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L'art Du Phrasé Arban

The document appears to be sheet music for several classical and popular melodies arranged by Arban. It contains notations for 6 short musical pieces, including their titles, composers, and tempo markings. The sheet music provides the notes, rhythms, dynamics and other performance instructions for each melody across multiple staves through graphical notation.

Uploaded by

Fabrice Adam
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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0% found this document useful (0 votes)
256 views92 pages

L'art Du Phrasé Arban

The document appears to be sheet music for several classical and popular melodies arranged by Arban. It contains notations for 6 short musical pieces, including their titles, composers, and tempo markings. The sheet music provides the notes, rhythms, dynamics and other performance instructions for each melody across multiple staves through graphical notation.

Uploaded by

Fabrice Adam
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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191

THE ART OF PHRASING


150 CLASSIC AND POPULAR MELODIES.
Arranged by Arban. (Professor of the Imperial Conservatory of Music.)

      
             
ROBIN ADAIR.

          
Andante

 
dolce

1.

           3                         
    
9

 
LOVING, I THINK OF THEE.
 
Krebs.


                                      
 
Andante


2.
 dolce

   
   

        
                                

9

 
 

               
MY PRETTY JANE.

         
Andante

3.

        
                    
5

  
 
                                      
10


                                              
  
   
17

    
192

    
HOW FAIR THOU ART.

                 
H. Weidt.

                

Moderato

4.
 
    
  3
              

       
 
3


8 3



 3
                       
cresc.

      
  
15

  

      
GOD SAVE THE QUEEN.
 
              
Andante maestoso

5.

                                 
 ben sostenuto

   
7

           
LAST ROSE OF SUMMER.

                   
Larghetto

6.

         

          
 

                
5



            
       
   
                 

12 a tempo.

 

           
MY OWN, MY GUIDING STAR.

           
             
Robin Hood.


Andante cantabile

7.

                      

      

                

 
8

 
      
                             
                 
15

cresc. 
3
Rit.
193

     
    
WHY DO I WEEP FOR THEE?
  
W.V. Wallace

          
Andante con tristesso

8.

    
 dolce

                 
  
 
7

               
       
cresc. 

      

14

Rall.

           
BLUE BELLS OF SCOTLAND.

               
Allegro moderato

9.

                   


              
9

                                
DUTCH AIR

10.          
Maestoso


                                       

      
9

      3        
NOW THE SWALLOWS ARE RETURNING.
 
Fr. Abt.

                
Andantino

11.

                   
 dolce

         
       
7

      3                 
 
          
3

        
14


Rall.

 3 3
Rall.
194

                                   
WHO SHALL BE FAIREST?

        
Andante

12.

 

                      
                  
7

 

            

           
Rall.

                 

13
a tempo

  

         
RUSSIAN HYMN.

                     
Maestoso

13.

             

         
        
9

 cresc. 

  
O, YE TEARS.

     
Fr. Abt.

                    
        
Andante con espress.

14.

  Rit.       Rit. 


  
                         

8

 
Accel.

          
PURITAN'S DAUGHTER.
  
Balfe.

                               
3

 
Larghetto cantabile

  
15.

        3         
3


          
        
             
8

 

         
   
      
                     
3
15
195

     
WOODMAN SPARE THAT TREE.

       
H. Russel.

          
Andante

16.
  
   
                    

  
6

            
                   
  
11 3

    
LOVE NOT.

V. Wallace.

17.                    
Cantabile 3 3 3

 
           

              
 
7


3

     
                         
 dolce


3 Rit.
14 3 3 espress.





cresc.

   
       
THEN YOU'LL REMEMBER ME.
 
 
Balfe.

       
18.              

Andante

        
                    
   
 dolce.

  
 
7 3

             

       
         
  
3


13



         
O WERT THOU BUT MINE OWN LOVE.

               
Fr. Kücken.

  
Andante


                        
19.

    
       


6


                     
 

    

   
12

   Rall.
196

            
                 
WE AMY BE HAPPY YET. Balfe.

   


Andante moderato

    
 
20.


  
        
                      
7 

  
          
                       
     
14


cresc.

  
Rall.

    
CONSTANCE. G. Linley.

   

 
            

    
Andante espressione


           a tempo.
21.

        
              


 
7

          

                    
Rall.


14

 Andantino    
THE HEART OF THY NORA IS BREAKING FOR THEE. G. Linley.

21.  
                        
  
     
                  
     

 
10



                 
           3
    
19 a tempo.

      
  
                     
28 3

Rall.

                       
IL POLIUTO.

Donizetti.

23.    
              
Larghetto


                                 
 
16 


  
                                         
29

  calando.

197

       
THE HEART BOWED DOWN. Balfe.

24.                
 
Larghetto cantabile

   
3 3 3

          
                             
  


7 3


3

             
         
                    

3


14


 

      
                
WHEN WE MEET AGAIN. L. Waldmann.


25.   
     
Moderato

     
                      
                
 
 
 
 dolce


10

    
 
         
          
                          
   
21


  
         
                                  

   
33


 

            
GERMAN SONG.

                
Andante moderato

26.

                    
           

 
7

 
        
                    


14

  Rall.

      
     
FRIENDS OF MY YOUTH.

            
G. Barker.

 
Andante

27.

  
                            
7 
          
         
198

    
      
13


    
 
                         


cresc.
18

  ad lib.

      
ROMANCE

          
Chas. Lecocq.

                   
28. 
from Fleur de Thé.
Andantino ma noin lento


                                     
   
    

 
6


                                       

      
poco animato.


13 poco più lento.

 
a tempo.

                                  
     
Rit.

  
Rall.


21

animato. Rall.

                       
THERE IS A FLOWER THAT BLOOMETH. V. Wallace.

        
Moderato

29.
 
             
                           

 
7


            

                        

 
15

             
    
L'ARA O L'AVELLO APPRESTAMI.

   
Verdi.

   
Moderato 3

     
30.


                                
3
9


                  

                    
  
20

      
         
  
            
 
                  
30
Più mosso.
199

 Allegretto         
MY BARK WHICH O'ER THE TIDE.
       
Balfe.

31.                  
       
              

                   
     
8

 
                  
                    
16

            
                        
    
24

 
                    
                            
      
32



        
'TWAS RANK AND FAME.

Balfe.

32.               
      
Andante cantabile

    
   
            

   
          
     
 
7

 
  
                               
  
15


rit. a piacere


VIEN, LEONORA.

              
Donizetti.

33.  
             
   
Larghetto

 
  
       
  

                                         
    
10


 
      

      
               

            
   

19


 
   
  
                                                      
25
200

3 
  
SICILIAN VESPERS.
         
Verdi.

   

               
Largo cantabile 3 3

 3

34.

                   
            

   
3 3

 
        
  3 
5 3

     
                       
   
  
3 3 3


3 3 3


9 6

     6
               
           
3

 
6 3 3 3

          
13 6

      
BLACK EYED SUSAN.
            
