ment by stepping forward with one foot and
intensity of the day's workload. We use the shoulder width apart. Hold the handle of pulling the bands forward with the hands
exercises combined with a strength exer- the band with palm down at the side of and arms extended upward as if you were
cise to give us a super set of strength, and your chest with the elbow back (photo 1). throwing an outlet pass (photo 7). Exager-
functional strength together. By combining In a single motion turn and push the band ate the extension of the arms overhead.
the exercises this way we overload the out directly in front of you as if you are Finish the movement balanced and with the
specific muscle group with a weight exer- throwing a punch (photo 2). The move- arms in front of you (photo 8). The move-
cise then immediately follow this exercise ment should be fast and explosive. Be ment should be done fast and explosive.
with the band exercise that uses the same sure to stay balanced over your center of Return to the start position under control
muscle group in a much faster athletic type gravity the whole movement. Return back and do the prescribed reps.
movement. In the band exercise there is a to start position under control and repeat
total body movement which you must coor- for reps. TOTAL BODY EXTENSION
dinate the body from start to finish using the The band is anchored at foot level, 3 sets of
core as an anchor to stabilize the complete TENNIS BACKHAND 5 reps, on Mon and Thur. Start in a quarter
movement. The exercise entails pushing, The band is anchored low, 3 sets of 8 reps, squat position with your back straight, and
twisting, balancing and controlled eccen- on Tue and Fri. Start in a sideways stance your arms extended down and in front of
tric contraction in each rep. with feet shoulder width apart. Hold the you. Your feet are shoulder width, and you
The band work can be used on another day handle of the band with the palm facing are holding one handle in each hand. You
by itself for training the athlete with less backward at chest height, and with the arm are facing the band which is anchored in
overload on a day of lower intensity train- extended out in front of you (photo 3). From front of you (photo 9). In one motion extend-
ing. This is a good option during the com- this position pull the band forward as if you ed as much as possible throughout the
petitive season to give a player a lighter are doing a backhand stroke in tennis. Turn movement (photo 10). The movement should
training load. as you pull and finish facing forward (photo be fast and explosive. Be sure to return to a
There are different size bands each having 4). Be sure to keep the arm extended out in quarter squat position before starting next
its own level of resistance. In each exercise front of you the whole movement. The rep. Return under control and do the pre-
it is imperative to start with the band taunt movement should be fast and explosive. scribed reps. There are 3 parts to this exer-
with no slack and maintain this throughout Return to the start position under control cise, straight overhead, pull to the right
the exercise. The exercise can be done and do the prescribed reps. (photo 11), pull to the left (photo 12). When
page 40 | 33 2008 | Fiba Assist Magazine
1 4 7
2 5 8
pulling to the sides be sure both hands pull
togheter and finish behind the shoulder of
the side you are pulling to, and torso twist
to that side.
SHOTPUT
The band is anchored at foot height, 3 sets
of 8 reps, on monday and Thursday. Start in
a sideways stance with feet shoulder width
apart, and holding the handle of the band at
the side of your chest with the palm facing
down with the elbow back (photo 13). From
this position turn and push the band for-
ward and up as if you were throwing a shot
put. Finish fully extended forward and in a
balanced position (photo 14). The move-
ment should be fast and explosive. Return
to the start position under control and do
the reps.
