= Ac B}TRUMPET BOOK 1 Perey z= A comprehensive band method that develops creativity and musicianshipTHe Starr 5 lines and 4 spaces used for writing music TREBLE CLEF Douste Bar Also called G clef. The second line of the staff is the note Bar Line The end of Divides the staff Time SIGNATURE into measures. Measure The distance Tells us how many beats are in a measure between two and what kind of note gets one beat. bar lines. THe Musicat ALPHABET The musical alphabet uses only the letters A through G. These are used to name the notes on the staff in LINE-SPACE-LINE-SPACE order xB, C, DE; FG A,B, ete) From bottom to top, The lines can be remembered There ore rules that help us the spaces spell FACE by using the tat ltlet Of eech remember the names of the lines word inthe santana and spaces of the staff Every Good Boy Does Fine Levcer Lines Used to extend the staffTime SIGNATURE 4 beats in each measure Soto 4. = quarter note receives | beat One person playing E F G in ¥ time. = = é 12 1 ° First Notes anp Rests E Whuote Note Wnote Rest 1e2agada TA2ASaSE Receives 4 beats Indicates a whole measure of silence. Count 1R2EGASH TRPEGEAE Goinc Up F Lines AnD Spaces Watcu THose Rests G Up ano Down Two oF a Kind Alccenr on ListeninG Listen carefully to the soloist, then match the pith. sai0 BAND soLo BAND solo BAND sow BAND,Breath Mark 9 A suggested place to take a breath. Quarter Note Receives | beat 8 Or Tine errr A composition with parts for two players. Goop NeIcHBors Mix ‘em Up Four in a Row Count: 1 &2RSEAE Passinc Notes (Duet) Take Five THree-Note Samea > > 13 AICCENT ON THEORY Fi in the note names, then fill in the fingerings. ‘= = = sS Note name: eB Fingering_ _ aes Have Note Har Rest > c ra ° Receives 2 beats Receives 2 beats - anne in 4 time. in { time. Movin’ on Down D. eee ’ 5 Hate Futt or Hatr Empty (duet) 16]| © cour ta 2aGada| 1a2eSe4e » Hot Cross Buns English Folk Song Au Cuaire DE LA LUNE French Folk Song Jincie Beuts Traditional Carol > . > Accenr OW LISTENING 1. Play “Mary Had a Little Lamb” by ear. 2. Write in the missing notes to complete the song. 20Quarter Rest Repeat Sicn 3] Play the music again Receives | beat in % and § time. teas from the beginning. Time SIGNATURE Roun 2 = 2 beats in each measure Playing the same music 4 = quarter note receives | beat 7 beginning at different times. Hanpctaprer's Marcu , > * @ - * I$ . ae aaf{ Scone ts 2a] rere lrare Ha pla pl f f Better THAN THE Rest Clap first, then play. Goop Kinc WencEstas Traditional Carol Donkey Rounp @ American Folk Song > 24 Dreyot, Dreyou Traditional Hanukkah Song 25 Alccent on reumper 26 For more individual technique practice, see page 42, #1.Key Sicnature Indicates notes which are to be Hlatted or sharped. Your first key signature contains no flats or sharps. Joins two the same pitch to make one long note. ieee te 28 Moderato Allegro Medium tempo Fast tempo Tempo Markincs Reacuinc Down B 27 THE Score Is Tiep (Duet) Mary Ann Moderato Jamaican Folk Song American Folk Song » . e Alccent on THEORY: on the Bridge at Avignon Name the notes, then play. French Folk SongA CCENT ON PERFORMANCE Hotipay SAMPLER ‘An. by John O'Reilly ‘and Mark Williams Allegro 5 2 3 4 6EicutH Notes Receive 4 beat in Z and 4 time. ee 1e2Qe VARIATION Changing the rhythm or notes of a theme to create variety. Tempo Markinc Andante