35.                
Andante

       
                             

 
14

 

I'M LEAVING THEE IN SORROW.

                                          
G. Barker.
Andante

36.

             
 
                    

 
9

 
      
          
                   
 


18

            
GOOD-BYE, SWEETHEART.

Hatton.

                      
Andante con moto

37.

                      
                
    
7 

 
                            
              
16

  
Rall.
cresc. string.
201
FAREWELL TO THEE, MARY

       
F.N. Grouch.

             
    
Andante

38.


          

                    
   
5 

    
                     

            


10

 
                
      
           

15

       
IN HAPPY MOMENTS. W. V. Wallace.

39.   
                         
    
Moderato

  
      
   

                         
    
      


7

 
          
                      
      
14

 

          
CALL ME THINE OWN. Halevy.

      
40.             
Andante espressivo

   

               
 
                


11

   
   
            
         
        
21

 
 
    
         
        
           
31

    
KATHLEEN MAVOURNEEN.

                          
Andante

41.
 
                       
         

  
10


              
202

      
           
20

 
            
                        
  
30

 

          
     
SLUMBER ON.
            
Fr. Abt.

42.                 
Moderato


                                               
      


 cresc.


8 ten.

   
                                   
      

   

 
18


 
                                               
 

    
27 ten.

 dim. 

    
                                 
BRIGHTEST EYES.

43.   
G. Stigelli.

 
Andantino 3

 
3

       
      

            
string.

                      
8 3 più mosso 3


1. 2. 3

      
                                      
          

16 cresc.  3
Rit.

          
                               
  3

     
24

 con forza   3 3
riten.

   
                   
BALLAD "LOVES OWN TEAR." T. Crampton.

44.       
Andante

 
                           
          
12
 dolce 

 
 
                         
  
cresc. 

 
24

                    
       
dolce 


36
Rall.

  cresc.
203

     
RESTORE THOSE VISIONS BRIGHT. Spohr.

45.     
                                  
Andante


                
                           
8 

   
cresc. 

 Andantino      
IL FURIOSO. Donizetti.

                     

3

46.

     3     
                              


6 3


                              
     
 cresc.


  
11

 cresc. dim. 

                   
ROMANCE.

    
Donizetti.

      
Moderato

47.
  

                 3   3              
 


6

 
                 
  
                          
cresc. 

  
10 

                                            

  

 
Rall.

 
16

3

             
      
ROMANZETTA.
 
Bellini.

48.             
Andante cantabile


          

                         cresc.
 dolce


6

          
  
                       
      
12
rall.


                  
       
 
(cresc.) 


18

  
Rit.
204

         
BE STILL, MY HEART. Henrion.

49.         
                
  

Andante

   
    
          
                      

13

 
Animato.

       
                      
           

25 Rall.


a tempo

                         

             

37


cresc.

 Andante 
JESSIE. G. Linley.

50.            
        
   
 


    
  

                       
9 Rall.

 a tempo.
  
                                     
17 a tempo. Rall.

 
           
                   

26

     
PIETA RISPETTO.


Verdi.

               


    
    
from Macbeth.


Andante

3

51.

 
                   

               
3


6 3 3 3 3
3 3

                
  
                          

11 3

 3   3
       
                               


3 3


17 3

3 3 
 
Rit.
205

                
THE EXILE'S LAMENT.
  
Rich. Albert.


52.       
            
Con espressione




         dolce.
   

         


                   

 
8


Rall.


                
                            
3
16 agitato. Rall.
a tempo

 a tempo.


                      

                  

  
24


Rall.

  3

  
SICILIAN VESPERS.

Verdi.

             
  

53.          
Allegro agitato espress

       
                     
      

   
10

 3
            
  

 
dim.

      
18 3
3 dim.

         
                    
3 3

     
26

 3 
3

3 3

                 
I THINK OF THEE.
       
  
F. Abt.

     
Andantino

          
  
54.

               
                 
    
       
7

    
poco riten. string.

               
  rit.

                        
16  

  
                                        

  

          
24


      rit.

206

             
BEATRICE DI TENDA.

Bellini.

55.                   
Andante amoroso

   
 3  3    3 
  
                     
 con abbandono.


6

      3    
                                            
a tempo.
a piacere.


11 3 3 3


3

 3  3    
3 3 3

            
                  
poco più lento.
17 3 3 3 3
3

3 3
3

                                          
LA STRANIERA. Bellini.

56.    
Moderato

     
                               
          
8 


          a tempo
            3
              
 

 
14 Rall. 3

3 

               
         
 
       
3 3


19 3

                      
ARIA "GEMMA DI VERGY." Donizetti.

57.              
Andante

    
                                 
 
                 
 
9



                                    

    
cresc.


16

 (cresc.)                       
                    

   
25

 
  
     
                                       
    

 
 cresc.

  
34

 

207

LA GAZZA LADRA.
   
Rossini.

              

 



   
         

 
Andante con brio

58. 

                 
            

6

                     
       
Fine 

   
13

     
       
   
                                 
 


 
19 3 3

D.S. al Fine

 
LA GAZZA LADRA.
  
Rossini.

                    
        
Allegro


3

59.

       
                      
 
6
 3

 
    3      
                           
3


grazioso


12

 
                                 
               

17


 

     
LA DONNA DEL LAGO Rossini.

                        


Allegro

60.

 

       


   
                                    
5

     
       
       
 
leggiero.

          
   

  
10


     
         
                   
 

     
13

   
       
                   
                
 

17


208

         
  
LA CENERENTOLA. Rossini.

61.                
             
  
Moderato

 
     
       
       

                                            
5  

 
         
      

          
  

   
 
     
            
12

       
         
               
                   
17 

  

 
QUANDO LE SERE AL PLACIDO.

                     
Verdi.

 
Andante

                               
62.

      
6

 3
                                
     
    
3

 
12


3

     3         3               
 
  

  
    
3 3


17 6

  
3 3

            
ALLA VITA CHE T'ARRIDE.
  
Verdi.

63.                   
Andante

                                  
            
 
6 

 
         

     
      
  
                      
12

       
                                        

20

   
                                      
      
27

          
                         
33
Presto.

Cad. ad lib.
209

                 
THE IRISH EMIGRANT. G. Barker.

   
           
Andante


64.

           

                   
  
5 Rall.

 a tempo.
                           

      
9 a tempo. Rall.


   
      
            
            
13 a tempo. Rall.

rit.
cresc.  cresc.

    
DON JUAN.
         
Mozart.

           
65.                
Andante

  
                                 

               
  
9


                           
       

3

     
3


17 Rall.

 
CAN I BE DREAMING?

           
    
Balfe.

        
Larghetto from "The Talisman"

66.

             
  
 dolce.

