MAN ON THE M@@N ,
‘Words ond Music by William Berry, Peter Buck, Michae) Mills ond Michael Stipe
 
‘Tone Gar
 
 
 
 
 
 
 
 
etn
Ino: 8 or) c
‘coms, Get
 
 
 
 
 
 
 
 
 
 
 
let rig:
ww)B get (Acomss Gir 1) 20
SS —
 
 
 
 
 
 
 
 
   
  
 
    
 
 
J], Mott the Hoo ~ ple and the
(ch,
 
 
cous, Gr. 4 apo 2h fet)
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a “Mlandatin arr fir Ctr,
 
 
Chr eet
 
 
 
 
 
 
a
pr ta fh ett
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© 1992 Night Garden Music. USA
Wemehoppat North America Ld, London W6 68510
  
 
c
| An = ly) Kak man in the wrestling match, yeah, yeah, seth, yea
Backing Yacals Cont, smiled
 
 
 
 
 
 
 
Mo to po thy Tivo ~ ry-eatey ——Gheckeert and chess
 
 
 
 
 
 
 
yeah, yeah, yeah, yeah Mis-ter Fred — Mlas-sic in a
 
 
 
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ae es = as
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= Ts aS et H
Let’ play Twist + ef, let’ — play Risk, yeah, yeah, yeah, — yeah — ri
= at ——— —S
tring.
Piao or i
wl Acoust 112 mes ‘
4- : 4 1 =
— =
2 = Fy
Da) c
 
 
 
2a Sa
see you in heaven it you make
 
yeah, yeah, yeah, yeah. Now
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Gir. Lcont in slasbes
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
 
Tell me are you Iegked inthe punch?
 
 
 
 
=Am GF Bn 6 Am
, aa 1 fe) -? ed de 4
= i.
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————— et ===
It you be - lieved shey pur @ oman on the moony — mapa “the - moon.
 
 
 
 
 
 
 
 
 
 
 
s
v
Gare. cb 6 wislighr dst
Gtr donde aft
 
  
   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
HW yoo be
lieve —
thece’s noth ing
     
up my
 
 
 
 
 
 
 
 
 
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Verse: © iia Cc
2. Ma-ses went walk-ing. with the staffof — wood, yeah, yealy— yeah, yéah,—
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Mis-ter Charles Darwin had the pall (0 ask— yeah, yeah, yeah, yeah, Now
 
 
 
 
 
 
 
 
 
 
 
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Tell mye, ire you luckedan the
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cz iain abs
FRIST cont tyconte
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
end Fig. 5
2299-99
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Background Vocal Fig, 122
 
 
 
   
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Wh 2 He 6- L@SING MY RELIGI @!
Words ond Music by Willom Berry, Peter Buck, Mictas! Mills and Michael Stipe
 
Am'G AMID An/E Em Em
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Asous Geet)
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Am An/B Am/O An/D Amie F
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thal was just a dream,
 
 
 
 
 
 
 
 
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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dream, —— use a dream, a dream, dear.
 
 
 
 
 
 
 
 
 
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all
 
 
 
 
 
  
t=—0—o —o—9—9--p 9 —0- 03
a te bo
a
cB* E- BOW THE LETTER
Words and Music by William Borry, Peter Buck, Michael Mills and Michel Stipe
Gh Em
ini ga
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
elds Clow sastanmg dance thanaghowt
If hiertanic overtom
 
 
 
 
 
 
 
 
Acous Gis.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
© 1996 High Garden Musle, USA
‘omer/Ghoppell Noth America Id, London WE BBSc Gs Ge Em 8m
¥ Ge == Sr LSS SS
f
 
what do yousee? All of you and all of me, fluo- res-cent.and star Ty, Some of them rhey sur ~ prise,
WII yeu live to exghety these? Will you ev er welcome me, will ou show
— mw a
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
 
Uhe bus side Twemtuwrite this four a, my— this t-te. — The fics of poppies, litle pearl,
imesome thing that robo = dy else" has seen? Smoke it dink.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
 
 
o =
0
ae
‘
=
a =
: All the boys andl the girls sweet-toothed, cach and eve-ry one a Tittle sca ~ ry,
Here comes the dood, any = thing ty thin— the blood These cre-ro-sives
 
 
 
 
 
SSS
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
      
 
 
 
  
 
 
