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Sanskrit UG Curriculum Update

1) The document outlines the restructured syllabus for undergraduate Sanskrit courses offered by Kannur University. 2) Four common courses are offered in the first four semesters of BA/BSc programs, focusing on poetry, drama, prose, and Sanskrit culture. Two common courses are offered for commerce programs in the first two semesters. 3) The core Sanskrit program consists of 14 courses covering topics like grammar, literature, philosophy, and informatics. There are also four complimentary courses and two open courses on the Bhagavad Gita and herbal science.

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Raheem Kodasseri
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0% found this document useful (0 votes)
446 views117 pages

Sanskrit UG Curriculum Update

1) The document outlines the restructured syllabus for undergraduate Sanskrit courses offered by Kannur University. 2) Four common courses are offered in the first four semesters of BA/BSc programs, focusing on poetry, drama, prose, and Sanskrit culture. Two common courses are offered for commerce programs in the first two semesters. 3) The core Sanskrit program consists of 14 courses covering topics like grammar, literature, philosophy, and informatics. There are also four complimentary courses and two open courses on the Bhagavad Gita and herbal science.

Uploaded by

Raheem Kodasseri
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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KANNUR UNIVERSITY

RESTRUCTURED CURRICULUM
FOR
UNDERGRADUATE COURSES

OFFERED BY THE BOARD OF STUDIES IN SANSKRIT (CD)

2009 ADMISSION ONWARDS

(PREPARED AS PER THE REGULATION OF KANNUR UNIVERSITY


&
DIRECTIONS OF KERALA HIGHER EDUCATION COUNCIL)

```````````

1
PREFACE
The new revised syllabus is prepared as part of the involvement of restructuring Undergaduate Courses taken up
by the Kerala State Higher Education Council in conformity with the National Educational Policy of
University Grants Commission. In this connection the restructuring of Sanskrit syllabus bears an objective for
preserving India’s age old cultural legacy and wisdom in the light of modern global views and trends. The
revised syllabus of Sanskrit renders a flexible pattern of Choice Based Course Credit Semester System and will
be in the nature of continuous assessment. The syllabus and curriculum are mainly student centred. The
syllabus is designed in such a way that proper motivation is given in the pursuit of knowledge and culture. At
the same time, ability to comprehensive skill, language proficiency, creative writing skill and literary taste
constitute its aim. The Open Course is designed in such a way so as to utilize the valuable ethno-wisdom
especially in the field of plant science and herbal wisdom as seen in Sanskrit language which will be an asset in
public health. In another field of Open Course, the syllabus is designed to equip the students to face the
challenges confronting in their life and enhance their social commitment. In short, the restructuring of the
course is meant as the realization of the following aims:

Character is formed, strength of mind is increased and by which the students can stand on one’s own legs and
become an asset to the nation. Hence the thrust area of the new syllabus is as follows:

The syllabus offers four (4) Common Courses, one each in the first four semesters B.A./B.Sc. Programme and
two (2) Common Course, one each in the first two semesters of B.Com. and other Programme under L.R.P. As
for Sanskrit UG Programme, fourteen (14) Core Courses, four (4) Complimentary Courses and two (2) Open
Courses are offered. The Open Courses are intended for the students of other UG Programme.

Here I extend my sincere thanks to the members of the Board of Studies, all the participants of the workshop
and those who have given me support and valuable suggestions to complete the syllabus in time.

S/d

Dr. S. Sasikumari
Chairperson
Board of Studies – Sanskrit (CD)
Kannur University

2
BOARD OF STUDIES – SANSKRIT (CD)

Chairperson

Dr. S. Sasikumari
Lecturer (Sr. Scale) in Sanskrit
K.M.M. Govt. Women’s College
Kannur
Email: sasikumaris@hotmail.com

Members

1. Sreelatha K. 6. Dr. M. Sathyan


Lecturer (Sl.Grade) in Sanskrit Lecturer in Sanskrit
S.N. College Govt. Sanskrit College
Kannur Pattambi

2. Dr. E. Jayan 7. Anitha Kallyadan


Lecturer (Sl.Grade) in Sanskrit Lecturer in Sanskrit
V.T. B. College Govt. Brennen College
Sreekrishnapuram Thalassery
Palghat

3. Dr. P. Manoharan 8. K. Ananda Krishnan


Reader (Rtd.) Lecturer in Sanskrit
Dept. of Sanskrit Govt. Brennen College
Payyanur College Thalassery
Payyanur

4. Dr. A. Raveendran 9. T.T. Thulasi


Lecturer (Sl.Grade) in Sanskrit Lecturer in Sanskrit
Govt. Sanskrit College Govt. Ayurveda College
Pattambi Pariyaram

5. Dr. K. G. Ramdas
Lecturer (Sl.Grade) in Sanskrit
Maharajas College
Ernakulam

3
LIST OF RESTRUCTURED COURSES
COMMON COURSES
Sl. No. Course Code Title

1. IA07 SKT Poetry and Drama


2. 2A08 SKT Prose and Communicative Sanskrit
3. 3A09 SKT Translation – Theory and Practice
4. 4A10 SKT Sanskrit and Indian Culture

B.Com./B.B.A/B.B.M/B.C A/B.S.W. /LRP(COMMON)

1. 1A07- 1 SKT Poetry and Grammar


2. 2A08 -1 SKT Prose and Grammar
CORE COURSES
1. IB01 SKT Grammar and Mahakavya
2. 2B02 SKT Gadyakavya and Khandakavya
3. 3B03 SKT Nataka and Champu
4. 4B04 SKT Methodology of Sanskrit
5. 4B05 SKT Bhagavat Gita and Smriti
6 4B06 SKT General Informatics
7. 5B07 SKT Dramaturgy
8. 5B08 SKT Veda and Upanishat
9. 5B09 SKT Vyakarana
10. 5B10 SKT Poetics
11. 6B11 SKT Sankhya and Arthasastra
12. 6B12 SKT Nyaya and Vedanta
13. 6B13 SKT Yogic Science
14. 6B14 SKT Project
COMPLIMENTARY COURSES
1. IC01 SKT History of Sanskrit Literature
2. 2C02 SKT Scientific Literature in Sanskrit
3. 3C03 SKT Indian Literary Criticism
4. 4C04 SKT Linguistics

COMPLIMENTARY FOR MALAYALAM - MAIN

1. 2C (01) SKT Poetry and Grammar


2. 3C(02) SKT Drama and Grammar

COMPLIMENTARY FOR HINDI/KANNADA - MAIN

1. 2C (01) SKT Poetry and Grammar


2. 3C(02) SKT Drama and Grammar
OPEN COURSES
1. 5D01 SKT Bhagavat Gita and Personality Development

4
2. 6D02 SKT Herbal Literacy and Ethno-Botanical Awareness

SEMESTER WISE DIVISION OF COURSES

SEMESTER - I Pages 5 to 21

SEMESTER - II Pages 22 to 45

SEMESTER - III Pages 46 to 65

SEMESTER - IV Pages 66 to 79

SEMESTER - V Pages 80 to 99

SEMESTER –VI Pages 100 to 115

SEMESTER - I (JUNE - OCTOBER 2009)

Course Code Title of the Course Instructional Hrs. Credit

1A07 SKT Poetry and Drama 4 4


1A07 - 1 SKT Poetry and Grammar 5 4
1B01 SKT Grammar and Mahakavya 6 5
1C01 SKT History of Sanskrit Literature 6 4

5
POETRY AND DRAMA
Semester - I
(Common Course - Sanskrit - 7)
Syllabus
Course Code :1A07 SKT
No of credits :4
No. of Contact Hrs. :72

Aim of the course:


Sanskrit has a rich tradition of Kavyas- both Sravya and Drisya .The course is intended to provide a
general awareness of Sanskrit literature.
Objectives of the course
1. To cultivate an ardent desire for learning and appreciating Sanskrit literature.
2. To know about Sanskrit poetic style with special reference to Kumarasambhava
3. To know about Sanskrit dramatic literature with special reference to Karnabhara.
4. To cultivate human values.
Course outline:
Module I
Introduction to kavyas-special features of Mahakavyas-Major Mahakavyas- kalidasa and his
works.
Module II
Textual study of Kumarasambhava V canto (1 to 50 Slokas)
Module III
Introductiom to Sanskrit dramas – special features of Sanskrit dramas – Bhasa and his 13 plays.
Module IV
Textual study of Karnabhara.
Prescribed Text:
Kumarasambhava V canto (1 to 50 slokas)
Karnabhara of Bhasa

Additional reading:
Kalidasa sahitya sarvaswam - Dr. Sudhamsu Chaturvedi
Bhasanataka Sarvaswam – Dr. Sudhamsu Chaturvedi
A short history of Sanskrit literature – Dr. T K Ramachanda Iyer.

******

6
Pattern of Question Paper
B.A./B.Sc. Programme Examination Oct. / Nov.2009
POETRY AND DRAMA
Semester - I
(Common Course - Sanskrit - 7)

Course Code : 1A07 SKT


Texts:
Poetry: Kumarasambhava V canto (1to 50 slokas)
Drama: Karnabhara of Bhasa

Credit :4
Time : 3 hours Maximum Weightage : 30

Question paper should be set in Sanskrit and English. Answers may be written either in Sanskrit or in
the regional language.

Texts:
Poetry: Kumarasambhava V canto (1to 50 slokas)
Drama: Karnabhara of Bhasa

Distribution of weigthage
Poetry - 15
Drama – 15
Total -30

Objective type question 1 bunch (poetry) -1


Objective type question 1 bunch (drama) -1
Short answer type question 4 out of 6 (poetry) -4
Short answer type question 4 out of 6 (drama) -4
Explain fully 2 out of 4 (poetry) -4
Explain fully 2 out of 4 (drama) -4
Annotation1 out of 2 (poetry) -2
Annotation1 out of 2 (drama) -2
Essay question 1 out of 2 from poetry -4
Essay question 1 out of 2 from drama -4

Components of Continuous Evaluation (CE)


Component Weight
a. Attendance 1
b. Assignment 1
c. Seminar 1
d. Two test papers 2

7
Model Question Paper
B.A./B.Sc. Programme Examination Oct. / Nov. 2009
POETRY AND DRAMA
Semester I
(Common Course - Sanskrit - 7)

Course Code - 1A07 SKT


Texts :
Poetry - Kumarasambhava - Canto V ( 1 to 50 slokas)
Drama - Karnabhara
Credit :4
Time: 3 hours Maximum Weightage: 30

Instructions: Answers may be written either in Sanskrit or in English or in Regional Language.


In writing Sanskrit Devanagari Script should be used.

I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú ÊxÉvÉÉǪÉÇ Ê±ÉJÉiÉ ** Weightage 1 for each set


Choose the correct answer from the brackets.
a. EòÉʱÉnùɺɺªÉ EÖò¨ÉÉ®úºÉƦɴÉ - ¦É´ÉÊiÉ *
(ºÉxnäù¶ÉEòÉ´ªÉ¨É , Sɨ{ÉÚEòÉ´ªÉ¨É , ¨É½þÉEòÉ´ªÉ¨É , JÉhb÷EòÉ´ªÉ¨É )
b. ¨É½þÉEòÉ´ªÉä - où¶ªÉiÉä *
(EòÉhb÷:, ºÉMÉÇ:, {É´ÉÇ, +bÂ÷EÆò )
c. ‘ʶɶÉÖ{ÉɱɴÉvɺªÉ’ EòiÉÉÇ Eò:
(EòÉʱÉnùɺÉ, ʸɽþ¹ÉÇ, nùÎhb÷, ¨ÉÉPÉ:)
d. EÖò¨ÉÉ®úºÉƦɴÉä EÖò¨ÉÉ®ú: Eò:?
(ºÉÖ¥ÉÀhªÉ:, {É®ú¨ÉʶɴÉ:, ʽþ¨É´ÉÉxÉ ¥ÉÀSÉÉÊ®ú)

2. a. EòhÉǦÉÉ®úºªÉ EòiÉÉÇ Eò: ?


(´ªÉɺÉ:, ¦ÉɺÉ:, ¦É®úiÉ, ¦Éɨɽþ:)
b.ºÉƺEÞòiɰü{ÉEòºªÉ +xiÉä BiÉiÉ ½þ¶ªÉiÉä
(xÉÉxnùÒ, |ɺlÉÉ´ÉxÉÉ, |É´Éä¶ÉEò¨ÉÂ, ¦É®úiÉ´ÉÉCªÉ¨ÉÂ)
c. ¦ÉɺÉxÉÉ]õEòÉÊxÉ -
(jɪÉÉänù¶É, SÉiÉÖnÇù¶É, {É\SÉn¶É, BEòÉnù¶É)
d. xÉÉ]õ¬¶ÉɺjɺªÉ EòiÉÉÇ: Eò:?
(¦ÉɺÉ:, ¦É®úiÉ:, ¤ÉÉhɦÉ]Âõ]õ, EòÉʱÉnùɺÉ:)

II a) SÉiÉÖhÉÉǨÉÖkÉ®Æú ʱÉJÉiÉù Weightage 1 for each


Answer any four of the following.
3. =´ÉÉSÉ ¨ÉäxÉÉ {ÉÊ®ú®ú¦ªÉ ´ÉIɺÉÉ - ¨ÉäxÉÉ ÊEò¨ÉÖ´ÉÉSÉ - what did Mena say?
4. uùªÉä ò Ê{É ÊxÉIÉä{É <´ÉÉÌ{ÉiÉÆ uùªÉ¨É - EòÉ? EÖòjÉ +Ì{ÉiɨÉ - who? where did she put?
5. xÉ SÉäpù½þºªÉÆ |ÉÊiÉ´ÉHÖò¨É½Çþ漃 - EòºªÉ EÆò |ÉÊiÉ ´ÉSÉxÉÉʨÉnù¨É ? - who said this to whom?
6. Ê|ÉªÉÆ´ÉnùÉÆ ´ÉnùxiªÉ•ÌsÌäÍtÌÉ SÉ iÉÉÆ {ÉÖ®úÉÊ´Énù: - EäòxÉÉäHò¨ÉÂ? EÖòiÉ? - who said why?

8
Page 2
7. ºÉSÉäiɺÉ: EòºªÉ ¨ÉxÉÉä xÉ nÚùªÉiÉä - EòºªÉ ´ÉSÉxÉʨÉnù¨ÉÂ? EÖòiÉ? - who said this? why?
8. ¦ÉʴɹªÉÊiÉ |ÉÉÌlÉiÉnÖù±ÉǦÉ: EòlɨÉ - EòºªÉ´ÉSÉʨÉnù¨É - whose words

b) SÉiÉÖhÉÉǨÉÖkÉ®Æú ʱÉJÉiÉù:- Weightage 1 for each


Answer any four of the following.
9. ¶É¶ÉÉ{É EòɱÉÉÊ´É¡ò±ÉÉxªÉºjÉÉÊhÉò iÉä ºÉÎxi´ÉÊiÉ - Eò: +´ÉnùiÉÂ? EÖòiÉ? - who said? why?
10. ´ÉèvÉÖªÉǨÉÉ{ÉiÉÊiÉ SÉäiÉ漃 ªÉÖrùEòɱÉä - EÖòiÉ: FòsÌä•Ìæ¥Ì˜ÌÙHò˜ÌÆ - why Karna said so?
11. ÊPÉMɪÉÖHò¨ÉxÉÖ¶ÉÉäÊSÉiÉ֨ɠ- EÖòiÉ: ? EäòxÉÉäHò¨ÉÂ? - why? who said?
12. +{ɪÉÉÇ|ÉÆ EòxÉEÆò nùnùÉ欃 - Eò: =´ÉÉSÉ? EònùÉ? - who said? when?
13. ʽþ¨É´ÉÉxÉ <´É, ºÉÉMÉ®ú <´É Êiɹ½þiÉÖ iÉä ªÉ¶É:
+jÉ +ÉʶɴÉÇSÉxɺªÉ EòÉä ʴɶÉä¹É:? - what was teh peculiarity of the blessing?
14. ºÉÖªÉæhÉè´É ÊxÉ´ÉiªÉÇ MÉSUôxiÉÖ ¦É´ÉxiÉ: - Eò: EònùÉ +´ÉÉäSÉiÉÂ? - who said? when?

III a) näù ´ªÉÉJªÉÉiÉúù:- Weightage 2 for each


Explain fully any two:
15. +Ê{É ÊGòªÉÉlÉÈ ºÉֱɦɯ ºÉʨÉiEÖò¶ÉÆ VɱÉÉxªÉÊ{É ºxÉÉxÉ Ê´ÉÊvÉIɨÉÉÊhÉ iÉä*
+Ê{É º´É¶ÉCiªÉÉ iÉ{É漃 |É´ÉiÉÇ ºÉä ¶ÉÊ®ú®ú¨ÉÉ†É JɱÉÖ vɨÉǺÉÉvÉxɨÉ **
16. Ênù´ÉÆ ªÉÊnù |ÉÉlÉǪɺÉä ´ÉÞlÉÉ ¸É¨É: Ê{ÉiÉÖ: |Énäù¶ÉºiÉ´É näù´É¦ÉڨɪÉ:*
+lÉÉäªÉ{ɪÉxiÉÉ®ú¨É±ÉÆ ºÉ¨ÉÉÊvÉxÉÉ xÉ ®úixɨÉÎx´É¹ªÉÊiÉ ¨ÉÞMªÉiÉä ʽþ iÉiÉÂ**
17. <ÊiÉ wÉÖ´ÉäSUôɨÉxÉÖ¨Ì̺ÉiÉÒ ºÉÖiÉÉÆ ¶É¶ÉÉEò ¨ÉäxÉÉ xÉ ÊxɪÉxiÉÖ¨ÉÖvªÉiÉɨÉ *
Eò <ÇÎhºÉiÉÉlÉÇ ÎºlÉ®úÊxɶSÉªÉÆ ¨ÉxÉ: {ɪɶSÉ ÊxɨxÉÉʦɨÉÖJÉÆ |ÉiÉÒ{ɪÉäiÉ **
18. κlÉiÉÉ: IÉhÉÆ {ÉI¨ÉºÉÖ iÉÉÊb÷iÉÉvÉ®ú: {ɪÉÉävÉ®úÉäiºÉävÉÊxÉ{ÉÉiÉSÉÚÌhÉiÉÉ:
´É±ÉÒ-ÌÙ iɺªÉÉ: ºJÉʱÉiÉÉ: |É{ÉäÊnù®äú ÊSÉ®äúhÉ xÉÉË¦É |ÉlɨÉÉänùʤÉxnù´É:*

b) näù ´ªÉÉJªÉÉiÉúù:- Weightage 2 for each


Explain fully any two:
19. ʶÉIÉÉ IÉªÉÆ MÉSUôÊiÉ EòɱÉ{ɪÉǪÉÉiÉÂ
ºÉÖ¤Érù¨ÉÚ±ÉÉ ÊxÉ{ÉiÉÎxiÉ {ÉÉnùiÉÉ:*
Vɱɯ VɱɺlÉÉxÉMÉiÉÆ xÉ ¶ÉÖ¹ªÉÊiÉ
½ÖþiÉÆ SÉ nÆùkÉ SÉ iÉlÉè´É Êiɹ`öÊiÉ **
20. +bÂ÷Eèò: ºÉ½èþ´É VÉÊxÉiÉÆ ¨É¨É näù½þ®úIÉÉ
näù´ÉɺÉÖ®èú®úÊ{É xÉ —Ìâ†Í˜ÌzÉù ºÉ½þɺjÉè:*
näùªÉÆ iÉlÉÉÊ{É Eò´ÉSÉÆ ºÉ½þ EÖòhb÷±ÉÉ—™ÌÌÉ
Ê|ÉiªÉÉ ¨ÉªÉÉ ¦ÉMÉ´ÉiÉä ¯ûÊSÉiÉÆ ªÉÊnù ºªÉÉiÉ **
21. ªÉÉiÉ: EÞòiÉÉlÉÇ MÉhÉxÉɨɽþ¨É† ±ÉÉäEäò
®úÉVÉäxpù¨ÉÉèʱɨÉÊhÉ®úÉÎMVÉiÉ{ÉÉnù•Ì…:*
Ê´É|Éäxpù {ÉÉnù®úVɺÉÉ iÉÖ {ÉÊ´ÉjɨÉÉèʱÉ:
EòhÉÉæ ¦É´Éxiɨɽþ¨Éä´É xɨɺEò®úÉä欃 **

9
Page 3
22. Ê´ÉtÖ±±ÉiÉÉEòÊ{É±É tÌÙWó`ÌhõÌFò•ÌÌ¡ô -
¨ÉÖtnÂù|ɦÉɴɱÉʪÉxÉÆ {É®ú¶ÉÖÆ nùvÉÉxɨÉ *
KÌwÌÌÉ•tÌFÉò ¨ÉÖÊxÉ´É®Æú ¦ÉÞMÉÖ´ÉÆ¶ÉEäòiÉÖ¨ÉÂ
MÉi´ÉÉ |ÉhɨªÉ ÊxÉEò]äõ ÊxɦÉÞiÉ: κlÉiÉÉä ò κ¨É **

IV. a) ºÉºÉxnù¦ÉÈ +ɶɯªÉ ʴɶÉnùªÉiÉ:- Weightage 2

Annotate the following


23. xÉ vɨÉÇ´ÉÞrä¹ÉÖ ´ÉªÉ: ºÉʨÉIªÉiÉä *
+lÉ´ÉÉ (or)
24. Eò: Eò®Æú |ɺÉÉ®úªÉäiÉ {ÉzÉMÉ®úixɺÉÚSɪÉä *

b) ºÉºÉxnù¦ÉÈ +ɶɯªÉ ʴɶÉnùªÉiÉ:- Weightage 2


Annotate the following
25. ¦ÉÉä! +bÂ÷MÉ®úÉVÉ ! ´ÉκSÉiÉ: JɱÉÖ ¦É´ÉÉxÉ *
+lÉ´ÉÉ (or)
26. ´ÉxÉÊ¨É´É ½þiÉ˺ɽÆþ ºÉÖ|ɴɶɯ Eò®úÉä欃 **

V. a) =kÉ®úªÉiÉ :- Weightage 4
27. {ÉÉ´ÉÇiªÉÉ: EòÊ`öxÉÆ iÉ{É: ´ÉhÉǪÉiÉ *
Describe the severe penance of Parvathy
+lÉ´ÉÉ (or)
28. EòÉʱÉnùɺɺªÉ |ÉEÞòÊiÉÊSÉjÉhÉSÉÉiÉÖªÉÈ |ÉÊiÉ{ÉÉnùªÉiÉ *
Explain the skill of Kalidasa in depicting Nature

b. =kÉ®úªÉ Weightage 4
Write an essay
29. EòhÉǦÉÉ®úʨÉÊiÉ xÉɨÉÉèÊSÉiªÉÆ Êxɰü{ɪÉiÉ *
Examine the appropriateness of the title of Karnabhara
+lÉ´ÉÉ (or)
30. FòsÌʲ™Ì º´É¦ÉÉ´ÉÆ Êxɯû{ɪÉiÉ
Sketch the character of Karna

**********

10
B.Com./B.B.A/B.B.M/B.C A/B.S.W. (LRP – COMMON)

POETRY AND GRAMMER


Semester I
(Common Course - Sanskrit - 7 - 1)
Syllabus
Course Code :1A07 – 1 SKT
No of credits :4
No. of Contact Hrs. :90
Aim of the course:
To make an aptitude in learning and appreciating Sanskrit literature. To make familiar with the great
epic Mahabharata.

Objectives of the course:


1. To introduce Sanskrit literature including the study of Sanskrit nouns.
2. To appreciate the stories narrated in Mahabharata with special reference to Nalopakhyanam.
3. To know about the spiritual, moral and ethical values depicted in the stories of epics.

Course outline:
Module I
General awareness of nouns – Vibhakti – declensions of the nouns- Vriksha, Praja and Vana.
Module II
A brief introduction to Mahabharata. The narrative style of Mahabharata.The vanaparva- story of
Nala and Damayanthi.
Module III
Textual study of Nalopakhyanam.

Prescribed Text
Nalopakhyanam

Additional reading:
Sabdamanjari

********

11
Pattern of Question Paper
B.Com./B.B.A/B.B.M/B.C A/B.S.W. (LRP) Programme Examination Oct. / Nov.2009
Poetry and Grammar
Semester I
(Common Course - Sanskrit - 7 - 1)
Course Code: 1A07 - 1 SKT
Texts: Nalopakhyana
Grammar: Declensions of the nouns Vriksha, Praja and Vana
Split and combine the sandhi (from the text)

Credit :4
Time : 3 hours Maximum Weightage : 30

Question paper should be set in Sanskrit and English. Answers may be written either in Sanskrit or in
the regional language.

Distribution of weigthage
Poetry - 27
Grammar -3
Total - 30

Objective type question 1 bunch -1

Split the sandhi (4 out of 6) -1


Combine the sandhi (4 out of 6) -1
Short answer type question 5 out of 7 -1
Appreciation of sloka 2 out of 4 -4
Annotation 2 out of 4 -4
Short paragraph question 3 out of 5 -6
Essay question2 out of 4 -8

Components of Continuous Evaluation (CE)


Component Weight
a. Attendance 1
b. Assignment 1
c. Seminar 1
d. Two test papers 2

12
Model Question Paper

B.Com./B.B.A/B.B.M/B.C A/B.S.W. (LRP) Programme Examination Oct. / Nov.2009


POETRY AND GRAMMAR
Semester - 1
(Common Course - Sanskrit - 7 - 1)

Course Code - 1A07 - 1 SKT


Text :
1. xɱÉÉä{ÉÉ®ú´ªÉÉxɨÉÂ
2. Grammar - Declensions: ´ÉÞIÉ: |ÉVÉÉ and ´ÉxÉ
Credit :4
Time: 3 hours Maximum Weightage: 30

Instruction : Answers may be written either in Sanskrit or in English or in the regional language.
I. 1. Choose the correct answer Weightage 1 for each set (1x3=3)
a. ´ÉÞIÉ: - iÉÞiÉÒªÉ BEò´ÉSÉxɨÉ (´ÉÞIÉÆ, ´ÉÞIÉähÉ, ´ÉÞIÉɪÉ, ´ÉÞIÉÉiÉ )
b. |ÉVÉÉ - ºÉ|ɨÉÒ ¤É½Öþ´ÉSÉxɨÉ (|ÉVÉÉ:, |ÉVÉɺªÉ:, |ÉVÉɺÉÖ, |ÉVÉÉʦÉ: )
c. ´ÉxÉ - ¹É¹`öÒ Êuù´ÉSÉxɨÉ (´ÉxɺªÉ, ´ÉxÉÉè, ´ÉxɪÉÉä:, ´ÉxÉɦªÉÉÆ )
d. |ÉVÉÉ - |ÉlɨÉÉ ¤É½Öþ´ÉSÉxɨÉ (|ÉVÉÉ:, |ÉVÉɪÉÉ:, |ÉVÉÉ•ÌÌÉ , |ÉVÉɺÉÖ)
2. Split any four:-
a. ºÉÉIÉÉÊnù´É b. ªÉlÉè´É c. ¸ÉÒÊJÉ d. iÉiÉÉäò½Æþ e. SÉÉÊ{É f. ¨É½äþpù©Ì
3. Combine any four:-
a. SÉ + B´É¨É b. B´ÉÆ + =Hò: c. |ɽþºªÉ + <xpù d. Eò: + i´É¨ÉÂ
e. ={ÉÉªÉÆ + +ªÉÆ f. näù´ÉÉxÉÉÆ + +Ê{É

II. Answer any five of the following Weightage 1 for each (1x5)
4. +º¨ÉÉEÆò EÖò¯û ºÉɽþɪªÉ¨É - näù´Éè®úÌlÉiÉÆ ºÉɽþɪªÉÆ ÊEò¨É ?
5. nù¨ÉªÉ•tÌÕ xɱɯ ´ÉÒ®ú¨É¦ªÉ¦ÉɹÉiÉ Ê´Éκ¨ÉiÉÉ - ÊEò¨ÉÖ´ÉÉSÉ ?
6. ¶ÉSÉÒ{ÉÊiÉ: xÉè¹ÉvÉÉªÉ ËEò nùnùÉè ?
7. nù¨ÉªÉ•tÌÕä EòlÉÆ xɱɯ näù´Éä—™ÌÌâ ´ªÉÊiÉÊ®úHò |ÉÊiÉVÉÉxÉÉÊiÉ?
8. ºÉÉ xɨɺEÞòiªÉ zâù¥Ìâ—™Ì: |ɽþºªÉ xɱɨɥɴÉÒiÉ - ÊEò¨É¥ÉÊ´ÉiÉÂ?
9. ¨ÉÖ¹hÉxiÉÒ |ɦɪÉÉ ®úÉYÉÉÆ SÉIÉÚÊ¹É SÉ ¨ÉxÉÉÆÊºÉ SÉ-EònùÉ?
10. nùnù¶ÉÇ ªÉjÉ ´Éènù¦ÉÔ ºÉJÉÒMÉhɺɨÉÉ´ÉÞiÉɨÉ - Eò: ? òEÖòjÉ?

III. Give an appreciation of any two: Weightage 2 for each (2 x 2 = 4)


11. i´ÉÆ SÉÉÊ{É ®úixÉÆ •ÌÌœúÕsÌÌÉ xÉ®äú¹ÉÖ SÉ xɱÉÉä ´É®ú: *
Ê´Éʶɹ]õɪÉÉ Ê´Éʶɹ]äõxÉ ºÉÆMɨÉÉä MÉÖhÉ´ÉÉxÉ ¦É´ÉäiÉ **
12. +½þÉä °ü{ɨɽþÉä EòÉÎxiÉ®ú½þÉä vÉèªÉÈ ¨É½þÉi¨ÉxÉ: *
EòÉäb÷ªÉÆ näù´ÉÉä xÉÖ ªÉIÉÉä xÉÖ MÉxvÉ´ÉÉæ xÉÖ ¦ÉʴɹªÉÊiÉ **
13. ªÉä¹ÉɨɽÆþ ±ÉÉäEòEÞòiÉÉ ˜ÌÕ«ÌœúÌsÌÌÉ ¨É½þÉi¨ÉxÉɨÉ *
xÉ {ÉÉnù®úVɺÉÉ tÌÙŸ™ÌÌâ ¨ÉxɺiÉä iÉä¹ÉÖ ´ÉiÉÇxÉɨÉ **
14. ½ÆþºÉÉxÉÉÆ ´ÉSÉxÉÆ ¸ÉÖi´ÉÉ ªÉlÉÉ ¨Éä xÉè¹ÉvÉÉä ´ÉÞiÉ:*
{ÉÊiÉi´Éä iÉäxÉ ºÉiªÉäxÉ näù´ÉɺiÉÆ |ÉÊnù¶ÉxiÉÖ ¨Éä **

13
Page 2

IV. Annotate any two : Weightage 2 for each (2 x 2 = 4)


15. xÉ ½þxiÉ´ªÉÉäκ¨É iÉä ®úÉVÉxÉ EòÊ®ú¹ªÉÉÊ¨É Ê½þ iÉä Ê|ɪɨÉ *
16. ºÉÉIÉÉÊnù´É κlÉiÉÆ ¨ÉÚiªÉÉæ: ¨Éx¨ÉlÉÆ °ü{ÉºÉÆ{ÉnùÉ *

17. ºÉ¡ò±É iÉä ¦É´ÉäiÉ VÉx¨É °ü{ÉÆ SÉänÆù ºÉÖ¨ÉvªÉ¨Éä *


18. ¨ÉÖJÉÉÊxÉ ®úÉYÉÉ ¶ÉÉä¦ÉxiÉä xÉIÉjÉÉÊhÉ ªÉlÉÉ ÊnùÊ´É *

V. Write short notes on any three :- Weightage 2 for each (2 x 3 = 6)


19. ¦ÉÒ¨É:
20. ½ÆþºÉÉ:
21. ºÉJÉÒMÉhÉ:
23. xÉÉ®únù:

VI. Write any two essays Weightage 4 for each (2 x 4 = 8)


24. Give an account of Damayanti’s Swayamvaram
25. Describe the meeting of Narada and Indra
26. What light does the story throw on the culture and civilization of ancient India
27. Trace the development of love between Nala and Damayanti

*********

14
GRAMMAR AND MAHAKAVYA
Semester I
(Core Course - 1)
Syllabus
Course Code : 1B01 SKT
Number of Credits :5
No. of Contact Hrs. : 108
Aim of the Course
The course aims to develop the basic knowledge in Sanskrit. Sanskrit has a rich tradition of
mahakavya literature. The course is intended to provide a general awareness on them.
Objectives of the Course
1. To know about various terms in Sanskrit.
2. To create awareness of nouns.
3. To make awareness in Sanskrit literature especially poetic tradition of India.
4. Introducing poetic style with special reference to Mahakavya.
Course Outline
Module I Detailed study of Nouns- ‘Andalingavibhaktivachanani’- bala, vana, praja,
kavi, guru, matr, pitr, rajan, asmad, yushmad.
General awareness of Verbs-‘Dhadupadalakarapurushavachanani’.
Module II General study of pronouns, prefixes and indeclinables- yada-tada, yadi-tarhi,
yatha-tatha, cha, api, eva, avam, saha, vina, abhithah, parithah, ubhayathaha,
atra, tathra, kuthra, anyatra, sarvatra, iti, etc.
Module III Introducing major poets and their works in Sanskrit literature.
Module IV Mahakavya tradition and the major features of Sanskrit Mahakavyas with
special reference to Sisupalavadha.Canto I.
Prescribed Text Sisupalavadha of Magha – Canto I
Reference
Module I & II Sabdamanchari
Kamadhenu- E.P. Bharata Pisharati
Surabharathiprakasa- Prof. Vasudevan Potti.
Laghu Samskritam- Prof: K.G. Paulose.
Vyakaranapravesika- T.K. Ramachandra Iyyer.
Vibhaktivallari- Samskrita Bharathi, Bangalore.
Reference
Module III & IV-
History of classical Sanskrit literature- M. Krishnamacharyar.
Samskrita Sahitya Charithram,Vol II- Edited by Dr. K. Kunjunni Raja and Dr. M.S. Menon,
Kerala Sahitya Academy,Trissur.
Samskrita Sahitya Charithram, Vadakkumkoor Rajaraja Varma,S.S.U.S. Kalady.

************

15
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov.2009
Grammar and Mahakavya
Semester I
(Core Course - 1)
Course Code :IB01 SKT
Credit :5
Time : 3 Hours Maximum Weightage: 32
(Instruction: Answers should be in Sanskrit. In writing Sanskrit Devanagari script should be used)

Texts: Grammar – Nouns : Bala, Kavi, Guru, Pitru, Rajan, Praja, Matru, Vana, Yushmad, Asmad.