9 11 14
10 12 15
The band is anchored behind you at foot
level, 3 sets of 6 reps for each side, on Tues-
day and Friday. Start the movement with
one foot on a box or bench 18”- 24” (45-60
cm) high. The other foot is on the ground in
a position of a normal stride. Be sure not to
place the back ground foot directly behind
that on the box. This will cause you to be
unbalanced. In the opposite hand of the foot
on the box hold the handle of the band (pho-
to 15). The hand is at shoulder height with
the palm down, and elbow back. Start the
movement by at the same time stepping up
to the box and pushing the band forward
and up as if you are doing a layup (photo
16). Finish fully extended on the box, and re-
turn to the start position. Do the reps on one
foot, then switch and do the same with the
other side. The movement should be done
fast and explosive. Stay balanced and over
your center of gravity the entire movement. 13 16
page 42 | 33 2008 | Fiba Assist Magazine
news
Remedial Tonic
takes Iran's
basketball
one-on-one
to Beijing
I was the head-coach in a big international fore. But, that was the conclusion I arrived at
camp in Serbia when the Iranian national for the team. I have put very strong rules on
team was there in a preparation camp. I al- the team and they will get even tougher as
ready had a lot of info about Iran's basket- we get closer to the Beijing Games. We are
ball. I was there when the Iranian national newcomers and little known in the world of
team was playing for the last night and that basketball, but people are now beginning to
was my first close contact with the Iranian notice us. What can make us competitive is
national team. hard work and even more discipline that
what we already have. If any player shows
You are the one who has finally succeeded weakness, he won't be in the Olympics. We
in taking the Iranian basketball team to the need warriors, players with characters, and
Olympics after half a century. What was your we need those who fight hard. I told the play-
remedy? ers in Japan that being nice with others is for
First of all I tried to understand Iranian bas- the end of the game. If they beat us, we will
ketball. I realized that Iranian players were show them respect, but before the game we
very athletic, very physical and with lots of must be ready to fight. These guys will play
basketball skills. The problem was embed- in the Olympics against teams like Argentina
ded in the lack of discipline, both on and off which might have five NBA players. Most of
court. I began my training with them only 4 our players haven't even seen those players
months before the Asian Championship on TV and now they have to step in the court
Rajco Toroman is the coach of Iran's nation- Games in Japan and my working style was and play against them. And this requires a
al basketball team. Though Iranian basket- very hard for everybody to digest immedi- strong character, to be able to keep tough for
ball began to show signs of life long before ately. I have to say that no one has ever a big battle.
he arrived in the country to coach the na- worked like us for those games. I started
tional team, it was his diagnosis of the play- with two things on my agenda. I tried very So, they shouldn't get scared of the big
ers weaknesses and strength that gave the hard to bring discipline to the team, and I names?
national team zest for life. His quick fix has tried very hard to improve the games tacti- Yes, that's exactly what I want from the play-
sent Iran's basketball, after half a century, cally. Those were the areas we concentrated ers; not to get scared to fight, and no niceties
to the Beijing Olympic Games. FIBA's Hou- on. We sent two DVDs of our games in the before the games. Last season, I was new
man Bagheri talked to him to find out the finals with Qatar and Lebanon to NBA to see here and I set up a new national team with a
ingredients of his remedy. if Iran could play in NBA Summer League. few novice players. Now, everyone knows
They predicted Iran would lose all games be- that if he doesn't try hard, he'll be out.
Could you tell us about your coaching ca- cause the outside players were not as strong
reer? as those in the Summer League. But they Qualifying for the Olympics has made every
I have been coaching basketball teams for were extremely satisfied and surprised with Iranian happy. In fact, you have made a long
almost 20 years. I have worked in Serbia, the discipline and tactical game Iranians awaited dream come true. What was your
Greece, Belgium, Holland, Poland, China, showed in Japan. That's a big success and I own impression when Iran beat Lebanon in
Cyprus, and many other countries. In ex-Yu- think it is a great achievement for us that big the finals and cleared its way to the 2008
goslavia, I was the assistant-coach of the NBA coaches praised our work. So, the ba- Beijing Olympic Games?
national team, when we won the FIBA Euro- sic things are discipline, hard work and tacti- In the first instance I was very tired and
pean Championships twice, once in 1991 in cal improvements. I think we played well but emotionally worn out. I could not even at-
Rome, and then in Athens in 1995. I was also our players have not yet reached their full tend the celebrations after the game. This
the coach of U-22 national team when our potentials. I think we must work on that and was due to the heavy pressure I was under
team won third place in Istanbul. Working in improve our games both offensively and de- during those days. But after ten minutes, I
a lot of different countries has given me lots fensively in transitions. felt really proud of the Iranian players. That
of handy experience. was the main point and I think we had an
Does this mean that previous local coaches excellent emotional interaction there after. I
How did you first hear about Iran and the were incapable to do this? was respecting them, and they were re-
coaching vacancy here? I did not say that, because I was not here be- specting me which made us get closer than
page 44 | 33 2008 | Fiba Assist Magazine
and Mike Jones is a good player too. I be-
lieve they could have helped Kaveh tremen-
dously. Kaveh could have reached the finals
if the team had been a bit stronger and lucki-
er. Overall, it was very good for Kaveh.
