HMPE 204 Unit 4
HMPE 204 Unit 4
Introduction
All alcoholic beverages are made
by fermenting some form of sugary brew
into ethanol and carbon dioxide. Because
yeast can only ferment so much before
alcohol levels become toxic to them, we have to distill to get higher alcohol
concentrations and that’s why “spirits” are differentiated in two ways: they’re distilled,
and they have higher average ABVs, from around 20% to as high as 80 or 90% ABV.
The term “spirit” refers to everything you see in a liquor store besides wine and beer.
For instance, you may also see bottles with names like Fernet Branca, Amaretto,
Peach Schnapps, or Peychaud’s Bitters. These are all part of the colorful, intoxicating
extended spirits family, but they’re not quite spirits because they’ve had things like
sugar, herbs, and spices added to them and tend to have lower ABV.
All spirits bottles have to be labeled with some pretty specific information: the
brand name; the kind of spirit in the bottle like vodka, gin, tequila, rum, and whisky,
further required details regarding the spirit, for instance the age of the whiskey if it’s
under four years; the alcohol by volume (ABV), which must be written as a
percentage but will often also be labeled as “Proof”; the country of origin as well as
address and name of the importer or bottler; and, last but not least, a big fat
government warning about the dangers of alcohol. Spirits are the highest ABV
products of the yeast-based fermentation of a liquid brewed to have fermentable
sugars. Unlike beer or wine, however, spirits are the product of a second step called
“distillation” that further fortifies them. Compound Spirits are defined as a mixed
beverage, which is blended or composed carefully by extracting flavor, color and
sweetness from various fruits, herbs, plants, and nuts. These are distilled beverages
with added flavorings and relatively high sugar content.
In this unit, students will learn the core of Compound Spirits and divided into
Two Topics as follows; Topic One, History of Gin; Styles of Gin; Notable Gin Brands;
Famous Gin Based Cocktails; and Topic Two, Liqueurs/Cordials.
Learning Outcomes
At the end of this Unit and after actively participating in the live and
online class the student should be able to:
1. discovered the history of gin;
2. discussed the different following styles of gin as to uses, composition,
alcoholic and how they are made;
3. identify the different notable brands of gin and famous gin based
cocktails;
4. find out the history of cordial/liqueurs;
5. disclosed how cordial/liqueurs are made; and
6. determined the types of cordials/liqueurs.
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Column A Column B
___9. There are two types of gins dry and __. I. sweetness
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Analysis
Name:________________________________ Course, Yr & Sec:__________
Teacher: ______________________________ Class Schedule: ___________
Instruction: Write your answer on the space provided.
Please be guided by the following rubric. 10 pts: 7 or more sentences
5 pts: less than 5 sentences
0 pts: no description
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Abstraction
Gin
The term ‘gin’ is taken from the first part of the word
Genièvre, which is the French term for juniper. Juniper is the
principal botanicall as flavorings agent used in the production
of gin. The word ‘Geneva’ is the Dutch translation of the
botanical, juniper. Maize is the cereal used in gin production
in the United Kingdom. However, rye is the main cereal
generally used in the production of Geneva gin and other Dutch gins. Gin is a
colorless distilled beverage widely consumed around the world, produced by a
number of different methods, but always with juniper as the predominant taste. The
volatile content of gin is made up of terpenoid compounds, mainly from juniper
berries, but also from other botanicals such as coriander seeds, angelica root or citrus
peel.Compound Spirits are defined as a mixed beverage, which is blended or
composed carefully by extracting flavor, color and sweetness from various fruits,
herbs, plants, and nuts. These are distilled beverages with added flavorings and
relatively high sugar content.
History of Gin. Gin’s reputation has enjoyed a roller-coaster ride since its
invention. Once worshipped for warding off the plague, gin has conversely been given
the moniker “kill me quick” in its time. It dates way back to 11th-century Italy, when
brainy herbalists used juniper berries in alcoholic potions to treat ailments as serious
as the Black Death or as trivial as tummy trouble, juniper being widely regarded as a
powerful remedy. It also proved pretty popular with taste buds.
In the 1500s the juniper craze found its way to the European lowlands where
the inhabitants wanted to flavor their local spirit, brandewijn. They started to refer to
this new concoction as genever or jenever, taken from the French for juniper genièvre.
While credit for gin’s creation is often given to Dr Sylvius de la Boe, a professor of
medicine in Leiden, Holland, it’s not entirely clear who first nailed the recipe; such
was the level of experimentation.
When the Dutch United East Indies Company sailed around the globe, word of
genever spread. English soldiers brought it back home after sampling it during the
Thirty Years War when the Dutch offered a shot of the stuff before battle a practice
that introduced the phrase “Dutch courage.” It grew in popularity in Britain and
shortly after the Dutch monarch William of Orange came to the throne in 1688, he
passed legislation to open up the market, enabling more people to make spirits. With
genever having appealed, juniper was a popular choice for flavoring, and the spirit
soon became known as “gin.”