Mahakavya – Sisupalavadha- Canto-1

Distribution of Weightage: Grammar - 10


Mahakavya - 22
Total - 32

§ Split any four out of six from Mahakavya - 1


§ Combine any four out of six from Mahakavya - 1
§ Use in sentences any four out of six - 1
§ Explanation with the given cases four out of six - 4
§ Write case and gender three out of five - 3
§ Four short questions out of six from Mahakavya - 4
§ Two annotations out of four from Mahakavya - 4
§ Three explain fully out of five from Mahakavya - 6
§ Two essay out of four from Mahakavya - 8

Components of Continuous Evaluation (CE)


Component Weight
a. Attendance 1
b. Assignment 1
c. Seminar 1
d. Two test papers 2

*************

16
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2009
Grammar and Mahakavya
Semester I
(Core Course - 1)
Course Code : 1B01 SKT
Texts: Grammar - Declensions –Bala, Vana, Praja, Kavi,Guru, Mathr, Pithr:
Rajan. Asmad, Yushmad
Mahakavya-Sisupalavadha-Canto I
Credit :5
Time: 3 hours Maximum Weightage : 32
²ÌÜZÌ•ÌÌ : ²Ì¥Ìä •Ìë§ÌîÌ: ²ÌɲFßòtÌ—ÌÌ-Ì™Ìæ¥Ì ²Ì˜ÌÌŒÌâ™ÌÌ:* zâù¥Ì•ÌÌOÌœúÕ Í¡ô͕̕û•Ì™ÌÌâHò¥™ÌÌ*

I 1. ZÌt¥ÌÍœú Í¥ÌQÌhõ™ÌtÌ * Weightage 1 for each set 1 x 3=3

a) ™ÌÌ¥ÌÚ b) ²Ì·æþ¥Ì c) LÌÍ¡ô¥Ìzù˜ÌÆ d)•Ìë¥ÌÌ¡æôÍœú¥Ì e) ²•ÙòhõÌ%â —Ì¥ÌtÌÆ f) t̘ÌÙ¥ÌÌZÌ


2. ZÌt¥ÌÌÍœú ²Ì•ŒtÌuÌ *
a) •ÌÙœúÖ + +¥Ì²Fò•zù b) FÙò¡æô: + •Ì c) <¥Ì + D¥Ì d) ™ÌtÌÆ + ͕̙̕tÌÙÉ e) —Ì¥ÌÌ•tÌœâú-ÌÙ + +Í•Ì
f) ÍtÌœú²FßòtÌ: + t̲™Ì
3.ZÌt¥ÌÍœú ²¥Ì¥ÌÌE™Ìâ-ÌÙ ™ÌÌâ`Ì™ÌtÌ *
a) ™ÌzùÌ - tÌzùÌ b) ͥ̕ÌÌ c) ²Ì·þ d) •ÌÍœútÌ: e) +Í•Ì f) FÙòwÌ

II 4. ZÌtÌÙsÌÌË •û•ÌÉ Í¡ôLÌtÌ * Weightage 1 for each 1 x 4 = 4

a) –ÌÌ¡ô - •ÌfÌÍ˜Ì b) •Ìë`ÌÌ - tÌßtÌÕ™ÌÌ c) ™ÌÙ-˜ÌzÆù - •Ìëy̘ÌÌ d) FòÍ¥Ì - ͈ùtÌÕ™ÌÌ e) ¥Ì•Ì - ²Ì•Ì͘Ì
f) +²˜ÌzÆù - ZÌtÌÙÏyÌ

5. wÌ™ÌÌsÌÌÉ +•tÌÍ¡ôWó̗ͥÌÍHò¥ÌZÌ•ÌÌÍ•Ì Í¡ôLÌtÌ * Weightage 1 for each 1 x 3=3

a) ¥Ì•ÌÌtÌÆ b) –ÌÌ¡ôÌ•ÌÆ c) ™ÌÙ-˜ÌÌFò˜ÌÆ d) Fò¥Ìâ: e) +²˜ÌÌ•ÌÆ

III. DFâò•Ì ˆùÌ—™ÌÌÉ ¥ÌÌ ¥ÌÌE™ÌÌ—™ÌÌÉ ZÌtÌÙsÌÌ˘ÌÙuÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 4=4

6. ¨ÌœúÕœú—ÌÌ`ÌÌÉ —Ì¥ÌzùÕ™Ìzù¨ÌÊ•ÌÉ ¥™Ì•ÌÍHòFòÌ¡ôÍwÌtÌ™Ìâ%Í•Ì ™ÌÌâO™ÌtÌÌ˜ÌÆ ? FòyÌ˜ÌÆ ?


7. +˜–ÌœúÌtÌÆ +¥ÌtÌœú•tÌÉ ˜ÌÙÎ•Ì zùzù¨ÌÊ-Fò:? ˜ÌÙ•Ìâ: •ÌÌ˜Ì ÍFò˜ÌÆ ?
8. •ÌÙœúÌtÌ•ÌÉ t¥ÌÌÉ •ÌÙ•û-ÌÉ •ÌÙœúÌÍ¥Ìzù: ? Fâò•Ì •û•ÌâsÌ ?
9. ¨ÌœúÕœúÕÍtÌ +¥ÌŒÌÌÍœútÌ˜ÌÆ - Fò²˜ÌÌtÌÆ ?
10. ̨ͨÌÙ•ÌÌ¡ô¥ÌŒÌ²™Ì +•Ìœú•ÌÌ˜Ì ÍFò˜ÌÆ?
11. +¥ÌâK̘ÌÌsÌÌÉ ˜Ì·þÎtÌ ˜ÌÙ·Ùþ˜ÌÙÊ·Ùþ: ? ÎFò FòÌœúsÌÌtÌÆ ?

17
Page 2

IV. ˆù™ÌÌâ: ²Ì•ÌëFòœúsÌÉ +̨ÌÌ™ÌÉ Í¥ÌzùÌzù™Ì•Ì * Weightage 2 for each 2 x 2=4

12. +yÌ¥ÌÌ ¬Ìâ™ÌÌÍ²Ì Fâò•Ì tÌß•™ÌtÌâ *


13. ²ÌzùÌ̘͗ÌÌ•ÌæFòŒÌ•ÌÌ Í·þ ˜ÌÌ͕̕Ì: *
14. OÌß·þÌ•ÌÙ•ÌætÌÙÉ •ÌësÌ™ÌÌzù—ÌÕt²Ì¥Ìâ —Ì¥ÌÑ•tÌ •ÌÌ•ÌÙs™ÌFßòtÌÌÉ ˜Ì•ÌÕÍ-ÌsÌ: *

15. ˜Ì·þÌ•ÌÙ—ÌÌ¥ÌÌ Í·þ Í•ÌtÌÌ•t̘ÌÏyÌ•Ì: *

V. wÌÕÍsÌ ¥™ÌÌL™ÌÌtÌ * Weightage 2 for each 2 x3=6

16. ͲÌtÌÉ Í²ÌÍt̘ÌîÌ ²ÌÙtÌœúÌÉ ˜ÌÙ•Ìâ¥ÌÊ•ÌÙϥ̲ÌÌÍœúÍ—Ì; ²ÌÌæŒÌ̥͘ÌÌyÌ ¡ô˜—Ì™Ì•ÌÆ *


͈ù`ÌÌ¥ÌÍ¡ô¥™ÌÌ`Į͕̀ÌÌFòœúÌɨÌÙÍ—Ì: ¨ÌÙÍZÌѲ˜ÌtÌÌÉ ¥ÌÌZ̘̥ÌÌâZÌzùZ™ÌÙtÌ: **
17. ͕̥Ìt™ÌÊ ²ÌÌâ%•ÌÙ¥Ìê`ÌtÌ: FßòtÌÌ•ÌtÌÕ•ÌtÌÕÑ•‡ù™ÌbÌÌ•ÌÌÍ•Ì͌̕ÌÊ—Ì:²Ìzù: *
²Ì˜Ì̲Ìzùt²ÌÌÍzùtÌzæùt™Ì²ÌÉ•Ìzù: •ÌzÉù ˜Ì·âþ•‡ùÌ¡ô™ÌZÌÌ•û ZÌÍFêòsÌ: **
18. ̙ͬÌ: •ÌÍtÌ: ̘ͬÌÍtÌ ¨ÌÌͲÌtÌÙÉ `ÌOÌaÌOÌ͕̥Ì̲ÌÌ⠥̲ÌÙzâù¥Ì²Ì…Í•Ì
¥Ì²Ì•zùzù¨ÌÌÊ¥ÌtÌœú•t̘̘–ÌœúÌÑzÆù·þœús™ÌOÌ—ÌÌÊWó—ÌÙ¥ÌÉ ˜ÌÙÎ•Ì ·þÍœú:*
19. ²Ì˜ÌÙÑtK̕̕™Ì: •ÌßÍyÌ¥ÌÕ—ÌßtÌÌÉ ¥ÌœÉú ¥Ìœú•Ìëzù̲̕™Ì ZÌFòÌœú ¨ÌÜÍ¡ô•Ì:
w̲ÌuÌÙ-ÌÌœúÌ͇ù²ÌÙtÌ̲̲ÌÉ—Ìë˜Ì²¥Ì™ÌÉOÌë·þ̪âô-Ì ²ÌÙLÌâ•Ì Í•Ì-Fêò™Ì˜ÌÆ *
20. ²Ì –ÌÌ¡ô +̲ÌÕˆù•ÌÙ-ÌÌ ZÌtÌÙ—ÌÙÊ`ÌÌâ ˜ÌÙLÌâ•Ì •ÌÜsÌä•zÙù͕̗Ì͵̡ôÌâZÌ•Ì :
™ÌÙ¥ÌÌ FòœúÌFêòÌ•t̷̘þÕ—ÌßzÙù[ÌFæòœú²Ìɨ̙ÌÉ ²Ì˜•ÌÍtÌ tÌâ`̲ÌÌ œúÍ¥Ì: *

VI. ˆùÌæ •Ìë§ÌîÌæ ²Ì˜ÌÌŒÌâ™ÌÌæ* Weightage 4 for each 4 x 2=8

12. •ÌÌœúzù²™Ì ¥ÌZÌÌÉÍ²Ì ²ÌÍKÌ•™Ì Í¡ôLÌtÌ *


22. "˜ÌÌQÌâ ²ÌÑ•tÌ wÌ™ÌÌâ OÌÙsÌÌ:" =ÍHòÍœú™ÌÉ •ÌÍlötÌ—ÌÌOÌÌ•ÌÙ²ÌÌœÉú Í¥ÌZÌÌ™ÌÊtÌÌ˜ÌÆ *
23. ˜ÌÌQÌÌâHòÍzù¨ÌÌ •ÌÌœúzù¥ÌsÌÊ•ÌÉ •ÌëÍtÌ•ÌÌzù™ÌtÌ*
24. •̥̲ÌOÌÊOÌtÌâ ˜ÌÌQÌ⠕̨̥̖zùÌâ •Ì Í¥Ì†tÌâ - ̨ͥÌzù™ÌtÌ *

***********

18
History of Sanskrit Literature
Semester I
(Complimentary Course – 1)
Syllabus
Course Code : 1C01SKT
No. of Credits :4
No. of Contact Hrs. : 108
Aim of the Course
Aim of the course is to make students aware of the vast history of Sanskrit Literature and different
forms of literary works in Sanskrit.
Objectives of the course
1. To understand different stages in the history of Sanskrit Literature.
2. To know different forms of literary works in Sanskrit.
3. To increase the aptitude towards Sanskrit Literature.
4. To create a general awareness about the contribution of Kerala to Sanskrit Literature.
5. To know the cultural heritage of our nation through the Sanskrit Literature.
Course Outline
Module I Vedas and Puranas in general, Ramayana and Mahabharata-
Origin, stages and influence.
Module II Mahakavya, Khandakavya, Gadyakavya and Historical Kavyas.
Module III Champu Kavya, Fables, Drama.
Module IV Kerala Sanskrit Literature- selected portions–Sri Sankaracharya,
Athula, Sakthibhadra, Lilasuka, Melpathur, Keralavarma,
Punnassery Nambi , A.R Rajarajavarma, Sree Narayana Guru,
Chattampi Swami,K.N Ezhuthachan and P.C Devasya.
Prescribed Texts
1. A short history of Sanskrit Literature- T.K Ramachandra Iyer, R.S Vadhyar and Sons,
Palakkad.
2. The contribution of Kerala to Sanskrit Literature- Dr. K Kunjunni Raja, University of
Madras.
Reference Books
1. A History of Sanskrit Literature –Arthur A Macdonell,Motilal
Banarasidas, NewDelhi.
2. History of Classical Sanskrit Literature- M Krishnamacharya, Motilal
Banarasidas, NewDelhi.
3. History of Indian Literature – Maurice Winternitz, Motilal Banarasidas,
NewDelhi.
4. Samskritha Sahithya Charitram Edited by Dr. K.Kunjunni Raja and Dr. M.S
Menon, Kerala Sahitya Academy, Thrissur.
5. Vaidika Sahitya Charitram-Acharya Narendra Bhushan, Kerala Sahitya
Academy, Thrissur.
6. Keraliya Samskrita Sahitya Charitram- Vadakkumkur. S.S.U.S Kaladi
7. Kerala Sahitya Charitram – Ulloor.
********

19
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2009
History of Sanskrit Literature
Semester I
(Complimentary Course 1)

Course Code : 1C01SKT


Credit :4
Time : 3 Hours. Max. Weightage: 30

(Question paper should be set in English. Answer may be written either in Sanskrit or in English.)

Syllabus : Vedas and Puranas in general ,Ramayana and Mahabharata- Origin, stages and
influence ,Mahakavya, Khandakavya , Gadyakavya and Historical Kavyas.
Champu Kavya, Fables, Drama, Kerala Sanskrit Literature- selected portions–
Sri Sankaracharya, Athula, Sakthibhadra, Lilasuka, Melpathur, Keralavarma,
Punnassery Nambi , A.R Rajarajavarma, K.N Ezhuthachan and P.C Devasya.

Total Weightage - 30
Two sets Multiple choice Questions - 2
Eight Short notes out of Twelve - 16
Three Essays out of Five - 12

**********

20
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2009
History of Sanskrit Literature
Semester I
(Complimetary Course 1)
Course Code : 1C01SKT
Credit :4
Time : 3 Hours. Max. Weightage: 30

Instructions: Answer may be written either in Sanskrit or in English.In writing Sanskrit,


Devanagari script should be used.

I -1. Choose correct answer : Weightage: I for each set.

a. The oldest Veda- (Rigveda, Yajurveda, Samaveda, Atharvaveda)


b. Chapters of Mahabhatratha are called ……(Sarga,Kandha,Parva,Patala)
c. Who composed Ramayana ? ( Vyasa, Valmiki, Kalidasa, Bharatha)
d. Number of main Puranas ( 15, 12, 108, 18)
2. Choose Correct Answer :
a. Author of Brihadkadha (Vishnusarma,Gunadhya,Banabhatta,Kshemendra)
b. First Sandesakavya is ……
(Mayurasandesam, Meghadutham,Kokilasandesam,Hamsasandrsam)
c. Who edited the 13 Trivandrum Plays? (T. Ganapathisastri, A.R Rajarajavarma,
Punnasseri Nambi, Keralavarma)
d. The famous Stotrakavya of Melpathur (Narayaneeyam, Geethagovindam,
Sreekrishnakarnamrutam, Mukundamala)

II- Write short notes on any eight choosing four from each group.
Weightage: 2 for each.

A B
1. Bhavabhuti 1. Kiratarjuniyam
2. Athula 2. Swapnavasavadattam
3. Bhoja 3. Subhadraharanam
4. Magha 4. Kristhubhagavatam
5. A.R Rajarajavarma 5. Sreekrishnakarnamrutam
6. Melpathur 6. Panchatantra

III – Write any three essays:- Weightage: 4 for each.

1. Describe the society reflected in Vedas.


2. Determine the date of Mahabharatha.
3. Give a brief account of the dramas in sanskrit literature.
4. Give an account of the works of Srisankara.
5. The roll of Punnanssery Nambi in popularization of Sanskrit learning in Kerala.
*******

21
SEMESTER - II (DECEMBER 09 - APRIL 2010)
Course Code Title of the Course Instructional Hrs. Credit
2A08 SKT Prose and Communicative Sanskrit 4 4
2A08 – 1 SKT Prose and Grammar 5 4
2B02 SKT Gadyakavya and Khndakavya 6 5
2C02 SKT Scientific Literature 6 4

2C(01) SKT Poetry and Grammar (Comp. for Mal.) 6 4


2C(01) SKT Poetry and Grammar (Comp. for Hindi) 6 4

22
PROSE AND COMMUNICATIVE SANSKRIT
Semester II
(Common Course - Sanskrit – 8)
Syllabus
Course Code : 2A08 SKT
No of credits : 4
No.of Contact Hrs. : 72
Aim of the course :
The course is intended to introduce Sanskrit prose literature. It also introduces
communication skills and creative writing in Sanskrit.
Objectives of the course:
1. To introduce Sanskrit prose style with special reference to Chandrapidacharita.
2. To enable the students to have a general knowledge in communication skills and
creative writing in Sanskrit.

Course outline:
Module I
Introduction to Sanskrit prose literature. Major prose works – Banabhatta and
Kadambhari Katha and Akhyayika.

Module II
Textual study of Chandrapidacharitam.
Module III
Fill in the blanks in a conversation passage with appropriate words.
Letter writing – Personal and Official.
Module IV
Prabandha rachana (short essay writing) .Essays based on studied text –
Kumarasambhava Karnabhara and Chandrapidacharitham.
Essays based on general topics.

Prescribed texts:
Chandrapidacharitham – Ananthacharya

Additional reading:
Kadambhari – Banabhatta
Samskrita vyakaranapravesika – R S Vadhyar and sons.
Surabharatiprakasa – Prof. Vasudevan Potti
Sandesha samskritam – Viswasamskritaprathisthanam.
Prabandha parijata – R S Vadhyar and sons.
Prabandha samgraha – Viswasamskritaprathisthanam
******

23
Pattern of Question Paper
B.A./B.Sc. Programme Examination April/May 2010
Prose and Communicative Sanskrit
Semester II
(Common Course - Sanskrit – 8)
Course Code: 2A08SKT
Texts:
Prose: Chandrapidacharitham
Communicative Sanskrit: Fill in the blanks, letter writing( Personal & Official), Prabhandarachana
Credit :4
Time : 3 hours Maximum Weightage: 30

Question paper should be set in Sanskrit and English. Answers may be written either in Sanskrit or in
the regional language.

Distribution of weightage
Prose -20
Communicative Sanskrit -10
Total -30

Prose
1 bunch of question -1
Split the sandhi (4 out of 6) -1
Combine the sandhi (4 out of 6) -1
Short answer question (5 out of 7) -5
Write paragraphs on (2 out of 4) -4
Annotation (2 out of 4) -4
Essay question (1 out of 2) -4

Communicative Sanskrit
Answer should be written in Sanskrit only
Fill in the blanks with appropriate words
4 out of 6 -4
Letter writing 1 out of 2 -2

Prabandharachana 2 out of 4 -4

******

24
Model Question Paper

B.A./B.Sc. Programme Examination April / May 2010


PROSE AND COMMUNICATIVE SANSKRIT
Semester II
(Common Course - Sanskrit – 8)
Course Code - 2A08SKT
Texts :
Chandrapidacaritam &
Communicative Sanskrit.
Credit :4
Time: 3 hours Maximum Weightage: 30
Instructions: Answers may be written either in Sanskrit or in English or in Regional Language. In
writing Sanskrit Devanagari Script should be used.

(Part – A)
I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú ÊxÉvÉÉǪÉÇ Ê±ÉJÉiÉ ** Weightage 1 for each set
Choose the correct answer from the brackets. (1x3=3)
a. EòÉnù¨¤É®úÒ xÉÉ¨É MÉtEòÉ´ªÉºªÉ EòiÉÉÇ: Eò: ?
(½þ¹ÉÇ´ÉvÉÇxÉ:, ºÉɺÉ:, ¤ÉÉh¦É]Âõ]õ:, +xÉxiÉÉSÉɪÉÇ: )
b. ¶ÉÖEòxÉɺÉ: Eò: +ɺÉÒiÉÂ?
(iÉÉ®úÉ{ÉÒb÷ºªÉ ¨ÉxjÉÒ, =VVÉʪÉxªÉÉÄ ®úÉVÉÉ, {ÉÖhb÷œúÕEòºªÉ ºÉJÉÉ, ä «ÌâiÉEäòiÉÖ{ÉÖjÉ: )
c. ®úÉVÉÉ ¶ÉÚpùEò: - xÉÉ¨É xÉMɪÉÉÈ ®úÉVÉÉ +ɺÉÒiÉÂ?
(=VVÉʪÉxÉÒ, Ê´ÉÊnù¶ÉÉ, ½äþ¨ÉEÚò]õ:, +SUôÉänù:)
d. iÉ®úʱÉEòÉ EòºªÉÉ: Ê|ɪɺÉJÉÒ?
(EòÉnÆù¤ÉªÉÉÇ: ¨É½þÉ«ÌâiÉɪÉÉ:, ¨ÉxÉÉä®ú¨ÉɪÉÉ:, {ÉjɱÉäJÉɪÉÉ:)
2. Split the Sandhi in any four:-
SÉiÉÖhÉÉÈ ºÉÏxvÉ Ê´ÉPÉ]õªÉiÉ:
a. iÉlÉÉÊ{É b. +lÉèxɨÉ c. ÊEò¨ÉxÉäxÉ d. iÉiÉt e. EÖòiÉÉä ò jÉ f. ËEòÊSÉÊnù´É
3. Combine any four:-
SÉi´ÉÉÊ®ú ºÉxvÉkÉ
a. |ÉÉEÂò + B´Éþb. Ê{ÉiÉÖ:ù + SÉ c. ºÉ´Éæ¹ÉÖ + +Ê{Éú d. iɯû:þ + <´É
e. +´ÉnùiÉÂ + SÉf. xÉþ + BEò:
II Write short answers for any five Weightage 1 for each(1x5=5)
{É\SÉÉxÉÆ =kÉ®ú ºÉÆÊIÉiªÉú ʱÉJÉiÉù
4. +¶Éä¹ÉVÉxÉ{ÉÚVÉxÉÒªÉÉ SÉäªÉÆ VÉÉÊiÉ:* Eò: EÆò +ÊvÉEÞòiªÉ EònùÉ BiÉiÉÖ +´ÉÉäSÉiÉ ?
who says this on whom and when?
5. ªÉÉ´ÉiÉ |ÉÉÊhÉÊxÉ iÉÉ´ÉnùºªÉ ¨ÉnùxɺÉxiÉÉ{ɺªÉ |ÉÊiÉÊGòªÉÉÄ – EòiÉÖÇʨÉSUôÉ欃 * Eò: EÆò +´ÉÉäSÉiÉ ?
who says to whom?
6. +滃 ! =Êkɹ`ö ! Eòɹ`öÉxªÉÉÀþiªÉ Ê´ÉœúSÉªÉ ÊSÉiÉɨÉ * Eò: EònùÉ <xlɨÉÖ´ÉÉSÉ ? - who says this and when?
7. ¦ÉMÉ´ÉÊiÉ! {ÉÊ®úSÉÉÊ®úEòÉ nÖù:JɺɥÉÀSÉÉÊ®úhÉÒ tÌœúÍ¡ôFòÌ Jò MÉiÉÉ * Eò: EÆò <nù¨É{ÉÞSUôiÉ ? –
who ask this to whom?
8. +½þÉä ¨ÉÉxÉÖ¹ÉÒ¹ÉÖ {ÉIÉ{ÉÉiÉ: |ÉVÉÉ{ÉiÉä: * Eò: EÖòiÉ: <ilɨÉÖ´ÉÉSÉ? - who says this and why?

25
Page 2
9. ªÉÊnùnù¨ÉÉ®ú¤vÉÆ ¦É´ÉiÉÉ ÊEòʨÉnÆù MÉÖ¯ûʦɰü{ÉÊnù¹]õ¨ÉÂ? EòºªÉ EÆò |ÉÊiÉ ´ÉSÉxÉʨÉnù¨É – who says this to whom?
10. +½þÉä, ºÉxnäù½þnùÉä±ÉÉÊvɰüfÆø ¨Éä VÉÒÊ´ÉiɨÉ ! Eò: EònùÉ <iªÉ¨ÉÖ´ÉÉSÉ? – who says this and when ?
III. Write a paragraph each on any two:-
uäù +ÊvÉEÞòiªÉ BEèòEòÉÆ JÉÎhb÷EòÉÆ ʱÉJÉiÉ Weightage 2 for each (2x2=4)
11. ¶ÉÖEòxÉɺÉ:
12. iÉÉ®úÉ{ÉÒb÷:
13. «ÌâtÌEäòiÉÖ:
14. {ÉjɱÉäJÉÉ
IV. Annotate any two of the following:
ºÉ|ÉEò®úhÉÆ uùªÉÉä®úÉ¶ÉªÉÆ ʴɶÉnùªÉiÉ* Weightage 2 for each (2x2=4)
15. ¨É½þiÉ񻃮 EòlÉÉ ! ªÉÊnù EòÉèiÉÖEò¨ÉÉEòhªÉÇiÉɨÉ *
16. º´ÉÉMÉiɨÉÊiÉlɪÉä, EòlÉʨɨÉÉÆ ¦ÉÚʨɨÉxÉÖ|ÉÉ|ÉÉä ¨É½þÉ ¦ÉÉMÉ:?
17. ºÉÉ ò ½Æþ B´ÉÆÊ´ÉvÉÉ Êxɱ±ÉÇVVÉÉ Êxɹ¡ò±ÉVÉÒÊ´ÉiÉÉ ÊxÉ:ºÉÖJÉÉ SÉ*
18. {ÉÊ®úiªÉHò: EÖò±ÉEòxªÉEòÉxÉÉÆ Gò¨É: *
V. Write an essay :- Weightage 4 for each (1x4 = 4)
19. ¨É½þÉ·ÉäiÉɪÉÉ: ¥ÉÀSɪÉÇVÉÒÊ´ÉiɺªÉ EòÉ®úhÉÉÊxÉ Ê±ÉJÉiÉ*
Elucidate the reasons for Mahasveta’s ascetic life.
+lÉ´ÉÉ or
EòÉnù¨¤É®úÒSÉxpùÉ{ÉÒb÷ªÉÉä: +xÉÖ®úÉMÉEòlÉÉÆ ´ÉhÉǪÉiÉ *
Describe the love story of Kadambari and Mahasveta

Part – B
(Answer in Sanskrit only)
VI. ùºÉ¨ÉÖÊSÉiÉè: {Énèù: SÉi´ÉÉÊ®ú ´ÉÉCªÉÉÊxÉ {ÉÚ®úªÉiÉ * Weightage 1 for each (1x4=4)
20. i´ÉÆ EÖòjÉ ------- *
21. iÉä --------- GòÒb÷ÎxiÉ *
22. ------- Eò¨É±ÉÉÊxÉ Ê´ÉEòºÉÎxiÉ *
23. -------- Ê´ÉtÉ±ÉªÉÆ MÉSUôÉ欃 *
24. =kÉ®úºªÉÉÆ ÊnùÊ¶É Ê½þ¨É´ÉÉxÉ ------- *
25. ¤ÉɱÉ: Ê{ÉjÉÉ ------ OÉɍɯ MÉSUôÊiÉ *
VII. {ÉjɱÉäJÉxɨÉ EÖò¯ûiÉ:- Weightage 2
26. ºÉÖ½þnÆù |ÉÊiÉ Ê´ÉxÉÉänùªÉÉjÉÉʴɶÉä¹ÉÉxÉ ʱÉJÉiÉ *
+lÉ´ÉÉ
+´ÉEòÉ¶É {ÉjɨÉÂ
VIII. ù±ÉPÉÖ|ɤÉxvÉÆ ®úSɪÉiÉ:- Weightage 2 for each (2x2=4)
27. ¦ÉɺɺªÉ EòhÉǦÉÉ®ú¨ÉÂ
+lÉ´ÉÉ
EòÉʱÉnùɺɺªÉ EÖò¨ÉÉ®úºÉƦɴɨÉÂ
28. ºÉƺEÞòiÉ ¦ÉɹÉɪÉÉ: ¨É½þi´É¨ÉÂ
+lÉ´ÉÉ
Eäò®ú±Énäù¶ÉºªÉ |ÉEÞòÊiÉ®ú¨ÉhÉÒªÉiÉÉ

**********

26
PROSE AND GRAMMER
Semester II
(Common Course - Sanskrit - 8 – 1)
Syllabus
Course Code : 2A08 - 1 SKT
No of credits :4
No. of Contact Hrs.: 90
Aim of the course:
To learn and appreciate Sanskrit language and literature. To study the prose version of a Sanskrit
drama.
Objectives of the course:
1.To introduce Sanskrit prose style with special reference to Mricchakatikakathasangraha.
2.To make aware of the social and political situation that prevailed in ancient India from the story of
Mricchakatika.
3.General awareness of Sanskrit pronouns.

Course outline:
Module I
Sanskrit pronouns – Declensions – Yushmad, Asmad and Tad in all genders.
Module II
Introduction to Sanskrit drama – the Prakarana type of drama – Sudraka and Mricchakatika.
Module III
Textual study of Mricchakatikakathasangraha.

Prescribed Text:
Mricchakatikakathasangraha – Prof. P. C. Vasudevan Elayat.
Additional reading:
Sabdamanjari
Mricchakatika – Sudraka.

*******

27
Pattern of Question Paper
B.Com./B.B.A./B.B.M/B.C.A./B.S.W. (LRP) Programme Examination April. / May 2010
Prose and Grammar
Semester II
(Common Course - Sanskrit – 8 – 1)

Course Code: 2A08 – 1 SKT


Texts :Mricchakatikakathasangraha
Grammar: Declensions Asmad,Yushmad and Tad in all genders
Split and combine the Sandhi (from the text)

Credit :4
Time : 3 hours Maximum Weightage : 30

Question paper should be set in Sanskrit and English. Answers may be written either in Sanskrit or in
the regional language.

Distribution of weigthage
Prose -25
Grammar -5
Total -30

Objective type question 3 bunch -3


2 Sets of short question -2
Split the Sandhi (4 out of 6)
Combine the sandhi (4 out of 6)
Short answer type question 5 out of 7 -5
Annotation 3 out of 5 -6
Short paragraph question 3 out of 5 -6
Essay question2 out of 4 -8

28
Model Question Paper
B.Com./B.B.A./B.B.M/B.C.A./B.S.W. (LRP) Programme Examination April. / May 2010
PROSE AND GRAMMAR
Semester II
(Common Course - Sanskrit - 8– 1)
Course Code - 2A08 -1 SKT

Texts : 1. Mricchakatikakathasangraha
2. Declensions – Asmad, Yushmad, Tad – all genders.
Credit :4
Time: 3 hours Maximum Weightage: 30
Instructions: Answers may be written either in Sanskrit or in English or in Regional Language. In
writing Sanskrit Devanagari Script should be used.

I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú ÊxÉvÉÉǪÉÇ Ê±ÉJÉiÉ ** Weightage 1 for each set


Choose the correct answer from the brackets. (1x5=5)
a. +º¨ÉnÂù – |ÉlɨÉÉ ¤É½Öþ´ÉSÉxɨÉÂ
(+½Æþ, ¥Ì™ÌÉ Â, ªÉڪɨÉ , +º¨ÉÉxÉ )
b. +º¨ÉnÂù – iÉÞiÉÒªÉÉ BEò´ÉSÉxɨÉÂ
(¨ÉiÉ , ¨ÉªÉÉ, ¨É¨É, ¨ÉʪÉ)
c. +º¨ÉnÂù – SÉiÉÖlÉÔ BEò´ÉSÉxɨÉÂ
(¨ÉÉÆ, ¨ÉiÉÂ, ¨É¨É, ˜Ì»)Æ
d. +º¨ÉnÂù - ºÉ{iɨÉÒ Êuù´ÉSÉxɨÉÂ
(+ɴɪÉÉä:, +É´ÉÉÆ, +É´ÉɦªÉÉÆ, +ɺ¨ÉɺÉÖ )
2. a. ªÉÖ¹¨ÉnÂù – ÊuùiÉÒªÉÉ Êuù´ÉSÉxɨÉÂ
(ªÉÖ´ÉÉÆ, ¦É򻃮, ªÉÖ´ÉɦªÉɨÉÂ, ªÉִɪÉÉä:)
b. ªÉÖ¹¨ÉnÂù – iÉÞiÉÒªÉÉ ¤É½Öþ´ÉSÉxɨÉÂ
(ªÉ򻃮, ªÉÖ¹¨É¦ªÉ¨ÉÂ, ªÉÚ¹¨ÉÉʦÉ:, ªÉÖ¹¨ÉɺÉÖ)
c. ªÉÖ¹¨ÉnÂù – {É\SɨÉÒ BEò´ÉSÉxɨÉÂ
(i´ÉÆ, i´ÉÉ, i´ÉªÉÉ, i´ÉiÉÂ)
d. ªÉÚ¹¨ÉnÂù – -̯öÕ –Ì·Ùþ¥ÌZÌ•Ì˜ÌÆ
( ™ÌÙ-˜ÌÌÍ—Ì:, ™Ì-˜ÌÌFÉò, ™ÌÙ-˜Ì̲ÌÙ ™ÌÙ-˜Ì—™Ì)Â
3. a. iÉnÂù – {ÉÖÆ iÉÞiÉÒªÉÉ BEò´ÉSÉxɨÉÂ
(iÉÆ, iɺ¨Éè, iÉäxÉ, iÉä¹ÉÖ )
b. iÉnÂù – {ÉÖ {É\SɨÉÒ BEò´ÉSÉxɨÉÂ
(iÉäxÉ, iɺ¨Éè, iÉ´É, iɺ¨ÉÉiÉÂ)

c. iÉnÂù - ºjÉÒ ¹É¹`öÒ BEò´ÉSÉxɨÉÂ


(iɪÉÉ, iɺ¨Éè, iɺªÉÉ:, iɺªÉè )
d. iÉnÂù xÉ{ÉÖÆºÉEò – |ÉlɨÉÉ ¤É½Öþ´ÉSÉxɨÉÂ
(tÌÌÍ•ÌÂ, iÉä, iÉÉ:, iÉÉè)

29
Page 2

4. Split the Sandhi in any four:-


SÉi´ÉÉÊ®ú Ê´ÉPÉ]õªÉiÉ -
a. {ÉÖxɦÉÉÇ´É b. EäòxÉÉÊ{É c. EòÉä ò Ê{É d. ÊEò¨ÉäiÉiÉ e. ºÉÉä ò ªÉÆ f. B´É¨Éä´É

5. Combine the sandhi in any four:-


SÉi´ÉÉÊ®ú ºÉÆPÉiÉ
a. BiÉiÉ + ¸ÉÖi´ÉÉþ b. ªÉÊnù + B´ÉÆ c. xÉ + +ÊiÉnÚù®äú d. nù¶ÉÇxÉÒªÉ:þ + +ªÉÆ
e. EÖòiÉ: + iÉä f. +½Æþ + +t

II a) Write short answers for any five


{É\SÉÉxÉÆ =kÉ®ú ºÉÆÊIÉiªÉú ʱÉJÉiÉù Weightage 1 for each (1x5=5)
6. ®úixÉ ®úixÉäxÉ ºÉbÂ÷MÉSUôiÉä <ÊiÉ * Eò: =´ÉÉSÉ? FÙòtÌ: ? who said ? when?