the world
in brief
Planet
basketball
news
about the players, who comprise this games. In the NBA’s biggest rivalry, Bos- also not covered by insurance. Cleveland
team. The selections were very difficult ton have now won nine of the 11 meetings had privately told Lithuania before they
and something we've been working to- between the two teams in the finals. This would not allow him to play and after re-
ward since we initially got the Senior Na- year’s crown was the first ever claimed in ceiving a petition from Lithuania with thou-
tional Team together in the 2006 summer. the TD Banknorth Garden. The old Boston sands of signatures on it, the Cavs did not
Unfortunately we are limited to a roster of Garden was demolished in 1997. budge. "Zydrunas is an important member
12 players and we had incredible commit- The Lakers’ NBA MVP Kobe Bryant had of our team and has generally been a high-
ment for the 33 players in our Senior Team 22 points, but was just seven of 22 from er risk player due to his injury history,"
program," said US coach Mike Krzyzewski, the floor. Pau Gasol, the Spain interna- Cavs general manager Danny Ferry said.
who has directed the team the part two tional, finished with 11 points and eight "We declined consent for Zydrunas."
summers. "Our team has excellent athleti- rebounds but turned the ball over a game- Ilgauskas averaged 14.1 points, a career-
cism and great versatility. We have play- high five times. high 9.3 rebounds and 1.6 blocks in 73
ers who are experienced in the games this season.
international game thanks to the last two CAVS SAY NO-GO FOR BIG Z AT OLYMPICS
summers' training and competitions. I feel Lithuania’s hopes of adding Cleveland FIBA CREATES ACADEMY FOR EXECUTIVES
really good where we are, we have the Cavaliers center Zydrunas Ilgauskas to The World Academy of Sport and FIBA
foundation in but we have a lot work their Olympic squad appear to have been concluded an agreement to establish the
ahead." Of the 12 selected players, six dashed by the NBA club. The 2,21 m (7 ft 3 FIBA Academy. This is a global education
were part of the 2006 FIBA World Champi- in) giant was desperate to play for his initiative of FIBA, its aim being to further
onship Team, and eight were part of the country this summer, but he has a long strengthen the expertise and skills of the
2007 FIBA Americas Championship that history of injuries and this season, a com- executives within its 213 National Basket-
qualified the U.S. for the 2008 Olympics. pressed disk in his lower back caused him ball Federation membership. FIBA Secre-
to miss some games. Ilgauskas’ feet are tary General and IOC member Patrick
CELTICS CLAIM FIRST CHAMPIONSHIP Baumann stated: "We are delighted to be
IN 22 YEARS working with the World Academy of Sport
The Boston Celtics captured their first on this important educational initiative for
NBA title since 1986 by annihilating the World Basketball and our many valuable
Los Angeles Lakers in Game Six of the members. Through this partnership, we
league finals, 131-92. With club legends
Bill Russell, John Havlicek and JoJo
White looking on from the raucous crowd,
Boston cruised to their 17th crown with
future Hall-of-Famer Kevin Garnett’s 26
points and 14 rebounds leading the way.
Boston, who nearly sacked coach Doc
Rivers after their abysmal 24-win cam-
paign in 2006-07, were richly rewarded
for keeping him in charge as he turned
the Celtics into a defensive juggernaut
that was mentally tough in the play-offs.
The Celtics survived seven-game series
against both Atlanta and Cleveland in the
first two rounds of the post-season be-
fore defeating both Detroit and LA in six
THE ODD -
THE FUNNY -
Off-the-court
THE UNUSUAL
LAVRINOVIC ENJOYS A GOOD WALK IN THE PARK my parents, the coach I mentioned before, of course, you are with Sporting Club Al
Montepaschi Siena’s Ksystof Lavrinovic Vitautas Poteliunas, but it has been above Riyadh Beirut. Tell us, Fadi, what is your
will be one of Lithuania’s stars at the Beijing all the example set by Arvydas Sabonis to favourite meal?
