Manual Vest Pocket B
Manual Vest Pocket B
com
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''
Outdoor Exposure Guide
for the Vest Pock-et Kodak, Model B Picture taking with the
Srop Srruttpn
Sus.rnct
Vest Pocket
OppNrNc Spppp
*+
. t '
N o. 1
\
No. 3 one
second
N o. 1
66Kodak" ..KODAKERY''
TRADE MARK rf\HIS most interestins and profuselv
1888
I illustrated monthly magazinesho#s
how to make better pictures, and de-
EASTMAN KODAK COMPANY scribes many novel and unusual meth-
Rocnnsrnn, N. Y. ods of making photographs. Anyone
who buys an Eastman camera is en-
titled to "Kodakery," free of charge.
Manufacttners o! Return the post card included with
this manual, properly filled out, and
Koner BRowNrE AND your name will be put on the mailing
Hewr-Evn C.IMERAS list, to receive "Kodakery."
Crwf-Kooars Kooascopns "Kodakery" will be sent for six
Koner Frr,u Vnr,ox Sor,ro months on this offer. A post card will be
enclosedwith the fifth copv: if this nost
EesrueN Bnorvrrop Pappns card is filled out and retuir'ea to ui, it
Ko'per F r ' r ,l r T . r N r s will entitle you to an additional'six
Easruan TpsrEb Cnnnrc.r.r.s months, free of charge. After that the
Koo.g DnrM ouNrrNcTrgsun subscription price will be sixty cents
Tnrpoog eNp. Org,pn Pnoro- for one year, or one dollar for two
GRAPHTcM.rrsnr.rr,s- years, but you are under no obligation
Vest Pocket
Kodak
Model B
SrNcr,o LpNs
Published bu
EASTMAN KODAK COMPANY
Rocnosrnn,N. Y., U. S. A.
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F r a. III.
5. Unroll about four inches of the
red paper and place the spools into the
film pockets, keeping the red paper
taut. The slotted end of the empty
spool must be placed next to the wind-
ing key, Fig. IV.
Fro. IV.
f
is in the center of the red window.
EASTMAN
Frc YI.
groove on this end of the front. Press
the end on which the lock is attached
into place and push over the lock, mak- " If it isn't Eastmart,
ing sure that it is fastened seeurely. it isn't Kodak Film."
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Making the Exposures Operating the Shutter
D EFORE making an exposure with A
I-D the Vest Pocket Kodak, three
things must be done:
First-The shutter must be adjusted
for an instantaneous or time exposure.
Second-The diaphragm dial turned
to the correct stop opening.
Third-An unexposed section of the
film turned into position.
Depth of Focus
_ -Stop or Range of
Diaphragm Sharpness
No. I . 7% feet to Infinity
,, u 4 '
2 .6%
a a e F g u t !
u . . . . . )
, t u i
" 4 . . . . . . 4
T4
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These eircles
N0. I show the actual bright, and there are no heavy shadows,
sizes of the dia- such as views at the seashoreand on the
o N0.?
phragm or stop
openings of the
water, with the shutter adjusted for
an instantaneous exposure. For In-
terior Time Exposures, the time for
o NO . 3
shutter used on
the Vest Pocket which is given in the table on pages31
and 32.
o N0.4 Kodak, Model
B, with Single No. 3-For instantaneous exposures
CoPYRTcHT 1922 By
Lens.Theyclear- of extremely distant views, marines,
EASTMAN KoDAK CoMpANy
ly shor,vthe rela- snow scenesand clouds, in bright sun-
tive sizes of the Iight. For Interior Time Exposures,
stop openings and how their areas see table on pages 31 and 32, and for
differ. Time Exposures Outdoors on cloudv
days. The exposuresrequired for Time
Diaphragm or Exposures Outdoors are given in the
Stop Openings table on page 35.