7. ¨Éxnù¦ÉÉÊMÉxÉÒ JɱɴɽÆþ iÉ´ÉɦªÉxiÉ®úºªÉ <ÊiÉ * EòÉ EònùÉ =´ÉÉSÉ – who said? when?
8. +¦ÉªÉÆ ¶É®ú¨ÉÉMÉiɺªÉ <ÊiÉ * Eò: EÆò =´ÉÉSÉ ? - who said? To whom?
9. +½þÉä MÉÊhÉEòɪÉÉ: ±ÉÉä¦É:, +nùÉÊIÉiªÉÆ SÉ * Eò: +´ÉnùiÉÂ? EÖòiÉ:? - who said? why?
10. ÊEòxiÉÖ |ÉÉ{iÉä ®úÉVÉEòÉªÉæ xÉɽÆþ VÉÉxÉÉ欃 Ê{ÉiÉ®ú¨ÉÊ{É * Eò: EònùÉ =´ÉÉSÉ? - who said? when?
11. nÖù¹Eò®Æú JɱÉÖ Ê´É¹É¨ÉÉè¹ÉvÉÒEòiÉÖǨÉ * Eò: ÊEò¨ÉÊvÉEÞòiªÉ B´ÉÆ =´ÉÉSÉ? – who said ? About what?
12. {É®ú±ÉÉäEòÉlÉÈ {ÉÖjɨÉÖJÉÆ pù¹]ÖõʨÉSUôÉ欃 * Eò: EònùÉ =´ÉÉSÉ? - who said? when?

III Annotate any three`


jÉÒÊhÉ ºÉ|ÉEò®úhÉÆ ´ªÉÉJªÉÉiÉ* Weightage 2 for each (2x3=6)
13. {ÉÖ¯û¹Éä¹ÉÖ xªÉɺÉÉ: ÊxÉÊIÉ´ªÉxiÉä, xÉ OÌâ·þâ -ÌÙ
14. +tÉ{ªÉäiÉÊkɹ`öÊiÉ, ÊEò¨ÉÖVVÉʪÉxªÉÉÆ SÉÉä®úÉä Ê{É ò xÉÉκiÉ*
15. ËEò Eòɹ]õ¨ÉªÉÒ |ÉÊiɨÉÉ =iÉ Ê¶É±É¨ÉªÉÒ *
16. +É: ´ÉÞrùEÖò]Âõ]õÊxÉ, +ÊIɦªÉÉÆ ¨ÉÎxjÉiÉÆ ´ÉÉSÉÉ ¨ÉÚÊEòiɨÉ *
17. xÉ Ê½þ ®úixÉEÖò¨¦ÉºÉoùý¶ÉÉä ò ½Æ κjÉªÉÆ ´ªÉÉ{ÉÉnùªÉÉ欃 *þ

IV. a) Write short notes on any three:-


jÉÒÊhÉ +ÊvÉEÞòiªÉ BEèòEòÉÆ JÉÎhb÷EòÉÆ ʱÉJÉiÉ Weightage 2 for each (2x3=6)
18. ®úÉä½þºÉäxÉ :
19. vÉÚiÉÉ
20. ¶É´ÉÔ±ÉEò:
21. ºÉÆ´ÉɽþEò:
22. ¨ÉnùÊxÉEòÉ
V. Write two essays :- Weightage 4 for each (2x4 = 8)
23. Discuss how far the title ‘Mricchakatikam’ is justified.
or
Give an account of the state of society described in ‘Mricchakatikam’
24. Sketch the character of Carudatta
or
Describe the importance of act ‘Pravahana Viparyaya’ (exchange of carriages)
*******

30
Gadyakavya and Khandakavya
Semester II
(Core Course - 2)
Syllabus
Course Code : 2B02SKT
No. of Credits :5
No. of Contact Hrs. : 108
Aim of the Course
Sanskrit has a rich tradition of Kavya – both prose and verse. The course is intended to
provide a general awareness on them.
Objectives of the course
1. To make awareness in Sanskrit Kavya Literature .
2. Introducing poetic style with special reference to Sandesakavya.
3. To make the students familiar with simple prose style with special reference to fables.
Course Outline
Module I Introducing major poets and their works in Sanskrit literature.
Module II Textual study- Meghadutha (Purvamegha only).
Module III Introducing major prose works in Sanskrit with special
reference to the simple style of fables.
Module IV Textual study- Panchatantra (Aparikshitakarakam only).
Prescribed Texts
1.Meghasandesa of Kalidasa (Purvamegha only).
2.Panchatantra of Vishnusarman (Aparikshitakarakam only).
Reference Books
1. Indian Kavya Literture 1 to 6 volumes.- A.K Wader , Motilal Banarasidas, NewDelhi.
2. History of Classical Sanskrit Literature- M Krishnamacharya, Motilal Banarasidas,
NewDelhi.
3. History of Indian Literature – Maurice Winternitz, Motilal Banarasidas, NewDelhi.
4. Samskritha Sahithya Charitram Edited by Dr. K.Kunjunni Raja and Dr. M.S Menon, Kerala
Sahitya Academy, Thrissur.

*****

31
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April/May/2010
GADYAKAVYA AND KHANDAKAVYA
Semester II
(Core Course - 2)

Course Code : 2B02SKT


Credit :5
Time : 3 Hours. Max. Weightage: 30

(Question paper should be set in Sanskrit. Answer should be written in Sanskrit .)

Texts : Gadyakavya – Panchatantra- Aparikshitakaraka only.


Khandakavya- Meghasandesa-Purvamegha only.

Distribution of weightage :
Gadyakavya -15
Khandakavya -15
Total - 30
One set of Multiple choice Questions from Panchatantra - 1
One set of Multiple choice Questions from Mekhasandesa - 1
Two explain fully out of three from Panchatantra - 4
Two explain fully out of threeMekhasandesa - 4
Three Annotations out of five fromPanchatantra - 6
Three Annotations out of five from Mekhasndesa - 6
One essay out of two from Panchatantra - 4
One essay out of two from Mekhasandesa - 4

*******

32
Model Question Paper
B.A. Programme(Sanskrit) Examination April / May 2010
GADYAKAVYA AND KHANDAKAVYA
Semester II
(Core Course – 2 )
Course Code - 2B02SKT

Text : Gadyakavya - Panchatantra - Aparikshitakaraka only


Khandakavya - Meghasandesa - Purvamegha only
Credit :5
Time: 3 hours Maximum Weightage: 30

ºÉÚSÉxÉÉ : ºÉ´Éæ |ɸÉÉ: ºÉ¨ºEÞòiɦÉɹɪÉè´É ºÉ¨ÉÉvÉäªÉÉ: *

I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú ÊxÉvÉÉǪÉÇ Ê±ÉJÉiÉ ** Weightage 1


1. a. {É\SÉiÉxjɺªÉ EòiÉÉÇ Eò: ?
(ʴɹhÉֶɨÉÉÇ , IÉä¨Éäxpù:, ºÉÉä¨Énäù´É:, MÉÖhÉÉføªÉ:)
b. EòÉ iɯûhÉɪÉiÉä ?
(Eäò¶ÉÉ:, nùxiÉÉ:, iÉÞ¹hÉÉ, SÉIÉÖ:)
c. SÉhb÷´É¨ÉÉÇ EòÉ: +ɺÉÒiÉ ?
(®úÉIɺÉ:, ¥ÉÉÀhÉ:, ¶ÉÞMÉɱÉ:, ´ÉÉxÉ®ú:)
d. xÉÉÊ{ÉiÉ: <ÊiÉ {ÉnùºªÉ +lÉÇ: ¦É´ÉÊiÉ -
(vÉÒ´É®ú:, ºÉÚªÉÇ:, IÉÖ®úEò: , näù´É: )
2. a. ¨ÉäPɺÉxnäù¶ÉºªÉ EòiÉÉÇ Eò: ? Weightage 1
(EòÉʱÉnùɺÉ:, +¸´ÉPÉÉä¹É:, ¦ÉÉ®úÊ´É:, ¨ÉÉPÉ:)
b. ¶ÉÉ{ÉOɺiÉ: ªÉIÉ: EÖòjÉ ´ÉºÉÊiÉ º¨É?
(+³ýEòɪÉÉÆ, ®úɨÉÊMɪÉÉÇ, <xpù|ɺlÉä, ¥ÉÀÉ´ÉiÉæ)
c. ¨ÉäPɺªÉ EÖò±ÉºªÉ xÉÉ¨É ÊEò¨É ?
(ºÉÉä¨É´ÉƶÉ:, {ÉÖ¹Eò®úÉ´ÉiÉÇEò:, ºÉÚªÉÇ´ÉÆ¶É: , ªÉnÖù´ÉƶÉ:)
d. ¨ÉäPɺÉxnäù¶ÉºªÉ +bÂ÷NÉÒ®úºÉ: Eò:?
(Eò¯ûhÉ:, ´ÉÒ®ú: , Ê´É|ɱɨ¦É¶ÉÞbÂ÷NÉÉ®ú: ¶ÉÉxiÉ:)

II. uäù ´ªÉÉJªÉÉiÉ Weightage: 2*2=4


3. ´É®Æú ´ÉxÉÆ ´ªÉQÉMÉVÉÉÊnùºÉäÊ´ÉiÉÆ
VÉxÉäxÉ ½þÒxÉÆ ¤É½ÖþEòh]õEòÉ´ÉÞkɨÉ *
iÉÞhÉÉÊxÉ ¶ÉªªÉÉ ´ÉÊ®úvÉÉxɴɱEòEÆò
xÉ ¤ÉxvÉÖ¨ÉvªÉä vÉxɽþÒxÉVÉÒÊ´ÉiɨÉ **
4. +®úÊIÉiÉÆ Êiɹ`öÊiÉ nèù´É®úÊIÉiÉÆ
ºÉÖ®úÊIÉiÉÆ nèù´É½þiÉÆ Ê´ÉxɶªÉÊiÉ *
VÉÒ´ÉiªÉxÉÉlÉÉä: Ê{É MÉÞ½äþ xÉ VÉÒ´ÉÊiÉ**
5. ±ÉVVÉÉ ºjÉä½þ: º´É®ú¨ÉvÉÖ®úiÉÉ ¤ÉÖuùªÉÉä ªÉÉè´ÉxɸÉÒ:
EòÉxiÉɺÉbÂ÷MÉ: º´ÉVÉxɨɨÉiÉÉ nÖùJɽþÉÊxÉ̴ɱÉɺÉ: *
vɨÉÇ: ¶ÉɺjÉÆ ºÉÖ®úMÉÖ¯û¨ÉÊiÉ: ¶ÉÉèSɨÉÉSÉ®úÊSÉxiÉÉ
{ÉÚhÉæ ºÉ´Éæ VÉ`ö®úÊ{É`ö®äú |ÉÉÊhÉxÉÉÆ ºÉƦɴÉÎxiÉ **

33
Page 2

III. näù ´ªÉÉJªÉÉiÉ Weightage: 2*2=4


6. ¨ÉxnÆù ¨ÉxnÆù xÉÖnùÊiÉ {É´Éxɸ´ÉÉxÉÖEÚòºÉÉä ªÉlÉÉ i´ÉÆ
´Éɨɸ´ÉÉªÉÆ xÉnùÊiÉ ¨ÉvÉÖ®ú¨É SÉÉiÉEòºiÉä ºÉMÉxvÉ:*
MɦÉÉÇvÉÉxÉIÉhÉ{ÉÊ®úSɪÉÉzÉÚxɨÉɤÉrù ¨ÉɱÉÉ:
ºÉäʴɹªÉxiÉä xɪÉxɺÉÖ¦ÉMɨÉ JÉä ¦É´ÉxiɨÉ ¤É±ÉÉEòÉ: **
7. iÉκ¨ÉxEòɱÉä xɪÉxɺÉα±É¨É ªÉÉäʹÉiÉÉÆ JÉÎhb÷iÉÉxÉÉÆ
¶ÉÉÏxiÉ xÉäªÉÆ |ÉhÉÉʪÉʦɮúiÉÉä ´Éi¨ÉÇ ¦ÉÉxÉÉäºiªÉVÉɶÉÖ *
|ÉɱÉäªÉɺjÉÆ Eò¨É±É´ÉnùxÉÉiºÉÉäÊ{É ½þiÉÖÈ xÉʱÉxªÉÉ:
|ÉiªÉÉ´ÉÞkɺi´É滃 Eò®ú¯ûÊvÉ ºªÉÉnùxɱ{ÉɦªÉºÉÚªÉ:**

8. iÉjÉ ºEòxnÆù ÊxɪÉiɴɺÉËiÉ {ÉÖ¹{ɨÉäPÉÒEÞòiÉÉi¨ÉÉ


{ÉÖ¹{ÉɺÉÉ®èú: ºjÉ{ɪÉiÉÖ¦ÉÉ´ÉÉx´ÉªÉÉä¨ÉMÉbÆ÷MÉùÉVɱÉÉpêù: *
®úIÉɽäþiÉÉäxÉÇxɴɶÉʶɦÉÞiÉÉ ´ÉɺɴÉÒxÉÉÆ SɨÉÚxÉÉ -
¨ÉiªÉÉÊnùiªÉÆ ½Öþiɴɽþ¨ÉÖJÉä ºÉ¨¦ÉÞiɨÉ iÉÊrù iÉäVÉ:**

IV. ºÉ|ÉEò®úhÉÆ jɪÉÉhÉɨÉÉ¶ÉªÉÆ ʴɶÉnùªÉiÉ * Weightage: 2*3=6


9. +ÊiɱÉÉä¦ÉÉʦɦÉÚiɺªÉ SÉGÆò §É¨ÉÊiÉ ¨ÉºiÉEäò*
10. =nùÉ®úSÉÊ®úiÉÉxÉÉxiÉÖ ´ÉºÉÖvÉè´É EÖò]Öõ¨¤ÉEò¨É *
11. ºÉ´Éæ iÉä ½þɺªÉiÉÉÆ ªÉÉÎxiÉ ªÉlÉÉ iÉä ¨ÉÚJÉÇ{ÉÎhb÷iÉÉ:*
12. ±ÉIÉÉÊvÉ{ɺiÉlÉÉ ®úÉVªÉÆ ®úÉVªÉºlÉ: º´ÉMÉǨÉÒ½þiÉä *
13. ºÉ B´É ÊxÉvÉxÉÆ ªÉÉÊiÉ ªÉlÉÉ ¨ÉxlÉ®úEòÉèʱÉEò:*

V. ºÉ|ÉEò®úhÉÆ jɪÉÉhÉɨÉÉ¶ÉªÉÆ ʴɶÉnùªÉiÉ * Weightage: 2*3=6


14. EòɨÉÉiÉÉÇ Ê½þ |ÉEÞòÊiÉEÞò{ÉhÉɸ´ÉäiÉxÉÉ ò SÉäiÉxÉä¹ÉÖ *
15. Ê®úHò: ºÉ´ÉÉæ ¦É´ÉÊiÉ Ê½þ ±ÉPÉÖ: {ÉÚhÉÇiÉÉ MÉÉè®ú´ÉÉªÉ *
16. ºjÉÒhÉɨÉÉPÉÆ |ÉhɪɴÉSÉxÉÆ ʴɧɨÉÉä ʽþ Ê|ɪÉä¹ÉÖ *
17. +É{ÉzÉÉÌiÉ|ɶɨÉxÉ¡ò±ÉÉ: ºÉ¨{ÉnùÉä ¿ÖkɨÉÉxÉÉÆ*
18. Eäò ´ÉÉ xÉ ºªÉÖ: {ÉÊ®ú¦É´É{ÉnÆù Êxɹ¡ò±ÉÉ®ú¨¦ÉªÉixÉÉ: *

VI. े =kÉ®úªÉiÉ* Weightage: 4*2= 8


19•ÌfÌtÌ•wÌÌâHòÍzù¨ÌÌ ²ÌÌâ˜Ì¨Ì˜ÌÊÍ•ÌtÌßFòyÌÌÉ +yÌ¥ÌÌ ¥ÌFòÌ¡ô¥Ì̜̕úFòyÌÌÉ Í¡ôLÌtÌ*

20. ªÉIÉähÉ ÊxÉÌnù¹]Æõ ¨ÉäPɨÉÉMÉÈ ºÉΨIÉ{ªÉ ʱÉJÉiÉ *


+lÉ´ÉÉ
|ÉEÞòÊiÉÊSÉjÉhÉä EòÉʱÉnùɺɺªÉ xÉè{ÉÖhªÉÆ Ê´É¨ÉÞ¶ÉiÉ *

*******

34
Scientific Literature in Sanskrit
Semester II
(Complimentary Course – 2)
Syllabus
Course Code : 2C02SKT
No. of Credits :4
No. of Contact Hrs. : 108
Aim of the Course
To increase the attitude of students towards Sanskrit and make them aware of the science in Sanskrit.
Objectives of the course
1. To know about the science in Sanskrit .
2. To know about the technical literature in Sanskrit.
3. To know different disciplines and their relation with Sanskrit.
Course Outline
Module I An Introduction to Scientific Literature in Sanskrit.
Module II Ayurveda- Basic principles-Important works and authors-
Veterinary Science and Vrikshaurveda.
Module III Astronomy and Mathemetics- Important works and authors-
Medieval Kerala Astronomy .
Module IV Indian Architecture - Important works and authors .
Module V Alchemy and Chemistry- Important works and authors, Arthasastra,
Bharata, Panini.
Prescribed Texts
1. Scientific Literature in Sanskrit – Dr. S Venkita Subramanya Iyer, University of Kerala.
2. Indian Scientific Tradition Edited by Dr. N.V.P Unithiri, University of Calicut.
1. Vrikshayurveda in ancient India – Gopal Lallanji, Sandeep Prakasan, New Delhi.
2. Sasthram Indiayil- State Institute of Languages , Thiruvananthapuram.
Reference Books
1. History of Technical Literature in Sanskrit- D.B Chatopadhyaya.
2. History of Science and Technology in India – Kuppuram G, Kumudani K , Sandeep
Prakasan, New Delhi.
3. History of Indian Literature – Vol. 3 Part 2- Maurice Winternitz, Motilal Banarasidas,
NewDelhi.
4. History of Ayurveda – N.V Krishnankutty Varier, Aryavaidyasala, Kottakkal.
5. Brihatsamhita- Varahamihira.
6. Astronomy and Mathematics in Kerala - Dr. K.Kunjunni Raja, Adyar Library, Madras.
7. A History of Kerala School of Astronomy- K.V Sarma – Visheshvaranand Institute
Hoshiarpur, Panjab University.
8. An Engineering Commentary on Manushyalaya Chandrika- Achutan A and Balagopal T S
Prabhu.-Vastuvidyapratishtanam, Calicut.
9. History of Hindu Chemistry –Ray P.C, The Bengal Chemical and Pharmaceutical Works.
10. A Text book of Rasa Sasthra- Dr. Vilas Doll, Dr. Prakas Paranjpe, Chaukhamba Sanskrit
Pratishtan, Delhi.
11. Vaidikavijnanam –anusyutiyum vikasavum Edited by Dr. K.A Ravindran, Panchangam
Press, Kunnamkulam.
********

35
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April/May 2010
Scientific Literature in Sanskrit
Semester II
(Complimentary Course – 2)

Course Code : 2 C02SKT


Credit :4
Time : 3 hrs. Max. Weightage: 30

(Question paper should be set in English. Answer may be written either in Sanskrit or in English.)

Syllabus : An Introduction to Scientific Literature in Sanskrit, Ayurveda- Basic principles-


Important works and authors- Veterinary Science and Vrikshaurveda, Astronomy
and Mathematics- Important works and authors-Medieval Kerala
astronomy, Indian Architecture - Important works and authors, Alchemy and
Chemistry- Important works and authors .

Total Weightage - 30
Two sets Multiple choice Questions - 2
Eight Short notes out of Twelve - 16
Three Essays out of Five - 12

********

36
Model Question Paper
B.A. Programme (Sanskrit) Examination Apr./May 2010
Scientific Literature in Sanskrit
Semester II
(Complimentary Course – 2)
Course Code : 2C02SKT Credit : 4
Time : 3 Hours. Max. Weightage: 30

Instructions: Answers may be written either in Sanskrit or in English. In writing Sanskrit,


Devanagari script should be used.

I -1. Choose correct answer :- Weightage: I for each set.


a. Charaka was the court physician of King…….. ( Kanishka, Chandragupatha
Maurya, Bhoja, Ashoka)
b. Sarvangasundara is a commentory of ........... (Ashtangahrudayam,Charakasamhita,
Bhavaprakasam, Vrikshayurvedam)
c. Leelavathy – a work on algebra , is a part of ……….(Aryabhatiya,
Sidhanthasiromani, Brihadsamhitha, Ganithasarasamgraha)
d. Who revised the Parahita system through Drugganita- (Varahamihira, Aryabhata,
Vatasseri Parameswara, Sangamagrama Madhava)
2. Choose Correct Answer : -
a. Palakapyam deals with ........ ( Agriculture, Botany, Elephantology, Alchemy)
b. Who is the author of Tantrasamuchaya? ( Chenas Narayanan Nambudiri, Sreekumara,
Thirumangalath Neelakandan Musat, Maya)
c. Rasarathnasamuchaya is written by………. (Nagarjuna, Vagbhata, Kautilya,Agnivesa)
d. The text which deals with Ayurveda is ( Bhavaprakasam, Manasara,
Panchasidhanthika,Arthasastra)

II- Write short notes on any eight.


Weightage: 2 for each.
A B
1. Bhoja 1. Manushyalayachandrika
2. Brahmaguptha 2. Manasara
3. Kautilya 3. Aryabhatiya
4. Bhaskara II 4. Ashtadhyayi
5. Sreekumara 5. Brihadsamhita
6. Bharata 6. Vrkshayurveda

III – Write any three essays:- Weightage: 4 for each.

1. Evaluate the contribution of Medieval Kerala to Indian Astronomy.


2. Give an account of important works in Ayurveda.
3. Examine the origin and development of Indian alchemy and chemistry.
4. Describe main works in domestic architecture.
5. Explain the contribution of ancient Indians to mathematics.
********

37
Complimentary Sanskrit for Malayalam Main
POETRY AND GRAMMER
Semester II
(Complimentary Sanskrit for Malayalam Main – 1)
Syllabus
Course No :2C – (01) SKT
No of credits :4
No. of Contact Hrs. : 108

Aim of the course


The course is aimed at developing the basic knowledge in Sanskrit and its relation with other
languages, Aesthetic aspects, social and cultural values, ethical importance, environmental richness,
philosophical aspects etc.

Objectives of the course:


1. To enable the students to have a general knowledge in Sanskrit including the study of
Sanskrit grammar.
2. To introduce Sanskrit poetic literature with special reference to Raghuvamsa.
3. To increase the vocabulary and to express ideas orally and literally.
4. To empower the communicative skill.
5. To inculcate human values.
Course outline
Module I
Introduction to Sanskrit language- Basic elements of Sanskrit grammar-special study of
‘Vibhaktis’- Declensions - Vriksha, Praja, Kavi, Pitr,Vana, Asmad, Yushmad and Tad - all
genders
General studies of Sandhis – split and combine (only from the prescribed Text)
Module II
An introduction to Sanskrit Mahakavya – Mahakavya lakshana of Dandin - Five important
Mahakavyas – Kalidasa and his works – Raghuvamsa-A brief summary.

Module III
Textual study of Raghuvamsa II canto –critical study – An appreciation of the canto – poetic style,
nature depicted etc.

Prescribed Text:
Raghuvamsa canto II

Additional reading:
Sabdamanjari
Kamadhenu –Bharatappisharodi
Laghusamskritam – Prof. K. G. Paulose
A Short history of Sanskrit literature – T.K Ramachandra Iyer
*******

38
Pattern of Question Paper
B.A. Programme Examination April/May 2010
Poetry and Grammar
Semester II
(Complimentary Sanskrit for Malayalam Main - I)

Course Code : 2C - (01)SKT Credit :4


Time : 3 hrs Maximum weightage: 35

Texts:
Poetry: Raghuvamsa canto II
Grammar: Declensions - Vriksha ,Praja ,Kavi, Pitr, Vana,
Yushmad,Asmad and Tad in all genders.

Answers may be written either in Sanskrit or in English or in the main language.

Distri bution of weightage:


Poetry : 28
Grammar :7
Total : 35

1.Split the Sandhi 4 out of 6 -1


2.Combine the Sandhi 4 out of 6 -1
3.Decline 5 out of 8 -5
4. Answer in one or two sentences 6 out of 8 (From Poetry) -6
5. Explain fully 2 out of 3 -4
6. Annotate 3 out of 5 -6
7. Translate 2 out of 4 -4
8. Essays 2 out of 4 -8

Components of Continuous Evaluation (CE)


Component Weight
a. Attendance 1
b. Assignment 1
c. Seminar 1
d. Two test papers 2

********

39
Model Question Paper
B.A. Programme Examination April / May 2010
POETRY AND GRAMMAR
Semester II
(Complimentary Sanskrit for Malayalam Main I)

Course Code - 2C (01)SKT

Text :1. Raghuvamsa - Canto II


2.Grammar - Declensions - Vriksha, Praja, Kavi, Pitr, Vana, Yushmad, Asmad
and Tad - all genders.

Credit :4
Time: 3 hours Maximum Weightage: 35

Answers may be written in main language or in Sanskrit or in English. In writing Sanskrit Devanagari
script should be used.
I Answer the following- Weightage 1 for each set
1. Split any four-
a. ¬Ì}âù¥Ì b.tÌyÌâÍtÌ c.•ÌÙ•Ìœâú¥Ì d.˜Ì•̲ÌÌÍ•Ì e. t̆¨Ì: f. ŒÌâ•ÌÙÍœú™ÌÉ
2.Combine any four-
a. ŒÌ•ÌÙ: +ŒÌœú: b. ²ÌÙŒÌÌ +<¥Ì c.²ÌÌ +<™ÌÉ d.<ÍtÌ +=zùOÌë: e.tÌtÌÆ +œúKÌ f.˜ÌÙ•Ìâ: + ZÌ
II Decline any five- Weightage 1 for each
3. ¥ÌßKÌ- ZÌtÌÙyÌ× Í¥Ì—ÌÍHò:*
4.FòÍ¥Ì- -̯öÕ - - --
5.Í•ÌtÌß--•Ìëy̘ÌÌ-----
6.¥Ì•Ì--²Ì•̘ÌÕ ----
7.+²˜ÌzÆù--͈ùtÌÕ™ÌÌ---
8. tÌzÆù--•ÌÙ΢ôOÌâ--tÌßtÌÕ™ÌÌ---
9.™ÌÙ-˜ÌzÆù--•Ìëy̘ÌÌ---
III Answer any six in one or two sentences : Weightage 1 for each
10. +ÌZÌÌœú•ÌÜtÌÉ •̥̕Ì: ͲÌ-Ìâ¥Ìâ-How?
11. ͕̥ÌÊtÌÊ™Ì̘ÌÌ²Ì •Ìߕ̲™Ì ‹ùÍ®õ˜ÌÆ--Whose? When?
12. zùzù¨ÌÊ œúÌ`ÌÌ `̕̕ÌÕ̥͘Ì--Who? Whom?
13.@ñ}Éù Í·þ œúÌ`™ÌÉ •Ìzù˜Ì敇ù˜ÌÌ·Ùþ:--Who said? About What?
14. •Ìë`ÌÌ: •Ìë`ÌÌ•ÌÌyÌ, Í•ÌtÌâ¥Ì •ÌÌͲÌ--Who said? To whom ?
15. ¨ÌßWóÌ•ÌÆtÌœÉú ˆùÌœú̥͘ÌÌyÌÊͲÌ}âù:--To whom? How?
16. •™ÌâÍ-ÌÍŒÌ ¨Ìâ-ÌÌ╙̕ÌÙ™ÌÌÍtÌ ¥ÌOÌÊ:--What is the reason ?
17. <Ê¡ôÌâFò¨Ì–zÉù ¥Ì™Ì™Ì²ÌÌÉ Í¥ÌœúÌ¥Ìæ:---Who ? How?
IV Explain fully any two: Weightage 2 for each
18. ѲyÌtÌ: ѲyÌtÌ̘ÌÙÍ[ÌtÌ: •Ìë™ÌÌtÌÌÉ Í•Ì-ÌâzÙù-ÌÕ˜Ì̲̖̕̕QÌŒÌÕœú:*
•Ìë`ÌÌÍ—Ì¡ôÌ-ÌÕ `Ì¡ô˜ÌÌzùzùÌ•ÌÉ \ôÌ™Ìâ¥Ì tÌÌÉ —ÌÜ•ÌÍtÌœú•¥ÌOÌZ\ôtÌÆ**

40
Page 2

19.•ÌÙœú²FßòtÌÌ ¥Ìt˜ÌÊÍ•Ì •ÌÌÏyÌ¥Ìâ•Ì •Ìët™ÌÙ{ùtÌÌ •ÌÌÏy̥̘̌ÌÊ•Ìv™ÌÌ*


tÌzù•tÌœâú ²ÌÌ Í¥ÌœúœúÌ`Ì ŒÌâ•ÌÙ: Ízù•ÌKÌ•Ì̘̌™ÌOÌtÌâ¥Ì ²ÌÉŒ™ÌÌ**
20. KÌtÌÌtÌÆ ÍFò¡ô wÌÌ™ÌtÌ <t™ÌÙzùOÌë: KÌw̲™Ì ¨Ì–zùÌâ —Ì٥̕Ìâ-ÌÙ •ûqø:*
œúÌ`™Ìâ•Ì ÎFò tÌ͈ù•ÌœúÕtÌ¥Ìß}âù: •ÌësÌæ•û•ÌFêòÌâ¨Ì˜Ì¡ôÕ˜Ì²Ìæ¥ÌÌÊ**
21.²Ì tÌÆ ͕̥ÌtÌʲ¥Ì ̷ͥþÌ™Ì ¡ôaÌÌÉ OÌÙœúÌâ—ÌÊ¥ÌÌ•zùϨÌͨÌ-™Ì—ÌÍHò:*
¨ÌµÌâsÌ œúK™ÌÉ ™Ìzù¨ÌE™ÌœúKÌÉ •Ì t̆¨Ì: ¨ÌµÌ—ÌßtÌÉ ÍKÌsÌÌâÍtÌ**
V Annotate any three: Weightage 2 for each
22. ¬ÌÙtÌâÍœú¥ÌÌyÌË ²˜ÌßÍtÌœú•¥ÌOÌZ\ôtÌÆ*
23. ÍZÌwÌÌÏ•ÌtÌÌœÉú—Ì <¥ÌÌ¥Ìt̲yÌâ*
24. Í•Ìsnâ÷-¥Ì•Ì̲yÌÌ LÌ¡Ùô —ÌÌæÍtÌFâò-ÌÙ*
25. ̜ͥú˜ÌÜqø: •ÌëÍtÌ—ÌÌÍtÌ ˜Ìâ t¥Ì˜ÌÆ*
26. +•t̘ÌÊzù̥̲yÌ <¥Ì ͈ù•Ì╇ù:*
VI Translate any two into the main language: Weightage 2 for each
27. ˜Ì•ût•Ìë™ÌÙHòÌ©Ì ˜Ì•ût²ÌLÌÌ—ÌÉ t̘ÌZ™ÌʘÌÌœúÌzùÍ—Ì¥ÌtÌʘÌÌ•Ì˜ÌÆ*
+¥ÌÌÍFòœú•ÌÆ –ÌÌ¡ô¡ôtÌÌ: •Ìë²ÌÜ•ÌæœúÌZÌÌœú¡ôÌ`ÌæÍœú¥Ì •ÌÌæœúFò•™ÌÌ**
28. ²Ì •ÌÌhõ¡ôÌ™ÌÌÉ OÌÍ¥Ì tÌѲyÌ¥ÌÌɲÌÉ ŒÌ•ÌÙQÌÊœú: Fâò²ÌÍœúsÌÉ zùzù¨ÌÊ*
+ÍŒÌt™ÌFòÌ™ÌÌÍ˜Ì¥Ì ŒÌÌtÌÙ˜Ìt™ÌÌÉ ¡ôÌâŒÌì‡Ùù˜ÌÉ ²ÌÌ•ÌÙ˜ÌtÌ: •Ìë•Ùò¢ô˜ÌÆ**
29. Fæò¡ô̲ÌOÌÌæœÉú ¥Ìß-̘ÌÌ•û•ûKÌÌâ: •ÌÌzùÌ•ÌÊsÌÌ•ÌÙOÌë·þ•ÌÜtÌ•Ìß®õ˜ÌÆ*
+¥ÌâÍ·þ ˜ÌÌÉ ÍFòSóœú˜Ì®õ˜ÌÜtÌä: FÙò˜—ÌÌâzùœÉú •ÌÌ˜Ì Í•ÌFÙò˜—Ì͘ÌwÌ˜ÌÆ**
30. +yÌ •Ìë`ÌÌ•Ì̘Ì͌̕Ì: •Ìë—ÌÌtÌâ `ÌÌ™ÌÌ •ÌëÍtÌOÌëÌÍ·þtÌ OÌ•ŒÌ˜ÌÌŸ™ÌÌ˜ÌÆ*
¥Ì•ÌÌ™Ì •ÌÕtÌ•ÌëÍtÌ–ÌŒzù¥Ìt²ÌÌÉ ™Ì¨ÌÌâŒÌ•ÌÌâ ŒÌâ•ÌÙ˜Ìß-Ìâ˜ÌÙʘÌÌâZÌ**
VII Write two essays Weightage 4 for each

31. Describe how Dilipa observed the vow together with the queen.
OR
Summarise the conversation between the Lion and the King.
32. =•̘ÌÌ FòÌÍ¡ôzù̲̲™Ì - Substantiate the statement with examples.
OR
Describe the skill of Kalidasa in depicting Nature.