Britain has always exhibited rare levels of enthusiasm for drinking, and in no
time the spirit was being distilled with reckless abandon. It has been estimated that
by 1723 every man, woman, and child was drinking around 1/2 a quart of gin a week.
At this time it was referred to as “kill grief” and “kill me quick,” possibly because
occasional ingredients included sulfuric acid and urine. In 1751 the government
stepped in and introduced restrictions on distillers. Over the following fifty years nine
distillers took the lion’s share of the market, including Alexander Gordon, George
Tanqueray, and James Burroughs, the man behind the Beefeater brand. Thus a drink
that was once the preserve of the poor gradually became more finely crafted and
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aristocratic. The profile of the flavor changed during this period, and the sweeter
Dutch styles became drier as the spirit improved and distillers added other botanicals,
giving birth to the national gin we know today, London Dry.
The 18th century saw the emergence of luxury gin palaces, and the popularity
of the spirit with naval officers elevated gin’s status. Meanwhile, the birth of tonic
water, patented in 1858, made gin and tonic fashionable. This tipple started life
medicinally managing malaria in the tropics, thanks to the quinine in the tonic, but it
soon became the must-have accessory to the colonial lifestyle. From here we move
away from neat gin and onto the mixed drink, or cocktail. Around the turn of the
1800s British drinkers had started to mix gin into punches, while naval officers were
adding lime to give rise to cocktails like the Gimlet. However, it was the Americans
who made gin the mixing marvel. By the 1860s the spirit had caught on in America,
although the style of gin they used is questionable. The great cocktail historian David
Wondrich points out in his book Imbibe! that unsweetened gin might not have made
it to America until the 1890s, when the rise and rise of the Martini encouraged
drinkers to use a lighter, dry style of the spirit.
Whatever the Americans were using initially, Jerry Thomas, the first superstar
bartender, records a selection of gin cocktails in his seminal tome of 1862, Bartenders
Guide, or How to Mix Drinks. The list of cocktails, which includes the Gin Toddy, Sling,
and Fix, confirms that while bourbon was on the rise at this time, gin was always
close at hand.
It was Prohibition in the 1920s that secured gin’s prominence in cocktails. With
the law against spirit production, the likes of bourbon and aged spirits became more
difficult to come by, and anyone making illicit booze looked toward gin. Bathtub gin
was easy to produce and flooded illegal drinking dens, or “speakeasies,” during this
decade. The poor quality inspired new mixes to mask the bad taste. Gin cocktails flew
out of these dens, and as frustrated bartenders traveled to Europe to find work, bars
such as the American Bar at the Savoy in London and Harry’s New York Bar in Paris
saw an influx of new and inspiring creations, many of which had gin at the base.
All of which means gin has inspired all manner of creative cocktails, from the
Martinez and the Tom Collins to the White Lady and the Corpse Reviver. In the 1950s
vodka emerged as the white spirit (tend to refer to spirits as white and dark) of
choice for consumers and gin was pushed to the back of the drinks cabinet, but as
bartenders began to research classic drinks they rediscovered many of the recipes
that had made gin so vital to the evolution of the cocktail. Over the last twenty years
gin has become popular again and is firmly back in the hearts and minds of
bartenders, who work with a range of gins with all manner of exotic botanicals. Many
rightly consider it the most important spirit in cocktail history.
How Gin is Made. There are two important components to how a gin is
made. First, there is distillation, which is the trade or required skill, and it is this
process that affects the end product. Secondly, there’s the choice of aromatic material
and botanicals. Without the plant world, we wouldn’t have gin as we know it today, so
the Botany of Gin section (see here) explores the great variety of botanicals, ancient
and modern, that are available to the modern gin distiller. Nearly all of today’s gins
are designed and distilled with a two-stage process in mind. In the first stage of
creating a gin, a producer ferments some sort of grain or fruit, then distils it to create
a base spirit. In the second stage, the base spirit is re-distilled with aromatic
botanicals, including juniper, to create the final product. This is the short of it. The
complete story of how a gin is crafted from start to finish is a lot more complicated.
We’ll start at the very beginning.
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The pot still separates a spirit in stages. The first alcohols to be condensed are
the foreshots, or the toxic stuff you wouldn’t want to drink, such as nail polish
remover. The next stuff up is the heads, which are high in congeners (flavor) and
ethanol. These are mostly used to add character, because the hearts are the right,
bright, smooth literal centre of most spirits we drink. The tails are often murky tasting,
and are often left discarded. The innovation of the column still is that it separates
these various parts of the spirit in physical space, by having various places where the
alcohol can condense, before being evaporated again. Since there is no more concept
of ‘time’, the still can be run non-stop. The column still is also called a continuous still.
A beautiful artisan column still at Adnams’Distillery in Southwold, UK.
Smaller distillers who use columns do not
run their stills 24/7, but many large-scale column
stills are in constant use. These columns are
actually appendages that are added onto a pot still.