The diaphragms, or stops as they No. 4-For Interior Time Exposures.
are sometimes called, are the openings also for Time Exposures Outdoors ori
that regulate the amount of light pass- cloudy days. Neuer for i,nstantaneous
ilg through the lens. The openings are efr'posuTes,
changed by revolving the milled dial B,
see page 11.
The smaller the stop opening the
sharper the nearby objects will be, see
No. l-For all ordi.nary outdoor pic- table on page 15.
fzres, such as nearby landscapes show- 1
ing little or no sky, groups and street If stops No. 3 and No. 4 are used for
scenes, when the subject is in the bright I ordinary instantaneous exposurcs,fail-
sunlight, with the shutter adjusted for ure will result.
instantaneous exposures. For Interior .1 Throughout this manual all expo-
Time Exposures, see table on pages 31 sures given for outdoor subjects are for
and 32. the hours from two and a half hours
No. 2-For open views, when the after sunriseuntil two and a half hours
sunlight on the subject is unusually before sunset. If earlier or later, the
exposuresmust be longer.
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For subjects in the shadow, under It will be noticed that the top of the
porches or under- trees, no accurate finder is notched, as shown in Fig. V.
directions can be given; experience only This enables the one finder to show
can teach the correct exposure to give. the correct view when the Kodak is
When making pictures under these held in either the vertical or the
conditions the Kodak must be placed horizontal position.
on a tripod or some other steadY, firm
support.
Using the Finder
The finder shows what will aPPear in
the picture, but on a much reduced
scale.
Point the lens at the subject to be .*.q
photosraphed and looking into the 1"
hnderJrom directly over the center of Frc. IV.
it, include what you want bY turning Only what is seen in that part of the
to the right or left, see illustration on finder represented by the white area
page 20. of the diagrams below, will be includ-
ed in the nieture.
IMPORTANT
When making instantaneous ex-
posures or snapshots with any Resutt p, oaur rlJf, Itnrors theK odarc.
Kodak, hold it firmly against the
Tilting the Kodak to bring in the
body as shown, and when pushing top of a tall building produceJthe dis-
the exposure lever hold the breath torted effeet shown in Fig. VI. Some-
for the instant. If the camera is
times a tall building can be photo-
moved during the exposure, the
picture will be blurred. graphed from a building opposit-e, at a
level r,vith its center.
2T
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If the subject is below the normal the great advantage of making the date
height, like a small child or a dog, the and title a part of the negativ *made
Kodak should be held down level with on the fiIm, and at the t'ime. It forms an
the center of the subject. indisputable record that will be appre-
ciated more and more as the years go
The Autographic Feature by. Many pictures tell the "where"
The autographic feature makes it and t'who" but the more important
possible to record on Autographic Film, "when" can only be guessed at. Even
at the time of exposure, any data, such when the title of a picture is obvious,
as the name of place or subject, the date the date should always be put on as a
or any other memo. This is done matter of record for future certaintv
through a small opening in the back of and satisfaction.
the Kodak and the record normallv
comes just outside the picture area df The Method
the negative.
Another Method
Another way of making short tirne
exposures, which has much to recom-
Diagram Showing Positions for Kodak mend it, is as follows:
To make a Time Exposure with the Hold the hand or a card, elose to
camera in the horizontal position, move the front of the Kodak, to cover the
the locking lever until it projects slight- lens and exclude all light as in Fig. XI.
ly bevond the front edge of the bed of
Kodak, and place the camera in the
po:ition shown in Fig. X.
-Tt"
xt.-
Frc. X. Press the exposure lever to open the
shutter: remove the hand and give the
Adjust the shutter for a Time Ex- proper exposure; replace the hand in
posure by placing the indicator A at the front of the lens and again press the
top of the shutter exaetly at the letter lever to close the shutter.
"Tl' seepages 11 and 12.