 
 
suceon tone
fee.
€
afSS =
——
T pad Soir fate T wore it ihe a badge of teen-age
do their magic slow ~ ly, ar Sweet. Phone, emt it,
, 48 i
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
film star, hash ass, cher-ey mash, and tin ~ foil > as eas Dreaming of Macri-a Cal - tas,
Just arvoth-sr chink, cuts and dents theyeatch the light
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
 
 
 
 
 
  
 
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who-ey = er she is. Ths fome ching, 1 done erie
Atueminin, tho weak et link 1 doa want co. dis ap pout
 
——
 
 
 
 
 
 
 
 
 
 
 
 
5OF
     
  
 
Cc a Ge Em Br
1 wrapped my hand i plastic 9 try to look through it. May-bel-line eyes andgirl-as - boy moves.—
you, Pm net here 1a - noint you. 1 would [sek your feet but is that the sick-est move | wear my OWN crown,
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
| eam rake you. fag This star hing, Tdor'tge i
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© = === tS
 
 
 
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there Tl ke you ower, take you—
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
fe igs
 
 
 
 
 
 
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‘Words and Music by William Berry, Peter Buck, Michael Mills ond thichaet Stipe
 
 
  
 
 
 
 
 
 
 
 
 
 
 
 
 
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‘© )988 Night Gouden Muse, USA
‘Womer/ohappell Norh Ameo Ud, Londen WO BBSn
 
 
 
 
 
     
 
  
 
 
 
 
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(Fol tow me— dost fol low me} u r
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my orange crush. Bye got
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witig, (ble, Gt 2)
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af the tree. — |
Tye had my fun and now irs time to setye
  
    
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Your conswienee Over Sea Com-ingin— fae veer me
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all the trucks jacked up, and our wheels. in slush and orange crush in pocket and all thishere counery = hell any coumtey
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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es‘s IMITATION OF LI Fle
‘Words and Musle by Peter Buck, Michael Mills and Micheet Stipe
Gam, Gam? Das?
ae ay ER
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
e124
intro: Em ce)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
(© 200) Temporary Misc, USA
WorerAChoppalt Worth Amari ig, London WE BBSEm Ans? G
rat er ese ne oe et
+ SN =
SSS SS SS FSS SS
1. Cha» rades pop teil, _— waster by a= inh
2b You want— the ‘Breat vx thing, the great = est thing. since bread
fo
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named by. a po a oom a ~ von ol ite —
cane sliced. You've got it all, ——— you've got it ls
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SE si
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Like a koi
Uke a Fl
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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in a fro went pond, ike: a gold fish in
fa - chion show teen — ag em treet: ing the cor
=Em Asus? G
Ss as
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bowl, T don't want— to hear you .__—_
Faye eee fey cing ole Hk sou. dese ap
 
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Chorus: G Em Amn
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ca ae that lasted goth thas cin nn» on that's
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
susan cane that rast - ed Boul thav's ronan, rain, that's
t oe J s+ = les =
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Holly wood, come come on 90 me cate om
what you could, come on) one ean see YOU
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(Gut) To! 77
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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a) :
(pS SS tSDM&.al Coda
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
TITIITIT7I
(Gir)
 
G
4 igypa sD
Em
(Cant roy: some
 
Ss —
 
Ths
 
lh
thi
thi
suman
hn-ning
cane,
storm,
 
 
 
le-man
dal
this
this
ade, —
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
hurr =
1s
came, I'm
fanche, I'm
not
a not
 
 
   
fai,
‘raid, ome an,
 
 
 
 
ome on, —
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
see me
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
fae
et
4
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= ee ee ee =i SS
Spear
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2 4
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4
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u = = ca =e 4
D Em
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what you tee come on—— come ony, Ce ee a eeis DAYSLEEPER
‘Words and Masle by Peter Buck, Michoel Hille and Michoe! Stipe
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
0
9 — 010 10——10- 9
 
 
 
 
 
 
Verse: Chass) Cimaj"'Abass!
 