Also, unlike their large-scale cousins, these stills
produce a neutral spirit that isn’t completely
neutral in flavor. They tend to maintain some of
the base ingredient’s flavor. This is why you get
some modern-day small-scale distillers producing
apple-based vodkas and gins that manage to
retain some of the apple’s original flavor notes. Pot
stills tend to produce a base spirit that has flavor
and character. Such stills are often associated with
artistry, ‘small-batch’ and craftsmanship, whereas
column stills are often associated with pure, clean
and large-scale operations. But neither is
inherently superior to the other.
The real artistry lies in the art of a distiller
knowing how to use their equipment to make a good product. It’s okay to fall in love
with the romance of a certain distilling process, but products should always be judged
on their own merit. It is also possible to make a gin in a single step. For example, a
distiller could add juniper and other botanicals to the mash and distil a gin in a single
pass; however, in practice very few distillers do this. The heads and tails of an initial
distillation contain toxic, or otherwise unpleasant, compounds; however, those same
heads and tails contain aromatic notes from the botanicals that the distiller might
want to include. So right now what we have is a neutral
grain spirit. If this were a book about vodka, we could
quit here and dive into the tasting notes. But not so fast.
This is gin, remember, and we have the all-important
second step: in which juniper and the other botanicals
are added to the neutral spirit.
The Types of Gin Making. Just as vodka
distillers can stop at the end of step one, some gin
distillers begin at the start of step two. Many distilleries
have reputations for creating a good, high-quality
neutral grain spirit, so specific gin distillers often
purchase that neutral spirit and use it as the starting-off
point for their gin. These sorts of relationships range
from partnerships between small scale distilleries (such
as between a gin distiller and a vodka distiller, or a gin
distiller and a whisky distiller, depending on the desired character) to industrial
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preserves delicate flavors. In both cases, steam distillation is a better way to extract
the essential oils, which are what gives a gin its character. However, even this
method has its detractors. Some distillers allege that the simple act of heating a
botanical destroys the most delicate of volatiles. The only solution to this conundrum
is to reduce the temperature. Fortunately, many distillers are well versed in physics.
By using a vacuum, the boiling point of a substance can be significantly lowered, to
the point where very little heat needs to be applied. This means that heat-sensitive
volatiles can now be distilled and re-condensed. A couple of notable distilleries that do
this are the Sacred Spirits Company in London, and Greenhook Ginsmiths in Brooklyn,
New York. Greenhook Ginsmiths uses vacuum distillation in order to keep temperatures down during re-distillation.
Thus far, all of these distillation
techniques have described situations
where the botanicals are all placed into
an apparatus together at one time.
There’s a certain artistry and challenge
in these tasks, because a slight change
in botanical essential oil content can
result in a change in the flavor of the
end product. Many smaller distilleries
label their bottles with ‘batch’ and
“bottle” numbers to differentiate
between distillations and manage the
expectation that the product might differ
a little bit from run to run. One might
wonder then, how larger distilleries are
often able to maintain a consistently
reliable product that seems unfailingly
similar from batch to batch. There are a couple of different ways that distilleries can
help mitigate this. The first happens after distillation. A distillery may blend the results
of several batches together for consistency. Smaller differences across a wide number
of distillations may be evened out by averaging the botanical profiles of each
distillation by mixing them together. The other method is actually part of the
distillation process. Though uncommon, some gin distillers are known to distill each
botanical individually. That way they can ensure that the expression of coriander is
where they want it; the notes of their juniper are true to their vision, and so on. They
then precisely blend the various distillates together to create the final product.
Gin Dilution. The final step for many distillers is to reduce the strength of the
spirit that comes off the still to one suitable for consumption. Pure ethanol, for
example, comes out of the still at 190 proof, or about 95% alcohol by volume. This is
in fact the upper limit, ‘as pure as you can get’ by distillation alone. Some legal
designations, such as London gin in the European Union, require the gin with
botanicals to come out of the still at a minimum of 140 proof, or 70% alcohol by
volume. Obviously, very few gins are bottled at this proof. Many are diluted prior to
sales. In the United States, gin cannot be less than 40% alcohol by volume; in the
European Union gin cannot be bottled to less than 37.5% ABV and still be sold as gin.
Many distillers take this dilution step very seriously and pay very close attention to the
water they use. Martin Miller’s Gin’s identity is tightly tied to the Icelandic sourced
water that it uses to dilute its gin. Iceland is prominently featured on the bottle and
the ‘purity’ of its water is often referred to in its marketing materials.
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Distilled gin has, as the name would suggest, been redistilled with botanicals to flavor
it, while for compound gins distillers simply add flavors to the spirit. To be described
as London Dry a gin has to be distilled and have no artificial additives.
Another important aspect of the production process is how the botanicals are
treated. In some cases the distiller will macerate them in a neutral grain spirit before
distilling the mix to get more of the aroma. Others distil as soon as the botanicals are
added to the spirit. There are a host of stills employed that can also change the flavor
and aroma profile. Essentially, a lot can impact on the gin you have in your bottle,
and gin distillers are masters of their craft.