  
             
7

         
                   
          
15


                           

             

24


            

                    
           

34
210

      
        
LE DESIR. Beethoven.

      
     
Moderato

67.

              
       

     

         
  

            


ANDANTE FROM A MAJOR SYMPHONY.

      
Mendelssohn.

                 
Andante con moto

68.
 
 
          
 

                 
   
6
1. 2.

         


                         
 
13
1. 2.

cresc.   

 Moderato    
AL BEN DE' TUOI QUAL VITTIMA.
    
69.                   
 

                    
      

         
    
7


               
             
  
13


  
                         
3

   
           
19


                         
              
25

                    
                 
32


3 3
211

  

FUNERAL MARCH. Chopin.

                                
70.         

Lento

   
 

                                    


 
9



      
                         


 
cresc.


      
17

      
ANNA BOLENA.

         
Donizetti.

               
Moderato

 
71.

      

                                     

 
5

  
                   

                        
cresc. cresc.
10

             
   
                       
17

                 
ANNA BOLENA. Donizetti.

72.                       


Cantabile

    
                     
                

               
6

 
     3 3

                  
                
   
    
12

  

                                  
     
cresc.  rit. 
18

    
        
     
3 3

      
 3   3

      
3 3 3 3

          
24 3 3
3


                   
           
3



       
29 3

3
   
212

 
                              
ARIETTE.

   
Weber.
Andante con moto

73.
  
                    

          
8

 
       
                                

       
15

                                   

SONG OF THE MERMAIDS. Weber.

   
Andante con moto

74.
 
         
                       


dolce
8

          
                                
     
17

                            

          

26 Rall.


                         
L'AMOR FUNESTO. Donizetti.

          
        
Andante

75.

                          

     

         
espressivo

 
 
7


                   
        
dolce


           
 
 
12


                      
     
3

        
17


accel. avec chaleur.

  
                       

  

            
 
22 Rall.

cresc. dolce
213

               
 
ROMEO.

Bellini.

76.                 
     
Moderato

 
               
                   
5  rit.


a tempo


                                
           
10


 
                           
       
16

                        
ROMEO. Bellini.

         
Andante

 
                                   
77.

   
4 


                       
        
 dim.

  
8


                            
             
12 


                        
      
              
 dim.
15

        
           
FREISCHÜTZ. Weber.

               
Adagio

78.
       
         
                          


  
 
    
7

                         
                     
14
 

           
              
    Fine              
22 cresc. 

                
                     
  
30

D.S. al Fine
214

              
ADIEU.
 
Schubert.

79.     
                          
  
 
Andante


              
                                
   
con espressione.

 
8

             
                                      
   
 cresc.  cresc.  


16

 cresc.  cresc. 

            
                     
EULOGY OF TEARS. Schubert.


   
Andante

80.

                   3               
    
 

      3
6

                                      
3 3

   
12

3 cresc.  3

        
ANNA BOLENA. Donizetti.

                   
Larghetto

81.

   

                    
5

        
                       
     
9 3
3

                                   
   
13

                         
 
3
18 3

  
                       
cresc. 


21

                   
     
 cresc.


         
  
25

 
 3
3
215

     
SERENADE.

     
Schubert.

82.                        
Moderato


3 3 3 3 3

            
     
 
             




7 3

 
3 3

            
     
       
        

    
14 3

 3  

  3      
ERNANI.

             
Verdi.

             
Moderato

83.     
3 3


           3                          
 3 


3 3 3

         
7 Rall. a tempo.


                                                 

         
rit. 3


3 3

 
3 3
14 3

3
3 rall. 3 3
3 3
3
3

  
                        
ERNANI.
       
Verdi.

84.           
Andante

 
3



3 3

            
      
              

       
3 3

        
7 3

  
3
          3 3                    6 
                  
6 3 3 6


3 3

 
13 3 3

 
   
      
                    
3 6


3 6 3
3

         
19 6
6

   
                  
               
   
   
   
3


allarg. 

   
6

  
   
27

6
6 6
  3  con espressione.
allarg.

 
       
"L'ADIEU."

               
Andantino

 
85.

       
             

  
 dolce.

       
6

  cresc.  
                  
216

                  
13

       
    
       

     
20
 cresc. 

     
rall. dim.

                   
ORANGE AND BLUE JIG


      
   
Allegro
86.
     
                       
 
       

  
7

  
        
                     
   
13


                                     
Fine 

 
20


                                   
   
27

D.S. al Fine

                                       
LANCASHIRE CLOG DANCE.

87.           

3 3 3

    
                                            
 3


6


                 
                  
3 3
 3
11

                              
 
          
3 3


3
16
3 3 3

   
                                         Fine 
 
  

  
3 3
20

                             
 
      
3 3 3

    
25 3

                    
                  
 3

     
29 3
3

3 3
D.C. al Fine
3 3
217

            
 
"L'AMOUR."

88.                         

Andante

 
                             
                       
 

 
7

   
            
                              

  
15


           
                    
     
         
  

       
23 ad lib.

     

                              
TRAVIATA.

89.          
Verdi.
Andante mosso.

 
1. 2.

                      
 
 
   
 dolce.

  
11

 
                                                 
 

 

  

21

 

           
TRAVIATA.

         
Verdi.

90.                          
Allegro brillante

     
  
     
 
                                       

   

7

 
3

  
                     
     
              

       



15

    

                                               

      


22 3

                

     
RIGOLETTO.

Verdi.

     
Allegretto

91.

       
                
 
     

    



9



   

          a tempo.
                
      
218

      
19

       
                           
  3  3

   
    
28

3 3 3  Con forza.
3 3

      
RIGOLETTO. Verdi.

     
       

          
Allegro

92.

                              
      

       
3 3
6

                          
3 3

         
3 3 Con forza.


13

                           
3

          
3
20

  3
3 rit.
3 33

               
IL TROVATORE. Verdi.

           
Largo

93.
   3
              
           


3


3 3

      3
5

  3
 
                       
            
3

 
3 3
9 Rall.

 cresc.
          
                               
3 3
13 3 3
3

 3  3
a tempo

  3  3 
  3            
                     
         


3 3


 
6

 
17 3 3

 
a tempo

  3 
         3           
3 3 3

  
3 3 3 3

 
3


        
3

   
3

    3
21


3 3

                          
3 3 3 3 3

         
6

       
24

  

 
3 3
219

      
IL TROVATORE. Verdi.

94.                                

Andante

         

                       
                          
 3
4

    
         
   
      
                        

3 3 3


8 3 3 3 3

         
                3

     
3 3

         

    
      
13 3

3 3  3
3

              
IL TROVATORE. Verdi.

               
    
Allegro

95.

                                  

        
9

   
                           
   
19

                     
                         
29 

 

 
   
IL TROVATORE.

Verdi.

96.                       
              