Moderately slow tempo EicuHtH-Note Express Com: 1 & 2 8 BRAK RuytHm RippLe Clap first, then play. Bie THem Cassace Down Allegro American Fiddle Tune Surprise SYMPHONY THEME ~ Fre: Jongh Horde ‘Andante (1732-1809) ‘VARIATION, Accewr ON CREATIVITY: Variation on Lightly Row Create your own variation by changing some of the quarter notes into pairs of eighth notes. German Folk Song > > 36Internat REPEAT Repeat only the music | between the signs. | 12 ‘Ist AND 2ND Ewoincs 2nd time: skip the first ending and hay th id CumsBinc HicHER play the secon A More EicuHtH Notes Lonpvon Bripce (Duet) Moderato English Folk Song StopoLa Pumpa Czech Folk Song Allegro e 2 40 o Skip to My Lou Moderato American Folk Song First CHORALE 42 e Alccenr on trumpet 4B For more individual technique practice, see page 42, #2.Divisi Some players play the top notes while others play the bottom notes. [ Dorrep Hair Note = i = d_d “Too” } 1ezage 1agade Connects notes of | diforont pitch. | A dot following o note increases Tongue only the | its length by % its original value. stant | in Gand 4 time, a dotted half note receives 3 beats. Time Sicnature ‘B= 3 beats in each measure 4 = quarter note receives 1 beat Sturs anp Dots THREE-Four Duet —S SouTHeRN Roses Johann Strauss, Je Moderato (1825-1899) Mexican Jumpinc BEANs i 1 we F (Wariation on CHIAPANECAS) NY Allegro e Mexican Folk Song a7 Alccenr on THEORY Draw the correct bar lines, then play. 48‘SHARP Raises the Key SIGNATURE ] # pli of nate All F's should be played Ft J TF one hell step. as F throughout. Dynamic Markincs St P forte—loud _piano—solt” Ngo Two Ways To Pay It iF Aura Lee (Duet) Andante ‘American Folk Song Frere JACQUES (Round) Moderato ® French Folk Song ae ae zc P f P ® ® f Morninc from “PEER Gynt” Edvard Grieg Andante (1843-1907) 52 P irs Alccenr ON CREATIVITY: Camptown Races a Fe ‘Add your own dynamic markings, then perform. ie ieFERMaTa >A Pick-up Notes Rirarpanpo rit, Gradually slow down the tempo. Hold the note longer. 1294 Notes that precede the first full measure. PatTeRNs WITH Pick-ups . 54 (12°) 4 f a CarNIvAL OF VENICE Italian Folk Song Moderato ha aga 12 Jotty Otp St. NicHoLas Allegro Treditional Carol 56 e Sf f THe SNAKE CHARMER Andante Trad 57 e Be Bit Grocan’s Goat Allegro American Folk Song 58 Accenr ON TRUMPET ES 59 = ope a For more individual technique practice, see page 42, #3 & 4.A CCENT ON PERFORMANCE Eacte Summit Marcu E John O'Reilly and Allegro Mark Williams a 5 6 7 2 fa | Bb Key SicnaTuRE qi b pitch ofe note | & Bb throughout. AnoTHeR New Note B ‘one half step, P f When Love Is Kino Moderato Irish Folk Song 61 oT f P f Johannes Brahms THeme From “SymPHony No. 1” (1839-1897), Allegro 7 62 Queen Lil uokatani (Hawai) (1838-1917) Minka, Minka Ukrainian Fotk Song Moderato is aloes fa a feet toy ae oe 64 off 2" ; 2» Gb b 5 GLO LBL Alccenr on THEORY KEY RINGS: Circle all notes changed by the key signature. 