There is a lot of modern gins that look to play with a variety of botanicals at
the heart of the spirit, but as a standard you’ll often find coriander seed, angelica root,
orris root, and citrus peels. If you plan to get creative with your cocktails then it’s
worth looking at some of the botanicals listed on the bottle and trying to accentuate
these flavors in your own creations.
For many purists juniper should be the champion botanical. Indeed the EU
states that gin should predominantly taste of juniper. This hasn’t stopped distillers
from playing with the profile of their creations, but the debate over what constitutes a
gin rages among the drinksmiths.
The staple Beefeater is
perhaps the quintessential London
Dry, a clean but robust spirit that
has plenty of juicy juniper as well as
some sumptuous citrus. Beefeater’s
master distiller Desmond Payne
remains one of the world’s great
distillers and more recently
designed Beefeater 24, a luxury
choice of gin that plays with flavors from Chinese green and Sencha teas.
Tanqueray is another name that exudes heritage and if you select the Special
Dry, with a punchy ABV of 47.3%, you’ll have a fine friend in the drinks cabinet for
most occasions. From the same stable you’ll discover Tanqueray No. TEN, a modern
incarnation that is crafted with hand-picked whole fruit botanicals and distilled four
times. Distiller Tom Nichol is a true master and apart from the stunning bottle it
comes in you’ll find fantastic fruity flavors, with white grapefruit among them along
with smooth chamomile aromas.
Bombay Sapphire, a gin that revived the spirit in the 1980s when it was much
maligned and associated, unfairly, with blue moods. This is a gin that works for those
not so keen on heavy juniper flavors, using a fresher, piney form of botanical to go
with cubeb berries and grains of paradise from West Africa—a very versatile gin and
useful for mixing.
Plymouth Gin is impressionable on the palate. Plymouth is a style of gin dating
back to the 1790s that has survived the evolution of the spirit and has retained its
own geographic designation (it can only be made in Plymouth, southwest England).
Typically the variant is rich and oily; the juniper is bold and there are some fresh
citrus qualities, but on the nose you pick up the likes of sage and heather.
Martin Miller’s uses Icelandic glacial water and has a beautiful mouth feel. The
botanicals give it a slight hint of lavender so if you’re thinking about mixing it then go
with floral flavors. One of my favorite gins in a Negroni is Martin Miller’s Westbourne
Strength, a gin that is bottled at 45.2% ABV. It has a more traditional gin flavor and
can stand out in the face of the cocktail’s other bitter ingredients.
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gin but depending on the botanicals, strawberries to basil may be a more appropriate
garnish. A sprinkle of juniper berries too, especially in London Dry Gins, is a nice twist.
The following are the famous Gin cocktails.
Singapore Sling. Created around 1914 by Ngiam Tong Boon, bartender at
the Long Bar at the Raffles Hotel in Singapore, although the original recipe has been
much adapted over time.
Procedure: Shake the ingredients with ice and strain into a glass. Garnish with a slice
of pineapple and a fresh cherry
Tom Collins. London stakes a claim to this drink from the early 1800s, when
it was allegedly served at the coffeehouse bar at the Limmer’s Hotel, London.
Glass: Highball
Procedure: Shake the ingredients with ice and strain into a highball over fresh ice.Top
with sparkling water and garnish with a slice of lemon.
Martini. Steer clear of limes for garnish, unless you’ve got a penchant for the
things. Or scurvy. Instead go with an olive or a lemon zest twist. If you’re going dry,
then enhance the savory side with a few olives on a toothpick.
Glass: Martini
Procedure: Stir the ingredients in a mixing glass with ice and strain into a martini
glass. Garnish with an olive or a lemon zest twist.
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Bronx. According to one story, the Bronx was invented in the early 1900s by
bartender Johnny Solon at New York’s Waldorf-Astoria.
Glass: Martini
Procedure: Shake all the ingredients then strain into a pre-chilled cocktail glass. Clip
a slice of orange and cherry on the rim of the glass as garnish.
Glass: Martini
Procedure: Stir all the ingredients and strain the mixture into
pre-chilled martini glass. Garnish with cocktail onion on top of the drink.
Gimlet. A drink that evolved after Lachlan Rose’s preserved lime juice
became popular with scurvy-suffering sailors in 1867.This drink can also be served
straight up without the soda and in a highball glass.
Glass: Highball
Procedure: Stir the ingredients in a mixing glass with ice and strain into a rocks glass
over fresh ice. Top with soda water and garnish with a wedge of lime or some zest.
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Aviation. Created by Hugo Ensslin at New York’s Hotel Wallick in the early
1900s, when it included crème de violette, but it was made famous without it by
Harry Craddock in his seminal Savoy Cocktail Book. Try both versions.
Garnish: Cherry
Procedure: Shake the first four ingredients with ice cubes and fine strain into a glass.
Squeeze the oil from the lemon zest over the surface of the drink and discard. Garnish
with a cherry.