 
Gidbass Gmaj7Abass) —CiGhass) Cma)"'Ghase
 
 
  
   
SSS =
 
 
a <
(n) iy de pare, thee 4) tty fall ows have storked uy the oF
(2) and the bea,— mark - ing their ter= i= co, nes,
PF Atois. Gu, 3112 0)
" 43%
 
 
 
 
 
 
 
   
 
wifi | (Acons, Gir 3)
Fig
+0
3
es
 
 
 
 
 
 
 
 
 
 
Dis ree = tives are post td,
They're ead ~ ing the Mind —
 
 
 
 
 
 
 
 
 
 
 
 
 
© 1996 Temporary Music, USA
‘WamerObappell North Amesteo IN, London WE 60S¢: Cmaj? Cc Cmaj? c Cmaj7
ss SSS SS
call - backs, com ~ plaints, ce ty» where as cca,
thor inter na tion — al plo «nes
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
L Hong Kong ee
2.5. To the ereen,
 
 
 
 
 
 
 
 
 
 
 
alk oF vir =a di us rhythm, l
rm the screen, Y work at ight 1
   
 
=H HASa4
Chorus:
      
 
Am Em
=
print
 
 
 
 
 
 
  
fi, 2 Limes
ih 3 deanles Go
 
 
 
 
 
 
 
 
       
 
hight is co-lond headache preys (1) aay
(2, 3.)Don’
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ch Dm? Am En cnt 6Cmal?
Gmail?
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ak ——
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
bhassurr. for Ore
Gre 18 Vexcet
 
13-49-94 —9-9-9-94
i 3434
09
-—— =
a 3 = Ly
sleeper 1 cried
t: 5;
j — —
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yo
A
>
 
  
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Verse: CiAbass)
 
Cmai7iAbass! — Clabass! Crral7iAbasid
 
CiGhassd Cmay7iGbasst
 
 
CiGhass! CmaiZiGhass)
 
Fluostes
 
 
 
 
 
 
 
 
 
 
 
 
 
6 f =
ee +o
+t
— ——— th
8 = t =fDS. al Coda
 
 
 
 
 
 
 
 
 
 
 
 
ean ona = chine st to nine, nl queen m= Heaven anil
 
 
 
 
 
 
 
 
 
 
Va = len = tine, My bed is pulling me, gra ~ wet Day87
Dmv
 
doy
      
 
 
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& eee
a
Bb se
Em
SS
+
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sleeper, —
 
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Am#130
Intro:
Hee. Gi |
He. Gee 2
ete
 
 
 
 
 
 
 
 
 
 
 
 
te wibearycstarted Sy, anger tame
Gtr 2 wibngbs clean tone
  
 
 
 
 
 
 
 
 
 
 
NCwar)
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{© 2003 Temporary Mute, USA
‘Worta/happell Noch Amaclea Led, Londen WE BESJeowhat’s the hig ideal? -
2.1 dost wan-nahan-mievang. —
Tell me
1 don’
 
haw 10 bel
‘ewan-na cannonball, —
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Now I'm not
a
L know where we boo-mesranged and
ina,
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
=
 
 
 
 
 
 
Point me to the stars V'm— up for the chase, 1 know where we.
fon't wanna fall = Tell me V'm the anchor of my
Mp po a> 2 — —
== ———— +
(1° & 2° only)=
 
fll— on our— face. Jump. with me. Yon. = gump— with me, Hey,
own as-ecn = sion: Tell me Wma coursisr in the fourth. di-men = sons
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
a—— a §
_————— 77 5 13 ———#
B
Chorus: Em Go D A Em os D
gut FD FTI Dt PRTG Fh eane sy site
 
 
 
 
 
 
. —
what's the big deal? Pecan acai — mal, tman ae ni» mal
——— ——S=SSS_  S  S S
‘The snsivetland-ed on my— roof-top, whos. The
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
on ms rook top, whoa. (8 calling me roworkir out, Sealing me to woskit
hya1
 
c Do
Solar, PF a FFA tty ste c D
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
— == ey
é = SSS
ie ong
6
4. 4. 4- =
Ar 5 a —Fi=:. 4 7
_— —_ t
La = =
Bridge: NCAT) DS. af Coda
ont See
+
 
 
 
 
 
i
2
= ptt
I
LJ
Gtr .ufbrgbt can tone
NP 1 develops ters feedback
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
 
— : i
FF =a z € ee SS
te = =
Si Se ove
® “ J-—.
OCoda  & ® w
et oo
ott deed
© 7 ra eS
“Touch me now, you. take. my— hand. You trusr -me— now, you- an - der — stand..So,
Backing Vor
6a pittChon: Em os D A Em Gs
eet TE ETT PR ey ot
——e
— =
 
 
 
 
Vm on a i wal
 
 
 
 
—-- =
 
 
The —ans-wer landed on oy
pe
3 eed
 
 
 
 
 
 
 