65Accent > Play the note stronger. ORCHESTRATION Cancels a flat or sharp until the Choosing which instruments next bar line. play a section of music. Tue Key Makes THE DirFERENCE 8h 5 WS f P Jasmine FLower pire Chinese Folk Song Moderato 67 : Px, we ORCHESTRATION: Fite/Trumpen Chainet/Ao Sox ~~ Low Brase/Low Woodwinds Bives Apventure (Duet) Allegro > 68 Sa 7 == > > ££ rit, A CCENT ON CREATIVITY: This Old Man American Folk Song Choose your own orchestration for this melody. div. 69 f P f P f‘Sinote EicHTH Note anb EicHTH Rest Each receives 4 beat in 4. Rand J time. Easy EicHTtHs : P F # Potty Wotty Doopte Allegro American Folk Song Marcu From “Ronpo Ata Turca” Wolfgang A. Mozart Moderato (1756-1791) 2 = Sf S i La Bamsa Allegro Meaican Folk Song B Sf = = ss Alccenr on trumper 74 e P For more individual technique practice, see page 42, #5.Tempo Markinc Vivace Very fast tempo Opposite Directions Sf ACCIDENTAL ENCOUNTER 76 P f CHesTER William Billings Andante (1746-1800) 7 f P ot © ae Sf Be.ta BimBa Italian Folk Song Moderato =I 1 78 E 5 5 = ic < ———- P Cxopsticks (Duet) Traditional Vivace & 2 a Accent on THEORY «i ee Note name: Fingering:Muttipte Measure Rest Dynamic MarKincs 4 2 forte—medium loud a | of wets medium fous Count 123412234 | mp mezzo piano-medium soft Zs Fapinc Away 81 f mp. mp P Extenvep Rests (Duet) Kookasurra (Round) yeh Australian Folk Song Moderato ® 83 mp ®@ ® Finate FRom “OrPHEUS" (Can-Can) sais Onenbid: Vivace (1819-1880) 84 SS> pose mf r 7 zs nf a> f Accenr ON CREATIVITY: Rhythmic Improvisation Improvise your own rhythms in each measure using only the pitches shown. 85Accent ON PERFORMANCE Gatactic EpisoDe John O'Reilly and Mark Williams Andante 3 : Allegro 2 2 19 20 (ae 2 2 rit. nfStaccato | Play the note ‘its © normal length. eo did Tone BUILDER 86 mp mf f A Suort Story 87 mf Wituiam Tett Overture oe Gioacchino Rossini Vivace (1792-1868) Hatikvan Andante Israeli National Anthem mf Minuet Johann Sebastian Bach Moderato (1685-1750) Alccenr on trumpet 1 mf For more individual technique practice. see page 43, #6 & 7.Dorrep Quarter Note i od- 10 1&2& hI In ¥, Band 4 time, a dotted quarier note receives’ 1% beats. Dottep Quarters \ 92 mf NG Comet &2& RAE a . Giuseppe Verdi Anvit CHorus from “IL TROVATORE” (Duet) (1813-1901) Moderato 7 2 diy, 93 f f ALoueTTE Vivace French-Canadian Folk Song mf See Mee Andante Japanese Folk Song 95 S&S P Bb, WEARING OF THE GREEN Allegro Irish Folk Song 96 f Alccenr on rHEory TAKE A REST: Complete each measure by adding the correct rest, then write in the counting and clap. o fd LoL | Lu iLL ED 4D.S. (Dat Seono) at Fine Go back to the sign % and play until Fine. Crarinet Cums 98 mf f mp Moderato Traditional It's Rainine, It’s Pourinc F g dy (bh = i 7 = 5 wl* wl =| Sg ee ees eee eae aF cto: ol 49 be i Ly rb s Y . | p ArIRANG Andante Korean Folk Song ODvE To Joy from “SYMPHONY No. 9 Ludwig van Beethoven Allegro % (1770-1827) 101 f Accent ON CREATIVITY: Free Improvisation Using the five pitches shown, improvise your own melody using any thythms you know. You may play these notes 102 in any order, repeat notes or use rests.Tempo Markinc Largo Very slow D.C. (Da Capo) at Fine Go back to the beginning and play until Fine, Easy Does It 103 THEME FROM “New Wortp SymPHony” ae 104 — mf Sonc oF THE Voica BoaTMEN Andante 105 mp Liza JANE Vivace f = mp Antonin Dvorak (1841-1904) ad DC. al Fine Russian Folk Song a American Folk Song Hanset ano Gretet CHORALE Moderato 107 mp Accent ON TRUMPET 108 nf —_ For more jual technique practice, see page 43, #8 Engelbert Humperdinck (1854-1921) mpSyncopation Staring a note | mL that is one beat ie = po orlongeron"&." 