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Application
Name:________________________________ Course, Yr & Sec:__________
Teacher: ______________________________ Class Schedule: ___________
Direction: Write down the ingredients, corresponding quantity needed and
procedure of making each cocktail drinks. (5 points each).
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Assessment
Name:________________________________ Course, Yr & Sec:__________
Teacher: ______________________________ Class Schedule: ___________
Multiple Choice. Direction: Choose and circle the LETTER of the correct answer.
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TRUE OR FALSE.
Directions: Read each of the following statements. Write the word TRUE if the
statement is correct and FALSE if otherwise.
______2. Around 37.5 percent is the minimum alcohol level to be a true gin.
______4. Coriander is the second most popular botanical used in gin after juniper.
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Column A Column B
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Analysis
Name:________________________________ Course, Yr & Sec:__________
Teacher: ______________________________ Class Schedule: ___________
Instruction: Write your answer on the space provided.
Please be guided by the following rubric. 10 pts: 7 or more sentences
5 pts: less than 5 sentences
0 pts: no description
1. Briefly discuss. What is Maceration?
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2. Briefly discuss. What is Percolation?
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Abstraction
Liqueur
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As tastes grew more sophisticated to the point where meat was cooked before
eating, the flavor of these locally produced medicines didn’t sit so well with the
masses. They blamed the “doctors” for not making the medicines more effective.
Then came the discovery of honey, and later, sugar cane. Medicine men quickly
realized that, as Mary Poppins sang many centuries later, “a spoonful of sugar helps
the medicine go down.” In a desire to make their medicines more effective, the
pharmacists of the day added a little sweetness by adding honey, dates, figs, or the
ground up sugar cane to make their medical selections more palatable. When they
mixed the powders with alcohol instead of water in their patients’ moods and
attitudes were markedly less hostile.
Cordial, Liqueur: A tale of two words. The words cordial and liqueur refer to
the same alcohol beverage type. The only difference is that cordial is more common
in the United States, while the Frenchification of the word liquor into liqueur belongs
to the Europeans. Interestingly, both words have Latin roots. Cordial is from the Latin
word cor or cordis, which means heart in English. The name is identified with the
heart because the earliest cordials were used as part of therapy to stimulate the heart
and to lighten one’s spirit.
The alcohol content of cordials is between 15-55%. Its aroma and taste is
produced by the addition of herbs, seeds, bark, roots, flower, fruits and peel.
Liqueur is taken from the English word liquefaction, which in turn is from the
same word in Latin that means the process of liquification, and that’s particularly apt
when applied to creating a liqueur made from ground up ginseng roots, for example.
The United States Standards of Identity originally gave the category the designation
of cordial. But liqueur has a more upscale tone to it, so it became more common
throughout the world.
According to every standard of identification worldwide, cordials and liqueurs are
made by “mixing or redistilling distilled spirits with, or over, fruits, flowers, plants or
pure juices, or other natural flavoring materials or with extracts derived from infusions,
percolation, or maceration.” They must contain sugar, dextrose, or
levulose not less than 2.5 percent by weight of the finished product. A host of other
controls factor into production, and are shown on the label. Examples include the use
of imitation flavors, the type of spirit used as a base, and so on.
The Making of Liqueurs. The makers of liqueurs are today’s alchemists, with
their secret formulas of herbs, spices, flowers, fruits, and exotic flavorings. No longer
looking for the elixir of life, they deal in flavor, color, romance, and profits. New
liqueurs are continually being developed, and both old and new are promoted with
recipes for new drinks in the hope that something like the Moscow Mule miracle will
happen again. And it does happen now and then: The oddly named Harvey
Wallbanger cocktail put Galliano in every bar.
Any liqueur begins as a distilled spirit; it might be brandy, whiskey, rum,
neutral spirits, or others. The distinctive flavorings may be any natural substance,
such as fruits, seeds, spices, herbs, flowers, bark. Many of them are complex
formulas containing as many as 50 ingredients. For example, Cointreau claims to use
oranges from five different countries. The flavorings may be combined with the spirit
in different ways. One method is steeping (soaking) the flavoring substances in the
spirit; this is called maceration. Another is pumping the spirit over and over the
flavoring substances suspended above it (as in a coffee pot), called percolation.
Alternately the flavoring substances may be added when the spirit is redistilled.
The sugar may be any of several forms, including honey, maple syrup, and corn syrup.
The sugar content is the main element that distinguishes liqueurs from all other types
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Unripened black
walnuts are
infused in high-
proof alcohol in
the process of
making Nocino,
an Italian-style bitter liqueur at Sidetrack Distillery in
Kent, WA on your right.
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Helgolander German
style Herbal Liqueur by the
Dampfwerk Distillery Co.
earned a Gold Medal in
the American Distilling
Institute’s 2018 International
Judging of Craft Spirits.
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Galliano L’Autentico Made with various herbs and plants, it includes subtle
licorice and vanilla flavors.
Becherovka A stomach settler created in 1805 in the Czech Republic, this has
gained new fame and status in cocktails.