Games, but before travelling to China with spark our pride and our quality,” Lavrinovic EL KHATIB: Anything Lebanese.
the national says. Lithuania certainly benefit from the FIBA: What has been the best book that
team, the pow- presence of the Lavrinovic brothers and you've read recently?
er forward/ there is talk that Montepaschi may attempt EL KHATIB: "War on Lebanon: A Reader" by
center will be to sign Darjus for next season. "I really hope Rashid Khalidi and Nubar Hovsepian.
sure to spend so and so does he,” Lavrinovic says. “We FIBA: One more question, Fadi. Tell us what
some time off have a great relationship, we are our first your favourite film is.
the hardwood. fans. I always say he is the stronger and EL KHATIB: "Count of Monte Cristo". I love
Lavrinovic, who Darjus says vice-versa. We played together the way he challenges his life and friends,
has helped de- for five years in l'Alita and one in Kazan. It but how he is not angry but smart.
fending Italian would be nice to play together in Italy."
champions GINOBILI CHOSEN AS ARGENTINA FLAGBEARER
Mens Sana EL KHATIB LIKES ‘TO CHILL’ TO R&B South America basketball icon Manu Gino-
reach the Lega A play-off semi-finals, likes One of international basketball’s best known bili has been se-
the outdoors. "I like to have direct contact players, Lebanon’s Fadi El Khatib, knew that lected as the
with nature,” he says. “I adore the walks in he and his country faced a enormous chal- flagbearer for
the forests of my country, fishing in lakes. lenge to reach the Beijing Games. There’s a Argentina at the
My wife was Miss Russia and we have a pretty good chance El Khatib relaxed his Opening Cere-
son who is 14 months old and takes a lot of mind ahead of those vital Group A games by monies of the
our time." Lavrinovic and his twin brother listening to some of his favourite tunes, and Beijing Games.
Darjus did not start playing basketball until FIBA found out what kind of music is likely The veteran San
their early teens. "I was 13 when my mother to be streaming through his headphones in Antonio Spurs
arrived home with a brochure from a bas- a recent interview with the popular player. guard was the
ketball school for tall children of Sarunas FIBA: Fadi, what kind of music do you listen most valuable
Marciulonis,” he says. “My twin brother to? player of the Olympics four years ago after
Darjus and I did a lot of sports, like swim- EL KHATIB: R&B, all kinds, but more slow leading Argentina to the gold medal. How-
ming, karate and athletics and we decided and not so hard. And I love U2, but just gen- ever, the participation of Manu is still an
to try out basketball”. erally music to chill out to. uncertainty after he hurt his ankle during
"At the beginning it wasn't easy. We were FIBA: We were wondering, what’s the first the NBA play-offs. A statement on the Ar-
the tallest, but we were very thin. The thing that pops into your mind when you get gentina Basketball Federation website said:
coaching staff (at the school) didn't want up in the morn- "Cristina Fernandez, president of the nation,
us, but our coach saw something good in ing? will on Friday hand the Argentinian flag to
us and made us train for a year without EL KHATIB: My basketball player Emanuel Ginobili, who
playing. Two years later, we were in the kids. My new has been selected as the flagbearer for his
first team of l'Alita in Lithuania's top divi- born, who is six country at the Olympic Games in Beijing.
sion.” They have other talents as well, in- months old, and The best basketball Argentinian player in
cluding a mastery of different languages. my three-and-a- the history was chosen by the bosses of the
"My dad is Polish and my mother is from half-year-old son. delegations in the Argentinian Olympic
Belarus,” Lavrinovic says. “But they moved FIBA: We suspect Committee headquarters.” There was no
to Lithuania where my brother and I were you missed the mention of a contingency plan should Gino-
born. At home, we speak three languages, good cooking that bili decide not to play because of the injury.
especially Russian. My parents have al- so many talk Argentina defeated Team USA in the semi-
ways encouraged us to be professional about in Beirut finals at Athens before thumping Italy in the
sportsmen.” It’s not surprising that in sports, when you played final to capture the gold medal.
Lavrinovic cites one of the country’s leg- in Ukraine earlier
endary figures as an inspiration. "Besides this season. Now, Find more stories on www.fiba.com