Adagio Con espress. 3


3  
3    
         


                             
3
7

 
3 3 3

   
        
                             
3
12


3 6

   3


                
               
3 3

       3   
Rall. 3 3
17


      
                     
       
3 3 3 3 3 3
3

  
3 3

          
3 6 6 6


21

  
 
220

                   
IL TROVATORE.

         
Verdi.

  
Allegro

 

97.

            
     
                   

   
9 agitato


                 
                        

19


     
                
                         

27 a tempo


   

                   
IL TROVATORE.

Verdi.

98.            
         
Allegretto

   
 
        
                                
11 

  
               
                       

21

 
            
                             

  


32

  
               
                       
 
44


 cresc.

                     
IL TROVATORE. Verdi.

99.   
   
                     
Allegro brillante

  
                 
                               
      
7 

 
                     

     
                       
13

 
                    
         
                             

  
19

  
                                       
  

               
    
27 

 
221

 
             
IL TROVATORE.

Verdi.

100.                    
  
   
Allegretto moderato

 
a tempo.

       
                    


           
       
rit.

 
6

   
    
                 
                         
13 a tempo.

   
O SALUTARIS.
  
Mozart.

101.                                

Adagio


        
                                    

   

 
5

  
                                            


cresc. 
11

  dim.

  
"MACBETH."

                 
Verdi.


        
Allegro maestoso

102.
  
   
            
 cresc.

                  
6

    
            
    
    
11

  
 avec élan  
                         

                 
 
16


                         
  

         
         
21

 
  
                      
          
26
222

                  
LE PORTE ETENDARD. Lindpaintner.

103.      
      
     
   
Maestoso

      
  

    
       
                        



7


 
     
   
                                           
13

 

 Andantino
            
SERENADE. Grètry.

104.   
                
 
             

                          
12


              
            
cresc.

       
25

  
       

              
   
37




cresc. 

               
THE TEAR.
 
Kücken.

105.                      
Andante molto espressivo

       
                         

     
    

             
  
5

  
                     
                   
    
10

 
                      
 dim.

  
            

15

  
       
 2 2 2

                 
dolce.


19

dim. rit. dolce.


223

   
MELODY.

   
Mendelssohn.

             
Andantino


106.

                               

      
      
5

   
                
 
                      

13 Rit.

 
 

                   
LA PARISINA Donizetti.

107.      
Andante

      
           
           
 dolce

     
 
10

 

         Rall. a tempo
           
    
   
21

 
                            
        
32

 


              
NORMA.

  
Bellini.

             
Allegretto moderato

108.  

 

                                     
6


Lento   
                                           
12

               
                           
18


    
              

22

 3
3
224

        
DAUGHTER OF THE REGIMENT.

        
Donizetti.

       
Andante con moto

109.

                         
  

5

             

     
     
        
9

                    
                   
13


  
   
                                 
18

              
NEAPOLITAN SONG.

110.                            
Andante animato

  
    
                         

            

       ten.     
8 men.

                     3       
                  
   
17

 

        
 
LA SOMNAMBULA. Bellini.

            
              
Andante 3

111.

               
                    
5
 


3

 
      
                           
3


3 3 3


10


3
3

                                    
   

      

16 3


3

 
               
                         

 
23
225

           
CAPULETTI.
      
Bellini.

112.                        
Allegro maestoso


      
                        
          
7 


         
 
                     
     

13

 Andantino                          
DOPO DUE LUSTRI.

Mercadante.

 
113.         
  
 
                        
7  3
3
3
3

 

     


      
cresc. 

               
6


12

 6 6
6

IL CROCIATO.
         
Meyerbeer.

 
Andante

114.   
                  
      
quasi Allegretto 

     
                              
7 dolce

 
        
                              
Fine

   


cresc.


14


        
                           
19 molto 

 D.S. al Fine

   
                          
EURYANTHE.
 
Weber.

115.         
Andante con moto

    
             
                


7

                                  
      

15


226

             
ABSENCE. Beethoven.

116.                      
   
Andantino

  
      

                  
       
       
7 Rall. a tempo

       
                             


13 Rall.

 
                                   
THE CAPTIVE.

    
Kücken.
Lento con dolore 3

117.

     
                

 
      
            
7 3

  
                    
              
15

                       
con espressione



         
25

   
  
OTELLO.
              
Rossini.

     
   
Moderato

118.
   
        
               
 dim.

 
  

     
6



            
 
 dim. 3

                       
6

  
 

11

                      
6 cresc.

           
16

dim. 

                  

        
         
21 6
3 3 3 3

 dim.
3
227

          
SEMIRAMIDE.
            
Rossini.

  
           
Allegro

119.
  
     
          
                          
5

  
                                
 
10

 
                       
           
15

 

                            
   
18

            
L'ELISIRE D'AMORE.
  
Donizetti.

120.              
   
Andante

                                   

   
5

              
                


11


                     
     
       
16

                             
     


21


                                        

    
26

          
               
FREISCHÜTZ.

Weber.

121.         
Allegro moderato

 
                             
        

  


6

 

       
              
228

     
11

            
               
    

         
17

          
       
  
 

             

    
23

   
 Allegro            

IL TROVATORE.

Verdi.

                 
122.
               
 
 
                   
               

                        
6

      a tempo       


                                    
   
11


 
                                   
rit. 

   
16

    
          
3 3 3 3

                 
             
cresc.

 
a tempo
20

3 3 3 3

 
THE MAGIC FLUTE.
    
Mozart.

123.                 
Allegretto

 
      

 Rall.
                      

   
6
poco.

    
                              
12


  
                           
17
a tempo.

     
                      

    
22


229

   
     
NIOBÉ. Pacini.

                                  
Allegretto

124.
 
    
                           
 mineur.

   
6 cresc. 

 
 
                
                   
cresc.

      
11 mineur

   
 
          
                                     
     
 

  
17

 
           
                 

                   
24

 
 
                          
             
cresc. cresc.

  
29

      3  3  3                
   


      

     
3 ad lib.


36

 3
3

  
SWISS SONG.

                       
           
Moderato

    
       
125.

          
                           
8 

 


   
DON JUAN. Mozart.

126.                 
    
Andante


   
                        


6

         
                  
          
Fine
11

 

                           
16

D.C. al Fine
230

               
AUSTRIAN HYMN.

127.               
  
Maestoso

 
          
       
       

        
7

 

                     
                 
    


14

   
LA SOMNAMBULE.

        
Bellini.

                 
 
Allegro

     
   
128.

                                       
5

  
3


3

       
                                            
 

    
10


3


          
                             
16  3

                                                     


20

  

       
LA PARISINA ROMANZA. Donizetti.

        

                
Moderato

129.

                          

 
3


6 3

         
                            

    
    
3 3
11

               
          
             
16
3

              
             
                     
22 3 3

        

  
     
   
 
29


3 3 3


3
231

   
                                
LA SOMNAMBULE. Bellini.
Allegro moderato 3

 
          
130.