Bailey’s The biggest selling liqueur on the market, Bailey’s blends Irish
whiskey with cream and spices. You’ll find it in almost every drinks cabinet in the land.
Amaretto An Italian liqueur made with bitter almond oil, apricot pits, and
other botanicals.
Frangelico A hazelnut liqueur that is quite potent and doesn’t make it into
many mixed drinks but is worth knowing about.
Malibu A coconut liqueur with a rum base that can find its way into tropical
treats.
Drambuie With a whisky
base and sweetened with
heather honey, this liqueur’s epic
history dates back to 1745. It’s
an essential in a Rusty Nail.
Jägermeister This bitter
and complex blend of 56 herbs
from Germany should be stashed
beneath most home bars.
A liqueur as a base for a cocktail instead of a spirit. It can be played around
with the flavors and start with simple ideas like mixing the liqueur with fruits, herbs,
and syrups that have a similar base to the liqueur, along with a mixer such as
soda water. Try mixing 4 tsp each of Grand Marnier and elderflower cordial with
slices of orange and strawberry, topped off with 5fl oz/140ml soda water to
create a Grand Esprit.
Cordial: The Making. Cordials have a wide spectrum of flavors available from
the potential basic flavoring ingredients. So, the tastes offered depend to a large
extent on the experience and skill of the distiller, the ways in which the flavors are
obtained, and the exact formulation of ingredients. Making cordials is a skill and an
art. It requires a wide knowledge of the earth’s plants, flowers, fruits, herbs,
vegetables, and almost every other botanical product found even in the most remote
parts of the world.
As an example or two, consider the recent introduction of a pomegranate cordial
a fruit mentioned lovingly in the Bible or the awareness of the fruit of an African tree,
the Amarula. It was reborn as a cordial called Amarula, which has a delightful taste
when percolated into an unflavored spirit.
When someone goes to make a cordial, he or she takes this very complex
knowledge and puts it to use in basically the same way that other distillers use their
knowledge to create other spirit types. Liqueurs are made by using many types of
spirits for a base, ranging from grain neutral spirits through brandy and rum and
surprisingly even to already-juniper-berry-flavored gin. To the base spirit, the
distiller adds the flavoring agents compiled from his secret recipe and then mixes with
care and attention.
Choosing The Base Spirit. Distillers select the base spirit of a cordial on the
basis of flavor, availability, and blending potential with the prime flavoring agent.
Each different spirit has a distinctive taste. Will the earthy notes of Tequila go well
with a scented flower? Alternatively, can the juniper laden gin blend in with a
pomegranate flavor? Or, can a sweet sugary rum match up with a sweet herb?
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Economic choices are also involved. If brandy is the base, it doesn’t make economic
sense to use a vintage Cognac. Or does it? Should vodka made from low cost wheat
or corn be used, or should the more exotic vodkas from grapes make the flavor base?
Finally, a decision must be made on how high the final price of the liqueur should be
value priced, premium, super-premium? That too has a definite effect on how much
the distiller pays for all the ingredients.
Marking The Differences. Years ago, the trade agreed that in order to keep
order in the marketplace, various price ranges designating the quality level of the
liqueur inside should be set and given names. In a bow to the French, they were
Ordinair for the lowest quality, up the ladder through Demi-fine to Fine, and
ultimately to the top, Surfine. In these days of global marketing, you rarely see these
designations, but they’re in the pricing if not on the label. To further assist the
consumer, however, all liqueurs are still classified as Crème when they’re thick and
extra sweet; Balm, which has a thick consistency; or Water, Extract, or Elixir, which
are all lighter.
Today, liqueurs are also classified by the flavor type. Most confusing of these
are Crème and Cream. The first is a category generally indicating a single flavoring
agent, such as crème de cacao, which is a sweeter, more heavily sugared liqueur with
a cocoa flavor. Cream, as in Bailey’s Irish Cream, is a category that came into being in
the 1980s. These liqueurs are made by using a technology invented in Holland to
stabilize dairy cream and give it a shelf life of about two months without refrigeration.
Cream liqueurs are blends, usually of a whiskey and fresh stabilized dairy cream. You
can also find rum creams and even an Amarula cream. The most common flavorings
come from chocolate, mint, and coffee. The best part of these dessert liqueurs is that
they last for a long time and still taste fresh. But shelf life isn’t much of a worry in
your refrigerator the drinks are so delicious that they don’t generally last two months.
Generic liqueurs are usually classified as non-descriptive Liqueurs. This class
includes Sloe Gin, which is made from sloe berries on a neutral spirit base. Another
category of liqueurs are Fruit Brandies, which are a colorless neutral brandy base to
which a blending of similar fruit flavors have been added. The use of flavored brandy
most likely arose years ago in the Cognac region of France where flavored Cognac
was often a preferred way to drink their native classic. Alizè is a flavored Cognac and
therefore classified as a liqueur. Finally, you have Schnapps, which is similar to a
flavored eaux-devie (the French version of vodka) but with no added sugar. In the
United States, even schnapps must adhere to the requirement that all cordials have a
given percentage of sugar added.