1 8 2& 182 RuytHM Antics 109 mf Lonc Time Aco American Folk Song Allegro OI 110 © f mp Halt, THE CONQUERING HERO (Duet) George F. Handel Moderato (1685-1759) Foik Festivat Moderato 112 mp f P i We Wish You a Merry Curistmas (duet) Vivace Traditional Carol 113 b a 5 (Alccent on rHEoRY 114 Arrange the following tempo markings order from slowest to fastest: Moderato, Allegro, Andante, Vivace, Largo > fastestA CCENT ON PERFORMANCE (WHEN THE SAINTS. Go Marcuinc In Arr, by John O'Reilly and Mark Williams —_ illeare an mf mp div, 55)CRESCENDO Diminvenvo = get louder gradually get softer gradually CrossiNG THE BREAK D 115 f Kum Ba Yau x eg tk pa Aton Fo So > 116 uf é : ap Trumpet VOLUNTARY (Duet) Jeremiah Clarke Moderato (1674-1707) a 117 b nf Sf rit, div, FInLanpia Jean Sibelius Andante (1865-1957) 118 pp —=— p= mp = mp = mf np ——p AJECENT ON CREATIVITY Create your own composition containing o balance of unity and varicty. 119 e 1. Copy the first two measures into measures 5 and 6 to create unity 2. Compose new music for the remaining measures to add varioty. 3. Play your composition.Time Sicnature @ Common Time-same as 4 SHEPHERD'S HEY (Duet) Allegro 7 English Folk Song Botany Bay Moderato Australian Folk Song 121 rad SZ mp mf REUBEN AND RACHEL (Round) Vivace @ Traditional 122 Sf Amazinc Grace Andante American Folk Song 123 —= af Accenr ON TRUMPET 124 mf —= f > mf === SF For more individual technique practice, see page 43, #9.More SyNcoPation J d-T10 1828 (826 SyNncopaTeD RHYTHMS 125 nf Cont) & 28 284 w Russian Saitor’s Dance Moderato Reinhold Gliere (1875-1956) > 126 f ve Ye Banks AND Braes oF Bonnie Doon (nuet) Scottish Folk Song Andante te a a 127 b ‘+ a? oo x is +s P ——= m or) Prit, Tom Dootey Allegro ‘American Folk Song 128 mf Alccenr oN THEORY Asrange the following dynam in order from softest to loudest and back: mf. p. SF. mp. 129Key SicnatureE All B's and E's should be played ‘as Bb and Eb throughout Moin’ It Up eb mf On Top oF O.p Smoky SS Allegro . American Folk Song mf Peter I, Tchaikovsky Marcu Stav (1840-1893) a m1 mp 9 = ? =Jf => Las Mananitas Moderato Mexican Folk Song Pp ae Pomp anp CiRCUMSTANCE Edward Elgar Andante (1857-1934) £ —[—— of ii 1 div i i == For more individual technique practice, see page 43, #10.Trumpet soto American Patrot Frank W. Meacham (1856-1909) Moderato Trumpet Piano‘Ab EbFm7E> — BhCm7Bb Cm Fm.Accent ON PERFORMANCE Sousa SPECTACULAR Allegro ‘ “fF John Philip Sousa (1854-1932) An. by John O'Reilly ‘and Mark WilliamsAlccenr on scates C Major Scate anp Cuorps (concert Bh) G Masor Scate ano Cuorbs (concert F) F Mauor Scare ano Cxorps (concert Eb) Bb Masor Scate anp Cxorps (concert ab) C Masor ScaLe IN THIRDS (Concert Bb) onlatons: dd dd. ddd. diddy. ddd d G Major Scate In THIRDS (concert F) F Masor Scate in THIRDS (concert Eb) Major Scate IN THIRDS (Concert Ab) Curomatic ScaLeAlccewr ow rurrams 14d ot pe Jit) 4 24 1A i Oy Ali! Aly 34/0 Alia Di) io) 11 4 a4 J flat a | 40 ToL oy oo ony 640 11 oa) nono, wget TOD yl yp Lyyh idl ti J 1 dt by pJ TL dO by ge DTT LD ST ped pbk dd pd pL ON bp Me gl Ty bg by pi ML hip TL db Dy et OM yb dy bb DU e DL MD d) DOTHEN be d Ty |Accent on restsA CCENT ON TRUMPETAccent ON CHORALES Concert Bb Andante mp Concert F Largo diy. mp — = 2 Concert E> Andante div. mp —= mf p Concert Ab AndanteGuossary Accent (=) Play the note stronger Aweoro Fast tampo ANDANTE Moderately slow tempo Bact, JOHANN SEBASTIAN German composer (1685-1750) Bar LINE Divides the stall into measures Bass Cier (2) Also called F clef, The fourth line of the staff is the note F BeetHoven, Luowic van German composer (1770-1827) Buuines, WILLIAM American composer (1746-1800) Bravos, JOHANNES German composer (1833-1897) Breat Mark (3) A suggested place to take a breath Cuarke, JEREMIAH English composer (1674~1707) Common Time (@) Same as J time signature Crescendo (==) Get louder gradually D.C. (Da Capo) at Fine Go back to the beginning and play until Fine Diminvenvo (=) Get softer gradually Dist Some players play the top notes while others play the bottom notes Douste Bar (||) The end of a section of music D.S. (Dat Secno) at Fine Go back to the sign % and play until Fine Duet A composition with parts for two players Dvomak, ANTonin Czech composer (1841-1904) Dynamic MARKINGS Symbols that indicate loudness or softness of the music Etcar, Eowarp English composer (1857-1934) Fermata () Hold the note longer Ist AND 2ND ENDINGS Play the Ist ending first time through, then on the repeat, skip to the 2nd ending Fiat (b) Lowers the pitch of a note one half step Forte (f°) Loud Foster, STEPHEN American composer (1826-1864) Guere, REINHOLD Russian composer (1875-1956) Gries, Eovarp Nonvegian composer (1843-1907) Hanvet, Georce F. English composer of German birth (1685-1759) Hayon, Franz JosePH Austrian composer (1732-1809) Humperpinck, ENceL (1854-1921) Inrerwat REPEAT Ropeat only the music between the signs Key Stonature Indicates notes which are to be flatted or sharped throughout Larco Very slow RT Gorman composer LeDoER Lines Used to extend the staff Liu'voKaLant Hawaiian composer (1838-1917) Measure The distance between two bar lines Mezzo Forte (mf) Medium loud Mezzo Piano (mp) Medium soft Moverara Medium tempo Mozart, Wotrcanc A. Austrian composer (1756-1791) Murtipte Measure Rest Indicates more than one measure of rest Narurat (4) Cancels a flat or sharp until the next bar line OFFENBACH, JACOUES French composer (1819-1880) OrcHestRATION Choosing which instruments play a section of music Piano (p) Soft Pick-up Note(s) Note(s) preceding the fist full measure Repeat Sion Play the music again from the beginning Ritaroanvo (Rit.) Gradually slow down the tempo Rossini, GIOACCHINO Italian composer (1792-1868) Rounp Playing the same music beginning at different times . SHARP (#) Raises the pitch of a note one half step ‘Sieetius, JEAN Finnish composer (1865-1957) SLUR Connects notes of different pitch Soto One person playing Sousa, JOHN PHiie American composer (1854-1932) Staccato (+) Play the note 1 its normal length Starr 5 lines and 4 spaces used for writing music Strauss, JOHANN JR. Austrian composer (1825-1899) SYNCOPATION Starting 4 note that is one beat or longer on “8” Tenarkovsky, Peter I. Russian composer (1840-1893) ‘Tempo Markines Terms which indicate the speed of the music Tie Joins two notes of the same pitch to make one long note Time SIGNATURE Indicates how many beals are in each ‘measure and what kind of note receives one beat Treeie CLer @ Also called G clef. The second line of the staff is the note G Wariarion Changing the rhythm or notes of a theme to create variety Vero1, GusePPe ttalian composer (1813-1901) VIVACE Very iast tempoTromper FINGERING CHART index middle fnge« Rhger amigas *12 1 2 ° 23 12 1 2 ° 12