      
                  
 
5 

                            
  
10




                           
   
cresc.

 
14

cresc. 

        
J'AIMERAI TOUTE MA VIE.

Dalairac.

131.                         
Andantino


        
                             
6 

              
    

          
 

         
12

             Rall.
                      
cresc.  
20


  
 
dim.

                                   
NAPOLITAN SONG.

132.     Rit.  
Allegretto

 

    
        
           Rit.        ten.       a tempo


 

   
7

      
                       
      

         
Rit.

 
14 a tempo

               
   Rit.      
     

   
22

  

    
           
ANDANTE FROM "A MAJOR" SYMPHONY.
  
Mendelssohn.

133.         
Adagio

 
               
                    
8   

cresc.
cresc.
 
    
232

                           

 
17

                            
    

           

 
24

dim.  cresc.  

   
THE ALPINE HORN.


Proch.


134.                          
   
Andante

    
        3    
                               
8  con espressione

  3     
                            

       
16  cresc.  3

             3

         
           

 
24

           
              
 
32 

   
                                          
39 3 3 6
3

3  
3

                                 Verdi
TRAVIATA. Verdi.


    
Allegretto con grazia


135.


    
                               
 

 
10

       
 
              

          
 

   
20

   
 a tempo.

                            
 

   
31 

                                
  

  
Rit.


41


             
          

             
51

 
233

IN MIA MAN ALFIN TU SEI.

                
            
  
Andante

 
3

136.

                         
  


         
     
 
7

 
                                  

      
14


         
          

             

           
   
20

  

                                                
    
27

                                       
         
33 accel.

   
 
          
                     

        
39 3

IL RIVAL SALVAR TU DEI.

                        
Lento

137.
   


                                     

5

 
        

                           
10


                                    
15



  
                           
 
20

     
                                    
25 3 3

3 3 3
234


 
THOU ART SO NEAR, AND YET SO FAR.

       
Rechardt.

                 

Moderato

138.
 
  
       
                 

 
6


       
            

12

       
                      
   



  
18 con espressione


Più animato

                                  
 

    
 
23


                      

       
Rit.

   

28
a tempo Più meno

      
            
 

  
34

          
WHEN THE QUIET MOON IS BEAMING.

  
 
Schondorf.

          
              
Moderato

139.
   
                                       

           
6

 
      

                                       
 
12

   
                                  

        
dim.

       
18

 
              
cresc.

                            
cresc. 

     
 
24 con passione

  
lento

     
        
                                 

 
30 appassione cresc.


235

                  
CAVATINA FROM "THE HUGUENOTS."

140.                     
Andantino

 3    
    


                               

        
6 3


              

 
                                     
11 3 3

 
 
        
  

                          
cresc.

             
16 3
3

   
                                
              
3
19 3
3


    
                       a tempo        
              
3

      
21 Rall.


 
                                            
3

  
3

 
3

   
3 3


25

 
                          
    


       


29 
  
  
cresc. ad lib.

            
BESSONIAN POLKA.

141.                  

  
                 

 
3 3 3 3

Tutti 



      
                           

     
3 3 3

     
 3

   
6 3

                1.           
3  

     
3 3

           
13 2.

                  

                
                 
19 Solo


3 3 3 3

        
       
                       

 3 3 3 3


To Coda

 
24
Tutti


solo      
   

            

                    
    
3


 3 3
3 3 

 3 3 3
                          
236


       
 
37 3 Tutti
3

                        
              

  

45
1. 2. Solo

        
                                  
3 3 3 3 3 3


3 3
51 3  3 3

          
 
   
            
                                          
3 3 3 3 3 3 3
D.S. al Coda


3 3 3 3
57  Coda. 3

   
3

 3 3 3 3 

    
         
STAR OF PARIS POLKA.

       
3
      
3
          3

142.

  1.      3 3 3  2.                
  

                    
3 3
6


3

                                
         
3 3 3 3
3

 
11 Tutti


         3 
                                
20 
Solo 3 3 3 3

              
                      
27
3 3 3

          Tutti
                          
 3 3


32

Fine  
3
Solo

           
         
                 
  
3 3 3

 
37 3 
3

                                 
         
 3

    
43 Tutti

        
                       
   
       
3 3 

 
49 3

 
                                 
       
59
Solo

                                   

 3

     
3

 
66

3 3 3 D.S. al Fine
237

                 3    
CAVATINA FROM "ERNANI" Verdi.


    
      
Andantino
 
3
3

 
                          
143.

         
      

 
76 3
3 3

            
                    

3

      
3 6

  3
81
3 3


                                   

3  3

3 3

   
86 3


      
3 3 3

       
3 3 6

   
6

  
dim.  3

    
6
90

       
  
               
  
6 6

       
6
95

    
  
           
     
       
3 3 6


6 6

  
   
6

 
99



           
         
3

               
Allegro

     
3 3

  
  
    
                         
       
  3 


3
6

             3   
3 3 3

                
3 3 3

    
3


10
3 3

             
        
                   
3
14
3 3

         

                    
  3  
18

 
 
                                    
 
dolce

   
3

 
22 3 3 3


 
                                                    
3 3 3 3
3


3
26

     
      
                       
3 3 3 3 3 3 3 3 3 3 3
31 3

3
3
3
3 
238

THE PILGRIM OF LOVE.

                    
144.        
Andante moderato

             
                 
6 


 a tempo 
                    
   

       

  
11 Rall.

   
                           


                       
 


Var. I.

                                

       
4

 
                                  
     
7


                             
    
             
10

                                        
             
13


      3    

                    
  
Var. II. 3 3 3 3

                   
       
3 3 3 3 3 3 3


3 3 3
5 3


3 3

                  
       
    
3 3 3

        
3 3 3 3 3 3

 
9 3

                   


3 3 3 3 3 3 3

    
3


3 3 3 3 3
13 3 3


3

                            
  
       
3 3 3 3 3 3


3 3 3
17 3 3 3


      
                 
  
3 3 3 3 3 3 3 3
21  3
3 3 3 3 3
3 Lento


      
                
        


26 3 3 3 3 3 3 3 3
Rall.

                              
        
32 Vivace


3 3

 3
3
3
3
239


"DEAR LITTLE HEART."

          
          
Moderato

     
  

145.

        ad lib.
   

 
  
  
    
5

  





     

    
10

    
 
   

                                      
    
Theme.

                         
  
 con espress.

  
      
 
9


   
                            
cresc.


Var. I.

          
                     


5

                 
    
       


9




   3 
                                         

3 3 3


Var. II. 3 3

  
                              
3 3 3
 3 3

 
5 3 3

 
3 3 3 3

                                
3 3

  
3 3

       
3 3 3


3

  
3


9

   
 3 3 3 3
3 

   
            
3

              
3 3

 
Var. III.