*******

41
Complimentary Sanskrit for Hindi and Kannada Main – 1

POETRY AND GRAMMER


Semester II
(Complimentary Sanskrit for Hindi and Kannada Main – 1)
Syllabus
Course Code : 2C-(01)SKT
No of credits :4
No. of Contact Hrs. : 108

Aim of the course


The course is aimed at developing the basic knowledge in Sanskrit and its relation with other languages,
Aesthetic aspects, social and cultural values, ethical importance, environmental richness, philosophical aspects
etc.

Objectives of the course:


1. To enable the students to have a general knowledge in Sanskrit including the study of Sanskrit
grammar.
2. To introduce Sanskrit poetic literature with special reference to Raghuvamsa.
3. To increase the vocabulary and to express ideas orally and literally.
4. To empower the communicative skill.
5. To inculcate human values.

Course outline
Module I
Introduction to Sanskrit language- Basic elements of Sanskrit grammar-special study of ‘Vibhaktis’-
Declensions - Vriksha, Praja, Kavi, Pitr, Vana, Asmad, Yushmad and Tad - all genders
General studies of Sandhis – split and combine (only from the prescribed Text)

Module II
An introduction to Sanskrit Mahakavya – Mahakavya lakshana of Dandin - Five important Mahakavyas –
Kalidasa and his works – Raghuvamsa-A brief summary.

Module III
Textual study of Raghuvamsa V canto –critical study – An appreciation of the canto – poetic style, nature
depicted etc.

Prescribed Texts:
Raghuvamsa canto V

Additional reading
Sabdamanjari
Kamadhenu –Bharatappisharodi
Laghusamskritam – Prof. K. G. P
A Short history of Sanskrit literature – T.K Ramachandra Iyer

*******

42
Pattern of Question Paper
B.A. Programme Examination April/May 2010
POETRY AND GRAMMAR
Semester II
(Complimentary Sanskrit for Hindi and Kannada - 1)

Course Code: 2C –(01)SKT


Texts:
Poetry: Raghuvamsa canto V
Grammar: Declensions - Vriksha, Praja, Kavi, Pitr, Vana,
Yushmad, Asmad and Tad - all genders.

Credit :4
Time : 3 hrs Maximum weightage: 35

Answers may be written either in Sanskrit or in English or in the main language.


In writing Sanskrit, Devanagari script should be used.

Distribution of weightage:
Poetry : 28
Grammar :7
Total : 35

1.Split the Sandhi 4 out of 6 -1


2.Combine the Sandhi 4 out of 6 -1
3.Decline 5 out of 8 -5
4. Answer in one or two sentences 6 out of 8(From Poetry) -6
5. Explain fully 2 out of 3 -4
6. Annotate 3 out of 5 -6
7. Translate 2 out of 4 -4
8. Essays 2 out of 4 -8

Components of Continuous Evaluation (CE)


Component Weight
a. Attendance 1
b. Assignment 1
c. Seminar 1
d. Two test papers 2

*******

43
Model Question Paper
B.A. Programme Examination April / May 2010
POETRY AND GRAMMAR
Semester II
(Complimentary Sanskrit for Hindi and Kannada Main - 1)

Course Code - 2C –(01)SKT

Text : 1. Raghuvamsa - Canto V


2. Grammar Declensions - Vriksha, Praja, Kavi, Pitr, Vana, Yushmad, Asmad
and Tad - all genders.

Credit :4
Time: 3 hours Maximum Weightage: 35

Answers may be written in main language or in Sanskrit or in English. In writing Sanskrit


Devanagari script should be used.

I. 1. Split any four:- Weightage 1 for each set


a. +iªÉÉYɪÉÉ b. MÉÖ¯ûºiÉä c. EòÉÎSSÉx¨É½þ¹Éæ: d. xÉÉnÇùÊiÉ e. +ɽþ®äúÊiÉ f. ºÉÉä ò ½Æþ
2. Combine any four:-
a. ʽþ + +ªÉÆ b. iÉ´É + +ƽÇþiÉ: c. ¨ÉÉ +ò+¦ÉÚiÉ d. †Ìæ: + +ÉÊ{É
e. ºÉÖ®èú: + ʽþ¨ÉÉÆ¶ÉÉä f. ´ÉÉSÉÆ + =´ÉÉSÉ

II. Decline any five Weightage 1 for each


3. ´ÉÞIÉ - SÉiÉÖlÉÔ *
4. EòÊ´É - {É\SɨÉÒ *
5. ªÉÖ¹¨ÉnÚù - ÊuùiÉÒªÉÉ *
6. +º¨ÉnÚù - ºÉ{iɨÉÒ *
8. Í•ÌiÉÞ - ¹É¹`öÒ *
9. ´ÉxÉ - ÊuùiÉÒªÉÉ *
10. |ÉVÉÉ - |ÉlɨÉÉ *

III. Answer any six in one or two sentences Weightage 1 for each
11. ÊxɹGò®ÙõÖ¨ÉlÉÈ SÉEò¨Éä EÖò¤Éä®úÉiÉ - who?
12. ¦ÉÉäVÉäxÉ nÚùiÉÉä ®úPÉ´Éä ʴɺÉÞ¹ÉÞ - for what?
13. uùɥ̕™Ì¦ÉÚiÉɨÉÉʦɕ̕†²Ìu¥ÌÌæ - who are the two?
14. EòÉèiºÉ: |É{Éänäù ´É®úiÉxiÉÖʶɹªÉ: - when?
15. Eò±ÉÉIɪÉ: ¸±ÉÉvªÉiÉ®úÉä ʽþ ´ÉÞräù: - how?
16. ºÉ´ÉÉæ{ÉEòÉ®úIɨɨÉɏɍɯ iÉä - who says this?
17. {É®úº{É®úiÉÖ±ÉɨÉÉvÉÒ®úÉä½þiÉÉÆ uäù – explain
18. ºÉäxÉÉMÉVÉäxpùÉ: ʴɨÉÖJÉҤɦÉÚ´ÉÖ: - when?

44
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IV. Explain fully any two: Weightage 2 for each
19. MÉÖ´ÉÇlÉǘÌyÌ× ¸ÉÖiÉ{ÉÉ®‹ù«ÌÌ
®úPÉÉä: ºÉEòɶÉÉnùxÉ´ÉÉiªÉ EòɨɨÉ *
MÉiÉÉä ´ÉnùÉxªÉÉxiÉ®úʨÉiªÉªÉÆ ¨Éä
¨ÉÉ ¦ÉÚi{É®úÒ´ÉÉnùxÉ´ÉÉ´ÉiÉÉ®ú: *

20. ºÉ´ÉÇjÉ xÉÉä ´ÉÉiÉǨɴÉÉäʽþ ®úÉVÉxÉ *


xÉÉlÉä EÖòiɺt¥Ì™™Ì¶É֦ɯ •Ìë`ÌÌ•ÌÌ˜ÌÆ *
ºÉ򻃾 iÉ{ÉiªÉÉ´É®úhÉÉªÉ où¹]äõ:
FòŸ•ÌâtÌ ±ÉÉäEòºªÉ EòlÉÆ iÉ̳͘ÌÌ **

21. ºÉ¨¨ÉÉä½þxÉÆ xÉÉ¨É ºÉJÉä ! ¨É¨ÉɺjÉÆ


|ɪÉÉäMÉºÉÆ½þÉ®úʴɦÉHò ¨ÉxjɨÉ *
MÉÉxvÉ´ÉǨÉÉnùiº´É ªÉiÉ: |ɪÉÉäHÖò -
xÉÇ SÉÉÊ®ú˽þºÉÉ Ê´ÉVÉªÉ©Ì ½þºiÉä **

V. Annotate any three: Weightage 2 for each


22. ¶É®úrùxÉÆ xÉÊnùÊiÉ SÉÉiÉEòÉä ò Ê{É *
23. {ÉÉnÆù ºÉÖ¨Éä®úÉäÊJÉ ´ÉXÉÉʦÉzɨÉ *
24. |É´ÉÌiÉiÉÉä nùÒ{É <´É |ÉnùÒ{ÉÉiÉÂ *
25. ¶ÉÉèiªÉÆ Ê½þ ªÉiºÉÉ |ÉEÞòÊiÉ VÉDZɺªÉ*
26. ±ÉÉäEäòxÉ SÉèiÉxªÉÉʨɴÉÉä¹hÉ®ú¶¨Éä: *

VI. Translate any two: Weightage 2 for each


27. iɨÉSÉÇʪÉi´ÉÉ Ê´ÉÊvÉ´ÉÉÊuùvÉÒYɺiÉ´ÉÉävÉxÉÆ ¨ÉÉxÉ vÉxÉÉOɪÉɪÉÉä *
ʴɶÉÉÆ{ÉÊiÉ̴ɹÉÞ®ú ¦ÉÉVɨÉÉ®úÉiEÞòiÉÉVVÉʱÉ: EÞòiªÉÊ´ÉÊnùiªÉÖ´ÉÉSÉ **
28. ¶ilÉÆ |ɪÉÖVªÉÉʶɹɨÉOÉVÉx¨ÉÉ ®úÉYÉä |ÉiÉÒªÉÉªÉ MÉÖ®úÉä: ºÉEòɶɨÉ *
®úÉVÉÉÊ{É ±Éä¦Éä ºÉÖiɨÉɶÉÖ iɺ¨ÉÉnùɱÉÉäEò¨ÉEòÉÇÊnù´É VÉҴɱÉÉäEò: **
29. iÉÆ iÉκlÉ´ÉÉÆºÉÆ xÉMÉ®úÉä{ÉEòh`äö iÉnùÉMɨÉɰüføMÉÖ¯û|ɽþ¹ÉÇ: *
|ÉiªÉÖVVÉMÉÉ¨É FêòyÌEèòʶÉEäòxpù¸SÉxpÆù |É´ÉÞrùÉą̈ÉÊ®ú´ÉÉą̈ɨÉɱÉÒ **
30. iÉÉ©ÉÉänù®äú¹ÉÖ Ê{ÉiÉiÉÆ iɯû{ɱ±É´Éä{ÉÖ
͕̌ÌÌèt̽þÉ®ú MÉÖʱÉEòÉÊ´É¶ÉÆnù ʽþ¨Éɨ¦É:*
+ɦÉÉÊiÉ ±Érù{É®ú ¦ÉÉMÉiɪÉÉvÉ®úÉä¹]äõ
±ÉÒ±ÉÉκ¨ÉiÉÆ ºÉnù¶ÉxÉÉÌSÉÍœú¥Ì i´ÉnùҪɨÉ **

VII. Write any two essays: Weightage 4 for each


31. Summarise the beauty of morning depicted by Kalidasa
32. Describe the episode of Priyamvada
33. Summarise the words of Kautsa to Raghu
34. ´ÉxªÉ:ºÉÒºiÉÉMÉVɨÉÖx¨É¨ÉVVÉ-Explain.
*******

45
SEMESTER - III (JUNE - OCTOBER 2010)
Course Code Title of the Course Instructional Hrs. Credit
3A09 SKT Translation - Theory and Practice 5 4
3B03 SKT Nataka and Campu 5 4
3B04 SKT Methodology of Sanskrit 4 4
3C03 SKT Indian Literary Criticism 6 4

3C(02) SKT Drama and Grammar (Comp. for Mal.) 6 4


3C(02) SKT Drama and Grammar (Comp. for Hindi) 6 4

46
TRANSLATION – THEORY AND PRACTICE
Semester III
(Common Course - Sanskrit - 9)
Syllabus

Course Code : 3A09SKT


No of credits :4
No of contact hours : 90

Aim of the course:


The aim of the course is to facilitate the use of translation as a tool for greater communication.

Objectives of the course:


1. Understanding translation as a linguistic, cultural, economic and professional activity.
2. Learning the art/science of intralingual, interlingual and intersemiotic translation.
Course outline
Module I
TRANSLATION – Definition and history. A survey of translation practices .Translation as
communication, Translation as transmission, social and cultural practices.

THEORIES OF TRANSLATION- linguistic, literary, cultural and communicative


TYPES OF TRANSLATION- literary, non-literary and media translation – intralingual, interlingual
intersemiotic.
Module II
Isavasya Upanishad – for translation study. Translate into Malayalam or regional language.
Ramayana – Sundara kanda –sarga 33.
1 to 31 slokas (Hanuman conversing with Seetha)- Translate into English.
Module III
Mricchakatika of Sudraka –IV Act.Translate into English or Malayalam or regional language.
Module IV
Translate Prose passages in English to Sanskrit.

Prescribed Texts:
Isavasya Upanishad
Ramayana – Sundara kanda –sarga 33 (1 to 31 slokas)-Hanumat Seetha samvada
Mricchakatika of Sudraka - IV act.
Reference Texts:
Bassnett, Susan, Translation Studies, Routledge, London 1991
Vivartanaavicharam – Dr. N.E. Visvanath Iyer, Kerala Bhasha Institute, Trivandrum
Vivartanam – kerala Bhasa institute.
Vivarthanathinte Bhasasastra Bhumika- Prabhodha Chandran V R
Exercises in Sanskrit translation – T K Ramachandra Iyer
Mricchakatikam - Malayala Vivarthanam – Prof. M. Kesava Patteri, Master Books,
Edat, Payyanur.
Sree Valmeeki Ramayanam – Volume II, Vallathole, Sulabha Books, Thrissur.
*********

47
Pattern of Question Paper
B.A. / B.Sc. Programme Examination Oct. / Nov.2010
TRANSLATION - THEORY AND PRACTICE
Semester - III
(Common Course - Sanskrit - 9)

Course Code : 3A09SKT Credit :4


Time : 3 hrs. Maximum Weightage: 30

Short answer type question from module I 4 out of 6 4

Translate into Malayalam or regional language


3 out of 5 from Isavasya Upanishad 6

Translate into English (Slokas)


3 out of 5 from Ramayana Sundara kanda (Sarga 33) 6

Translation into English or Malayalam or Regional language


Conversation passage from drama, Mricchakatika – IV act.2 out of 4 4

Translate into English or Malayalam or Regional language


Slokas from drama 2 out of 4 4

Translate from English to Sanskrit


Simple sentences 4 out of 6 4

Translate from English to Sanskrit


Prose passages 1 out of 2 2

*******

48
NATAKA AND CHAMPU
Semester III
(Core Course – 3)
Syllabus
Course Code : 3B03SKT
Number of Credits : 4
No. of Contact Hrs. : 90
Aim of the Course
Sanskrit drama and champu help the students in sensitizing their aesthetic, cultural and social
aspects of drama.

Objectives of the Course


1. To understand the origin and development of drama especially Harsha’s play.
2. To know the origin and development of Champu kavya, especially Bhoja’s Champu
Ramayanam.
3. Appreciation of Drama and Champu using the best techniques provided.
Course Outline
Module I To give awareness of Harsha’s plays with special reference to Ratnavali.
Module II Detailed study of Ratnavali.
Module III To give awareness of Champu Kavya with special reference to Champu
Ramayanam.
Module IV Detailed study of Champu Ramayana of Bhoja – Balakanta only.
Prescribed Text
Rantavali of Harsha.
Champu Ramayanam of Bhoja (Balakantam)
Reference
History of Classical Sanskrit Literature- M. Krishnamacharyar.
Samskrita Sahitya Charithram,Vol II- Edited by Dr. K. Kunjunni Raja and Dr. M.S. Menon,
Kerala Sahitya Academy,Trissur.
Samskrita Sahitya Charithram- K.C. Pillai, D.C. Books.
History of Indian Literature- Maurice Winternitz, Motilal Banarasidas, New Delhi.
Samskrita Sahithyethihas- Acharya Lok Mani Dahal, Krishnadas Academy, Varanasi.

***********

49
Pattern of Question Paper
B.A Programme (Sanskrit) Examination Oct./Nov.2010
Nataka and Champu
Semester III
(Core Course – 3)

Course Code :3B03SKT Credit :4


Time :3 Hours Maximum Weightage : 36
(Instruction: Answers should be in Sanskrit. In writing Sanskrit Devanagari script should be used)

Texts:- Nataka- Ratnavali of Sree Harshadeva.

Champu- Champu Ramayana of Bhoja, Balakanda.

Distribution of Weightage: Nataka - 19


Champu - 17
Total - 36

Ø One set of short question from Nataka - 1


Ø One set of short question from Champu - 1
Ø Four short questions out of six from Nataka - 4
Ø Four short questions out of six from Champu - 4
Ø Three annotations out of five from Nataka - 6
Ø Two annotations out of four from Champu - 4
Ø Two explain fully out of three from Nataka - 4
Ø Two explain fully out of two from Champu - 4
Ø Two short essay question out of three from Champu - 4
Ø One essay out of two from Nataka - 4

**************

50
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct. / Nov. 2010
Nataka and Champu
Semester III
(Core Course - 3)
Course Code : 3B03SKT
Texts:1. Ratnavali.
2. Champuramayanam- Balakanda.
Credit :4
Time: 3 hours Maximum Weightage : 36
²ÌÜZÌ•ÌÌ : ²Ì¥Ìä •Ìë§ÌîÌ: ²ÌɲFßòtÌ—ÌÌ-Ì™Ìæ¥Ì ²Ì˜ÌÌŒÌâ™ÌÌ: zâù¥Ì•ÌÌOÌœúÕ Í¡ô͕̕û•Ì™ÌÌâHò¥™ÌÌ*
I 1. FòÌâ®õÌtÌÆ ²Ì˜ÌÙÍZÌt̘̘ÌÙuÌœÉú ͕̌ÌÌÊ™ÌÊ Í¡ôLÌtÌ Weightage 1 for each set 1 x 2 = 2

a) œúvÌ̥̟™ÌÌÉ +ÍWóœú²Ì: Fò: ?


(¬ÌßWóÌœú: , ¥ÌÕœú:, Fò•ûsÌ: )
b) =zù™Ì•̲™Ì •ÌëŒÌ̲̕ÌÍZÌ¥Ì: ------------*
(¥Ì²ÌÙ—ÌÜÍtÌ, ™ÌÌæOÌ•ŒÌœúÌ™ÌsÌ:, –ÌÌ—Ì륙Ì:)
c) œúvÌ̡̥ôÕ •ÌÌÍhõFòÌ™ÌÌ: FòtÌÌÊ Fò:?
(·þ-ÌÊzâù¥Ì:, FòÌÍ¡ôzù̲Ì:, —Ì̲Ì:)
d) ¥Ì̲̥ÌzùuÌÌ™ÌÌ: ²Ì·þZÌœúÕ ------- —Ì¥ÌÍtÌ*
(FòÌf̘̕ÌÌ¡ôÌ, ͕̕ÌÙÍsÌFòÌ, ²ÌÙ²ÌWótÌÌ)

2. a) zù¨ÌœúyÌ•ÌÙwÌÕ FòÌ?
(²ÌÕtÌÌ, FòÌæ²ÌŸ™ÌÌ, ¨ÌÌ•tÌÌ)
b) OÌWóÌ•ÌzùÖ Fò: —ÌܘÌÌæ +Ì•ÌÕtÌ: ?
(—ÌÌOOÌÊ¥Ì:, ̥ͨÌ:, —ÌÌOÌÕœúyÌ:)
c) zù¨ÌœúyÌFßòtÌ™Ìb̲™Ì •ÌÌ˜Ì ÍFò˜ÌÆ?
(•ÌÙwÌFò̘ÌâÍ®õ:, ²ÌÌâ˜Ì™ÌÌOÌ: +«Ì˜ÌâŒÌ:)
d) ¬ÌÕœú̘̲™Ì `Ì•˜Ì•ÌKÌwÌ: ?
(̨ͥÌÌLÌÌ, •ÌÙ•Ì¥ÌʲÌÙ:, FßòÍuÌFòÌ)
II. a. ¥ÌÌE™Ìâ•ÌæFâò•Ì ˆùÌ—™ÌÌÉ ¥ÌÌ ZÌtÌÙsÌÌʘÌÙuÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 4 = 4

3. ²¥ÌâZ\ôÌZÌÌœúÕ —ÌÕtÌ D¥ÌÌѲ˜Ì —ÌtÌÙÊ: * Fò: ? Fò²˜ÌÌtÌÆ —ÌÕtÌ: ?


4. ˜Ì˜Ì •Ìٕ̘ÌÊ•™Ì⠘̷þÌ•ÌÙt²Ì¥Ì: * FÙòtÌ: ?
5. Fßò¨ÌÌWóšÌ: ²Ì•tÌÌ•ÌÉ ¥ÌzùÍtÌ •ÌÍ¡ô•ÌÕ•ÌwÌ¨Ì™Ì•Ì˜ÌÆ * FòyÌ˜ÌÆ?
6. —ÌÌ⠥̙̲™Ì ²Ì¥ÌË ²Ì˜—ÌÌ¥™ÌtÌâ, ˜ÌÙLÌœúÌ OÌ—ÌÊzù̲ÌÕ * +wÌ OÌ—ÌÊzù̲ÌÕ <t™Ì•Ìâ•Ì •Ìœú̘Ìß®õÌ FòÌ?
7. ²ÌÙ²ÌWótÌÌ +•ÌWó²Ì˜ÌÕ•Ìâ œúÍtÌ¥™Ì•Ìzâù¨Ìâ•Ì Fò̘ÌÌÍ¡ôLÌÍtÌ ?
8. •ÌÌ•zùÕ¡ôKÌsÌÉ Í¡ôLÌtÌ?
b. DFæòFâò•Ì ¥ÌÌE™Ìâ•Ì ZÌtÌÙsÌÌʘÌÙuÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 4 = 4
9. ™ÌyÌÌFêò˜ÌÉ OÌÌtÌÙ˜ÌÙ•ÌFêò˜ÌâtÌÌ˜ÌÆ--FòÌæ ? ÍFò˜ÌÆ?
10. Z̘•ÌÜœú̘ÌÌ™Ìs̲™Ì FòtÌÌÊ Fò: ?
11. tÌ̕̕tÌœâúsÌ Í•Ì•ÌtÌâtÌÆ Jò•ÌÙ ˜Ìt•ÌësÌ̘Ì:-- FòÌ•ÌÆ ?
12. ²ÌÙ˜ÌâœúÌâ: ²ÌÙtÌÌ™ÌÌ: •ÌÌ˜Ì ÍFò˜ÌÆ ?
13. FÙò¨Ì“¥ÌÉ ²ÌÙÍZÌœÉú t̩̕ÌFòÌœú- FòÌ?
14. ²¥ÌÌyÌÌʨÌÌ—™ÌÌÉ ²¥Ì™Ì˜ÌFÙò•ûtÌÌÉ •ÌÜsÌÊFò̘ÌÌÉ ²ÌÙ͘ÌwÌÌ˜ÌÆ-Fâò?

51
page 2

III. a. wÌ™ÌÌsÌ̘Į̙̀ÌÉ ²Ì²Ì•zù—ÌË Í¥Ì¨Ìzù™ÌtÌ* Weightage 2 for each 2 x 3 = 6

15. <Ê‹ù¨ÌÉ •û•ÌÉ ˜Ì•ÌÙ-™Ì¡ôÌâFâò •Ì •ÌÙ•Ì‹Êù¨™ÌtÌâ*


16. tÌ•ÌÍtÌ •ÌëÌ¥ÌßÍ-Ì Í•ÌtÌœú̘—™ÌsÌÊ`Ì¡ôÌO̘ÌÌâ Ízù¥Ì²Ì: *
17. •Ì Fò˜Ì¡ôÌFòÌœÉú ¥Ì`ÌÊÍ™Ìt¥ÌÌ œúÌ`Ì·Éþ²Ì•™ÌÌwÌÌÍ—Ìœú˜ÌtÌâ*
18. ˜Ì„ùÌO™ÌÌâ•ÌZÌ™ÌÌzù™ÌÉ ²Ì˜ÌÙÍzùtÌ: ²Ì¥ÌÌä OÌÙsÌÌ•ÌÌÉ OÌsÌ:*
19. +ÍZÌ•t™ÌÌâ Í·þ ˜ÌÍs̘̕wÌÌæ-ÌŒÌÕ•ÌÌÉ •Ìë—ÌÌ¥Ì: *

b. ˆù™ÌÌâ: +̨̙ÌÉ ²Ì²Ì•zù—ÌË Í¥Ì¨Ìzù™ÌtÌ* Weightage 2 for each 2 x2 = 4

20. Añ`ÌÙtÌÌ ¥ÌFêòtÌÌÉ •ÌëÌ•Ì ¥ÌFêòtÌÌÍ•Ì tÌyÌÌ`ÌÊ¥Ì˜ÌÆ *


21. FòÌ̡͕âô `¥Ì¡ô•Ìâ ¥ÌÕœúÌ ¡âôÍ—Ìœâú ¨Ì¡ô—ÌÌâ•̘ÌÌ˜ÌÆ *
22. ¡ôÌFâ ò̕̕zù˜ÌÙFÙò•zù²™Ì ZÌt¥ÌÌœú <¥Ì –ÌÌ·þ¥Ì: *
23. tÌâ`̵̙ÌÌ™Ì Ízù•ÌzùÕ•Ìzù¨ÌÌÉ Ízù¨Ì•tÌÕ *

IV. a. ˆâù ¥™ÌÌL™ÌÌtÌ * Weightage 2 for each 2 x 2 = 4

24. ˆùÕ•ÌÌzù•™Ì²˜ÌÌzùÍ•Ì ˜ÌŒ™ÌÌzùÍ•Ì `Ì¡ô͕̌ÌâÏzù¨ÌÌâ%•™Ì•tÌÌtÌÆ


+Ì•ÌÕ™Ì cÌÍhõÍtÌ QÌhõ™ÌÍtÌ Í¥Ì̜͌ú̘͗Ìt̘Ì̘͗ÌÙLÌÕFßòtÌ: *
25. •ÌëÌ•ÌÌ Fòy̘ÌÍ•Ì zæù¥ÌÌtFòslö•ÌÕtÌæ¥Ì ²ÌÌ •ÌëFòhõœúÌOÌÌ
œúvÌ̡̥ôÕ¥Ì FòÌ•tÌÌ ˜Ì˜Ì ·þ²tÌÌtÌÆ —ÌëÉͨÌtÌÌ —Ì¥ÌtÌÌ*
26. ˜Ì•̡̩Éô •ÌëFßòt™Ìæ¥Ì zÙù¡ÊôK™ÌÉ ZÌ tÌyÌÌÍ•Ì ˜Ìâ
Fò̘Ìâ•ÌætÌtÌÆ FòyÌÉ Í¥ÌzÆùŒÌÉ ²Ì˜ÌÉ ²Ì¥Ìè: ̡ͨôÕ˜ÌÙLÌæ : *

b. ªôÌâFòˆù™ÌÉ ¥™ÌÌL™ÌÌtÌ * Weightage 2 for each 2 x 2 = 4

27. œú̘Ìâ –ÌÌ·Ùþ–Ì¡Éô ̥ͥÌßs¥ÌÍtÌ ŒÌ•ÌÙ™ÌÊbÌâ OÌÙsÌÌœúÌâ•ÌsÌ˜ÌÆ


˜ÌÌ —ÌÜtFâò¥Ì¡ô˜ÌÌt˜Ì•ÌÌ ÍtÌ¡ôÍFòtÌâ ¥ÌɨÌâ%Í•Ì ¥ÌæFòtÌÊ•Ìâ *
28. ¥Ìɨ̲•ÌߨÌÌ ·áþzù™Ì·þÌÍœú•ò¡ôÌÑ•¥ÌtÌâ•Ì ²Ì˜ÌÕÍœútÌâ•Ì ²Ì·þ²ÌÌ ²Ì·þ²ÌÌ™ÌFâò•Ì
´Ìâ·þÌÏzùtÌâ•Ì •ÌœúOÌÌzù•ÌÙœúÌÍOÌsÌÕ¥Ì •ÌëÌsÌÌ¥ÌÍ¡ôÀÊþzù™ÌtÌ; Í•ÌͨÌtĮ̀̕ÌÌ•ÌÌ˜ÌÆ **
29. +Ѳ˜Ì•ÌÆ •ÌÙœúÌ •ÌÙœúÍ—Ìzù: •Ìœú˜Ìâ«Ìœú²™Ì •ò¡ôÌ•tÌœúÌ¡ô•̙̕Ì`¥Ì¡ô•Ì⠘̕ÌÌâ—ÌÜ:
²Ì†: •Ìë•̆: ¨Ì•ò¡ôt¥Ì˜Ì˜ÌÙfÌzùWÉó t̲˜ÌÌzù˜ÌÙÉ `̕̕ÌzÉù Í¥ÌzÙùœúWó²ÌÉbÌ˜ÌÆ *

V. ˆù™ÌÌâ: =uÌœÉú Í¡ôLÌtÌ* Weightage 2 for each 2 x 2 = 4

30. ¥ÌÌZ̘ÌÜZÌâ ²ÌÙŒÌ̜̌úÌÉ ˜ÌŒÌÙœúÌÉ ˜ÌŒÌÙ²ÌÜzù•Ì: *


31. —ÌOÌÕœúyÌâ•Ì FßòtÌÉ OÌWóÌ¥ÌtÌœúsÌÉ ¥ÌsÌÊ™ÌtÌ *
32. œú̘ÌÌ™ÌsÌœúZÌ•ÌÌ·âþtÌÙ—ÌÜtÌÉ ¥ÌßuÌÌ•tÌÉ ¥ÌsÌÊ™ÌtÌ *

VI. =•Ì•™Ì²™ÌtÌ * Weightage 4

33. ¬ÌÕ·þ-ÌÌä ͕̕ÌÙsÌ: FòÍ¥Ì: - =ÍHòÍœú™ÌÉ ²Į̘̀ͥÌË Í•Ì•û•Ì™ÌtÌ *


+yÌ¥ÌÌ
=zù™Ì•̲™Ì ZÌÍœúwÌÍZÌwÌsÌÉ FÙò•ûtÌ *

52
Methodology of Sanskrit
Semester III
(Core Course – 4)
Course Code : 3B04SKT Syllabus
No.of Credits : 4
No. of contact hours : 72
Aim of the Course
The aim of the course is to impart deep knowledge to the students in Sanskrit language and literature.
Objectives of the Course
1. To be familiar with the methods of learning Sanskrit – Vaidika and Loukika.
2. To know and differentiate the ancient and modern methods of learning in Sanskrit.
3. To understand the transformation of Itihasa, Purana etc. to different literary forms like kavya,
Nataka etc.
Course Outline
Module – I
Introducing Sanskrit Grammarians – Munitrayam – Panini, Katyayana and Patanjali. Prominent
Grammarians like Jayaditya, Vamana, Haradatta, Bhartrhari, Bhattojideekshita Nagesa etc.,
Grammarians of Kerala. Using known to unknown method for learning grammar – from the learning
of declensions to the learning of derivation of declension and so on. Introduce Nouns, Conjugations
and its derivations in general.
Module-II
An introduction of Vedas – Samhita, Brahmanas, Aranyakas and Upanishats – its language and
traditional form of learning. Familiarizing the Itihasa, Purana, Six Darsanas in general.
Module III
Introducing classical Sanskrit literature. History of Classical literature and main works and authors.
Introduction of different literary forms like Kavya, Nataka etc. written based on the story of Itihasa
and Purana.
Module IV
Relevance of study of Sanskrit literature. Different perspectives from which these texts can be
studied[Historical,social, cultural or political points of view].
References:
1.A short history of Sanskrit literature. T.K.Ramachandra Iyer.
2. History of Sanskrit literature C.V.Vaidya
3. Samskrta Sahitya caritram ed.Kunjunniraja
4.A,History of vedic literature Sharma.SN
5.A.B.Keith – A history of Sanskrit literature
6.Max Muller- A history of ancient Sanskrit literature
7.Kunnahan Raja C- Survey of Sanskrit literature
8. A.K.Warder – Indian kavya literature
9. The teaching of Sanskrit Prof.K.Ramavarma Raja.
10. Keraleeya Samskrita Shitya Charitram
11. Vaidika Sahitya Charitram – Acharya Narendra Bhushan

*******

53
Pattern of Question Paper
B.A. Programme(Sanskrit) Examination Oct. / Nov. 2010
Methodology of Sanskrit
Semester III
(Core Course – 4)

Course Code : 3B04SKT


Time : 3 hrs Credit :4
Maximum weightage : 24
Answers may be written either in Sanskrit or in English or in Malayalam. In writing Sanskrit, Devanagari
script should be used.
Each question carries equal weightage.
(Answer any Six out of Eight questions)

Write Six Essays out of Eight, based on the Four Modules in the syllabus.

*********

Model Question Paper


B.A. Programme(Sanskrit) Examination Oct. / Nov. 2010
Methodology of Sanskrit
Semester III
(Core Course – 4)
Course Code : 3B04SKT
Time : 3 hrs Credit :4
Maximum weightage : 24
Answers may be written either in Sanskrit or in English or in Malayalam. In writing Sanskrit, Devanagari
script should be used.
Each question carries equal weightage.
(Answer any Six out of Eight questions)
1. Discuss the traditional methods of Sanskrit learning.
2. What is the relevance of Vedic studies now ?
3. Explain the influence of Panini in the works of later Grammarians.
4. Elaborate the ideals and outlook of Puranas.
5. Explain the influence of Ramayana in later Sanskrit works.
6. Explain the importance of Darsanas in modern life.
7. Explain the social conditions in Rigvedic period.
8. Describe the importance of Mahabharata in Indian Culture.

******

54
Indian Literary Criticism
Semester III
(Complimentary Course – 3)
Syllabus
Course Code : 3C03SKT
No. of Credits : 4
No. of Contact Hrs. : 108
Aim of the Course
Aim of the course is to improve the students’ aesthetic appreciation of literary works and to make
them capable for effective literary criticism.
Objectives of the course
1. To understand the key concepts of literary theories in Sanskrit language.
2. Introduce literary criticism using the best specimens.
3. To make the students to familiar with the essence of poetry by the help of different types of
literary theories .
Module I A brief introduction of Indian literary theories commencing from Bharata Muni.
Module II Rasa School- Rasasutra and its commentators - Lollata, Sankuka, Bhattanayaka &
Abhinavagupta- number of Rasas.
Module III Alankara School, Guna School, Riti School, definition and division of Alankara,
Vamana’s Riti, definition and division of Riti.
Module IV Dhvani School – Definition of Dhvani – Spota, three types of Dhvani, division of Kavya
Guna, Alankara and Dhvani.
Module V Vakrokti School and Ouchitya School, definition of Vakrokti given by Kuntaka, division
of Vakrokti.