Some amateurs prefer this method
All being ready, steady the Kodak with any camera not having a cable
with the left hand, then press the ex-
28
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release, as it practically does away with tripod, for photographing objects at
any danger of jarring the camera during close range and at an angle fiom the
exposure, and thus blurring the picture. camera, that would make the use of a
Turn the Winding Key: After tlip.od irnpossible without this tilting
making the autographic record, turn deviee.
the winding key until the next number . The O_p-tipod is_very compact, slip-
appears in the center of the window. ping readily into-the pocket and may 6e
Tnn Kooar rs Now READY FoR THE carried without inconvenience.
NEXT INrpnron ExposuRE. Bxposure Table for Interiors
Follow these directions for each ex- The table on page 32 gives suitable
posure. exposures for varying conditions of
When the last Interior Exposure has light, using stop No. 2. If stop No. 1 is
been made, always move the indieator used, give one-half the time of the
((T"
A at the top of the shutter, from table. If stop No. 3 is used, double the
to "I," to be ready for Instantaneous time; ?nd when stop No. 4 is used, give
or SnapshotExposures. four times the exposures given in the
Optipod: A table.
small, Iight, con- The smaller the stop opening the
venient accessory greater_the depth of focus, see -average
page 15.
that can often be Stop No. ? gives the best
used in place of a results for Interiors.
tripod, or together The exposures in the table on page 32
with a tripod. The &re for rooms where windows get the
Optipod is a com- direct light from the sky, and foi hours
bined tripod head from three hours after sunrise until
and felt-protected three hours before sunset. If earlier or
;i;;p *[i;ti -;t Frc'XII'
later the exposures must be longer.
be attached to the edge of a table, chair
or other suitable objEct, see Fig. Xff. To Make a Portrait
The ball and socket joint on the Opti- The subject should be seated in a
pod permits tilting the camera to almost chair partly facing the light, with the
qny a_n_gle. This feature is especially-a body turned slightly away from, and
desirable if the Optipod is used with the face turned towards the camera
31
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which should be a little higher than an
ordinary table. The subject should
look at an object level with the lens, or
directly at the lens. Compose the pic-
ia
.ix ture in the finder. For a three-quarter
-
a,a
erQ
figure the Kodak should be about
eight feet from the subject, and for a
full-length figure about ten feet.
gi I cgi
a
,
The background should form a con-
l*t
trast rvith the subject; a light back-
<1 | c\
I ground usually gives a better effect
EI d than a dark one.
3
z a
€
a a
To get a good
b0
@ a light on the face,
I
et
6l follow the arranse-
ment shown in the
/?t 0)
h
cl ol diagram. A reflector
3
q d l
b!l
l
fl thrown over
screen or other hisl,
a
b0 l c6 lt
X F
q)
I piece of f urniture
I will make a suitable reflector; it should
I
o I
0)
L
a
*l I be at an angle and in the position indi-
cn 6l
d. FF B al a l ,t
I
cated in the diagram.
I
cBl
'.1
> l
xl I "How to Make Good Pictures," a
6F 4l
book containing manv diagrams and
a a
.9B ol
Frc. XIV.
ClosinstheBedof Kodak. 3. Fold under about half-an-inch of
the red paper, and fasten it with the
arms and raise the bed as shown in the sticker. The folded end makes the
illustration above, Fig. XIV. Lock the breaking of the seal easier, when ready
bed by moving the lever over towards to develop the film.
the edge nearest the winding key.
4. Remove the empty srloolby press-
ilg oo" of the flangds with a finger or
tlu.gab, and-place if in the windi"? end
of the roll holder. Replaee the Tront
of the camera into the roll holder as
describedon page 8.
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The exposed film, now ready for de- Pocket Kodak, Model B. Load the
velopment, should be wrapped up to Kodak as described on pages 5 to I
keep light from reaching it inelusive.
ttCinch" Marks
If the film and paper loosen up a
trifle when taken from the eamera,
there is an inclination to take the cart-
ridge in the hand and wind it as closely
as posible, "cinching" it tightly with
a twisting motion. This might injure
the negatives as the surfaces rub to-
gether, making fine parallel scratches.
Do not "cinch" the cartridge. It simply
^
needs to be wound tighly enough to
keep the red paper within the flanges of
the spool.