Adding The Flavor. Having determined the spirit to use as a base, the next
step in making a liqueur is determining how to get the flavor into the finished product.
The most common methods for extracting flavor from a
botanical include the following:
Maceration. The flavoring agents for the recipes
are soaked in the spirit and agitated. When the maximum
flavor has been leached from the botanicals, they’re
removed, and the remaining solids are filtered out.
Maceration is generally used for delicate fruits, such as
berries and bananas, where the flavor can’t stand up to
harsher methods.
Infusion. This method is similar to maceration, and
it’s the most inexpensive way to capture the essences of
dried leaves and plants. If you know how to “steep” tea,
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you know how to infuse. The botanical material is moistened until it’s soft. Then it’s
covered with the base spirit and allowed to step in that. This results in much of the
flavor being transferred to the base.
Percolation. Have you ever brewed coffee? This is the same thing. The heated
spirit is pumped through the flavoring ingredients over and over again. It’s generally
used with tough-covered flavorings, such as beans or pods.
Distillation. This method is very
similar to the way gin is made except that
juniper berries are rarely, if ever, used.
Botanicals are dried and put into a pot still.
The base spirit goes directly into the pot
still with the botanicals, or into a special
type of tray placed at the “head” of the still.
Then the material is put through the still,
which condenses the vapors from the
alcohol and the botanicals together.
Generally, a second distillation is used to
make certain that objectionable flavors are totally removed. This is the costliest way
of getting the base spirit and flavor together. Distillation is generally reserved for
rinds, flowers, and other more highly flavored botanicals.
The Final Touches. After going through one or more of the processes I
describe in the previous section, the resulting flavored liqueur that comes off the still
can be as high as 100 proof. Pure water is used to reduce the proof. Most of the
modern liqueurs are in the low alcohol range, between 25 proofs (40 percent alcohol
by volume, or ABV) and 70 proof (35 percent ABV). The mandated alcohol level for
fruit brandies is 70 proof. Some liqueurs, such as Chartreuse and Curacaos, are
permitted to be bottled at a higher 110 proof (55 percent ABV).
Next, the mixture is sweetened with simple sugar, honey, dextrose, or another
type of natural sugar. Then the liqueur is aged for a short time to help all the flavors
“marry.” Blends in which distillers want to avoid any additional accidental flavoring are
aged in stainless steel tanks. On the other hand, if the distiller wants more flavors,
the liqueur can be aged in wood casks to bring the wood’s extra flavor agents into the
blend. Some macerated liqueurs aren’t aged at all.
After this, the distiller adds color usually natural if desired. A few liqueurs are
chilled before filtering to remove certain unwanted oils that could cause clouding. If
the liqueur contains colloidal materials, they can be “fined” by being filtered through
albumen or milk that sinks to the bottom of the vat where it attracts particles that are
undesirable and makes it easier to remove them.
With the constant demand for new and improved flavor thrills in liqueurs, many
distillers have turned to food technology. Using mixtures of natural and manmade
flavors, for example, can produce flavors that taste cold when you take the first sip of
a liqueur and then turn hot in your mouth. Nothing is wrong with using this
technology, provided the ingredients have been approved for food and drink
consumption.
This kind of innovation, however, is frowned on by many high-end producers.
Marie Brizard, for example, has been making all natural liqueurs since 1755 when,
legend has it, nurse Marie brought a sailor back to health. In appreciation, he gave
her a recipe for an “elixir” that could cure all ills. She and her nephew, Jean-Baptiste
Roger, set up a company to produce this remarkable product and called it Anisette.
The company is still making it the same way.
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Types of Cordials. Not all cordials are equal. Some are “generic,” made using
a single commonly known and commonly found flavoring agent. These cordials are
used primarily in cocktail making. About 40 are generally available, including such
standard items as banana, cassis (black currants), cherry, coffee, kümmel,
peppermint, sloe gin (sloe berry), spearmint, triple sec , and a back bar full of others.
The other types are called “proprietary” because they’re made from exclusive
recipes created and maintained by the brand producer. Many of these cordials may
use one of the generics as part of their mixture, but they all add their own special
secret ingredients.
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Seeds and Nuts. Fruits aren’t the only flavor bases for liqueurs. Other
botanicals, like seeds and nuts, also make for great beverages
Seed and Nut Cordials
Flavor Source Generic Description (Brand/s in Bold)
Absinthe The famed French Fèe Verte (“Green Fairy”) was said to cause madness and was ultimately
banned from all European countries and the U.S. It was made from anise and wormwood,
which was deemed to be poisonous. Traditionally, the 72 proof (36 percent ABV) liqueur
was diluted with water, and poured over a sugar cube while it turned pearly white. In the
last few years, chemists determined that what made Absinthe so dangerous was a
poisonous substance called thujone. Removing that made Absinthe once again legal, and it’s
now available in the U.S
Anise One of the most widely used flavors licorice is from this seed. Anisette includes some other
flavorings to add depth to the licorice-like taste. It’s usually clear but occasionally tinted red.