 
 
                                                    
4 

         
  
          
             
      
        
        
8


                             

             
12 Più mosso


240

                   
"HOME SWEET HOME."

146.                   
Allegro moderato

 


                    

 
  


Andante


3

 
  
  
   
                
      
             
       


7

                     

           
              
17 Lento a tempo

                       
 

             
Var. I

   
      
             


                       
       
5

   
   
                                    
  
10

    
 
                                         
16 a tempo
Lento

 
       

        


 


3 3
3 3 3

      
Var. II 3 3 3 3

  
                            
 3 3


3
4 3 3 3 3


3 3


3

   
         
3 3
3 3 3
7 3 3 3 3 3

    3 
3 3 3 3

        
                           
3 3 3 3
11 3 3 3 3 3
3 3 3

          
                      
3 3 3 3 3 3
15 3 3 3 3
3 3 Lento a tempo

   
                          
  3 3
3


22 3 3 3 3 3 3 3 3 3

   
3 3

                                 
3 

   
3


26 3 3 3 3 3 3

3
3 3
241

"KEEL ROW."

                        
Tempo di Marcia

147.

         


                    
  
8

                                         

 
Var. I.

         
                                  
22

               

                        
27

  
         
  

                     
Var. II. 3 3 3 3 3 3 3 3 3

        

                        
6 3 3 3
3 3

           
  

 
3



3

      
3

     
11 3 3
3 3 3

                       
3 3

         
3 3

 
Var. III.

     
          
    

    
              
    
5

                      

              
9

            
 
             

               
13

                                              
Var. IV. Tempo di Schott
3 3

  
 3 3


                
                   
5 3 3 3
3 3
       
242


                      
        
3 3 3
3

                         
       
 3 3 3

  
5 3 3 1. 3
3


2.
                                        

3

  
9

3 3 3 3 3 3 3 3

           
"BLUE BELLS OF SCOTLAND."

  
         

Moderato

148.

                         
  

  
8

    
     
            

        

              
Var. I.

        
                 

    
         
5

            

                       
9

       
 
                       
         
13

                     
     
3 3 3

  
Var. II. 3 3 3

            
                   
3 3 3


 3

  
3 3
4 3 3
3 3

                            
3 3 3


3 3 3
7 3 3 3 3


3 3 3 3

                    3  
              
3
10 3 3

                          
3 3 3 3

      
3 rall.

    
3 3

 
13 a tempo 3 3 3 3
3 3

3 3
3 3 3 3
                           
243

  
Var. III.

               
      

 
4

               
                        
7

                                 
      
10

                                 
  
13


                
Più mosso
 

                 
    
16 Cad. 

     

                              
     


19

    
                            
22

 
                          
YANKEE DOODLE.

   
Allegretto

149.

     

           
                 
8


                       
  

         
16

            
                    
   
Var. I.

                   

          
5


  
244


                       
     

10

    
                     
       
15


                        
             
20


    
 
       
3 3 3
Var. II.

        


  
3 3 3

  
3 3 3 3 3 3
4 3 3

 
3 3 3

    
3 3

   
3 3 3 3 3 3 3

    
8 3 3 3 3

      
3 3 3 3
3 3

      
3

        
 
3

    
12 3 3 3 3

    
3 3 3
3 3


  
3

         
3
3 3 3 3 3 3 3
16 3 3

           
                     
    
3 3 3

 
3 3 3
20 3

                      
3 3 3 3

    
3 3

  
        
3 3 3 3 3 3 3
24
3 3 3

         
                      

3 3 3

       


3 3 3 3 3 3 3 3
29

  
3 3 3

3 3 3 3 3
3 3 3 3 3 3

GOD SAVE THE QUEEN.

                                  
        
America.

  
Moderato

150.

                                      
 

     
12


                
245

 
                  
3 3


Var. I.

        

            
3 3 3 3

      
3 3
3 3

      
5 3 3 3 3

3                          
  
3 3

    
3 3


9 33 3

 3        3     
  
     
3 3 3

   
3 3 3 3 3

 
13 3 3


3


                                 3     


3 3 3 3 3 3 3 3


18 3 3

             
3 3 3 3 3 3 3

 
3 3 3

         
3
Var. II.

             


      

 
5


                
   
9

              


         
    
13

        


     
18


    
 
   
                 
                               
Vivace


Var. III.



         
    
   
 
                                    

5

                 


          
                                     
9

       


                      
      
                
13

         


    
        
                
    
   
17 

     



                                  
     
           
20
246

Sixty-eight Duets
for


TWO CORNETS.

           
    
"SACRED SONG." Portniansky.

      
     
Moderato

    
            

       
1.


            

                      
13

      

                          

  


   
                         
"RUSSIAN HYMN."

 
Maestoso 1. 2.

      

            

   
2.

     



      
 
  

  
               
10
1. 2.


      

       
              
  


       
     
"CRADLE SONG."

       
C. M. v. Weber.

 
Andante

                   
3. 

   

247

            
        
9


     
                


                
"MELODY."

             
Moderato

   
                         

4. Fine


                   
       
9

  
                            
 D.C. al Fine


  
                   
"MELODY."
Moderato

 
                     
5.  


           
             
7

  
                        


        
                
"MELODY." Saverio.
Moderato

 
 
                      
6. 


                 
            
9

   
                           


248

      
"ADESTE FIDELES."

           
Andantino

 
 
             
         
7.  con espress.


           
              
6

    
                
       
 

 


                             
13


      
                     
dolce cresc.  dim.


       
"GOD SAVE THE QUEEN."

                   
(or AMERICA.)
Andante

   
   
                
8. 

  


                   
 
  
 
8

  
       

                  
 


 Allegretto poco Andante    
"AIR BY MOZART."

                      
  
  
                       
9.  con eleganza

 


                
      
    
          
4


 
         
                 

      
249

                   
 
   
               


               
 
                 

5

 

                              
  


     
"AIR BY GRETRY."

                 
Andante moderato un poco allegretto

   

      
   
10. 

               


   
  
       
        
5

 
       
   
Fine

       



                            
 
11


  

                       
D.C. al Fine

       


 
"NOEL ANCIEN."

                          
Moderato

  
        
       
 semplice

  
11.

    

     
                   
250

     
10

 

     
                  
     


   
   
                     

21

  

                    
           


           
"AIR BY BEETHOVEN."

                    
 
Andante con moto

     
    
                   
12.  con eleganza




                         
        
 
    
  
   
                                      
cresc. dim.



"ARABIAN SONG."


                            
Allegro moderato

  
                        
13. 


                
    
8

            
          
      

  



                       
17

    
                      
    
3
251


"SERENADE." Grety.

 Andantino     
             


 

              
14.  dolce

     


         
            
      
10

  
     

cresc.

           


        
         

     
     
21

   
    
                 


 
"LA ROMANESCA."

