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Soulmate Andrea Vanzo

The document is a series of symbols and markings that appear to represent a conversation or exchange between two souls. It depicts two souls expressing their connection through various symbols and interacting with each other through the page. While the meanings of the individual symbols are unclear, taken together it suggests the souls have found their soulmate in one another.

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Rocío Terán
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© © All Rights Reserved
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100% found this document useful (3 votes)
16K views3 pages

Soulmate Andrea Vanzo

The document is a series of symbols and markings that appear to represent a conversation or exchange between two souls. It depicts two souls expressing their connection through various symbols and interacting with each other through the page. While the meanings of the individual symbols are unclear, taken together it suggests the souls have found their soulmate in one another.

Uploaded by

Rocío Terán
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Soulmate


Andrea Vanzo

   = 70               
Transcription: Daniel Duro Soto

          
                      

      


              
 

          
5

      


       


      
  
  
  


      
   
10

           



        


     
 


()

          
       
15

            


     


     
  
  

        
  
    
  
20

 

        
             



          
  

      
()

 
      
26

         
             
   
         

              
    
2

    
36

      

       
    


    

                     
           
43

      


   


  
  

  
         
       

48

                 

       


   
     
()  

      
     
 
   

53

       



        


  
  

    
        
       
58

              


       


    
()  

       
            

63

 
               
      

       

                 

 
3

    
 
 
72

       
   
       


                                
       

       
80

    

             
                   
    


        

      

 
()      

    
   
87

      
           
           

      


              

 
     

      
  
93

 
                     
            


           
         

     

    
 
99

       
       
        
 
        
 


              

          
 
  
    

  
105

 
           
       
        


  

      
    

   
110

     
       

 
 

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