Essential Reading Texts:
1. Natyasastra of Bharata
2. Kavyalankara of Bhamaha
3. Kavyalankarasutravritti of Vamana
4. 4. Kavyadarsa of Dandin
5. Dhvanyaloka of Anandavardhana
6. Vakroktijivita of Kuntaka
7. Ouchityavicharacharcha of Kshemendra
Reference
1. History of Sanskrit Poetics – P.V. Kane
2. A New History of Sanskrit Poetics – Krishna Chaithanya
3. Some concepts of the Alankara Sastra – Dr. V. Raghavan
4. Comparative Aesthetics – Vol.I (Indian Aesthetics) – Prof. Dr. Kanti Chandra Pande
5. Bharatamuniyute Natyasastram – K.P. Narayana Pisharoti
6. Bharatiyakavaysastram – Dr. T. Bhaskaran
7. Pourastyasahityadarsanam – Dr. M.S. Menon
8. Bharatiyakavyasastrasaram - Vedabandhu
9. Rasakairali – Dr. V. S. Sarma
10. Rasatatvadarsanam – Dr. N. Gopala Panikkar
11. Soundaryasastram – Dr. C. Rajendran

********

55
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2010
Indian Literary Criticism
Semester III
(Complimentary Course – 3)

Course Code : 3C03SKT


Credit :4
Time : 3 Hours Maximum Weightage : 30

(Instruction: Answers should be written in Sanskrit or in English. In writing Sanskrit, Devanagari


script should be used).

Total weightage : - 30
ü Six short questions out of eight - 6
ü Four short essay questions out of six - 8
ü Four essay out six - 16

******

56
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct. / Nov. 2010
Indian Literary Criticism
Semester III
(Complimentary Course – 3)

Course Code : 3C03SKT Credit :4


Time : 3 hours Maximum Weightage : 30

( Answers may be written either in Sanskrit or in English. In writing Sanskrit, Devanagari Script
should be used)

I. Answer any six in one or two sentences. Weightage 1 for each 1 x 6 = 6

1. Which are the main divisions of 'Dhvani'?


2. Name the 'Rasas' according to Bharatha.
3. Which are the 'Gunas' accepted by Mammatabhatta?
4. What is 'Kavyahetu' according to Jagannathapandita?
5. Name the works on Poetics written by Abhinavagupta.
6. Define 'Kaavya' according to Dandin.
7. What is the difference between 'Gunas' and 'Alankaras' ?
8. Name the four leading commentators on 'Rasasutra'.

II. Write short notes on any four. Weightage 2 for each 2 x 4 =8

9. Vakrokti.
10. Viswanadha.
11. Auchitya theory.
12. Kavyalankara of Bhamaha.
13. Dhananjaya.
14. Sthayibhavas.

III. Write essay on any four. Weightage 4 for each 4 x 4 = 16

15. Write a brief note on the different interpretations of Bharata's Rasasutra.


16. Justify the view- 'kavyasyatma dhvani'.
17. Enumerate the main purpose of poetry.
18. Give an account of 'Guna theory'.
19. What are the contributions of Vamana to Indian Literary criticism.
20. Give a brief account of 'Alankara School in Indian Literary criticism.

****************

57
DRAMA AND GRAMMAR
Semester III
(Complimentary Sanskrit for Malayalam Main -2 )
Syllabus
Course Code : 3C – (02)SKT
No of credits :4
No. of Contact Hrs. : 108

Aim of the course :


The course is aimed at developing the basic knowledge in Sanskrit. To know about Sanskrit drama and
its techniques.

Objectives of the course:


1.To enable the students to have a general knowledge in Sanskrit including the study of Sanskrit
verbal forms.
2.To introduce Sanskrit dramatic literature with special reference to Bhasa’s plays
3. To know about Natyasastra and Sanskrit dramatic techniques.

Module I
Fundamentals of Sanskrit verbs – Lakaras, Lakararthas, Atmanepada, Parasmaipada, Ubhayapada,
Persons. Conjugations - Bhu Vand and Krinj – Parasmaipada (Lat, Lang, Lrit and Lot only)

Module II
An introduction to Sanskrit drama – Bharata & Natayasastra –
Sanskrit dramatic techniques.Bhasa -13 dramas of Bhasa.

Module III
Textual study of the drama –,Svapnavasavadattam
Critical study of the drama –Title of the play – character sketches – An appreciation of the plot,
sentiments & style etc.

Prescribed Text:
Svapnavasavadattam – Bhasa

Additional Reading:
Dhatumanjari
Natyadarpanam – M P Sankunni Nair
Bhasanataka sarvasvam – Sudhamsu chaturvedi

*******

58
Pattern of Question Paper
B.A. Programme Examination Oct./Nov. 2010
DRAMA AND GRAMMAR
Semester III
(Complimentary Sanskrit for Malayalam Main - 2)

Course Code: 3C – (02)SKT

Texts:
Drama : Svapnavasavadatta
Grammar: conjugations - Bhu, Vand and Krinj - Parasmaipada (Lat, Lang,Lrit
and Lot only).

Credit :4
Time : 3 hrs Maximum weightage: 35

Question paper should be set in Sanskrit and English. Answers may be


written either in Sanskrit or in English or in the main language.

Drama : 28
Grammar :7
Total : 35

1. Split the Sandhi 4 out of 6 : 1


2. Combine the Sandhi 4 out of 6 : 1
3. Conjugate 5 out of 8 : 5
4. Answer in one or two sentences 6 out of 8(From Drama) : 6
5. Explain fully 2 out of 3 : 4
6. Annotate 3 out of 5 : 6
7. Translate 2 out of 4 : 4
8. Essays 2 out of 4 : 8

*****

59
Model Question Paper
B.A. Programme Examination Oct / Nov. 2010
DRAMA AND GRAMMAR
Semester III
(Complimentary Sanskrit for Malayalam Main - 2)
Course Code - 3C – (02)SKT
Text : 1. Svapnavasavadattam
2. Grammar Conjugations Bhu, Vand and Krinj – Parasmaipada (Lat , Lot, Lrit, and Lang
only)
Credit :4
Time: 3 hours Maximum Weightage: 35
Answers may be written in main language or in Sanskrit or in English. In writing Sanskrit
Devanagari script should be used.
I. Answer the following Weightage 1 for each set (1 x 2 = 2)
1. Split the Sandhi in any four:-
a. xÉÉjÉ b. LÌŸ¥Ì²™Ì c. ´ÉÉMÉÊ{É d. iÉiɺiÉiÉ: e. iÉÉ´Éx¨Éä f. B´ÉʨɴÉ
2. Combine any four:-
a. xÉ + +½Æþ b. EòlÉÆ + <´É c. iÉlÉÉ + B´É d. ¨ÉxÉ:þ + i´ÉªÉÉe. ʽþ + +ºiÉÖ f. ªÉ: + +ªÉÆ
II. Conjugate any five Weightage 1 for each (1x5=5)
3. ¦ÉÚ - ±É]Âõ - =kɨÉ{ÉÖ¯û¹É
4. ¦ÉÚ - ±ÉcÂ÷ - |ÉlɨÉ{ÉÖ¯û¹É
5. ¦ÉÚù - ±ÉÉä]Âõù - ¨ÉvªÉ¨É{ÉÖ¯û¹É
6. ´ÉxnÚù - ±ÉÞ]Âõù - =kɨÉ{ÉÖ¯û¹É
8. EÞò\ÉÚù - ±ÉÉä]Âõù - ¨ÉvªÉ¨É{ÉÖ¯û¹É ({É®úº¨Éè{ÉÊnù)
9. EÞò\ÉÚù - ±É]Âõ - |ÉlɨÉ{ÉÖ¯û¹É ({É®úº¨Éè{ÉÊnù)
III. Answer any six in one or two sentences Weightage 1 for each (1x6=6)
10. xÉ Ê½þ °ü{ɨÉä´É, ´ÉÉMÉÊ{É JɱɴɺªÉÉ ¨ÉvÉÖ®úÉ - whose?
11. ½þxiÉ! ¦ÉÉä +vÉǨɴÉʺÉiÉÆ ¦ÉÉ®úºªÉ - when?
12. =¦Éä ®úÉVÉEÖò±Éä ¨É´ÉkÉ®äúÊiÉ ¸ÉÚªÉiÉä – which are they?
13. iÉjÉ JɱÉÖ +ÊiÉnùɯûhÉÆ ´ªÉºÉxÉÆ ºÉÆ´ÉÞkɨÉ - what? when?
14. ʴɧɨÉÉä »²tÌÙ ¨Éä ÊSÉ®ú¨É - who said? To whom? When?
15. BiÉnùÊ{É ¨ÉªÉÉ EòkÉÇ´ªÉ¨ÉɺÉÒiÉ – By whom? What?
16. Ênù´ÉÉ ´ÉÉ ¶ÉjÉÉè ´ÉÉ {ÉÊ®úSÉ®úÊiÉ - who? whom?
17. +ɪÉÇ{ÉÖjÉÉä ò Ê{É xÉÉ¨É {É®úEòÒªÉ: ºÉÆ´ÉÞkÉ: - whose words? When?
IV. Explain fully any two: Weightage 2 for each (2x2=4)
18. {ÉÊ®ú½þºiÉÖ ¦É´ÉÉxÉ xÉÞ{ÉÉ{É´ÉÉnÆù
xÉ {ɯû¹É¨ÉɸɨɴÉÉʺɹÉÖ |ɪÉÉäVªÉ¨É *
xÉMÉ®ú{ÉÊ®ú¦É´ÉÉxÉ ʴɨÉÉäHÖò¨ÉäiÉä
´ÉxɨÉʦÉMɨªÉ ¨ÉxÉκ´ÉxÉÉä ´ÉºÉÎxiÉ **
19. nÖù:JÉ iªÉHÖÆò ¤Érù¨ÉÚ±ÉÉä ò xÉÖ®úÉMÉ:
º¨ÉÞi´ÉÉ º¨ÉÞi´ÉÉ ™ÌÌÍtÌ nÖù:JÉÆ xÉ´Éi´É¨É *
ªÉÉjÉÉ Ét¥Ìâ¹ÉÉ ªÉÊrù¨ÉÖSªÉä½þ ¤Éɹ{ÉÆ
|ÉÉ|ÉÉ ò xÉÞhªÉÉ ™ÌÌÍtÌ ¤ÉÖÊrù: |ɺÉÉnù¨É **

60
Page 2
20. ªôÌQ™ÌɨɴÉÎxiÉxÉÞ{ÉiÉä: ²Ì‹ùþ¶ÉÓ iÉxÉÚVÉÉÆ
EòɱÉGò¨ÉähÉ {ÉÖxÉ®úÉMÉiÉnùÉ®ú¦ÉÉ®ú: *
±ÉÉ´ÉÉhÉEäò ¾þiɴɽäþxÉ ÀþtÌÌWóÂ÷MɪÉϹ]õ
iÉÉÆ {ÉÎnÂù¨ÉxÉÓ Ê½þ¨É½þiÉÉÊ¨É´É ÊSÉxiɪÉÉ欃 **

21. Eò: EÆò ¶ÉHòÉä ®úÊIÉiÉÖÆ ¨ÉÞiªÉÖEòɱÉä


®úVVÉÖSUäônäù Eäò PÉ]Æõ vÉÉ®úªÉÎxiÉ *
B´ÉÆ ±ÉÉäEòºiÉÖ±ªÉvɨÉÉæ ´ÉxÉÉxÉÉÆ
EòɱÉä EòɱÉä ÊUôtiÉä •û»tÌâ SÉ **
V. Annotate any three: Weightage 2 for each

22. SÉGòÉ®ú{ÉbÂ÷ÆÊHòÍœú¥Ì MÉSUôÊiÉ ¦ÉÉMªÉ{ÉbÅÊHò *


23. nÖù:JÉÆ xªÉɺɺªÉ ®úIÉhɨÉ *
24. ºjÉÒº´É¦ÉɴɺiÉÖ EòÉiÉ®ú: *
25. |ÉɪÉähÉ Ê½þ xÉ®äúxpù¸ÉÒ ºÉÉäiºÉɽèþ®ú´É ¦ÉÖVªÉiÉä*
26. +ªÉÖHÆò {É®ú{ÉÖ¯û¹ÉºÉÆEòÒiÉÇxÉÆ ¸ÉÉäiÉ֨ɠ*

VI. Translate any two into the Main language: Weightage 2 for each
27. iÉÒlÉÉÇnùEòÉÊxÉ ºÉʨÉvÉ: EÖòºÉÖ¨ÉÉÊxÉ zù—ÌÌÊ•ÌÆ
º´Éè®Æú ´ÉxÉÉnÖù{ÉxɪÉxiÉÖ iÉ{ÉÉävÉxÉÉÊxÉ *
PɨÉÇÊ|ɪÉÉ xÉÞ{ɺÉÖiÉÉ xÉ Ê½þ vɨÉÇ{ÉÒb÷É -
ʨÉSUäôiÉ iÉ{ÉÉκ´É¹ÉÖ EÖò±ÉµÉiɨÉäiÉnùºªÉÉ **
28. xÉè´ÉänùÉxÉÓ tÌÌ‹ù¨Ì©ÌFêò¥ÌÌFòÌ É
xÉè¥ÌÌ•™ÌxªÉä ºjÉÒʴɶÉä¹Éè̴ɪÉÖHòÉ:*
vÉxªÉÉ ºÉÉ ºjÉÒ ªÉÉÆ iÉlÉÉ
¦ÉiÉÞǺxÉä½þÉiÉ ºÉÉ Ê½þ nùMPÉÉiªÉnùMvÉÉ *
29. @ñV´ÉªÉiÉÉÆ SÉ Ê´É®ú±ÉÉÆ SÉ xÉiÉÉäzÉiÉÉÆ SÉ
ºÉ{iÉ̹ɴɶÉEÖòÊ]õ±ÉÉÆ SÉ ÊxÉ´ÉiÉÇxÉä¹ÉÖ *
ÊxɨÉÖÇSªÉ¨ÉÉxÉ ¦ÉÖVÉMÉÉänù®ú ÊxɨÉDZɺªÉ
ºÉÒ¨ÉÉʨɴÉɨ¤É®úiɱɺªÉ ʴɦÉVªÉ¨ÉÉxÉɨÉ **
30. |ÉSUôÉt ®úÉVɨÉʽþ¹ÉÓ xÉÞ{ÉiÉä̽þiÉÉlÉÈ
Eòɍɯ ¨ÉªÉÉ EÞòiÉʨÉnÆù ʽþiÉʨÉiªÉ´ÉäIªÉ *
ʺÉräù ò Ê{É xÉÉ¨É ¨É¨É Eò¨ÉÇÊhÉ {ÉÉÌlÉ´ÉÉä ò ºÉÉè
ËEò ´ÉIªÉiÉÒÊiÉ ¿nùªÉÆ {ÉÊ®ú¶ÉÎbÂ÷EòiÉÆ ¨Éä **
VII. Write two essays: Weightage 4 for each
31. Describe the Dream scene and discuss its importance
or
Vasavadatta is the Central figure in the play dominating every act of the play – Discuss

32. xÉÉxnùÒ, |ɺlÉɥ̕ÌÌ, |É´Éä¶ÉEò, ÊxɹEò¨¦ÉEò and ¦É®úiÉ´ÉÉCªÉ¨É - Explain


or
Give an appreciation of Bhasas ‘Svapnavasavadattam’
*******

61
DRAMA AND GRAMMAR
Semester III
(Complimentary Sanskrit for Hindi And Kannada Main – 2)
Syllabus

Course Code : 3C- (02)SKT


No of credits :4
No. of Contact Hrs. : 108

Aim of the course :


The course is aimed at developing the basic knowledge in Sanskrit. To know about Sanskrit drama
and its techniques.

Objectives of the course:


1.To enable the students to have a general knowledge in Sanskrit including the study
of Sanskrit verbal forms.
2.To introduce Sanskrit dramatic literature with special reference to Bhasa’s plays
3. To know about Natyasastra and Sanskrit dramatic techniques.

Module I
Fundamentals of Sanskrit verbs – Lakaras, Lakarathas, Atmanepada, Parasmaipada, Ubhayapada,
Persons. Conjugations – Bhu, Vand and Krinj - Parasmaipada (Lat, Lang, Lrit and Lot only)

Module II
An introduction to Sanskrit drama – Bharata & Natayasastra –
Sanskrit dramatic techniques.Bhasa -13 dramas of Bhasa.
Module III
Textual study of the drama –,Madhyamavyayoga
Critical study of the drama –Title of the play – character sketches –
An appreciation of the plot, sentiments & style etc.

Prescribed Text:
Madyamavyayoga – Bhasa

Additional Reading:
Dhatumanjari
Natyadarpanam – M P Sankunni Nair
Bhasanataka sarvasvam – Sudhamsu chaturvedi

62
Pattern of Question Paper
B.A. Programme Examination Oct./Nov. 2010
DRAMA AND GRAMMAR
Semester III
(Complimentary Sanskrit for Hindi and Kannada - 2)

Course Code: 3C – (02)SKT

Texts : Madhyamavyayoga.
Drama : Grammar: conjugations - Bhu, Vand and Krinj – Parasmaipada, Lakaras - Lat, Lang, Lrit and
Lot only.
Credit :4
Time: 3 hrs Maximum weightage: 35

Question paper should be set in Sanskrit and English. Answers may be


written either in Sanskrit or in English or in the main language.

Distribution of weightage:
Drama : 28
Grammar :7
Total : 35

1.Split the Sandhi 4 out of 6 - 1


2.Combine the Sandhi 4 out of 6 - 1
3.Conjugate 5 out of 8 - 5
4. Answer in one or two sentences 6 out of 8 (From drama) - 6
5. Explain fully 2 out of 3 - 4
6. Annotate 3 out of 5 - 6
7. Translate 2 out of 4 - 4
8. Essays 2 out of 4 - 8
******

63
Model Question Paper
B.A. Programme Examination Oct. / Nov. 2010
DRAMA AND GRAMMAR
Semester III
(Complimentary Sanskrit for Hindi and Kannada Main - 2)
Course Code - 3C –(02)SKT

Text : 1. Madhyamavyayoga of Bhasa


2. Grammar Conjugations Bhu, Vand and Krinj – Parasmaipada (Lakarasa - Lat, Writ, Lot,
Lang only)

Credit :4
Time: 3 hours Maximum Weightage: 35

Answers may be written in main language or in Sanskrit or in English. In writing Sanskrit


Devanagari script should be used.

I. 1. Split any four:- Weightage 1 for each set


a. JɱɴÉäiÉä b. ¦ÉÉäºiÉÉtÌ c. ¶ÉbÂ÷Eò®²™Ìâ¥Ì d. Fò²™ÌÌ™ÌÉ e. ¨ÉvªÉ¨ÉÉäò ½Æþ f. ´ÉɪÉÖÊ®ú´É
2. Combine any four:-
a. iɯû: + <´É b. EòlÉÆ + <´É c. JɱÉÖ + B´É: d. Bʽþ + Bʽþ
e. {ÉÉhb÷´ÉÉ: + iÉÖ f. ¨ÉÉ + B´É¨É

II. Conjugate any five Weightage 1 for each


3. ¦ÉÚ - ±Énù - =kɨÉ{ÉÖ¯û¹É:*
4. ¦ÉÚ - ±ÉÉänù - |ÉlɨÉ{ÉÖ¯û¹É:*
5. ´ÉxnÚù - ±ÉÉänù - ¨ÉvªÉ¨É{ÉÖ¯û¹É:*
6. EÞò\É - ±ÉÞnù - |ÉlɨÉ{ÉÖ¯û¹É:*
8. EÞò\É - ±ÉÉänù - =kɨÉ{ÉÖ¯û¹É:*
9. ´ÉxnÚù - ±ÉÉänù - |ÉlɨÉ{ÉÖ¯û¹É:*
10. ´ÉxnÂù - ±ÉÞnù - ¨ÉvªÉ¨É{ÉÖ¯û¹É:*

III. Answer any six in one or two sentences Weightage 1 for each
11. ¨ÉxɺiÉ{ÉÊiÉ ¨Éä ¦É޶ɨÉ - why?
12. ºÉxiÉÉ{ÉÉä xÉÉʶÉiɺi´ÉªÉÉ - by whom?
13. ÊxɪÉÖräù xÉÉκiÉ ¨ÉiºÉ¨É: - who? why?
14. ¥ÉÉÀhÉÉä ò ªÉÆ xÉ ºÉƶɪÉ: - how?
15. ¤ÉxvÉÖºxÉä½þÉÊrù ¨É½þiÉ: - why?
16. ¨ÉÞiªÉÖ: {ÉÖ¯û¹ÉÊ´ÉOɽþ: - who?
17. §ÉÉiÉÞhÉɨÉÊ{É ¨ÉvªÉ¨É: - who?
18. ¨ÉÉäIÉÉä ò κiÉ: ºÉ¨ÉªÉiÉ: - what is the condition?

64
Page 2

IV. Explain fully any two: Weightage 2 for each

19. VÉÉxÉÉ欃 ºÉ´ÉÇjÉ ºÉnùÉ SÉ xÉɨÉ


ÊuùVÉÉäkɨÉÉ: {ÉÚVªÉiɨÉÉ: {ÉÞÊlÉ´ªÉɨÉ *
+ÉEòɪÉǨÉäiÉSSÉ ¨ÉªÉɆ EòɪÉÈ
¨ÉÉiÉÖÌxɪÉÉäMÉÉnù{ÉxÉÒiɶÉbÂ÷Eò¨É **

20. +É{ÉnÆù ʽþ Ê{ÉiÉÉ |ÉÉ{iÉÉä VªÉä¹`ö{ÉÖwÌâsÌ xÉɪÉÇiÉä *


iÉiÉÉä ò ½þ¨Éä´É ªÉɺªÉÉ欃 MÉÖ°ühÉÉÆ |ÉÉhÉ®úIÉhÉÉiÉ **

21. {ÉÊ®ú¹´ÉVɺ´É MÉÉfÆø ¨ÉÉÆ {ÉÊ®ú¹´ÉHò: ¶ÉÖ¦ÉèMÉÖÇhÉÉè:*


EòÒiªÉÉÇ iÉ´É {Éʴɹ´ÉHòÉ ¦ÉʴɹªÉÉÊiÉ ´ÉºÉÖxvÉ®úÉ **

V. Annotate any three: Weightage 2 for each


22. ªÉˆâù¥ÌÉ ºÉÊzÉʽþiÉÉ ºÉ´ÉÇ B´É {ÉÉhb´ÉÉ:÷ *
23. Ê{ÉjÉÉä®úÊxɹ]õ: EòºªÉänùÉxÉÓ Ê|ɪÉ: *
24. ¥ÌÌRÆóù¨ÉÉjÉähÉ ¨ÉÉxÉÖ¹ÉÉä xÉ ´É񻃾hÉ*
25. ÊxÉ´Éænù|ÉiªÉÉÌlÉxÉÒ JɱÉÖ |ÉÉlÉÇxÉÉ*
26. ¦É´ÉÉxÉ ¶É½ÖþÊ®ú´ÉÉMÉiÉ: *

VI. Translate any two: Weightage 2 for each


27. ¨ÉÉiÉÉ ÊEò±É ¨ÉxÉÖ¹ªÉÉhÉÉÆ nèù´ÉiÉÉxÉÉÆ SÉ nèù´ÉiɨÉ *
¨ÉÉiÉÖ®úÉYÉÉÆ {ÉÖ®úºEÞòiªÉ ´ÉªÉ¨ÉäiÉÉÆ nù¶ÉÉÆ MÉiÉ: **
28. +ºªÉɨÉÉSɨªÉ {ÉÍ…xªÉÉÆ {É®ú±ÉÉäEäò¹ÉÖ nÖù±ÉǦɨÉÂ*
+Éi¨ÉxÉè´ÉÉi¨ÉxÉÉ nùkÉÆ {ÉnÂù¨É{ÉjÉÉäV´É±ÉÆ VɱɨÉ **
29. EòÉ\SÉxɺiɨ¦ÉºÉoù¶ÉÉä Ê®ú{ÉÚhÉÉÆ ÊxÉOɽäþ ®úiÉ: *
+ªÉÆ iÉÖ nÊIÉhÉÉä ¤ÉɽÖþ®úɪÉÖvÉÆ ºÉ½þVÉÆ ¨É¨É **
30. EÞòiÉEÞòiªÉ ¶É®úÒ®Æú ¨Éä {ÉÊ®úhÉɨÉäxÉ VÉVÉǶ¨É *
®úÉIɺÉÉMxÉÉè ºÉÖiÉÉ{ÉäIÉÒ ½þÉ乪ÉÉÊ¨É Ê´ÉÊvÉ ºÉƺEÞòiɨÉ **

VII. Write any two essays: Weightage 4 for each


31. Describe the significance of the title Madhyamavyayoga
32. Give a Character sketch of Ghatotkaca
33. Describe the meeting between Bhima and Hidumba
34. The role of Bhima in Madhyamavyayoga

********

65
SEMESTER - IV (DECEMBER 2010 - APRIL 2011)
Course Code Title of the Course Instructional Hrs. Credit
4A10 SKT Sanskrit and Indian Culture 5 4
4B05 SKT Bhagavat Gita and Smriti 5 4
4B06 SKT General Informatics 4 4
4C04 SKT Lingustics 6 4

66
Sanskrit and Indian Culture
Semester IV
(Common Course - Sanskrit - 10)
Syllabus

Course Code : 4A10SKT


No.of credits :4
No. of Contact Hrs. : 90
Aim of the course:
To imbibe Cultural and Traditional values on the part of students.

Objectives of the course: To make an ideal and good Citizenship through education. To bring out the
introvert potentialities and abilities of students.

Course outline
Module I
Conceptual issues – Nature and Culture – Culture and civilization – Eternal values for a changing
society – Culture in the contest of globalization – Culture and agriculture – Alberunis India.

Module II

Social life of the Vedic India and its comparison with the life of modern India. Indian Culture – Social
and Ethical importance of the Culture. Buddha and Indian Heritage – Cultural heritage of Gupta
dynasty – Kalidasa as a dramatist. Sudraka and Dalit initiatives – Position of women in ancient India.
Fine arts and Technical Science in ancient India – British Colonialism and its Cultural impact as seen
in Angalasamrajya (Sanskrit Historical Mahakavya of A.R. Rajaraja Varma)- Sri
Ramakrishnaparamahamsa and comparative religion – Swami Vivekananda on humanism. Mahatma
Gandhi and his thoughts on Ahimsa.

Module III
Mushakavamsa and cultural history of Kerala – Kannaki Tradition in Folklore of Kerala – Kalam Pattu
– Sanskrit Prabandhas of Melpathur and its impact on Chakyarkuthu – women empowerment of art
(Nangyarkuthu) Sankarakavi Devotional lyrics of Sanskrit and its influence on fine arts – cultural
legacy of Kuttamath family and their contribution on Marathukali and Purakkali.

Module IV

Reformation and Culture of Kerala – Sree Sankara and Advaita Vedanta – The role of
Chattampiswamikal and Srinarayanaguru on Kerala reformation movement. Mappila folk tradition of
Kerala – Missionaries and their cultural contributions - Cultural contribution of Punnassery Sri
Neelakanda Nambi – Swadesi and National Movement of Kerala – Cultural Contributions of T.S.
Tirumunpu – Swami Anandathirtha in Social Revolution.

67
Page 2

Essential Reading :
Fine Arts and Technical Literature in Ancient India by Sivasekhar Mishra, Chowkhamba
Sanskrit Series.
Essays on Sanskrit Literature by Sadhuram , R.S. Vadhyar & Sons, Palghat.

Reference Books:
Raymond Williams – “Towards a Sociology of Culture”, in Culture.
Culture and Civilization of India, D.D. Kosambi New Delhi – 1978.
Indian Philosophy, Dr. S. Radhakrishnan
Contribution of Kerala to Sanskrit Literature Dr. K. Kunjunniraja.
What Shall I Read by John Spires - CICE Book House, Press Club Road, Ernakulam, Kochi.
Essays on Sanskrit Literature by Sadhuram
R.S. Vadhyar & Sons, Palghat
Fine arts and Technical Literature in Ancient India by Siva Sekhar Misra,Choukhamba Sanskrit
Series.
Eternal values for a changing society – Volume I – Reghunadhananda Swami, Ramakrishna Asramam,
Mylapoor.

Keraliya Samskrita Sahityacharitam Vol II by Ullur.


T.S. Tirumumpu Jivitavum Kritikalum by Dr. K.K.N. Kurup, Kerala Sahitya Accademi.
Indiayute Atmaspandam – Dr. N.K. Saseendran, Samayam Publication, Kannur
Mappila folklore Edited by Prof. B. Muhamed Ahmed , Samayam Publication, Kannur

**********

68
Pattern of Question Paper
B.A./B.Sc. PROGRAMME EXAMINATION April/May 2011
SANSKRIT AND INDIAN CULTURE
(Semester - IV)
(Common Course - Sanskrit - 10)

Course Code : 4A10SKT


Time : 3 hours. Credit :4
Maximum weightage : 34
Answers may be written either in Sanskrit or in English or in Regional Language. In writing Sanskrit
Devanagari Script should be used.

Four short questions out of six based on Veda, Vedanga, Darsanas :1x4=4
Four short notes out of six from Technical Literature and Fine arts :2x4=8
Four short notes out of six from the Text - Essays on Sanskrit Literature :2x4=8
Three short notes out of five from Contribution of Kerala to
Sanskrit Literature, based on Modules III & IV :3x2=6
Two short Essays out of four from Essasy on Sanskrit Literaure :2x2=4
One Essay out of two based on Modules III & IV :1x4=4

*********

69
Model Question Paper
B.A./B.Sc. PROGRAMME EXAMINATION April/May 2011)
SANSKRIT AND INDIAN CULTURE
Semester - IV
(Common Course - Sanskrit - 10)
Course Code : 4A10SKT
Time : 3 hours. Credit :4
Maximum weightage : 34
Answers may be written either in Sanskrit or in English or in Regional Language. In writing Sanskrit
Devanagari Script should be used.
I. Write any four in one or two sentences. Weightage 1 for each
1. Why Vedas are called Sruti?
2. What is the language of the Vedas?
3. How many Vedangas are there?
4. Which is called the Panchamaveda?
5. What is the other name of Yoga?
6. Which is the face of Veda?
II. Write short notes on any four Weightage 2 for each
7. Biology in Ancient India.
8. Manasollasa
9. Vastusastra in Ancient India.
10. Vrikshayurveda
11. Musical instrument in Ancient India.
12. Panchakarma
III Write short notes on any four Weightage 2 for each
13.What is Siksha in Ancient India.
14. What are the works of Bhavabhuti?
15. What is Nirukta ?
16. Why it is called as Naishadham Vidvad-aushadham?
17. What are the original sources of Brihatkatha?
18. Who are the Navaratnas ?
IV. Write short notes on any three Weightage 2 for each
19. Sankara Kavi
20. Melpatur
21. Sree Narayana Guru
22. Nangyar Kuttu
23. Advaita Vedanta
V. Write short Essays on any two Weightage 2 for each
24. What are the Vedantas?
25. Discuss the influence of Vedanta on Indian life.
26. Vipascitam Bhagavate Pariksha – Illustrate.
27. Desribe the Social and Ethical importance of Epics.
VI. Write an Essay Weightage 4
28. Discuss the Cultural and Historical importance of Mushakavamsa.
OR
29. Political and Cultural contribution of T.S. Tirumumpu in the history of Indian Freedom Movement.

70
Bhagavat Gita & Smriti
Semester IV
(Core Course – 5)
syllabus

Course Code : 4B05SKT


No. of Credits : 4
No. of Contact Hrs. : 90
Aim of the Course
Aim of the course is to induce culture into the new generation.
Objectives of the Course
1. To make familiar with the Bhagavat Gita
2. To learn the ideas of Bhagavat Gita and Smriti.
3. To encourage wide reading and improve the knowledge of Smriti.
Course Outline
Module- I
Introduction to Bhagavat Gita.
Module- II
Textual study of Bhagavat Gita – Chapter III
Module III
Detailed study of Manusmriti Chapter - VIII (1 to 103 verses)
Reference Books
1. Mahabharata - Dronaparva.
2. Bhagavatgitaswadhyayam – Nityachaitanyayati
3. Gitarahasyam – Balagngadhara Thilakan
4. Manusmriti – (Com.) Koramangalam Krishnakumar

***********

71
Pattern of Question Paper
B.A.Programme (Sanskrit) Examination April/May 2011
BHAGAVAT GITA AND SMRITI

Semester IV
(Core Course – 5)
Course Code : 4B05SKT
Texts: Bhagavat Gita - Chapter III
Manusmriti – Chapter VIII (1 to 103 Verses) Credit :4
Time : 3 hours Maximum weightage : 34

Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be used.
Distribution of weightage :
Bhagavat Gita : 17
Manusrmiti : 17
Total : 34
One set of question from Bhagavat Gita :1
One set of question from Manusmriti :1
Four short questions out of six from Bhagavat Gita :4
Four short questions out of six from Manusmriti :4
Two explain fully out of four from Bhagavat Gita :4
Two explain fully out of four from Manusmriti :4
Two Annotations out of four from Bhagavat Gita :4
Two Annotations out of four from Manusmriti :4
One essay out of two from Bhagavat Gita :4
One essay out of two from Manusmriti :4

************

72
Model Question Paper
B.A. Programme (Sanskrit) Examination April /May 2011
BHAGAVAT GITA AND SMRITI
Semester IV
(Core Course – 5)

Course Code :4B05SKT

Texts: Bhagavat Gita Chapter III


Manusmriti Chapter VIII (1 to 103 Verse)

Credit :4
Time : Three hours Maximum weightate: 34

Answers should be written in Sanskrit. In writing Sanskrit Devanagari Script should be used.

I 1.FòÌâ®õÌtÌÆ ²Ì˜ÌÙÍZÌt̘ÌÙuÌœÉú ͕̌ÌÌÊ™ÌÊ Í¡ôLÌtÌ- Weightage 1 for each set


a. +•Ì•ÌÌt—Ì¥ÌÑ•tÌ ------ (•Ì`ÌÊ•™Ì:, —ÌÜtÌÌÍ•Ì, ™ÌbÌ:)
b.FòÌ™ÌË Fò˜ÌÊ ²Ì˜ÌÌZÌœú - Fò²™Ì ¥ÌÌE™Ì͘ÌzÉù ? (Fßò-s̲™Ì, +`ÌÙʕ̲™Ì, ŒÌßtÌœúÌ®Èõ²™Ì)
c.Í¥ÌOÌÙsÌ:-----¬Ìâ™ÌÌ•ÌÆ (²¥ÌŒÌ˜ÌÊ:, •ÌœúŒÌ˜ÌÊ:, œúÌÖâù-ÌÌæ)
d.ŒÌܘÌâ•Ì +Ì¥ÌêÕ™ÌtÌâ------(+Ìzù¨ÌÊ:, OÌ—ÌÊ:, +ÍOÌî:)
2.a.•ÌÌzù:------²Ì¥ÌÌÊ•ÌÆ •ÌÌzùÌâ œúÌ`Ì̘̕ÌßZ\ôÍtÌ (FòtÌÌÊœÉú, ²ÌÌÍKÌsÌÉ, ²Ì—ÌÌ•Ì:)
b.µÌÕsÌÌÉ ²ÌÌK™ÌÉ ------FÙò™ÌÙÊ: (͈ù`Ì:,¨Ì܇ùÌ:, ͵̙Ì:)
c.ŒÌ˜ÌÊ: Fâò•Ì ¥ÌŒÌÊtÌâ? (+•ÌßtÌâ•Ì, ²Ìt™Ìâ•Ì, ¥ÌÌZÌÌ)
d.ZÌÌæœúÌ•ÌÆ Fâò•Ì QÌÌtÌ™ÌâtÌÆ (β̷âþ•Ì, ¥™ÌÌQÌìâsÌ, œúÌ`Ìâ—Ìâ•Ì)
II. ¥ÌÌE™Ìâ•ÌæFâò•Ì ¥ÌÌE™Ìˆù™Ìâ•Ì ¥ÌÌ ZÌtÌÙsÌÌʘÌÙuÌœÉú Í¡ôLÌtÌ- Weightage 1 for each
3.͘Ìy™ÌÌZÌÌœú: ²Ì =Z™ÌtÌâ Fò:?