                                      
Allegretto


 
          
         
15. 


  
  

            
          

     
12


     
         

    


     
ROMANCE FROM "JOSEPH."


Mehul.

                   
Andante moderato

 
 
              
         

 con espress.


16.

    
252

                          
5

 
   
                      
       

cresc.


  
   
                       
10


     
    
               


  
                    
     
15

 
 
          
    
  
 
    


          
"ROMANCE." De Gouy.


                 

Andante sostenuto

    
      
                              
17. 


                                 
  
5

  
  
                        
Fine




           
              
  

9

 
     
                          





                               
 
13

 
           Rall.
                            
D.C. al Fine

253

      
"NOEL ANCIEN."

 
      
           
   
Allegretto


    
                     

     
18.


        
                     
6

 

                           

   


          
    
     
         
12

    
 
      
                    


  


     
"MARCH." De Gouy.

   
                         
Con energia

    
  
        
                
        
      
19. 


          
      
       
               
10


    
 
                
  
                  


                         
   

17

   
                
               


  

                           

23

 
                                
 

254

   
 
"SONG OF MASTER ADAM."

                               

Allegro moderato

      
            
      
20. 

     


            
   


 
               
9

     
                          


     

   


   
               
"LE SOUVENIR."

        
Andantino con moto

     cresc.
                       
21. Rit.




    
                           
10

    dim. 
                        
 cresc. 

 


                   
"RICHARD OF THE LION HEART." Grety.

           
Andante Gretry

   con gusto
                    
22.


        
                               

10

    
                          
     
Delicatamente.


         
                
              

17

  


                        
           
255


                   
"THE TWO SAVOYARDS."

             
Allegro maestoso

  
     
     

 

 

 

 

   
23.

    


    
            
1 2

                 
  
9

 
                 
     


           
             

     
  
17

 
            
     


 
"SILENT SORROW."

   
Webbe.

             
Andante

 

   
  
  
       
24.  

     


               

            
8


       
                      
 Rall.  a tempo.

    


            
         
     
19

  
  
                     


  
   
                        

29


     
                              
dim.


Rall.



256

      
"MELODY."

                       
Allegro moderato
 

     
                      

 
25.

   


      
      
           
7

  
                      


            
                
13



         
              

     


          

                
19

    
                             


                   
                 
"THE LION HUNT." Saverio.

               
Allegretto

               
                   
               
26.


                             
          
  
9

   
          
                    

      


                                    
             
18


       
      
                        


257

        
  
"L'ELISIRE D'AMORE."

     
Donizetti.

   

     
Lento

 
   
                    

 
27.


                
                   
  
7

   
 
                       


            
                        
14

      
             

            



"I WOULD THAT MY LOVE."


                        
Mendelssohn.

           
Moderato


 
                                     
28. 


              
                            

6

    cresc.   
               
 
                                   
 


          
                          
13

  
          
                     
 

  

    

258

  
             
"PRAYER TO THE VIRGIN."

   
Saverio.

          
Allegro moderato


          
         
29. 


                                       
   
7


   
             


                                   

13

     
                       


                                         
     
21

           
                       


       
          
"SPANISH ROYAL MARCH."

    
      
 
      
   
  

        
30.

        


                           
          
12


  
               
            

         


      
                              
           
23

 
    
                               
   

            

259

        
"MARCH OF TWO MISERS."

                       
         
Moderato


   

   
     
                    
31.

   


         
                        
      
9

   
                                        


        
                               
 
17

   
                                  
     


 Allegro moderato
"MELODY."

                                     
  
                        
32.

 


                        

 
   
6


                

   


            
                      
12


               
     


                 
                  
 
19

 
      
            
             

          
260

           
                    
25

 
                          
     


  
      
"COUNTRY WEDDING."

              
              


Allegro vivo

         
                                    
33.  


         
                
   

9

         
                                      
 


 
               

                       
 
18

            
                                


  
"BIVOUAC SONG."

                            
    
Allegro

 

                                      
34.


          
                                  

     
12

     
   
                                             


      
     
              
                 
  
25


1. 2.

          
                     

                 
Fine

  

261

                         
"BIRTHDAY FESTIVAL."

        
Moderato


        
    


35. cresc.

   


 
                            
9

 
   
                             
(cresc.)    

 


   
                 
"MELODY."

             
Allegretto


   
        

         

   
36. 

 


                 
   

     

      
6

  
    

      
             
         


    
"GERMAN SONG."

                                
Kücken.
Allegretto

                       


37. 


       
            
    
      
 
10


 
                                 


262

                   
"RICHARD OF THE LION HEART." Gretry.

                    
Andante cantabile

        
   a tempo.
      
         
                                
38.  dolce

 
Poco Rit.


                                   
    
    
9

   
      
                                       


                  
                    
17

 
    
          
         
   
   
     

  


              
 Allegretto moderato                 
"MARCH." De Gouy.

          

   
   

    
                         
          
39.

  


   

                                           
    
7


      
  
                              
 
   

     


  

                                      
                
13


          
                      
 


             
                           

             
       
18

   
                        

      

263

      
"TIC E TIC E TOC."

           
           
 
Tempo di Valse

   
    

                          
40. 


          
                  
 
10

 
    

                  
Fine

  



  

               1.        


19
2.

  
                          
   
D.C. al Fine

 


       
           
"CARNIVAL OF VENICE."

 
                   

Allegro moderato

     
            
                                    


41. 


                  
            
                  
   
             


                

    
     
                           

17

      
        
      
                           




           
             

"NEL COR PIU." Paesiello.

      
Andante

   
    
         
                  
42.  dolce e espress.

 

               
264

     
              
 
7

    
    
                     
   

  


             

      
 
          
14

   
      
                                      


              
"BOLERO."
 
De Gouy.

  
       
  
     
 
 
Lightly.


                            

43. cresc.


    


              
 
            
5

                      

  
 


  
                              
9 legato.

 
                              

   
 cresc.


  

                   
               
14


                                       
 
(cresc.) 


    
        


                         
    
19

    
                                              
cresc.  cresc.  cresc. 

 

265

                       
"NORMA." Bellini.

     
Marcia


     
   
 
     
         
44. 


             
  
         
  
6


  
                          



                              
   
11

      
                          


                       
   
  
16


   
    
                        


  
"MELODY."

                       
Andantino

    
              
     
45.

   


       
                 
6

   
   

          
   

       


        
              
11

 
    
                
       

266

                  
Andante sostenuto
"LAST ROSE OF SUMMER."

 
                 
  
            
46. 

  


             
         
         
    
6

     
                   

    


           
     
              
12

     

            
   


                       
"EVENING PRAYER."


Saverio.

      
Andante

 

                               
47.  Grazioso


 
      
      
                

6

                     
        



  
                                     


12


                        
     


                         
  
           
19

                               

267


                    
CAVATINA FROM "SOMNAMBULA." Bellini.