European versions are more complex than those made in the U.S.
Anise A broad range of liqueurs with a licorice-like taste were made in imitation of the then-
Aperitifs banned Absinthe. Usually with an alcohol volume of 90 proof (45.5 percent ABV). Clear, but
when water is added, they turn pearly white. Best examples of these: Pastis, a French
generic (except for one produced by Ricard), Ouzo (from Greece), Raki (from Turkey),
Herbsaint (from the U.S.). Generic types are also made in Spain and Italy.
Caraway Used in making Kümmel, which was originally made in Holland in the 16th century. This
liqueur also includes cumin seed and has an aftertaste of anise. The Allash Kümmel made
in Germany is regarded as being top quality
Chocolate Crème de cacao is the primary liqueur that uses chocolate. It can be either brown or clear,
and it’s primarily for use in making cocktails. A lot of generic types have chocolate blended
with coffee, mint, or fruits. Among the proprietaries are: Droste Bittersweet, which tastes
like a Nestle chocolate bar; the Swiss Marmot, which has actual pieces of chocolate floating
in it; Sabra from Israel, which is a chocolate-orange liqueur; from Holland, Vandermint,
which, as indicated, is a blend of chocolate and mint; and CocoRibe, made with Virgin
Islands rum. The most recent famous chocolate names added to the liqueur lists are
Godiva Chocolate, White Chocolate, and a ready-to-drink cocktail with vodka.
Coffee Crème de café, crème de mocha, and coffee liqueur are all names given to some generic
types of coffee liqueur. Coffee-flavored brandy has a higher proof and uses brandy as a
base. Finally, branded proprietaries include the first coffee based liqueur, Kahlua, which
possibly adds molasses for smoothness. Tia Marie, a product of Jamaica, has a lighter
body.
Elder The fruit of this bush has a unique flavor and is used in making higher alcohol (80 proof or
Brush 40 percent ABV) and a sweet slightly licorice flavor. Sambucca Romano is probably the
best-known
Herbal Goldschlager is one of the more unusual liqueurs because
it has real flakes of gold a mythical aphrodisiac in its mixture of herbal flavors. Galliano,
the liqueur that started the rush to highly flavored products with the Harvey Wallbanger
after World War II, is made in Italy and is named for an Italian war hero. The herbal vanilla
flavor is less complex than similar liqueurs made in France and gets very little aging.
Jägermeister is a huge recent success story in the U.S., although it’s been made in
Germany since 1878, where it’s designated as bitters. It’s best enjoyed chilled and downed
quickly. Licor 43 (“Cuarente Tres”) is named for the 43 ingredients that go into its making;
it’s based on an ancient farmer-made drink. Tuaca Liquore has a lighter than typical
herbal-vanilla flavor and a light amber glow
Pits and Fruit pit kernels, such as those found in peaches and cherries, give a bitter almond flavor to
Kernels a number of nut flavored liqueurs and fruit-flavored types. Amaretto Disaronno is the first
and best example of a bitter almond version. Frangelico is another favorite made from
nuts, but this one is made from hazelnuts. The generic crème de noyaux and crème de
almond are made from almond and fruit pit kernels.
Mint Crème de menthe is one of the most classic generic liqueurs. It’s colorless but is sometimes
tinted green, red, or occasionally gold. Peppermint Schnapps is a colorless, drier version
Spices Spices are generally used as accent flavors, but you can find Cinnamon Schnapps and
Ginger Schnapps as well as a ginger-flavored brandy
Tea Suntory Green Tea is the best-known brand, but with the increased interest in tea as a
dinnertime beverage, new types are coming onto the market nearly every month
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Application
Name:________________________________ Course, Yr & Sec:__________
Teacher: ______________________________ Class Schedule: ___________
Direction: Create cocktail out the given liqueur. Write down the name, ingredients,
corresponding quantity and procedures (5 Points each).
1. Malibu 2. Triple Sec
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3. Creme de Methe 4. Kuhlua
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Assessment
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References
Unit 1
Cousins, J. Lilicrap, D., Weekes, S. Food and Beverage Service, 9th Ed. 2014
Rojo, L.G. Bar and Beverage Service with Mixology, 2nd Ed. (2012)
Katsigris, C., Thomas, C., (2012). The Bar and Beverage Book, 5TH Ed. 2012
Ditan, L. J. Principles of Bar Service Operation (2007 Edition) Textbook of Food and
Beverage Management and Operations. (2008).
Luntz, P. Whiskey and Spirits for Dummies, 2008, Charming, C. Everything Bartenders
Book, 4th Ed. Gin Bible www.cholmondelyarms.co.uk
Unit 2
Cousins, J. Lilicrap, D., Weekes, S. Food and Beverage Service, 9th Ed. 2014
Roldan, A.S., Edica, Benito, T., Cruz Dela, R.M. (2013) Revised Edition. Foodservice
and Bartending
Katsigris, C., Thomas, C., (2012). The Bar and Beverage Book
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