4.+·ÉþFòÌœú̘ͥÌÜqøÌt˜ÌÌ ÎFò ˜Ì•™ÌtÌâ?
5.Fßòt´ÌÍ¥ÌtÌÆ •Ì Í¥ÌZÌÌ¡ô™ÌâtÌÆ - FòÌ•ÌÆ •Ì Í¥ÌZÌÌ¡ô™ÌâtÌÆ?
6.zÙù-•ÌÜœâúsÌ̡̕âô•Ì Fâò•Ì ÎFò +Ì¥ÌßtÌÉ?
7.•Ì ¥ÌÙÍ}ù—ÌâzÉù `̙̕ÌâtÌ - Fò²™Ì?
8.•Ì Í²ÌÎ}ù ²Ì˜ÌÍŒÌOÌZ\ôÍtÌ Fò:?
III ¥ÌÌE™Ìâ•ÌæFâò•Ì ¥ÌÌE™Ìˆù™Ìâ•Ì ¥ÌÌ ZÌtÌÙsÌÌʘÌÙuÌœÉú Í¡ôLÌtÌ- Weightage 1 for each

9.•ÌœúÌâ —Ì¥ÌÍtÌ ÍFòÑŸ–Ì-ÌÕ FòzùÌ?


10.͕̌̕Ìâ$•™Ì•ÌÙ™ÌÌÍtÌ ™Ì: Fò:?
11.¥™Ì¥Ì·þÌœúͥ̌ÌÌæ ѲyÌtÌ: ÎFò ÎFò ²Ìɕ̨™ÌâtÌÆ?
12.ŒÌ˜ÌÌÊyÌÌÊ—™ÌÌÉ •Ì ·þÕ™ÌtÌâ - Fò:?

73
13.˜Ì̲˜Ì —Ìܘ™Ì•ÌßtÌÉ ¥ÌzùÕ: FòyÌ˜ÌÆ? Page 2

14.+ŒÌË FòÌâ¨Ìâ ͕̥Ìâ¨Ì™ÌâtÌÆ ÎFò?


IV ªôÌâFòˆù™ÌÉ ¥™ÌÌL™ÌÌtÌ Weightage 2 for each
15.͕̙ÌtÌÉ FÙò•û Fò˜ÌÊt¥ÌÉ Fò˜ÌÊ `™ÌÌ™Ìâ ¨™Ì Fò˜ÌÊsÌ*
¨ÌœúÕœú™ÌÌwÌÌÍ•Ì ZÌ tÌâ •Ì •ÌëͲÌ}ùšâzùFò˜ÌÊsÌ:**
16.™Ì†zùÌZÌœúÍtÌ ¬ÌÌâ¯ö²tÌuÌzâù¥ÌâtÌœúÌâ `Ì•Ì:
²Ì ™Ìt•Ìë˜ÌÌsÌÉ FÙò•ûtÌâ ¡ôÌâFò²tÌzù•ÌÙ¥ÌtÌÊtÌâ**
17.t̲˜ÌÌzù²ÌHò: ²ÌtÌtÌÉ Fò™ÌË Fò˜ÌÊ ²Ì˜ÌÌZÌœú*
+²ÌHòÌâ »ÌZÌœú•Fò˜ÌÊ •Ìœú˜ÌÌ•ÌîÌâÍtÌ •ÌÜ•û-Ì:**
18.˜ÌÍ™Ì ²Ì¥ÌÌÊÍsÌ Fò˜ÌÌÊÍsÌ ²Ì•™Ì²™ÌÌŒ™ÌÌt˜ÌZÌât̲ÌÌ*
͕̜ų́ÌÌâ͕̘ÌʘÌÌâ—ÌÜt¥ÌÌ ™ÌÙŒ™Ì²¥Ì Í¥ÌOÌtÌ`¥Ìœú:**
V. ˆùÌæ ²Ì•ÌëFòœúsÌÉ ¥™ÌÌL™ÌÌtÌ Weightage 2 for each
19.™Ìâ•Ì ¬Ìâ™ÌÌ·þ˜ÌÌ•ÌîÙ™ÌÌ˜ÌÆ*
20.•Ì̥̕Ì̘̥̕Ì̥̕™Ì˜ÌÆ*
21.Í•ÌOÌë·þ: ÎFò FòÍœú-™ÌÍtÌ*
22.™ÌÌâ –ÌÙ}âù: •Ìœút̲tÌÙ ²Ì:*
VIªôÌâFòˆù™ÌÉ ¥™ÌÌL™ÌÌtÌ Weightage 2 for each
23.œúÌ`ÌÌ —Ì¥Ìt™Ì•Ìâ•Ì̲tÌÙ ˜ÌÙZ™Ì•tÌâ ZÌ ²Ì—Ì̲Ìzù:*
D•ÌÌâ OÌZ\ôÍtÌ FòœútÌÌœÉú ͕̕zùÌ·þÌä ™ÌÍzù ͕̕†tÌâ**
24.¥Ì¨ÌÌ +•ÌÙwÌ̲ÌÙ ZÌæ¥Ìɲ™Ì̇ùKÌsÌÉ Í•Ì-FÙò¡ô̲ÌÙ ZÌ*
•ÌÍtÌ¥ÌêtÌ̲ÌÙ ZÌ µÌÕ-Ì٠̥ͥ̌Ì̲¥ÌÌtÌÙœú̲ÌÙ ZÌ**
25.+Ì¥Ìâzù™ÌÌ•ÌÌâ •Ì®õ²™Ì zâù¨ÌÉ FòÌ¡Éô ZÌ tÌt¥ÌtÌ:*
¥ÌsÌË •û•ÌÉ •Ìë˜ÌÌsÌÉ ZÌ tÌt²Ì˜ÌÉ zùsn÷˜Ì·ÊþÍtÌ**
26. ²¥ÌÌÍ•Ì Fò˜ÌÌÊÍsÌ FÙò¥ÌÌÊsÌÌâ: zÜùœâú ²Ì•tÌÌâÍ•Ì ˜Ì̥̕ÌÌ:*
Í•Ìë™ÌÌ —Ì¥ÌÑ•tÌ ¡ôÌâFò²™Ì ²¥Ìâ ²¥Ìâ FòœÆú˜ÌÌs™Ì¥ÌѲyÌtÌÌ:**
VII ˆùÌæ ²Ì•ÌëFòœúsÌÉ ¥™ÌÌL™ÌÌtÌ - Weightage 2 for each
27. ˜ÌßO̲™Ì ˜ÌßOÌ™ÌÙ: •Ìzù˜ÌÆ*
28. Í•Ìë™ÌÌ —Ì¥ÌÑ•tÌ ¡ôÌâFò²™Ì ²¥Ìâ ²¥Ìâ Fò˜ÌÊs™Ì¥ÌѲyÌtÌ:*
29. •ÌÌ•t™ÌÌâ •Ì Í¥ÌFò¡âôÑ•‡ù™Ì:*
30. ŒÌ˜ÌÌÊyÌÌÊ—™ÌÌÉ •Ì ·þÕ™ÌtÌâ*
VIII. ˆâù =•Ì•™Ì²™ÌtÌ - Weightage 4 for each
31. +²ÌHòÌâ »ÌZÌœú•ÌÆ Fò˜ÌÊ •Ìœú˜ÌÌ•ÌîÌâÍtÌ •ÌÜ•û-Ì:- ̨ͥÌzù™ÌtÌ *
+yÌ¥ÌÌ
Fò̘̕û•̲™Ì̡̕ô²™Ì ²¥Ì•û•ÌÉ ¥ÌsÌÊ™ÌtÌ*
32. +®õÌzù¨Ì²ÌÙ ˜ÌÌOÌä-Ì٠͕̖Ì}ùÌÍ•Ì •ÌßyÌFÆò •ÌßyÌFÆò - ̨ͥÌzù™ÌtÌ*
+yÌ¥ÌÌ
=u̘ÌsÌÌʌ̘ÌsÌÊ™ÌÌâ: Í¥Ì-Ì™Ìâ FßòtÌÉ ¥™Ì¥Ì·þÌœúÍ•ÌsÌÊ™ÌÉ •ÌëÍtÌ•ÌÌzù™ÌtÌ*

74
GENERAL INFORMATICS
Semester IV
(Core Course - 6)
Syllabus
Course Code : 4B05SKT
No. of Credit : 4
No. of Contact hrs. :72

Aim of the course: To update and expand the basic informatics skills and attitudes relevant to the
emerging knowledge society and also to equip the students to effectively utilize the digital knowledge
resources for their chosen course of study.

Objectives of the Course :


To review the basic concepts and functional knowledge in the field of informatics.
To review functional knowledge in a standard office package and popular utilities.
To create awareness about major informatics initiatives in India and Kerala.
To impart skills to enable students to use digital knowledge resources in learning.

Course Outline :
Module I
Features of the modern personal computer and peripherals, computer networks & Internet,
Wireless technology, cellular wireless networks, introduction to mobile phone technology,
Introduction of ATM purchase of technology, License, Guarantee, warranty, overview of Operating
Systems & major application software.

Module II
Data, information and knowledge, knowledge management – Internet access methods –
Dial-up, DSL, Cable, ISDN. Internet as knowledge repository, academic search techniques,
Creating cyber presence, case study of academic websites. Basic concepts of copyrights,
And patent, plagiarism ,introduction to use of IT in teaching and learning, case study of
Educational software, academic services INFLIBNET, NICNET, BRNET,

Module III
IT & Society – issues and concerns – digital divide, IT & development, the free software movement, IT
industry, new opportunities and new threats, software piracy, cyber ethics,
Cyber crime, cyber threats, cyber security, privacy issues, cyber laws, cyber addictions,
Information overload, health issues – guidelines for proper usage of computers, internet and mobile
phones. E-wastes and green computing, impact of IT on language & culture-localization issues – Unicode
IT and regional languages.
Module IV. IT for national integration, overview of IT application in medicine, healthcare, business,
commerce, industry, defense, law, crime detection, publishing, communication, resource management,
weather forecasting, education, film and media, IT in service of disabled.

75
Page 2

Module- V. Type setting in Sanskrit .Latex


package Desktop publishing in Sanskrit, Installing fonts, Office Package, Keyboard layout for Sanskrit,
Govt: Standards, Sorting in Sanskrit, Sanskrit to Roman script, Use Transliteration marks (Software
package)
Theory- Sanskrit and Computers, Knowledge representing in artificial intelligence, source of sphota
Siddhanta.
Note : The first 4 modules are to be dealt with a very generic manner only
Essential Reading :
Technology in Action, Pearson
V. Rajaraman, Introduction to Information Technology, Prentice Hall
Alexis Leon, & Mathews Leon, Computers Today, Leon Vikas
Peter Norton, Introduction to Computers.
Additional References
George Beekman, Eugene Rathswhol, Computer Confluence, Pearson Education.
Barbara Wilson, Information Technology: The Basics, Thomson Learning
Ramesh Bangia, Learning Computer Fundamentals, Khanna Book Publishers.

*********

76
Linguistics
Semester IV
(Complimentary Course – 4)
Syllabus
Course Code : 4C04SKT
No. of Credits :4
No. of Contact Hrs. : 108
Aim of the Course
Aim of the course is to make the students aware of the origin of language, use of speech organs for
pronunciation, Grammatical unit of words in the construction of sentence and the changes of word meanings.
Objectives of the course
1. To know about the origin and development of languages.
2. To compare language families with special reference to Indo Aryan family.
3. To understand the structure of different languages.
4. To understand the change of meanings due to the semantic change.
Course Outline
Module I Introduction to Sanskrit Linguistics.
Nature and scope of the science of language.
Main branches of comparative philology-
Theories about the origin of language- Dialects and Cognate
languages- Morphological and Genealogical classification-
Indo-European family of language- characteristics of Indo-European
languages- Centum and Satam groups- Branches of Indo-European family.
Module II Phonology
Definition of Phonetics and Phonology- Organs of speech-
Articulation of speech- Sanskrit vowels and consonants- Phonetic
change- Phonetic laws- Analogy.
Module III Morphology
Definition- Stem and suffixes- Theories on the origin of suffixes-
Simple and compound suffixes.
Module IV Semantics
Definition- Primary and Secondary meaning- Classification of
semantic changes- Causes of semantic change.
Prescribed Texts
1. A Students’ Hand book of Comparative Philology ( of Indo-European Languages) with special
reference to Sanskrit – T.K Ramachandra Aiyar, R.S Vadyar and sons, Palakkad.
2. An Introduction to Sanskrit Linguistics – Srimannarayana Murthi.
Reference Books
1. An Introduction to comparative philology- Dr. Pandurang Damodar Gune, Poona Oriental Book
House, Pune.
2. Language- Leonard Bloomfield, Henry Holt, Newyork.
3. Indian Theories of Meaning- K. Kunjunni Raja , Adyar Library,Chennai.
4. Language, Its Nature, development and Origin- Otto Jesperson
5. Critical study of Sanskrit Phonetics- Dr. Vidhala Mishra.
6. Sanskrit Historical Phonology- Franklin Edgerton.
Linguistics- David Crystal Nature and scope of the science of language.
*********

77
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April/May 2011
Linguistics
Semester IV
(Complimentary Course )

Course Code : 4C04SKT


Credit :4
Time : 3 Hours. Max. Weightage: 30

(Question paper should be set in English. Answer may be written either in Sanskrit or in English.)

Syllabus :Introduction to Sanskrit Linguistics- Nature and scope of the science of language.
Main branches of comparative philology-Theories about the origin of language- Dialects
and Cognate languages- Morphological and Genealogical classification- Indo-European family
of language- characteristics of Indo-European languages- Centum and Satam groups- Branches
of Indo-European family,
Phonology- Definition of Phonetics and Phonology- Organs of speech-Articulation of
speech- Sanskrit vowels and consonants- Phonetic change- Phonetic laws- Analogy.
Morphology-Definition- Stem and suffixes- Theories on the origin of suffixes-Simple
and compound suffixes.
Semantics-Definition- Primary and Secondary meaning- Classification of semantic
changes- Causes of semantic change.

Total Weightage - 30
One set of Multiple choice Questions - 1
Seven philological notes out of twelve - 7
Five Short notes out of Eight - 10
Three Essays out of Five - 12

78
Model Question Paper
B.A. Programme (Sanskrit) Examination April/May 2011
Linguistics
Semester IV
(Complimentary Course – 4)
Course Code : 4C04SKT Credit :4
Time : 3 Hours. Max. Weightage: 30

Instructions: Answers may be written either in Sanskrit or in English.In writing Sanskrit,


Devanagari script should be used.
I -1. Choose correct answer :- Weightage: 1*1=1
a. In which family of language , Sanskrit falls? (Dravidian, Indo-European,
Semitic, Bantu)
b. Who propounded the Ding-Dong theory (Max Muller, Otto Gesperson, David Crystal, Jacob
Grimm)
c. Nalikera is an example for – ( Syncope, Metathesis, Analogy, Assimulation)
d. The Secretion theory is associated with ……. (Origin of Language, Origin of suffix,
Semantics,Analogy)
II- Write philological notes on any seven choosing not more than four from each group.
A B Weightage: 1 for each. 7*1=7
2. Bhiṣak 1. Sister
3. Ekādaśa 2.Bishop
4. Śatam 3.Father
5. Rājňā 4.Goose
6. Paňkaja 5.Five
7. Jaghāna 6.Widow
III – Write short notes on any five of the following . Weightage: 2 for each.
1. Dialects and cognate languages.
2. Haplology
3. Greek
4. Metathesis
5. Pṛākrt
6. Historical survival
7. Specialization of meaning
8. Vedic Sanskrit
IV - Write any three essays:- Weightage: 4 for each.
1. Set forth and examine the various theories about the origin of languages.
2. Describe the general characteristics of Indo-European languages.
3. Examine the causes of semantic change.
4. Explain the analogy and its main varieties.
5. Define and illustrate phonetic law of palatalization.

79
``

SEMESTER - V (JUNE - OCTOBER 2011)


Course Code Title of the Course Instructional Hrs. Credit
5B07 SKT Dramaturgy 6 4
5B08 SKT Veda and Upanishat 6 5
5B09 SKT Vyakarana 6 5
5B10 SKT Poetics 5 4
5D01 SKT Bhagavat Gita and Personality development 2 2

80
DRAMATURGY
Semester V
(Core Course – 7)
Syllabus

Course Code : 5B07SKT


Number of Credits :4
Instructional hrs. : 108

Aim of the Course


Through Sanskrit dramaturgy we can sensitize the students to the aesthetic aspect of
dramaturgy, different characteristics of drama.

Objectives of the Course


1. To know the techniques of drama.
2. To understand the origin and development of dramaturgy.
3. To know about the vastu, neta and roopaka bheda.

Course Outline
Module I General introduction to Dramaturgy.
Module II Chapter I of Dasarupaka- roopaka, natya, nruthya, nrutha, vastu,
pancharthaprakrutayah, panchavastah, sandhi-mukha, prathimukha, garbha,
vimarsa, nirvahana, sandhyangaha, pancharthopakshepakah.
Module III Chapter II of Dasarupaka- nayaka- its divisions, nayika- its divisions,
yoshithalankarah, natyavrithi- kaisiki, sathwathi, arabhati, bharathi.
Module IV Chapter III of Dasarupaka- roopakabhedah- natakam, prakaranam, bhanah,
prahasanam, dimah, vyayokah, samavakarah, veethi, ankah, eehamrigah.
Prescribed Text
Dasarupaka of Dhananjaya Chapter I, II & III.
Reference
Natyamandapam – M.P. Sankunni Nair.
Natyasastram- Bharatha.
***********

81
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2011
Dramaturgy
Semester V
(Core Course – 7)
Course Code: 5B07SKT

Credit :4
Time : 3 Hours Maximum Weightage: 30

(Instruction: Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be
used).

Texts: Dasarupaka of Dhananjaya—Chapters 1,2 and 3.


Distribution of weightage :

v One set of short question - 1


v Five short questions out of seven - 5
v Find difference for two out of four - 4
v Six short essay questions out of eight - 12
v Two essay out of four - 8

**************

82
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct. / Nov. 2011
Dramaturgy
Semester V
(Core Course - 7)
Course Code:5B07SKT
Text: Dasarupaka – Chapters – 1,2 & 3
Credit :4
Time: 3 hours Maximum Weightage : 30
²ÌÜZÌ•ÌÌ : ²Ì¥Ìä •Ìë§ÌîÌ: ²ÌɲFßòtÌ—ÌÌ-Ì™Ìæ¥Ì ²Ì˜ÌÌŒÌâ™ÌÌ: zâù¥Ì•ÌÌOÌœúÕ Í¡ô͕̕û•Ì™ÌÌâHò¥™ÌÌ*

I. 1. FòÌâ®õÌtÌÆ ²Ì˜ÌÙÍZÌt̘̘ÌÙuÌœÉú ͕̌ÌÌÊ™ÌÊ Í¡ôLÌtÌ Weightage 1 for each set 1 x 1 = 1


a. +¥Ì²yÌÌ•ÌÙFßòÍtÌ: --------------
(•û•ÌÉ, •Ìßt™Ì˜ÌÆ , •ÌÌhõš˜ÌÆ)
b. •û•ÌFÉò tÌt²Ì˜ÌÌœúÌâ•ÌÌzÆù ---------- D¥Ì œú²ÌÌ¬Ì™Ì˜ÌÆ *
(DFòŒÌÌ, ZÌtÌÙŒÌÌÊ, zù¨ÌŒÌÌ)
c. ²¥ÌŸ•ÌÌâÍ~ù®õ²tÌÙ tÌzÆù·âþtÌÙ --------- ̲ͥtÌÌ™ÌÊ•ÌâFòŒÌÌ *
(–ÌÕ`ÌÉ, Í–Ì•zÙù, •ÌtÌÌFòÌ )
d. •ÌëFòœúsÌâ •ÌÌ™ÌFò: Fò: *
(ŒÌÕœúÌâzùÌuÌ:, ŒÌÕœúÌâzÆùŒÌtÌ:, ŒÌÕœú¨ÌÌ•tÌ: )
II. DFâò•Ì ˆùÌ—™ÌÌÉ ¥ÌÌ ¥ÌÌE™ÌÌ—™ÌÌÉ •ÌfÌÌ•Ì̘ÌÙuÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 5 = 5

2. +yÌÊ•ÌëFßòtÌ™Ì: FòÍtÌͥ̌Ì: ? Fâò ZÌ tÌâ?


3. •Ìë¥Ìâ¨ÌFò: •ÌÌ˜Ì ÍFò˜ÌÆ ?
4. FæòͨÌFòÕ¥ÌßÍuÌ; FòѲ˜Ì•ÌÆ œú²Ìâ =•Ì™ÌÙ`™ÌtÌâ ?
5. ŒÌÕœúÌâzÆùŒÌtÌ•ÌÌ™ÌFò²™Ì ¡ôKÌsÌÉ ÍFò˜ÌÆ ?
6. +¥Ì²yÌÌ •ÌfÌ FòÌ™Ìʲ™Ì - •ÌfÌ +¥Ì²yÌÌ•ÌÌÉ •Ì̘ÌÌÍ•Ì Í¡ôLÌtÌ *
7. FòyÌ̥̲tÌÙ: FòÍtÌͥ̌Ì: ?
8. ˜ÌÙL̲̕ŒÌâ: FòÍtÌ +WóÌÍ•Ì ²ÌÌÑ•tÌ ? tÌÌÍ•Ì FòÌÍ•Ì ?

III. ˆù™ÌÌâ ͘ÌyÌÌâ —ÌâzÉù Í¡ôLÌtÌ * Weightage 2 for each 2 x 2 = 4


9. •ÌtÌÌFòÌ - •ÌëFòœúÕ *
10. ZÌÜÍ¡ôFòÌ - +SóÌ¥ÌtÌÌœú: *
11. +Ìœú˜—Ì: - ™ÌvÌ: *
12. •ÌßuÌ˜ÌÆ - •Ìßt™Ì˜ÌÆ*
IV. -ÌssÌÌÉ ¡ôQÌÙÍhõ••ÌsÌÕ: Í¡ôLÌtÌ * Weightage 2 for each2 x 6 = 12
13.•Ìë·þ²Ì•Ì˜ÌÆ *14. Í¥ÌzÜù-ÌFò:* 15.+̘ÌÙLÌ˜ÌÆ *16.•ÌÌ•zùÕ *17.•ÌtÌÌFò̲yÌÌ•ÌFò˜ÌÆ *18. Í¥Ì-Fò˜—ÌFò:*19 ¥ÌßuÌ™Ì:*20.•ÌÌÍ™ÌFòÌ—ÌâzùÌ:*

V. ˆâù =uÌœú™ÌtÌ * Weightage 4 for each 4 x 2 = 8


21. •ÌÌ™ÌFò²™Ì •ÌëŒÌ̗̕ÌâzùÌ•ÌÆ •Ìë•ÌfÌ™ÌtÌ *
22. zù¨Ì•û•ÌFò—ÌâzùÌ•ÌÆ Í•ÌÏzù¨™Ì •ÌÌhõFò•ÌëFòœúsÌ™ÌÌâ: ¡ôKÌsÌÉ Í¡ôLÌtÌ*
23. ™ÌyÌÌFêò˜ÌÉ ²ÌÌâzùÌ·þœúsÌÉ ZÌ •Ìf̲̕ŒÌÕ•ÌÆ =•Ì•ÌÌzù™ÌtÌ*
24. •ÌfÌ +yÌÊ•ÌëFßòtÌ™Ì: •ÌfÌ +¥Ì²yÌÌ: ZÌ Í¥Ì¨Ìzù™ÌtÌ*
***************

83
Veda and Upanishat
Semester V
(Core Course – 8)
Syllabus
Course No : 5B08SKT
No. of Credits : 5
Instructional hours : 108

Aim of the Course


Aim of the course is to make the students understand the Vedic culture and the importance of
Upanishatic concepts.
Objectives of the course
1. To enable the students to improve the knowledge of Vedas and Upanishats.
2. To cultivate Vedic and Upanishatic culture.
Course Outline
Module I - Introduction to Vedas – Age of Rigveda – its language – Religion – Literary merits.
Number of Vedas – Model hymns from each Vedas.
Module II - Rigvedic hymns such as Agni, Indra, Ushas, Kithava, Savitr and Vishnu.
Module III – Importance of Upanishats – No. of Upanishats – Derivation – Meaning and relation to
Dasopanishats.
Module IV – Detailed study of Kathopanishat.
Prescribed Texts:
1. Vedic Reader : Author : Anthony Macdonell, Oxfored university press Delhi, Bombay,
Culcutta.
2. Khatopanishat

Reference Books

1. A short history of sanskrit literature – T.K Ramachandra Iyer, R.S Vadhyar and sons.
2. Samskrita Sahitya Charithram – K.C. Pillah DC Books, Kottayam.
3. History of Vedic Literature - S.N. Sarma, Chowkamba sanskrit series, Varanasi
4. Thatvamasi – Sukumar Azhikkode.
5. Vedanta Darsanam – Prof. G. Balakrishnan Nair, State institute of language, TVM.

6. Bharathiya Chinta – K. Damodaran, State institute of language, TVM.

**********

84
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov.2011
Veda and Upanishat
Semester V
(Core Course – 8)

Course Code : 5B08SKT

Texts:
1. Veda - Vedic Reader : : Anthony Macdonell (Rigvedic hymns – Agni, Indra, Ushas, Kithava,
Savithr and Vishnu.
2.Upanishat – Khatopanishat

Credit :5
Time : 3 Hours Maximum weightage: 30
Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be used.

Distribution of Weightage:
Veda : 15
Upanishat : 15
Total : 30
Three sets of objective type questions : 3
(Two sets from Veda and one set from Upanishat)
Five short questions out of eight from Veda : 5
Four short questions out of six from Upanishat : 4
Two short notes out of four from Veda : 4
Three short essays out of five from Upanishat : 6
One essay out of two from Veda : 4
One essay out of two from Upanishat : 4

******

85
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct. / Nov. 2011
VEDA AND UPANISHAT
Semester V
(Core Course – 8)
Course Code : 5B08SKT
Texts : Veda - Vedic Reader
Upanishat - Kathopanishat
Credit :5
Time: 3 hours Maximum Weightage: 30
Instructions: Answers Should be written in Sanskrit. In writing Sanskrit Devanagari Script should be
used.
I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú ÊxÉvÉɪÉÇ Ê±ÉJÉiÉ * Weightage 1 for each set
a. {É®ú: ºÉÊzÉEò¹ÉÇ:--- *
(¥ÉÉÀhÉÆ, ºÉÆÊ½þiÉÉ, +É®úhªÉEò¨É )
b. @ñEÂò <ÊiÉ {ÉnùºªÉ EòÉä ò lÉÇ ?
(ºiÉÖÊiÉ, ´ÉänÆù, +ɨxÉɪɨÉ )
c. ¨ÉÉvªÉÎxnùxɶÉÉJÉÉ EòºªÉ ´ÉänùºªÉ ={ɶÉÉJÉÉ ¦É´ÉÊiÉ?
(¶ÉÖC±ÉªÉVÉÖ´ÉænùºªÉ, ´ÉÉVɺÉxÉäªÉÒ ºÉÉʽþiÉɪÉÉ:, EÞò¹hɪÉVÉÖ´ÉænùºªÉ)
d. nù¶ÉÇ{ÉÚhÉǨÉÉºÉÆ Eòκ¨ÉxÉ ´Éänäù |ÉÊiÉ{ÉÉnùªÉÊiÉ?
(@ñM´Éänäù, ªÉVÉÖ´Éænäù, ºÉɨɴÉänäù)
2. a. @ñM¥Ìâzâù EòÊiÉ näù´ÉiÉÉ ?
(jɪÉÉäʴɶÉÉÊiÉ, {É\SÉ˴ɶÉÉÊiÉ:, SÉiÉÖʹɶÉÉÊiÉ)
b. @ñM´Éänäù EòÊiÉ ¨Éhb÷±ÉÉÊxÉ?
(nù¶É, -ÌhÆõ ú, +¹]õ)
c. ºÉɨɴÉänäù ¨ÉxjÉÉhÉÉÆ ºÉÆJªÉÉ --- *
(1549, 2987, 10552)
d. ºÉÚªÉÇÊSÉÊEòiºÉÉ Eòκ¨ÉxÉ ´Éänäù +κiÉ?
(ªÉVÉÖ´Éænäù, ºÉɨɴÉänäù, +lÉ´ÉÇ´Éänäù)
3 a) +uèùiɨÉiɺªÉ ºlÉÉ{ÉEò: EòÉ: ?
(´Éänù´ªÉɺÉ:, ¸ÉÒ¶ÉbÂ÷Eò®ú:, MÉÉäÊ´ÉxnùÉSÉɪÉÇ:)
b) ¨ÉÉiÉÞnäù´ÉÉä ¦É´É Ê{ÉiÉÞnäù´ÉÉä ¦É´É <ÊiÉ FÙòwÌ ¥ÌtÌÊtÌâ ?
(iÉèÊiÉ®úҪɨÉ , \ôÌ•zùÌâE™Ì˜ÌÆ , ¤ÉÞ½þnùÉ®úhªÉEò¨ÉÂ)
c) =Êkɹ`öiÉÉ VÉÉOÉiÉÉ ..... Fò²˜ÌÌtÌÆ =rùiɨÉ ?
(Eò`öÉä{ÉÊxɹÉnù, |ɶxÉÉä{ÉÊxɹÉnù, BàiÉ®äúªÉÉä{ÉÊxɹÉnù:)
d) xÉÊSÉEäòiɺªÉ Ê{ÉiÉÖ: xÉɨÉ: ÊEò¨É ?
(´ÉÉVÉ·É´É:, ªÉ¨É:, ºÉxÉEò:)
II. ´ÉÉCªÉäxÉäEäòxÉ uùªÉäxÉ ´ÉÉ {É\SÉÉxÉÉÆ =kÉ®Æú ʱÉJÉiÉ Weightage 1 for each
4. ´ÉänùÉ: EòÊiÉ Ê´ÉvɨÉÂ?
5. nÖùʽþiÉ®ú: <ÊiÉ {ÉnùºªÉ +lÉÇ: ÊEò¨É ?
6. ={É´ÉänùÉ: Eäò?
7. SÉiÉÖ®úɸɨÉÉ: Eäò?

86
Page 2
8. ´ÉänùÉbÂ÷MÉÉÊxÉ EòÉÊxÉ ?
9. {ÉÖ¯û¹ÉÉlÉÉÇ Eäò ?
10. @ñM´Éänäù |ÉlɨɨÉxjÉÆ ʴɶÉnùªÉiÉ?
11. EÞò¹hÉÉ ®úVÉÉÆÊºÉ iÉʴɤÉÓ nùvÉÉxÉ: - ʴɶÉnùªÉiÉ
III SÉiÉÖhÉÉÇ BEèòEäòxÉ ´ÉÉCªÉäxÉèEäòxÉ uùªÉäxÉ ´ÉÉ Ê±ÉJÉiÉ* Weightage 1 for each
12. +ÉκiÉEònù¶ÉÇxÉÉÊxÉ EòÉÊxÉ ?
13. |ɺlÉÉxÉjɪÉä EòÊiÉ OÉxlÉÉ:?
14. |ÉʺÉrùÉ: EòÊiÉ ={ÉÊxɹÉnù: ºÉÎxiÉ?
15. ¨É½þÉxiÉÆ ʴɦÉÖ®úÉi¨ÉÉxÉÆ ¨Éi´ÉÉ vÉÒ®úÉä xÉ ¶ÉÉäSÉÊiÉ - EòlɨÉ ?
16. iÉnùÉxÉxiªÉÉªÉ Eò±É{ÉiÉä * ÊEò¨É ?
17. •ÌëbÌÌ•ÌÉ ¥ÉÀÆ <ÊiÉ ¨É½þÉ´ÉÉCªÉÆ EÖòjÉ +κiÉ ? iɺªÉ +lÉÈ:
IV. uùªÉÉä:ù +É¶ÉªÉÆ BEèòEòªÉÉ JÉÎhb÷EòªÉÉ Ê´É¶ÉnùªÉiÉ* Weightage 2 for each
18. ®úÉVÉxiɨÉv´É®úÉhÉÉÆ
MÉÉä{ÉɨÉÞiɺªÉ nùÒÊnùʴɨÉ *
´ÉvÉǨÉÉxÉÆ º´Éä nù¨Éä **
19. ªÉäxÉä¨ÉÉ Ê´É·ÉÉ SªÉ´ÉxÉÉ EÞòiÉÉÊxÉ
ªÉÉä nùÉºÉÆ ´ÉhÉÉǨÉvÉ®Æú MÉÖ½þÉEò:*
·ÉvxÉÒ´É ªÉÉä ÊVÉMÉÒ´ÉÉ ±ÉIɨÉÉnùnÂù
+ªÉÇ: {ÉÖ¹]õÉÊxÉ ºÉ VÉxÉÉºÉ <xpù: **
20. tÉ´ÉÉÆ ÊSÉnùº¨Éè {ÉÞÊlÉ´ÉÒ xɨÉäiÉä
¸ÉÖ¹¨ÉÉÎSSÉnùºªÉ {É´ÉÇiÉÉ ¦ÉªÉxiÉä*
ªÉ: ºÉÉä¨É{ÉÉ ÊxÉÊSÉiÉÉä ´ÉXɤÉɽ®ú
ªÉÉä ´ÉXɽþºiÉ: ºÉ VÉxÉÉºÉ <xpù: **þ
21 tÌÌ QÌÌ tÌÌ —̇ùÌ =-̲Ì: •ÌÙœú̲ÌÙœú
+—ÌÕͯö†Ù˜ÌîÌÉ @ñtÌ`ÌÌt̲Ìt™ÌÌ:*
™Ì̲¥ÌÕ`ÌÌ•Ì: ¨Ì¨Ì˜ÌÌ•Ì =EyÌæ:
²tÌ٥̕`ÌFÜÉò²Ì•‡ùÍ¥ÌsÌÌÉ ²Ì† +Ì•Ì**
V) jɪÉÉhÉÉÆ =kÉ®Æú BEèòEòªÉÉ JÉÎhb÷EòªÉÉ Ê´É¶ÉnùªÉiÉ* Weightage 2 for each
22. +xvÉäxÉè´É xÉҪɨÉÉhÉÉ iÉlÉÉxvÉÉ: - EòlɨÉÂ?