      
Andante moderato

 
 
           
48. 


                 
  

  
5

                                


    3   3 

                             
     3
9

   
                                 
3 3 3
3


                           
                          
14

 

      
                           
  


 Andante            
"AUSTRIAN NATIONAL HYMN." Haydn.

                    
   
      
                     

49.

    


                        
         
  
   
8


       
 
                         


                        
               
 
15

    
               
           

268

       
"FREISCHÜTZ."

             
Weber.

       
Allegro moderato

  
  Con espress.      
                      
50.


    
               
                       
7

 
      
                       
 poco ritard. a tempo.

      
cresc.

       




                  
      
             
 
14

      
                     
                


  
FRENCH AIR.
      
                       
Allegretto

   
   
       
51. 

  


 
    
                                    
5

                                         

     


 
                                        
11


                 
                
 


                       
    
17


 
               
      

269

           
   
"BURNING FEVER." Gretry.


      
Andante assai

    
                         
 
52.  dolce e con espress.


                      
   
13

 
                                     
con molto dolce.


               

        

27

    
                           
               


                        
"L'ELISIRE D'AMORE."


Donizetti.


                 
Allegretto

   Fine
          
 
                               
      
53. 


           
  
                                  
9


  
         
                
            




                  

                         
   
18

      
                                     

  


         
                  
 
 
27

  
                             
       
D.C. al Fine

270

                
 
   
AIR FROM "SOMNAMBULA."

 
Bellini.

   
Allegro moderato

 
                            
          
54.


 
                                
            
 
6


                                       


  
               
   
         
   

     

Rall.
12


       
                  


                  
"WIND AND WAVE."

       
Andante

   
                     
 
55.  


               
        
7

         
              
 


                                       

 
14

 
                                     
    


         
                  

   
22

       

             
       
    dim.

  
271


   
"TYROLIOENNE."

        
 
   
        
Moderato

  

       
       
56. 


         
                
  
6

  
  
        

    


      
            
       

11

 
 
           
        


               
"ITALIAN AIR."

           
Andante


 
              
          
57. 


                    
 

   
6


  
        
     
     


          
                       
11

  
    
                 
   
             


                      
  
16

 
   
                    
    


272

        
"ALPINE HORN."

        
Proch.

   
     
Andante 

  
                  
  
58.  con espressione.

 


                 
         
6

   
              
Fine 

  
 



            
               
11 

 
                         
cresc.

 
D.S. al Fine


            
"THE HERMIT."

   
Lambert.

       
  
       
59. 

 


 
                        
  
   
5

 

      
              
  
           



           

   
   
   

10


 
    
 
                    
      
  


                           
    
15



                                         
    

273

        
"FREISCHÜTZ." Weber.

                
 
Poco Andantino


                   

 
60. 

        


                  
      

5



                         



          

             
9


                            

      


                      
           
 
13


  
              
  

       
 

   


                 
                
18

      
                   

   


                   
       
23


  
            
            
  


                      
   
 
28

    
           
         

274

                
WALTZ: "FLOWER OF DAMASCUS."

              

Waltz.

 
                       
       
61. 



                   
              
9

    
 
                                

 


                     
 
                      
19

                       


           
        
      
       
       
26

                     


                       
               
    
32

                         
                 


                       
 
              
42

                    

     

   
 


                 
         
 
    
         
52

   
               
        
cresc.

275

    
"WALTZ FROM PURITANI."

       
Bellini.

       
 
                      
 
62. 


             
               
8

           
                 


                
              
17


                       



                         
25


                    


  
                          
32


   
              
      

   


   
                       
42


   
             
    
   


    
                          
51

  
                      


276

   
PRAYER from "MOSES."

     
Rossini.

              
Andantino

 

                

 
63.

           
3 3


3 3 3 3



3 3 3 3 3 3


    
                    

4

 

                                      


33

    
3 3 3 3 3 3 3

   
3 3 3 3 3 3 3


3

  
                       
   
8


        

  


3 3

 
3 3 3 3 3 3 3 3 3 3 3 3 3 3

   
                       
    
12


3

               


   
3 3 3 3 3 3 3 3

   
3 3 3 3 3 3 3 3


                           

16

 



cresc.

                 
6

      
6

                    
3


3 3 3 3 3 3 3 3


     
    
             
20

3

          


     
       
3 3 3 3 3 3 3 3 3 3 3 3 3
3


3

     
            
   
    
24 3


 
         
Rit.
3 3 3 3 3
3 3 3 3 3 3 3

  

277

           
         
"SIÈGE OF ROCHELLE." Balfe.

     
Moderato

  
                

64. 

      
dolce



                        
                  

6



           
                         
 


                         
                        

13

  

                                        
    


   
                                           
 
       
18

 
         

                                   
  


                         
                   
25


          
            
                    


             Rall.
     Più mosso             
    
33

   
                                
 
3 3


3 3


                                     

 
40

  
                                    
   

278

       
"HAIL! STAR OF MARY." Proch.

                     
Andante

   
 

             
65.

 


 
  
             
      
6




  

    
           
  

        


   
                    
11


  
           
      


       
        
  
15

   
                       


       
              
  
20

    
    
          
   


     
    

 
    
 
25

 

       
              

279

  
      
"THE TWO FRIENDS."

  
Laurent.

                 
 
Polka Mazurka.

 
                    
   
66. 

 


         
                       
6

 
                      


     
 
   
                   
 
11

 
           
    


    
                         
           
17

 
               
    

   


 
                               
     
23

 
 

                         
Rall. a tempo


   3  
           
                    
29


 
          

       
3

  
Fine

 


  
                           
280

      
35 3 3


3


3

            
3

 
3 3 3 D.C. al Fine

   
 
3 3



                        
"MARTHA." Flotow.


 
Larghetto

         
                   
         
67. 

  


 
               
           
      
11

  
              
      

       
cresc.

     
 


         

   
         



        
 
23

  
         
   


       
cresc.

                


                    

      
Allegro



                                      


      
                               
 
9

           
       
               

         

           
281

                   
Larghetto

  
  

                   

   


                 
                 
   
5


                      
             

   



        
    

     
    
  
            
11 a tempo

       
 
ad lib.

                   

 
  


                
THE FOX HUNTERS.


           
Allegro


3 3

  
                 
 3


68.

 


3 3 3

                         

5


3 3

  
            

   

   


3 3

 3

                    
       
11 Rall.

                       
 3 3

                        
282

            
    
16 3
3 3 3 3 3

 

                            
 

  
3 3
a tempo


3

3 3 3


3

         3                  3    3  
            
21 3 3
3 3 3 3 3



                                   

3 3 3 3 3 3

3 3 3 3


       
             
27


     
       



                
31 Più mosso


        

       


                                

                       
36

          

   
        
                         

     


         
      
41



     
           

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