23. t̲˜ÌÌt•ÌëÍtÌ jÉÒxÉ ´É®úÉxÉ ´ÉÞhÉÒ¹´É - ´É®Æú ÊEò¨É ?
24. ºÉÉ {É®úÉ MÉÉÊiÉ: - EòÉ?
25. ¦ÉÉäHäòiªÉɽÖþ¨ÉÇxÉÒʹÉhÉ: ÊEò¨ÉÂ?
26. vÉÒ®úÉä ½þ¹ÉǶÉÉäEòÉè VɽþÉÊiÉ ËEò EÞò´´ÉÉ ?
VI) uäù =•Ì•™Ì²™ÌtÌ - Weightage 4 for each
27. @ñM´ÉänùÉäHò®úÒiªÉÉ +MxÉä: º´É°ü{ÉÆ ´ÉhÉǪÉiÉ *
+lÉ´ÉÉ
ÊEòiɴɺªÉ ˜Ì·þt¥ÌÉ Ê´É¶ÉnùªÉiÉ*
28. ´É®úÉhÉɨÉä¹É ´É®úºiÉÞiÉÒªÉ: ʴɶÉnùªÉiÉ*
+lÉ´ÉÉ
Eò`öÉ{ä ÌÍ•Ì-ÌzÙù¹ÉÖHò®úÒiªÉÉ +ÎMxÉÊ´ÉtɪÉÉ: |ÉÉvÉÉxªÉÆ Ê´É¶ÉnùªÉiÉ *

*******

87
VYAKARANA
Semester V
(Core Course – 9)
Syllabus
Course Code : 5B09SKT
Number of Credits :5
No. of Contact Hrs. : 108
Aim of the Course
The course aims at developing the students’ talents to know Sanskrit grammar, Practical grammar,
peculiarities of Sanskrit Language and to develop language skills.
Objectives of the Course
1. To use language freely without any doubt.
2. To know the language by splitting words, compounding the words etc.
3. To know the practical knowledge in Sanskrit.
4. To familiarize with the technical terms in Vyakarana Sastra by knowing the rules.
5. To understand the nouns with relation of the words and their meanings.
6. To formulate the forms of Rama and Rema.
7. To promote critical and analytical knowledge and peculiarities of Sanskrit Language.
Course Outline
Module I Samja Prakaranam. The importance to be given to the technical terms such as Ith, Lopa, udattah,
anudattah, savarnam, hrassvah,deerghah, samyogah, samhithah,padam etc.
Module II Paribhasha Prakaranam.
Module III Achsandhi, Halsandhi, Visargasandhi, from the Sutras Iko yanachi to the end of Visarga
Sandhi. Importance to be given to yansandhi, Gunasandhi, Vridhisandhi, Deergasandhi, Ayaadisandhi,
poorvarupasandhi, pararupasandhi, Schuthvasandhi, shtutvasandhi, anunasika, parasavarna, poorvasavarna,
anusvaara, prakritibhaava etc.
Module IV The Sutras which are used to help in the formation of the forms of Rama and Rema from
ajanthapullinga prakaranam and ajanthasthreelinga prakaranam.
Module V Karakas and their peculiarities and uses- six Karakas.
Module I : Prescribed Text Bhattojideekshitha-.- Samja Prakaranam.
General reading Mahabaleswara Bhat – ‘Sandhih’, Samskrita bharati, Bangalore
– Chapter I, Akshara prakaranam.
Module II : Prescribed Text Bhattojideekshitha- Siddhantha Kaumudi.- Paribhasha Prakaranam.
Module III: Prescribed Text Bhattojideekshitha- Siddhantha Kaumudi.- Ach sandhi-
Halsandhi-Visaragasandhi prakaranam.
General reading
Mahabaleswara Bhat – ‘Sandhih’, – Chapter II,III, IV and V.
A.R. Rajaraja Varma – ‘Leghu Panineeyam’, Shiksha Kandah.
Prof.R. Vasudevan Potti- Laghusiddhantha Kaumudi Part I-
Balahidaishinibhashavyakhya.
Module IV
Prescribed Text ‘Siddhantha Kaumudi- Ajanthapullingaprakranam,Ajanthastr-
eelinga prakaranam related to the Sabdas-Rama and Rema.
General reading Laghupanineeyam – A.R. Rajaraja Varma.
Module V
Prescribed Text Siddhantha Kaumudi karaka prakaranam sutras only.
General reading Mahabaleswara Bhat – ‘Karakam’,
Prof. R. Vasudevan Potti- Kaaraka prakaranam, Kaarakaartha prabhodhini vyaakhya.

****************

88
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct. /Nov.2011
Vyakarana
Semester V
(Core Course - 9)
Course Code: 5B09SKT

Credit :5
Time : 3 Hours Maximum Weightage: 40
(Instruction: Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be
used).

Texts:- Vaiyakarana Siddhantakaumudi of Bhattojidikshita- Samnha, Paribhasha Achsandi, Halsandi,


Visargasandhi, Subanta (Rama & Rema), & Karakaprakaranam.
Distribution of weightage:

o Four short questions out of six - 4


o Four short questions out of six from Karaka - 4
o Four Vibhakti out of six - 4
o Four Samnja out of eight - 4
o Four Sutravyakhyana out of eight - 8
o Four Prakuruta out of eight - 8
o Four Prakriya out of eight - 8

********************

89
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct. /Nov. 2011
Vyakarana
Semester V
(Core Course – 9)
Course Code :5B09SKT

Texts: Vaiyakaranasiddhantakaumudi.

Time: 3 hours Credit :5


Maximum Weightage : 40

²ÌÜZÌ•ÌÌ : ²Ì¥Ìä •Ìë§ÌîÌ: ²ÌɲFßòtÌ—ÌÌ-Ì™Ìæ¥Ì ²Ì˜ÌÌŒÌâ™ÌÌ: zâù¥Ì•ÌÌOÌœúÕ Í¡ô͕̕û•Ì™ÌÌâHò¥™ÌÌ*

I. a) DFæòFâò•Ì ¥ÌÌE™Ìâ•Ì ZÌtÌÙsÌÌË =uÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 4 = 4


1. =•Ìzâù¨Ì¨Ì–zù²™Ì FòÌâ%yÌÊ:?
2. +sÌÆ <ÍtÌ + < = <t™ÌâtÌâ-ÌÌÉ ¥ÌsÌÌÊ•ÌÌÉ ²ÌÉbÌÌ ? Fâò•Ì ²ÌÜwÌâsÌ ?
3. '<FòÌâ ™ÌsÌÍZÌ' <ÍtÌ ²ÌÜwÌâ +ÍZÌ •Ìœâú <t™ÌyÌÊ: Fâò•Ì ²ÌÜwÌâsÌ Í²ÌzÆùŒÌ: ?
4. •ÌëOÌß»²ÌÉbÌÌ™ÌÌ: •Ìë™ÌÌâ`Ì•ÌÉ ÍFò˜ÌÆ ?
5. +Ì—™Ì•tÌœú•Ìë™ÌvÌÌ: Fâò ?
6. +FÆò <ÍtÌ •Ìët™ÌÌ·þÌœâú Fâò-ÌÌÉ ¥ÌsÌÌÊ•Ì̘̕tÌ—ÌÌÊ¥Ì: ?

b) DFæòFâò•Ì ¥ÌÌE™Ìâ•Ì ZÌtÌÙsÌÌ˘ÌÙuÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 4 = 4

7. +ÌŒÌÌœú: FòÍtÌͥ̌Ì: ? Fâò ZÌ tÌâ?


8. '²Ì•̘™ÌÍŒÌFòœúsÌâ ZÌ' <ÍtÌ ²ÌÜwÌâ ZÌFòÌœú: ÍFò˜ÌyÌÊ: ?
9. •ÌëÌÍtÌ•ÌÍzùFòÌyÌÊ: Fò: ?
10. 'OÌÌÉ zùÌâÑOŒÌ •Ì™Ì:' <t™ÌwÌ OÌÌâ: FòyÌÉ Fò˜ÌÊt¥Ì˜ÌÆ ?
11. Fò˜ÌÌÊzùÕ•ÌÌÉ ²Ì˜–Ì•ŒÌ˜ÌÌwÌ̥ͥÌKÌÌ™ÌÌÉ FòÌ Í¥Ì—ÌÍHò: ?
12. -Ì®õÕ ¨Ìâ-Ìâ <ÍtÌ ²ÌÜwÌâ ¨Ìâ-̨̖zù²™Ì FòÌâ%yÌÊ: ?

II. œâúLÌÌÍSótÌÌ•ÌÌÉ ZÌtÌÙsÌÌË Í¥Ì—ÌHòÕ: ²Ì•Ìë˜ÌÌsÌÉ ²Ì̙̌ÌtÌ* Weightage 1 for each 1 x 4 = 4

13. ·þΜú —Ì`ÌÍtÌ*


14. –ÌÌsÌâ•Ì ·þtÌÌâ –ÌÌ¡ôÕ *
15. OÌë̘ÌÌtÌÆ +Ì™ÌÌÍtÌ*
16. •ò¡âô—™ÌÌâ ™ÌÌÍtÌ*
17. +KsÌÌ FòÌsÌ: *
18. ²Ì¥ÌÌÊѲ˜Ì•ÌÆ +Ìt˜ÌÌ +ѲtÌ*

III. ZÌt¥ÌÌÍœú ²ÌÉbÌÌͥ̌ÌÌ™ÌFòÌÍ•Ì ²ÌÜwÌÌÍsÌ Í•ÌÏzù¨™ÌÌâzùÌ·þœútÌ* Weightage 1 for each 1 x 4 = 4

19. •Ìzù˜ÌÆ * 20. <tÌÆ * 21. ²Ì¥ÌsÌÊ˜ÌÆ* 22. FòœúsÌ˜ÌÆ *


23. +•ÌÌzùÌ•Ì˜ÌÆ* 24. ²ÌÉÍ·þtÌÌ* 25. +•ÌÙ•ÌÌͲÌFò:* 26. zùÕQÌÊ:*

90
Page 2

IV. ZÌt¥ÌÌÍœú ²ÌÜwÌÌÍsÌ ¥™ÌÌL™ÌÌtÌ * Weightage 2 for each 2 x 4 = 8

27. <FòÌâ ™ÌsÌÍZÌ* 28. ²tÌÌâ: ©ÌÙ•ÌÌ ©ÌÙ: * 29. ¥ÌÌ ¨ÌÍœú * 30.
DÍRó •Ìœú•û•Ì˜ÌÆ * 31. ¥ÌßzÆù̜͌úÌzæùZÌÆ * 32. FòtÌÙÊœúÕÑ•²ÌtÌt̘ÌÉ Fò˜ÌÊ * 33.
Añt™ÌFò: * 34. =œúsÌÆ œú•Ìœú: *

V. ZÌt¥ÌÌÍœú •ÌëFÙò•ûtÌ Weightage 2 for each 2 x 4 = 8

35. +KÌ + >ðÍ·þ•ÌÕ 36. •Ìë + D`ÌtÌâ 37. ·þœâú + D


38. +˜ÌÕ + <ʨÌ: 39. •ÌÙ˜ÌÆ + FòÌâÍFò¡ô: 40. ¥ÌÌFÆò + ·þÍœú:
41. ²Ì˜ÌÆ + œúÌhÆõ 42. ·þΜú + ¥Ì•zâù

VI. Fò˜ÌÍ•Ì —ÌÌO̷̘̕̕þÌ™Ì ZÌt¥ÌÍœú •œÆúFÙò•ûtÌ * Weightage 2 for each 2 x 4 = 8

a b
43. œú̘̲™Ì œú˜ÌÌ:
44. œú̘ÌÌtÌÆ œú˜Ì™ÌÌâ:
45. œú̘ÌÌ•ÌÆ œú˜Ì™ÌÌ

*****************

91
POETICS
Semester V
(Core Course – 10)
Syllabus
Course Code : 5B10SKT
Number of Credits :4
No. of Contact Hrs. : 90
Aim of the Course
Poetics in Sanskrit is a vast subject having several schools and sub schools. The course is
intended to introduce the famous school of literary criticism called Dhvani school along with
the preliminaries of Kavya in general. The course is designed to motivate the students to learn
more about other schools of poetics in Sanskrit. The course aims to develop students’
knowledge about Alankaras.
Objectives of the Course
1.To introduce literary theories in Sasnkrit in general.
2.To introduce the Dhvani school with reference to Kavyaprakasa of Mammatabhatta.
3.To enable the students to evaluate the poetic excellence of kavya in the light of Dhvani theory.
4.To differentiate each Alankaras from other Alankaras.
5.To appreciate the poetry.
Course Outline
Module I General introduction to Alankara sastra- 8 schools.
Module II Kavya prayojana- Definition of kavya- divisions of kavya given by Mammata -
three fold division of sabda and artha, thatparyartha, lakshana-its six varieties.
Module III Vyanchana – Lakshanamoolavyanchana – abhidhamoolavyanchana.
Dhvanikavya- its divisions- definition of Rasa – utpattivada, anumitivada,
bhuktivada, abhivyaktivada.
Module IV Selected Arthalankaras (Kuvalayananda of Appayyadeekshita) – Poornopama,
Roopakam, Utpreksha, Apahnuti, Athisayokthi, Swabhavokthi,
Deepakam,Drishtanthah, Arthantharanyasah, Samasokti, Aprastutaprasamsa,
Thulyayogitha, Vyathireka, Kavyalingam.
Prescribed Text
Kavyaprakasa of Mammatabhatta—Ullasas 1 to 4 up to Ubayabhavasvarupasya
Chobhayatmakatvamapi, Poorvavat lokottaratameva gamayati na tu viordhamiti
srimadachaaryaabhinavaguptaacharyah.
Kuvalayananda of Appayyadeekshita.
References
Indian Kavya Literature- A.K. Warder.
History of Sanskrit Poetics- P.V. Kane
Some concepts of the Alankaara saastra- Dr. V. Raghavan.
A new history of Sanskrit Poetics- Krishna Chaithanya.
Samskritasahityavimarsanam – Dr. N.V.P. Unithiri.
Pourastyasahityadarsanam Dr. M.S. Menon.
Soundaryasastram Dr. C. Rajendran.
Bharatiyakavyasastram Dr. T. Bhaskaran.

***************

92
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2011
Poetics
Semester V
(Core Course – 10)
Course code: 5B10SKT

Credit :4
Time : 3 Hours Maximum Weightage: 32
(Instruction: Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be
used)
Texts:
Kuvalayananda of Appayyadikshita selected Arthalankaras.
Poornopama, Rupakam, Utpreksha, Apahnuti, Atisayokti, Swabhavokti, Deepakam, Drshtanta,
Arthantharanyasa, Samasokti, Aprastutaprasamsa, Tulyayogita, Vyatireka, Kavyalingam.
Kavyaprakasa of Manmata: Chapters 1,2,3 and 4 up to Rasacharcha

Distribution of Weightage: Alankara - 7


Poetics - 25
Total - 32

· One set of short question from Alankara - 1


· One set of short question from Kavyaprakasa - 1
· Two short question out of four from Alankara - 2
· Four short questions out six from Kavyaprakasa - 4
· Six short essay questions out of eight from Kavyaprakasa - 12
· Two essay out of four from Kavyaprakasa - 8
· One essay out of two from Alankara - 4

***********

93
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct./Nov. 2011
Poetics
Semester V
(Core Course – 10)
Course code:5B 10SKT

Texts:
Kuvalayananda of Appayyadikshita selected Arthalankaras.
Poornopama, Rupakam, Utpreksha, Apahnuti, Atisayokti, Swabhavokti, Deepakam, Drshtanta,
Arthantharanyasa, Samasokti, Aprastutaprasamsa, Tulyayogita, Vyatireka, Kavyalingam.
Kavyaprakasa of Manmata: Chapters 1,2,3 and 4 up to Rasacharcha

Time: 3 hours Credit :4


Maximum Weightage : 32

²ÌÜZÌ•ÌÌ : ²Ì¥Ìä •Ìë§ÌîÌ: ²ÌɲFßòtÌ—ÌÌ-Ì™Ìæ¥Ì ²Ì˜ÌÌŒÌâ™ÌÌ: zâù¥Ì•ÌÌOÌœúÕ Í¡ô͕̕û•Ì™ÌÌâHò¥™ÌÌ**

I. 1. FòÌâ®õÌtÌÆ ²Ì˜ÌÙÍZÌt̘ÌÙuÌœÉú ͕̌ÌÌÊ™ÌÊ Í¡ôLÌtÌ Weightage 1 for eachset 1 x 2=2

a. ·Éþ²ÌÕ¥Ì Fßò-sÌ tÌâ FòÕÏtÌ: ²¥ÌOÌÌÊWó̘̥ÌOÌÌ·þtÌâ* +wÌ ·Éþ²ÌÕ ---------


(=•̘ÌÌ•Ì˜ÌÆ, =•̘Ìâ™Ì˜ÌÆ , =•̘ÌÌ¥ÌÌZÌFò˜ÌÆ )
b. ŒÌܘ̲tÌÌâ˜ÌÉ t̘Ì: ¨ÌSâó FòÌâFòÕ̜ͥú·þ¨ÌÙ-˜ÌsÌÌ˜ÌÆ - +wÌ +¡ôSóÌœú: Fò: ?
(=HòÍ¥Ì-Ì™ÌÌ ¥Ì²tÌÜt•ÌëâKÌÌ , +•ÌÙHòÍ¥Ì-Ì™ÌÌ ¥Ì²tÌÜt•ÌëâKÌÌ , ͲÌzÆùŒÌÍ¥Ì-Ì™ÌÌ •ò¡ôÌât•ÌëâKÌÌ)
c. ˜Ìzâù•Ì —ÌÌÍtÌ Fò¡ô—Ì: •ÌëtÌÌ•Ìâ•Ì ˜Ì·þÕ•ÌÍtÌ: * +wÌ +¡ôSóÌœú: Fò: ?
(zùÕ•ÌFò˜ÌÆ , tÌÙŸ™Ì™ÌÌâÍOÌtÌÌ , ¥™ÌÍtÌœâúFò: )
d. •û•ÌFòÌ¡ôSóÌœú: FòÍtÌͥ̌Ì: —Ì¥ÌÍtÌ *
(͈ùͥ̌Ì: , -ÌnÆ÷ͥ̌Ì:, DFò:)
2. a. FÙò•tÌÌ: •Ìę̈ͥÌÑ•tÌ <t™ÌwÌ FòÌ ¡ôKÌsÌÌ ?
(=•ÌÌzù̡̕ôKÌsÌÌ, ¡ôKÌsÌ¡ôKÌsÌÌ , ²ÌÌœúÌâ•ÌÌ ¡ôKÌsÌÌ )
b. ˜ÌÙL™ÌÌyÌʲ™Ì ¥™ÌÌ•ÌÌœú: —Ì¥ÌÍtÌ ---------*
( +Í—ÌŒÌÌ , ¡ôKÌsÌÌ, ¥™ÌgÌ•ÌÌ )
c. ¥ÌÌZ™Ì D¥Ì ¥ÌE™ÌÌyÌÊ: <ÍtÌ Fâò-ÌÌÉ ˜ÌtÌ˜ÌÆ ?
( ˜ÌÕ˜ÌÌɲÌFòÌ•ÌÌÉ , +Ñ•¥ÌtÌÌÍ—ÌŒÌ̥̕ÌÌÍzù•ÌÌ˜ÌÆ , +Í—ÌÍ·þtÌÌ•¥Ì™Ì¥ÌÌÍzù•ÌÌ˜ÌÆ )
d. œú̡̘ôK˜ÌsÌÌæ FòÌæ <t™ÌwÌ zų̜̀úyÌÕ <ÍtÌ Í¥Ì¥ÌÍKÌtÌÌyÌʲ™Ì bÌÌ•Ì˜ÌÆ ?
( ²ÌÉ™ÌÌâOÌâ•Ì , ²ÌÌ·þZÌ™ÌäsÌ , ̜ͥúÌâÍŒÌtÌ™ÌÌ )

II. ˆù™ÌÌâ: =uÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 2 = 2

3. ¥™ÌÍtÌœâúFòÌ¡ôSóÌœú²™Ì ¡ôKÌsÌÉ ÍFò˜ÌÆ ?


4. ²¥Ì—ÌÌ¥ÌÌâÍHò: - ²Ì˜Ì̲ÌÌâÍHò: - —ÌâzÉù Í•ÌÏ~ù¨ÌtÌ *

94
Page 2

5. ‹ù®õÌ•tÌ: - tÌÙŸ™Ì™ÌÌâÍOÌtÌÌ -- —ÌâzÉù Í¡ôLÌtÌ *

III. DFâò•Ì ˆùÌ—™ÌÌÉ ¥ÌÌ ¥ÌÌE™ÌÌ—™ÌÌÉ ZÌtÌÙsÌÌʘÌÙuÌœÉú Í¡ôLÌtÌ * Weightage 1 for each 1 x 4 = 4

6. FòÌ¥™Ì•ÌëFǫ̲̀™Ì FòtÌÌÊ Fò: ?


7. —Ìœút̲™Ì œú²Ì²ÌÜwÌÉ ÍFò˜ÌÆ ?
8. OÌWóÌ™ÌÌÉ QÌÌâ-Ì: <t™ÌwÌ FòÌ ¡ôKÌsÌÌ ? Fâò•Ì •ÌëFòÌœâúsÌ ?
9. +̥ͥÌÍKÌtÌ¥ÌÌZ™ÌŒ¥Ì•Ìâ: —ÌâzùÌ: Fâò ?
10. ²ÌSâóÍtÌtÌ©tÌÙ—Ìäzù:* Fâò ZÌ tÌâ ?
11. +•ÌÙ͘ÌÍtÌ¥ÌÌzù²™Ì FòtÌÌÊ Fò: ?

IV. -ÌssÌÌÉ ¡ôQÌÙÍhõ••ÌsÌÕ : Í¡ôLÌtÌ * Weightage 2 for each 2 x6 = 12

12. FòÌ¥™Ì•Ìë™ÌÌâ`Ì•Ì˜ÌÆ * 13. ¨Ì–zùÌyÌÊ™ÌÌâ: ²¥Ì•û•Ì˜ÌÆ *


14. +ÌyÌ×¥™ÌgÌ•ÌÌ * 15. FòÌ¥™ÌFòÌœúsÌ˜ÌÆ *
16. =t•ÌÍuÌ¥ÌÌzù: * 17. œú²Ì²¥Ì•û•Ì˜ÌÆ *
18. FòÌ¥™Ì¡ôKÌsÌ˜ÌÆ * 19. ²ÌSâóÍtÌtÌÌyÌÌÊ: *

V. ˆâù =uÌœú™ÌtÌ Weightage 4 for each 4 x 2 = 8

20. FòÌ¥™Ì•ÌëFǫ̀ÌÌâHòÍzù¨ÌÌ FòÌ¥™Ì—ÌâzùÌ•ÌÆ Í•ÌÏzù¨ÌtÌ *


21. ¡ôKÌsÌÌ tÌâ•Ì -ÌnÆ÷ͥ̌ÌÌ * ˜Ì˜˜Ìhõ˜ÌtÌÌ•ÌÙ²ÌÌœÉú ̨ͥÌzù™ÌtÌ *
22. œú²Ì²ÌÜwÌâ +Í—Ì¥™ÌÍHò¥ÌÌzÉù ̨ͥÌzù™ÌtÌ *
23. '+•ÌâFòÌyÌʲ™Ì ¨Ì–zù²™Ì ¥ÌÌZÌFòt¥Ìâ ͕̙ÌÑ•wÌtÌâ
²ÌÉ™ÌÌâOÌ̆æœú¥ÌÌZ™ÌÌyÌÊŒÌÕFßòtÌÆ ¥™ÌÌ•ÌßÍtÌœúgÌ•Ì˜ÌÆ' * ̨ͥÌzù™ÌtÌ *

VI. =•Ì•™Ì²™ÌtÌ * Weightage 4

24. =t•ÌëâKÌÌ™ÌÌ: ¡ôKÌs̘ÌÙEt¥ÌÌ tÌ„âùzùÌ•ÌÆ ²ÌÌâzùÌ·þœúsÌÉ Í¥Ì¥ÌßsÌÙtÌ *


+ŒÌ¥ÌÌ
+Ít̨̙ÌÌâHâò: ¡ôKÌs̘ÌÙEt¥ÌÌ tÌ„âùzùÌ•ÌÆ ²ÌÌâzùÌ·þœúsÌÉ Í¥Ì¥ÌßsÌÙtÌ *

*****************

95
BHAGAVADGITA AND PERSONALITY DEVELOPMENT
Semester V
(Open Course – 1)
Syllabus
Course Code : 5D01SKT
No. of Credits :2
No. of Contact Hrs. : 36
Aim of the course
To analyze and create awareness of the psychic aspects of Bhagavad-Gita with regard to the theory of
action’ and inculcate the idea of creative views on life on the part of students.
Objectives of the course
a. Enfoldment of the student’s ability to get along independently.
b. Character is formed strength of mind is increased and by which they can become a social asset.
c. To equip students as socially adjusted and they may get prepared to face any kinds of
challenges in life.
d. To get the benefit of modern crisis counseling met in Bhagavad-Gita and prepared efficiency in
the field of Guidance and Counseling in the light of modern Behavioral Science.
Module I Dimensions of Personality Development
Physical-psychic- Intellectual -emotional-spiritual
Development of ones personality
Module II Holistic Management
Management Principles and teachings of Bhagavat Gita - Bhagavt Gita and Leadership Training
Module III The Role of Yoga in Bhagavad-Gita
Action and efficiency as seen through the definitions of Yoga in Bhagavt Gita Chapter II
Sthitaprajna and the techniques of making equanimity.

Module IV Bhagavad-Gita and Human Resource Management


Work Culture and Human Personlality
Choice Criteria and Decision making
Prescribed Texts:
1. Bhagavat Gita Chapter II
2. Indian Traditions of Management Chapter I by V.K.S. Menon & Chapter VI by Dr.
K.N.N. Elayath (Calicut University Publications).
3. Stress Management Chapter VIII Titled as Four components of Human Personality by
Ajaysukla Unikon Books , Delhi -110002
References:-
1. Bhagavad-Gita Sankarabhasyam By P.Panoly, Pub by Mathribhumi Books
2. Rajayoga by Swami Vivekananda Pub by Sri RamaKrishnasramam
Trichur.
3. Stress Management By Ajaysukla Unikon Books , Delhi -110002
4. Vyktitvavikasanattilute Jivitha Vijayam By Prof .Prasad, H&C Pub House Trichur.
5. Svsthavrittam, By Dr.S. Nesamani, Kerala Bhasa institute Trivandrum.
6. Gitapravacanam by Vinobhabhave D.C. Books .Trichur
7. Advanced Educational Psychology by S.K.Mangal. Published by Prentice-Hall of India
Private Ltd, M-97, Connaught Circus, New Delhi-110033.
********

96
Pattern of Question Paper
B.A. Programme (Sanskrit)Examination Oct./Nov. 2011
BHAGAVADGITA AND PERSONALITY DEVELOPMENT
Semester V
(Open Course – 1)
Course Code : 5D01SKT
Credit :2
Time : 3 hrs Maximum Weightage : 30

Texts:
1. Bhagavad Gita Chapter II
2. Indian Traditions of Management Chapter I by V.K.S. Menon & Chapter VI by Dr.
K.N.N. Elayath (Calicut University Publications).
3. Stress Management Chapter VIII Titled as Four components of Human
Personality by Ajaysukla Unikon Books , Delhi -110002

Answers may be written either in Sanskrit or in English or in Malayalam.

Distribution of Weightage :
Six short questions out of eight from Indian Tradition of Management ChapterI&VI :6
Two short notes out of three from Indian Tradition of Management :4
Two short notes out of three from Stress Management :4
Four explain fully out of six from Bhagavad Gita :8
One essay out of two from Bhagavad Gita :4
One essay out of two from Indian Tradition of Management :4

*******

97
Model Question Paper
B.A. Programme (Sanskrit) Examination Oct. / Nov. 2011
BHAGAVAT GITA AND PERSONALITY DEVELOPMENT
Semester V
(Open Course – 1)
Course code : 5D01SKT

Texts: Bhagavat Gita – Chapter II


Indian Traditions of Management Chapter I & VI
Stress Management by Ajay Sukla Chapter VIII

Credit :2
Time: 3 hrs. Weightage : 30

Answers may bewritten either in Sanskrit or in English.

I. Answer any six in one or two sentences Weightage 1 for each.


1. What is the fundamental aim of work mentioned in Bhagavat Gita?
2. What are the two factors that can bring success in all walks of life?
3. Who are the management Gurus of ancient India?
4. What are the sins of mind according to Buddha?
5.What is the sources of true knowledge (wisdom)?
6. Vinasakale viparita buddhi – from where it was taken?
8. What are the two factors that influence others?
II Write short notes on any two: Weightage : 2 for each
9. Holistic Management.
10. Yogah Karmasu Kausalam.
11. Work culture and Human Personality.
III Write short notes on any two: Weightage : 2 for each
12. Three major components to stay healthy.
13. The key elements of seeking social support.
14. Autosuggestion
IV Explain fully any four Weightage : 2 for each
15.™ÌÉ Í·þ •Ì ¥™Ìy̙̕t™ÌâtÌâ •ÌÙ•û-ÌÉ •ÌÙ•û-Ì-ÌÊ—Ì*
²Ì˜ÌzÙù:L̲ÌÙLÌÉ ŒÌÕœÉú ²ÌÌâ+˜ÌßtÌt¥ÌÌ™Ì FòŸ•ÌtÌâ**
16. +•t̥̕tÌ <˜Ìâ zâù·þÌ Í•Ìt™Ì²™ÌÌâHòÌ: ¨ÌœúÕÍœúsÌ:*
+•ÌÌͨ̕ÌÌâ +•Ìë˜Ìâ™Ì©Ì t̲˜Ìٌ̆™Ì²¥Ì —ÌÌœútÌ**
17. +Z\âô†Ìâ™Ì˜ÌzùÌ»Ìâ +™ÌÉ +Iâò†Ìâ +¨ÌÌâ-™Ì D¥Ì ZÌ*
Í•Ìt™Ì: ²Ì¥ÌÊOÌtÌ: ²yÌÌsÌÙ: +ZÌ¡ôÌâ™ÌÉ ²Ì•ÌÌtÌ•Ì:**
18. ²ÌÙLÌzù:LÌ⠲̘Ìâ Fßòt¥ÌÌ ¡ôÌ—ÌÌ¡ôÌ—ÌÌæ `Ì™ÌÌ`Ì™ÌÌæ*
tÌtÌÌâ ™ÌÙ}ùÌ™Ì ™ÌÙ}ù²¥Ì •Ìæ¥ÌÉ •Ì̘̥̕ÌÌ•²™ÌͲÌ**

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19. ¥™Ì¥Ì²ÌÌ™ÌÌÑt˜ÌFòÌ –ÌÙÍ}ùœâúFâò·þ FÙò•û•Ì•zù•Ì*


–Ì·Ùþ¨ÌÌLÌÌ »•Ì•tÌÌ ZÌ –Ì}ùšÌâ +¥™Ì¥Ì²ÌÌ͙̕ÌÌ˜ÌÆ**
20. Fò˜ÌÊs™Ìâ¥ÌÌÍŒÌFòÌœú²tÌâ ˜ÌÌ •ò¡âô-ÌÙ FòzùÌZÌ•Ì*
˜ÌÌ Fò˜ÌÊ•ò¡ô·âþtÌÙ—ÌÜÊ ˜ÌÌ tÌâ ²ÌWóÌâ²t¥ÌFò˜ÌÊÍsÌ**
V. Write an Essay Weightage : 4

21. Sthitaprajna - Expain


OR
22. Critically examine the definition of Yoga given in the second Chapter of
Bhagavat Gita.
VI. Write an Essay Weightage : 4

23. Management principles and teachings of Gita


OR
24. Choice criteria and decision making.

*********

99
SEMESTER - VI (DECEMBER 2011 - APRIL 2012)
Course Code Title of the Course Instructional Hrs. Credit
6B11 SKT Sankhya and Arthasastra 6 5
6B12 SKT Nyaya and Vedanta 6 5
6B13 SKT Yogic Science 6 4
6B14 SKT Project 5 4
6D02 SKT Herbal Literacy and Ethno-Botanical Awareness 2 2

100
Sankhya and Arthasastra
Semester VI
(Core Course – 11)
Syllabus
Course No : 6B11SKT
No.of Credits : 5
No. of Contact Hrs. : 108
Aim of the Course
Aim of the course is to enable the students to understand and to analyze the contents of Indian philosophy and
Politics.
Objectives of the Course
1. To help the students to know about the fundamentals of Indian Philosophy
2. To enable the students for moral and rational thinking.
3. To understand ancient Indian wisdom on administration.
Course Outline
Module – I
Introduction to Darsana – Meaning of Darsana and its entity – Origin of Darsana – Darsana Sastra its number
and division.
Module-II
Detailed study of Samkhyakarika of Isvarakrishna-Description of Srishti – Utpatti – Laya – Prakriti – Origin of
Avyakta – Mahat – Ahamkara-Pramana - Vyakta – Avyakta Sadharmya and Vaidharmya – Descripition of
Prakriti and Purusha – Triguna – Trayodasa Karana – Sthula and Sukshma – Sareera, Tushti and Moksha.
Module III
Introduction to ancient Indian politics – its meaning and terms.
Module IV
Detailed Study of ‘Arthasastra’ of Kautilya – Chapter I – Vinayadhikarana only.
Prescribed Texts
1. Samkhyakarika of Isvarakrishna
2. Arthasastra of Kautilya – Chapter I - Vinayadhikarana only.
Reference Books
1. Sarvadarsana Samgraha – Madhava Acharya, Chowkamba Sanskrit Series Office Varanasi
2. Samkhya Tatva Kaumudi – Vachaspatimisrah, Chowkamba Saraswathi bhavan, Varanasi.
3. Bharatheeya Darsanam – Dr. S. Radhakrishnan, Mathrubhoomi printing and publishing, co- operative
Limited, Calicut.
4. Outlines of Indian Philosophy – M. Hiriyanna.
5. Political thought in Sanskrit Kavya – Geetha Upadhyaya, Chowkamba Orientalia, Varanasi, Delhi.
6. Kautilya Arthasastra (Commentory of Srimoola) – T. Ganapathi Sastri, Motilal Banarasidas,
NewDelhi.
7. Kautilya and Arthasastra- R.P Kangle, Motilal Banarasidas, NewDelhi.
8. The Arthasastra- Edited by L.N Rangarajan, Penguin books, New Delhi.
9. Kautilyante Arthasastram- K V M, Kerala Sahitya Academy, Thrissur.

**********

101
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April/May 2012
Sankhya and Arthasastra
Semester VI
(Core Course – 11)
Course Code : 6B11SKT
Texts :
Sankhyakarika of Isswarakrishna
Arthasastra of Kautilya – Chapter I - Vinayadhikarana only.

Credit :5
Time : 3 Hours Maximum weightage: 30
Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be used.

Distribution of Weightage:
Sankhya : 16
Arthasastra : 14
Total : 30
Three sets of objective type questions : 3
(Two sets from Sankhya and one set from Arthasasthra)
Four short questions out of six from Sankhya : 4
Five short questions out of seven from Arthasastra : 5
Three short essays out of five from Sankhya : 6
Two short essays out of four from Arthasastra : 4
One essay out of two from Sankhya : 4
One essay out of two from Arthasastra : 4

********

102
Model Question Paper
B.A. Programme (Sanskrit) Examination April / May 2012
Samkhya and Arthasastra
Semester VI
(Core Course - 11)
Course Code : 6B11SKT
Texts : Sankhya karika of Iswara Krishna
Arthasastra of Kautilya
(Vinayadhikarana only)
Credit :5
Time: 3 hours Maximum Weightage: 30
Instructions: Answers should be written in Sanskrit. In writing Sanskrit Devanagari Script should be
used.

I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú =}ßùt™Ì ʱÉJÉiÉ * Weightage 1 for each set


a. ´ÉänùºªÉ ¨ÉÖJÉÆ ÊEò¨ÉÂ?
(´ªÉÉEò®úhɨÉ , `™ÌÌâÊiɹɨÉ , EòŸ•̨É )
b. SÉÉ´ÉÉÇEòÉhÉÉÆ¨É |ɨÉÉhÉÆ ÊEò¨É ?
(|ÉiªÉIɨÉÂ, +xÉÖ¨ÉÉxɨÉ , ={ɨÉÉxɨÉÂ)
c. ²ÌÌÉJªÉÉʨÉÊiÉ {ÉnùºªÉ EòÉä ò lÉÇ: ?
(ºÉÆJªÉÉ , Ê´É´ÉäEÆò , ÊVÉYÉɺÉÉ)
d. +iÉÒÎxpùªÉÉhÉÉÆ |ÉiÉÒÊiÉ: --- ¦É´ÉÊiÉ*
(|ÉiªÉIÉÉiÉ , +xÉÖ¨ÉÉxÉÉiÉÂ, ¶É¹nùÉiÉ )

2. a. +vªÉ´ÉºÉɪÉ: - vɨÉÇ: *
(+·ÉþFòÌœú:, –ÌÙÍ}ù:, ¨ÉxÉ:)
b. iÉɨɺÉɽþbÂ÷EòÉ®úÉiÉ - =nÂù¦É´ÉÊiÉ *
(BEòÉ zù¨ÌâÑ•‡ªÉÉhÉÒ, {É\SɦÉÚiÉÉÊxÉ, {É\SÉiÉx¨ÉÉwÌÌÊhÉ)
c. +ÌκiÉEònù¶ÉÇxÉÉÊxÉ ---- *
(¹É]Âõ , ºÉ•Ì , +¹]õ)
d. Eò¨ÉæÎxpùªÉÉÊhÉ EòÊiÉÊ´ÉŒÌ˜ÌÆ ?
(•ÌÉZÌ , -ÌhÆõ ú, ºÉ•Ì )

3 a) ºÉ´ÉÇÊ´ÉtÉxÉÉÆ |ÉnùÒ{É: Eò: ?


(+x´ÉÒÊIÉEòÒ, jɪÉÒ, nùhb÷xÉÒÊiÉ:)
b) º´ÉªÉÆ où¹]õ¨É - *
(|ÉɪÉIɨÉ , {É®úÉäIɨÉ , +xÉÖ¨ÉÉxɨÉ )
c) SÉÉhÉCªÉºªÉ +{ÉœúxÉɨÉvÉäªÉÆ ÊEò¨É ?
(ʴɹhÉÖMÉÖ{iÉ:, ¸ÉÒMÉÖ{iÉ:, EòÉʱÉnùɺÉ: )

d) VÉxÉ{ÉnÆù <ÊiÉ {ÉnùºªÉ EòÉäò lÉÇ :


(®úÉVªÉÆ, näù¶ÉÆ, xÉMÉ®Æú)

103
Page 2

II. SÉiÉÖhÉÉÈ =kÉ®Æú BEèòEäòxÉ ´ÉÉCªÉäxÉ Ê±ÉJÉiÉ * Weightage 1 for each


4. {É\SÉiÉx¨ÉÉjÉÉÊhÉ EòÉÊxÉ?
5. nù¶ÉÇxɨÉ <ÊiÉ {ÉnùºªÉ EòÉä ò lÉÇ ?
6. ºÉÉÆJªÉ¨ÉiÉÉxÉÖºÉÉ®äúhÉ tÌt¥ÌÌÊxÉ EòÉÊxÉ?
7. |ɪÉÉänù¶ÉEò®úhÉÉÊxÉ EòÉÊxÉ?
8. nÖù:JÉ EòÊiÉÊ´ÉvɨÉÂ
9. {ÉÖ¯û¹ÉÉäκiÉi´É¦ÉÉäHÞò ¦ÉɴɨÉÂ

III {É\SÉÉxÉÉÆ =kÉ®Æú ´ÉÉCªÉäxÉèEäòxÉ uùªÉäxÉ ´ÉÉ Ê±ÉJÉiÉ* Weightage 1 for each
10. Ê´ÉtÉ: Eäò
11. {É\SɺɺlÉÉ: Eäò?
12. vɨÉÇ: ÊEò¨ÉÂ
13. nÚùiÉÉ: EòÊiÉÊ´ÉvɨÉÂ?
14. ¨ÉxjɺªÉ {É\SÉÉbÂ÷MÉÉÊxÉ EòÉÊxÉ?
15. +lÉǺªÉ ¨É򱃮 ÊEò¨ÉÂ?
16. nÚùiɺªÉ Eò¨ÉÇ: ÊEò¨ÉÂ?

IV. jɪÉÉhÉÉÆ =kÉ®Æú BEèòEòªÉÉ JÉÎhb÷EòªÉÉ Ê±ÉJÉiÉ* Weightage 2 for each


17. ºÉ{EòɪÉÇ´ÉÉnÆù ʴɶÉnùªÉiÉ *
18. iÉÖι]õ¦ÉänùÉ: ʴɶÉnùªÉiÉ *
19. ºÉÉänùɽþ®úhÉÆ +xÉÖ¨ÉÉxÉʴɦÉÉMÉÉ Êxɰü{ɪÉiÉ *
20. MÉÖhÉjɪɺ´É°ü{ɨÉÖCi´ÉÉ ºÉÉÆ·ªÉ¨ÉiÉä iɺªÉ |ÉÉvÉÉxªÉ¨ÉÖ{É´ÉhÉǪÉiÉ *
21. +´ªÉHòʺÉÊrù ʴɶÉnùªÉiÉ *

V) uùªÉÉä: =kÉ®Æú ʴɺiÉ®äúhÉ |ÉÊiÉ{ÉÉnùªÉiÉ * Weightage 2 for each


22. ®úÉYÉ: ÊnùxÉSɪÉÉÇ Ê´É¶ÉnùªÉiÉ *
23. ¨ÉxjÉÉÊvÉEòÉ®ú: FòÕ‹ù¨Ì:*
24. vɨÉÉæ{ÉvÉÉ Ê´É¶ÉnùªÉiÉ *
25. MÉÖfø{ÉÖ¯û¹É|ÉÊhÉÊvÉ - ´ªÉÉJªÉÉiÉ *

VI uäù =kÉ®úªÉiÉ - Weightage 4 for each


26. ºÉÉÆ®ú´ªÉÉxÉÖºÉÉ®ú ºÉÞι]õGò¨ÉÆ Êxɰü{ɪÉiÉ*
+lÉ´ÉÉ
´ªÉHòÉ´ªÉHòªÉÉä: ºÉÉvɘ™ÌËÇ {ÉÖ¯û¹É´Éèvɘ™ÌË SÉ Ê´É¶ÉnùªÉiÉ *
27. EòÉèÊ]õ±ªÉ¨ÉiÉÉxÉÖºÉÉ®Æú Ê´ÉtɺɨÉÖräù¶ÉÆ |ÉÊiÉ{ÉÉnùªÉiÉ *
+lÉ´ÉÉ
Ê´ÉxɪÉÉÊvÉEòÉÊ®úEò |ÉlɨÉÉÊvÉEò®úhÉä +¨ÉÉt™ÌÌât•ÌÍuÌ: Ê´É´ÉÞhÉÖiÉ *

*********

104
Nyaya and Vendanta
Semester VI
(Core Course – 12)
Syllabus
Course Code : 6B12SKT
No. of Credits : 5
No. of Contact Hrs. : 108
Aim of the Course
The course aims to make the students understand the main virtues and values of Indian
Philosophy.
Objectives of the Course
1. It helps the students to know about the basic principles of philosophy.
2. It enables the students to see and approach the things of life on the basis of Nyaya
Course Outline
Module- I
Origin and development of Indian philosophy, special reference to Nyaya and Vaisesika
philosophy.
Module- II
Textual study of Tarka Samagraha of Annambhatta (whole), Pratyaksha Kanda with Deepika only.
Enumeration – characteristics of substance – Quality – action – Generality, particularity inherence
and classification of Negation. Theory of knowledge – Perception – Inference – Comparison and
Verbal testimony.
Module III
Introduction to Vedanta philosophy and its main branches and its concepts.
Module IV
Detailed study of Vedantasara of Sadananda – Anubandha chatustaya – Adhyaropa – Apavada –
Mahavakhyarthah – Samadhi – Vighnachatushtayam – Jeevanmukta.
Prescribed Texts:
Tarka Samagraha of Annambhatta whole, Pratyaksha Kanda with Deepika only.
Vedantasara of Sadananda
Reference Books:
1. Bharathiya Darsanam – Dr. S. Radhakrishnan, Mathrubhoomi printing and publishing, co-
operative Ltd. Calicut.
2. Bharathiya Chinta – K. Damodaran, State Institute of Language Tvm.
3. Vendanta Darsanam – Prof. G. Balakrishnan Nair State Institute of Language, Tvm.
4. Advaitavedanta saram – N.V.G Namboodiri Kurushethra Pvt. Ltd. Convent Road, Ernakulam
5. Sarvadarsana samgraha – Madhava Acharya Chowkamba Sanskrit series office, Varannasi

***********

105
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April/May 2012
Nyaya and Vendanta
Semester VI
(Core Course – 12)

Course Code : 6B12SKT

Texts :
Tarka Samagraha of Annambhatta (whole), Pratyaksha Kanda with Deepika only.
Vedantasara of Sadananda

Credit :5
Time : 3 Hours Maximum weightage : 30
Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be used.

Distribution of Weightage:
Nyaya : 14
Vedanta : 16
Total : 30

Three sets of objective type questions : 3


(One set from Nyaya and 2 sets from Vedanta)
Five short questions out of seven from Nyaya : 5
Four short questions out of six from Vedanta : 4
Two short essays out of four from Nyaya : 4
Three short essays out of five from Vedanta : 6
One essay out of two from Nyaya : 4
One essay out of two from Vedanta : 4

*******

106
Model Question Paper
B.A. Programme (Sanskrit) Examination April / May 2012
NYAYA AND VEDANTA
Semester VI
(Core Course – 12)

Course Code - 6B12SKT

Texts : Nyaya - Tarka Samgraha of Annambhatta (whole)


Pratyakshakanda with Deepika only
Vedanta - Vedantasara of Sadananda
Credit :5
Time: 3 hours Maximum Weightage: 30

Instructions: Answers should be written in Sanskrit. In writing Sanskrit Devanagari Script should be
used.

I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú =rÞùiªÉ ʱÉJÉiÉ * Weightage 1 for each set


a. xªÉɪÉEÖòºÉÖ¨ÉÉ\VɱÉÒ xÉÉ¨É OÉxlɺªÉ EòiÉÉÇ Eò: ?
(=nùªÉxÉ:, MÉÉèiɨÉ:, Ê´É·ÉxÉÉlÉ{É\SÉÉxÉxÉ:)
b. |ɨÉÉhÉè®úlÉÇ{É®úÒIÉhÉÆ -- *
(xªÉɪÉ:, ´Éè¶ÉäʹÉEò:,´ÉänùÉxiÉ:)
c. xªÉɪɴÉè¶ÉäʹÉEò nù¶ÉÇxɺªÉ ¨Éä±ÉxÉÆ ¦É´ÉÊiÉ -- *
(+•¥ÌÕÍKÌFòÕ , iÉEÇòºÉÆOɽþ:, ÊnùxÉEò®úÒ)
d. xªÉɪɶÉɺjÉä EòÊiÉ {ÉnùÉlÉÇ: ºÉÎxiÉ *
(ºÉ|É, +¹]õ, ¹ÉÉäVɶÉ:)

2. a. ´ÉänùÉxiÉÉä xÉÉ¨É -- |ɨÉÉhÉ¨É *


(¦ÉMÉ´ÉnÂùMÉÒiÉÉ, ¥ÉÀºÉÚjɨÉÂ, ={ÉÊxɹÉiÉÂ)
b. +ÊvÉEò®úhɺªÉ +´ÉÉxiÉ®úʴɦÉÉMÉ: ---- *
(ºÉÚjɨÉ , ¦ÉɹªÉ¨É , ´ÉhÉÇEò¨ÉÂ)
c. ={ÉÊxɹÉiÉ <ÊiÉ {ÉnùºªÉ EòÉä ò lÉÇ: ?
(+Ê´ÉtÉ , Ê´ÉtÉ, ¥ÉÀÊ´ÉtÉ)
d. +ªÉ¨ÉÉi¨ÉÉ ¥ÉÀ <ÊiÉ ´ÉÉCªÉ¨ÉÉκiÉ *
(iÉèÊkÉ®úÒªÉÉä{ÉÊxÉ-ÌÍzù ù, ¨ÉÉhbÚ÷CªÉÉä{ÉÊxÉ-ÌÍzù , ¨ÉÖhb÷EòÉä{ÉÊxÉ-ÌÍzù ù)

3 a) ´ÉänùÉÊvÉEòÉ®úÉÊxɰü{ÉhɺªÉ EòiÉÉÇ ----*


(¸ÉÒxÉÉ®úɪÉhÉMÉÖ¯û:, SÉ]Âõ]õΨ{ɺ´ÉɨÉÒ, ¸ÉÒ¶ÉbÂ÷Eò®ú:)
b) ¸ÉÒ¶ÉbÂ÷Eò®úºªÉ OÌÙœúÌâ: xÉÉ¨É --- *
(ºÉÖ®äú·É®úÉSÉɪÉÇ:, ¤ÉÉnù®úɪÉhÉÉSÉɪÉÇ:, MÉÉäÊ´ÉxnùÉSÉɪÉÇ)
c) ¸ÉÒ¦ÉɹªÉ¨É •ÌÌ˜Ì ´ªÉÉJªÉÉxÉOÉxlɺªÉ EòiÉÉÇ Eò: ?
(®úɨÉÉxÉÖVÉÉSÉɪÉÇ, ¨Év´ÉÉSÉɪÉÇ:, ´É±±É¦ÉÉSÉɪÉÇ:)
d) ʺÉrùÉxiɱÉä¶ÉºÉÆOɽþºªÉ EòkÉÉÇκiÉ *
(+{{ɪªÉnùÒÊIÉiÉ:, ¨ÉvÉÖºÉÚnùxɲ̜ú²¥ÌÍtÌ:, ºÉnùÉxÉxnù:)

107
Page 2

II. BEèòEäòxÉ ´ÉÉCªÉäxÉ {É\SÉxÉɨÉ =kÉ®Æú ʱÉJÉiÉ* Weightage 1 for each


4. {ÉnùÉlÉÉÇ: EòÊiÉ? EòÉÊxÉ SÉ iÉä¹ÉÉÆ xÉɨÉÉÊxÉ?
5. {É\SÉEò¨ÉÉÇÊhÉ EòÉÊxÉ?
6. +¦ÉÉ´É: EòÊiÉÊ´ÉvÉ:?
7. ºÉƪÉÉäMɺªÉ ±ÉIÉhÉÆ ÊEò¨É ?
8. ºÉɨÉÉxªÉÆ EòÊiÉÊ´ÉvɨÉÂ?
9. {ÉÞÊlÉ´ªÉÉ: ±ÉIÉÆhÉ ÊEò¨ÉÂ?
10. ʴɶÉä¹ÉMÉÖhÉ: Eäò?

III SÉiÉÖhÉÉÇ BEèòEäòxÉ ´ÉÉCªÉäxÉ =kÉ®Æú ʱÉJÉiÉ* Weightage 1 for each


11. ºÉÉvÉxÉSÉiÉÖ¹]õªÉÉÊxÉ EòÉÊxÉ?
12. EòÉä xÉÉ¨É +{É´ÉÉnù:?
13. {ÉfÌÕEò®úhÉÆ xÉÉ¨É ÊEò¨ÉÂ?
14. BEòÉnù¶ÉÉäÎxpùªÉÉÊhÉ EòÉÊxÉ?
15. {É\SÉFòÌâ¨ÌÌ: Eäò?
16. EòÉä xÉÉ¨É {ÉÊ®úhÉɨÉ: ?

IV. uäù ºÉʴɺiÉ®Æú ´ªÉÉJªÉÉiÉ * Weightage 2 for each


17. iÉäVÉ: *
18. +ªÉlÉÉlÉÉÇxÉ֦ɴÉ: *
19. EòÉ®úhɨÉ *
20. ºÉƺEòÉ®ú *

V) jÉÒÊhÉ ºÉʴɺiÉ®Æú ´ªÉJªÉÉiÉ * Weightage 2 for each


21. +YÉÉxɨÉ *
22. `Ì·þ¢ôÉIÉhÉÉ *
23. VÉÒ´Éx¨ÉÖHò: *
24. ºÉ¨ÉÉÊvÉ *
25. iÉÖ®úҪɨÉ *

VI uäù ={ÉxªÉ²™ÌtÌ : Weightage 4 for each


26. ºÉɴɪɴɨÉ +xÉÖ¨ÉÉxÉ Ê´É¦ÉÉMÉÆ |ÉÊiÉ{ÉÉnùªÉiÉ *
+lÉ´ÉÉ
<·É®ú ºÉnÂù¦ÉÉ´Éä |ɨÉÉhÉÆ nùÒÊ{ÉEòÉÊnù¶ÉÉ Ê´É¶ÉänùªÉiÉ *
27. iÉk´É˜ÌÍ²Ì <ÊiÉ ¨É½þÉ´ÉÉCªÉÉyÌË Ê´ÉSÉÉ®úªÉiÉ*
+lÉ´ÉÉ
+ÊvÉEòÉ®úÒ±ÉIÉhÉÆ ʴɶÉnùªÉiÉ *

*******

108
Yogic Science
Semester VI
(Core Course – 13)
Syllabus
Course No : 6B13SKT
No.of Credits : 4
No. of Contact Hrs. : 108

Aim of the Course: The aim is to impart traditional value of Yoga as part of healthy way of living.
Objective of the Course: The course is intended to introduce the basic concepts of both theoretical
and practical aspect of Yoga to the students.
Course Outline :
Module I
Meaning and definition of Yoga – Sanskrit Textual Traditions of Yoga – different branches of Yoga –
Bhakti Yoga, Jnana Yoga – Raja Yoga- Karma Yoga- Hatha Yoga and Kundalini Yoga.
Yama and Niyamas in Hatha Yoga
Astangayoga concept of Liberation
Module II
The Phylosophical Concepts of Yoga
The concept of Trigunas – Different kinds of Perception. The concept of Iswara and Kaivalya
Module III
Textual study of Yogasutra of Patanjali Chapter I & II
Psychological Foundation of Yoga, Nature of mind and the states of mind.
The five states of Chitta or mind stuff – Moodham (dull mind), Kshiptam (dissipated mind),
Vikshiptam (Oscillating mind), Ekagram (Concentrated mind), Nirudham (beyond the three gunas).
Five kinds of Vrittis (Mental modifications), Five Kleshas (Pains) Reduction of Kleshas.
Module IV
Textual study of Gherenda Samhita
The method of Savasana, Sastangapranamasana as explained in Ancient Scriptures.
Bhujangasana and its benefits, Padmasana as described in Sanskrit Texts.
Prescribed Texts:
1.Yogasutra of Patanjali with Bhojavritti Chapter I & II (Samadhipada & Sadhanapada)
2. Gheranda samhitha of Gherandanatha ( selected portions)
1. Savasana, 2. Padmasana, 3. Mayoorasana, 4. Bhujangasana, 5.Salabhasana, 6. Matsyendrasana,
7. Ushtrasana, 8. Paschimothanasana, 9. Yogasana, 10. Kukutasana 11. Kurmasana, 12.Garudasana
Reference Books:
1.Impact of Yoga in body and mind by dr. Dr. V.K. Subrahmanian, Thottada, Kannur.
2.Rajayoga of Swami Vivekananda
3.Hathayoga Pradipika

******

109
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April/May 2012
Yogic Science
Semester VI
(Core Course – 13)

Course Code : 6B13SKT


Texts:
1. Yogasutra of Patanjali with Bhojavritti Chapter I & II (Samadhipada & Sadhanapada)
2. Gheranda samhitha of Gherandanatha ( selected portions)
1. Savasana, 2. Padmasana, 3. Mayoorasana, 4. Bhujangasana, 5.Salabhasana, 6. Matsyendrasana,
7. Ushtrasana, 8. Paschimothanasana, 9. Yogasana, 10. Kukutasana 11. Kurmasana, 12.Garudasana

Credit : 4
Time : 3 Hours Maximum weightage: 30
Answers should be written in Sanskrit. In writing Sanskrit Devanagari script should be used.

Distribution of Weightage:
Yogasutra : 20
Gheranda Samhitha : 10
Total : 30
Two sets of Objective type Questions from Yogasutra :2
Six Short Questions out of eight from Yogasutra :6
Two Short Essays out of four from Yogasutra :4
Five Short Notes out of seven from Gherandasamhita :10
Two Essays out of four from Yogasutra :8

**********

110
Model Question Paper
B.A. Programme (Sanskrit) Examination April / May 2012
YOGIC SCIENCE
Semester VI
(Core Course – 13)
Course Code : 6B13SKT

Texts : Yogasutra of Patanjali with Raja Marthanda Vritti - 1st two padas
: Gheranda Samhitha selected portions (12)
Savasanam, Padmasanam, Mayoorasanam, Bhujangasanam, Salabhasanam,
Matsyendrasanam, Ushtrasanam, Pascimottanasanam, Yogasanam,
Kukkutasanam, Kurmasanam, Garudasanam.

Credit :4
Time: 3 hours Maximum Weightage: 30

Instructions: Answers should be written in Sanskrit. In writing Sanskrit Devanagari Script should be
used.

I. 1. EòÉä¹`ÉiÉ ºÉ¨ÉÖÊSÉiɨÉÖkÉ®Æú ÊxÉvÉÉǪÉÇ Ê±ÉJÉiÉ ** Weightage 1 for each set


a. +lÉ ªÉÉäMÉÉxÉÖ¶ÉɺÉxɨÉ <ÊiÉ ºÉÚjÉä +lÉ ¶É¹nùºªÉ EòÉä ò lÉÇ ?
(¨ÉbÂ÷MɱɨÉ , +xÉxiÉ®ú¨ÉÂ, +ÊvÉEòÉ®ú:)
b. ªÉÉäMÉnù¶ÉÇxɺªÉ EòiÉÉÇ Eò:?
({ÉiÉ\VÉʱÉ:, ¦ÉÉäVÉ:, EòÊ{ɱÉ:)
c. ªÉÉäMÉɶÉɺjÉ: EòÊiÉ |ɨÉÉhÉÉÊxÉ +bÂ÷MÉÒEò®úÉäÊiÉ?
(jÉÒhÉÒ, SÉi´ÉÉ®ú, {É\SÉ)
d. iɺªÉ ´ÉÉSÉEò: •ÌëhÉ´É: * EòºªÉ?
({ÉiÉ\VɱÉä:, ¦ÉÉäVɺªÉ, <Ç·É®úºªÉ)

2. a. ¶É¤nùYÉÉxÉÉxÉÖ{ÉÉiÉÒ ´ÉºiÉÖ¶ÉÚxªÉÉä ---*


(ÊxÉpùÉ, Ê´ÉEò±{É:, Ê{É{ɪÉǪÉ:)
b. ʴɶɨÉ|ÉiªÉªÉÉ—™Ì̺É{ÉÚ´ÉÇ: ºÉƺEòÉ®¨Ìâú¹ÉÉä ò xªÉ: * +xªÉ: <´ªÉjÉ +lÉÇ: Eò: ?
(ºÉÆ|ÉYÉÉiɺɨÉÉÊvÉ:, +ºÉÆ|ÉYÉÉiɺɨÉÉÊvÉ:, ´Éè®úÉMªÉ:)
c. iÉä |ÉÊiÉ|ɺɴɽäþªÉÉ: ºÉÚI¨ÉÉ: * Eäò ?
(+C±Éä¶ÉÉ, C±Éä¶ÉÉ:, ªÉ¨ÉÉ:)
d. vÉÉ®úhÉɺÉÖ SÉ ªÉÉäMªÉiÉÉ -
(+·ÉþFòÌœú: , ¨ÉxɺÉ:, ÊSÉkÉ:)

II a) ´ÉÉCªÉäxÉèEäòxÉ uùªÉäxÉ ´ÉÉ ¹ÉhhÉÉÆ =kÉ®Æú ʱÉJÉiÉ Weightage 1 for each


3. ÊSÉkɺªÉ +´ÉºlÉÉʴɶÉä¹ÉÉ: Eäò ?
4. {É\SÉ´ÉÞiªÉªÉ: ÊEòoù¶ÉÉ:?
5. {É\SÉ|ÉÉhÉÉ: Eäò?

111
Page 2

6. +¦ªÉɺɺ´É°ü{ÉÆ ÊEò¨ÉÂ?
7. +xiÉ®úɪÉÉ: Eäò?
8. +Ê´ÉtÉ: Eäò ?
9. -ÌÒnÆ÷¥Ì¨ÌÍtÌiÉi´ÉÉÊxÉ EòÉÊxÉ?
10. ºÉ¤ÉÒVÉ: ºÉ¨ÉÉÊvÉ: Eò: ?

III. ºÉÚjÉuùªÉÄ ´ªÉÉJªÉÉiÉ * Weightage 2 for each


11. AñiÉĦɮúÉ iÉjÉ |ÉYÉÉ *
12. º´É{xÉÊxÉpùÉYÉÉxÉɱɨ¤ÉxÉÆ ´ÉÉ *
13. ´ÉÞÊkɺÉɰü{ªÉʨÉiÉ®újÉ *
IV {É\SÉÉxÉÉÆ =kÉ®Æú BEèòEòªÉÉ JÉÎhb÷EòªÉÉ Ê±ÉJÉiÉ * Weightage 2 for each
14. {ÉnÂù¨ÉɺÉxɨÉ *
15. ¨ÉªÉÚ®úɺÉxɨÉ *
16. ¨ÉiºªÉɺÉxɨÉ *
17. vÉxÉÖ®úɺÉxɨÉ *
18. ¦ÉÖVÉbÂ÷MÉɺÉxɨÉ *
19. =®ÈõÌ²Ì•Ì˜ÌÆ *
20. ¶É´ÉɺÉxɨÉ *

V) näù ={ÉxªÉºªÉiÉ Weightage 4 for each


21. ªÉÉäMɺÉÚjÉÉxÉÖºÉÉ®äúhÉ <Ç·É®úº´É°ü{ÉÆ Ê´É´ÉÞhÉÞiÉ *
+lÉ´ÉÉ
²ÌÉ•ÌëYÉÉiÉ - +ºÉÆ|ÉYÉÉiɺɨÉÉvÉä: º´É°ü{ÉÆ ʴɶÉnùªÉiÉ *
22. ªÉÉäMɺªÉ +¹]õÉbÂ÷MÉÉÊxÉ ´ÉÞiªÉÉxÉÖºÉÉ®äúhÉ Ê´É¶ÉnùªÉiÉ *
ªÉÉäMÉ: ÊSÉkÉ´ÉÞÊkÉÊxÉ®úÉävÉ: - ʴɶÉnùªÉiÉ *

******

PROJECT April/May 2012

Course Code : 6B14SKT


Credit :4
No. of Contact Hrs. : 90
**No External Examination for Project Work

******

112
HERBAL LITERACY AND ETHNO-BOTANICAL AWARENESS
Semester VI
(Open Course – 2)
Syllabus
Course Code : 6D02SKT
No. of Credits :2
No. of Contact Hours : 36

Aim of the Course


To introduce the knowledge of habitat and its medicinal bio-wealth situated in our country side. Here ethno-
herbal management is part and parcel of the course in the scenario of global changing trends facing all over the
nation.

Objectives of the Course


1. To conserve and utilize indigenous traditional knowledge and explore its scope on vocational
stream
2. To make it understand the means and methods to utilize the medicinal plants as mentioned in
Sanskrit literature in the field of job-orientation.
.
3. To promote inter-disciplinary skills in academic pursuits.
4. To create an aptitude of research in the field of ethno-medicinal plants as
mentioned in Sanskrit technical literature.

Module I. Sanskrit and its Role on Ethno-botanical Awareness


a) Resources- Palm leafs, Information sheets, leaflets etc.
b) Traditional Knowledge on Plants and Herbs.
Module II The Role of Plants in Indian Culture and Environment
b) Medicinal Plants and its Nomenclature
c) Ethno-botany and Water wisdom met in Brhat Samhita
Module III Vrikshayurveda and Ancient Indian Plant Science
b) Vrikshayurveda and Ethno-botanical awareness
c) Relevance of Ethno-botanical knowledge in day to day life.
Module IV Ethno-botanical knowledge and herbal literacy
a) Role on indigenous knowledge of herbs in public health
b) Ethno-botanical knowledge and Sanskrit literature.
Prescibed Texts :
1.Amarakosha Chapter II Oshadhivarga Edited by Pandit Harshagovindasastri
Chaukhamba, Variants.
2. Vrkshayurveda by Vijayalakshmi & Shyam Sunder Pub by
Loka Swasthya Parambara Samvardhan Samithi
Gopalapuram South –Madras-600 086
Reference
1. Bhavaprakashanikhandu Pub by Chowkhamba, Bananas
2. Dhanvantarinighandu Pub by Chowkhamba, Arenas
3. Indian Medicinal Plants Pub by Kottakkal Ayurveda College
4. Upavanavinoda of Sarangadhara, English Translation by G.P.Majumdar,
Published by Sathish Chandra Seal for the Indian Research Institute
Culcutta.
5. Brhat Samhita of Varahamihira Published by Motilal Banarsidas New Delhi
*******

113
Pattern of Question Paper
B.A. Programme (Sanskrit) Examination April / May 2012
HERBAL LITERACY AND E HNO-BOTANICAL AWARENESS
Semester VI
(Open Course – 2)
Course code 6D02SKT

Texts: 1. Amarakosa chapter II Oshadhivarga

2. Vrkshayurveda by Vijayalakshmi & Shyam Sunder Pub by


Loka Swasthya Parambara Samvardhan Samithi
Gopalapuram South –Madras-600 086
Credit :2
Time : 3 Hours Maximum weightage :30
Answers may be written either in Sanskrit or in English or in Malayalam.
In writing Sanskrit Devanagari script should be used.

Distribution of weightage : Amarakosa : 10


Vrikshayurveda : 20
Total : 30

Two short questions out of four from Amarakosa :2


Two short questions out of four from Vrikshayurveda :2
One short essays out of two from Amarakosa :2
Three short essays out of four from Vrikshayurveda :6
One paragraph out of two from Amarakosa :2
Two paragraphs out of three from Vrikshayurveda :4
One essay out of two from Amarakosa :4
Two essays out of three from Vrikshayurveda :8

********

114
Model Question Paper
B.A. Programme (Sanskrit) Examination April / May 2012
HERBAL LITERACY AND ETHNO-BOTANICAL AWARENESS
Semester VI
(Open Course – 2)
Course code 6D02SKT
Texts: 1. Amarakosa chapter II Oshadhivarga
2. Vrkshayurveda by Vijayalakshmi & Shyam Sunder Pub by
Loka Swasthya Parambara Samvardhan Samithi,Gopalapuram South –Madras-600 086
Credit :2
Time : 3 Hours Maximum weightage :30
Answers may be written either in Sanskrit or in English or in Malayalam.
In writing Sanskrit Devanagari script should be used.
I.Answer any two in one or two sentences. Weightage :1 for each
1. Which pant is known as Asvattha ?
2. What is Vamsa in Botanical term?
3. Which plant is known ‘Sirisha’ ?
4. What is Matulungakah ?
II. Answer any two in one or two sentences. Weightage :1 for each
5. What are the main Ayurvedic treatises ?
6. Why plants got the name Padapa?
7. What is the peculiarity of Nagapushpa ?
8. Who wrote ‘Bhavaprakasanighantu’ ?
III. Write Short essay Weightage : 2
9. Give an account of the common country flowers (Ethno-flowers) described in Amarakosa.
OR
Discuss the relevance of Amarakosa for public health and health education in a changing world.
IV. Write short essays on any three Weightage 2 for each
10.What are the Sanskrit source material for Vrikshayurveda ?
11. Give a brief description of soil and its classification mentioned in Vrikshayurveda.
12.Give an account of seed treatment and preparation.
13. Discuss the relevance of Vrikshayurveda in agricultural Sciences
V. Write a Paragraph Weightage :2
14. Variety of trees in Amarakosa
OR
Description of vegetables in amarakosa
VI. Write paragraph on any two Weightage 2 for each
15.Plant propagation .
16.Nomenclature
17. Description of seeds
VII. Write an essay Weightage : 4
18. Discuss the flora-diversity as mentioned in Amarakosa.
OR
Illustrate the role of Amarakosa in Herbal literacy.
VIII. Write two essays. Weightage 4 for each.
19. What are the criteria for plant nomenclature in Sanskrit Texts?
20. Explain pests and diseasement of plants mentioned in Vrikshayurveda
21. Bring out theoretical conceptual foundations of Ayurveda.
**********

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