 
 
 
 
 
a
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
it 4 SS
future and the truth on my coof - top, whoa. us
_—
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
   
 
calling me ro work it our,
1 —_
Sao es
x *
4 *
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
‘Gt —
= e J =
Wig tere —
S— ==
_—————— =o A Em a D
aig ——— _
dbo eee = Pe SS
: dea Tm an a= mm - somal. —_ =. Im oan am mal.
hie + a Sa
‘ = 3
‘The ans-wer Jand-ed 00 my. rook — top, whoa, The
cH
ES = ——
oe -*
7 ‘ ba
. ;
— 4—t =
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
—= Pr eee Oh, z
ee a aie Se
+ = = 5
fu-ture and the track on my rool - top, whoa, Ir's call-ing mie cowork it out, ws call-ing me to werk it
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
af Beste ee one
fam 5 5 = 5 = 6 5
a ——$, 5 75 5 77. 75 5
Bjas
ao ae SSS
 
 
 
 
 
ia dads
Fn vibrating av the
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
eeee We -
— yeah. Tm vi = braving at the speedo lig,
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
At = = SS
we ee eee oe eG
vickraving ur the spect light.
 
 
 
pen
(auye
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Verst 3:
Jam vibrating at the speed of light
"Take my hand, well wind wp the nigh
Spin me, win me, lift me, kiss me
“Trp, cose me, bead on, brut eve.THE SIDEWINDER SLEEPS TONITE 2
Words ond Music by Wiliam Berry, Peter Buck, Michoel Mills and Michael Stipe
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
e126
Inte; NG. D D/FI D D/FF fc cis GS Am D DIFF D DIFF
He
Kos G2
$ = =
=
2-22
tres
rit
Leet
fe cis) GS Am D O/FF D D/FE Go Ci} GE Am
sos
= + -
Dre ite dee. dee.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
= sa be
SS =i =
let nn. Gtr. 2 Canton sachs
©
3
 
 
 
 
© 1992 Night arden Mus, USA
‘Warne/Ohapoel| Hor America LA, Londen WO BIVerse: F o
grad oh FT Fee FAT cece
= ee
This here ithe pice where 1 will he stay” ing Toete
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
F c
peas a ae eee =
Sa ee es |
i
= = 2 i e =
ft St eS f e my oft
¥ 0
= Se eet it
 
 
 
 
 
 
 
 
IE Ldony pick up, omy up, call back er ar ring same more,
i pias
 
 
 
 
 
 
|
inl
ow
tes
 a——| =e
 
 
 
 
 
 
    
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Bat their— world has flat back - grounds and lit tle
= = See — .
———— ——— =
s *
t- 4 = a]
x = =
——— = 2
Am c Em D DIFF D. ‘DIFE
n = —— = 7
jee eet aS
e —a a ED ——%— -
need to sleep, but to dream. The side = wind ~ er sleeps on its back. Call mewhen you try to wake
Gos 182
= = ee 4
Se F = =
oS =
; =
Pe — =e
A. — 2 a
(s 2 : —— =aw cm GS An DF OD DIRE
 
 
 
 
 
 
 
 
 
 
 
me when you @y 10 wake ——
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Do oDF OUD ‘Dirt
= ===
Call me Sami 10 wake
auc a
=
=!
——
—Gi c® G5 Am D DIFF D DFA
hee 1 can al» ways sleep
  
 
 
 
 
 
 
 
 
G ci) GS Am D O/FH ~D DF
aoSS a
stand’ = ing. Call nie when you try ty wake hes: 1 can al ways sleep
       
 
 
 
 
 
 
 
 
 
 
    
  
sand ime when you try ft wake
_——
 
    
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
We've got to now gle -moo-pe move an this, ome‘Words and Musle by Wiillam Bory, Peter Buck, Michael Mills and Michael Stipe
CDs) Bs ES
el ae ae
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
e-Tl0 a
bua: Ne
yas
 
 
 
 
 
 
 
 
 
 
 
© ‘ay ‘
 
 
 
 
 
 
pfctitt —  a e
Se ee
lec Gir
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
sgh al
1 1
aS Y |
— ——— 1]
= = ——f
Chorus: AS ces BS
ts ce — +=
a be == = .
ere ree
i ar place where you live, now. face
{stand | (Now face
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
(© 198 Nigh Berdeu Muss, USA
Wornedhappet! Wort America U6, Lengon WE BAS108
 
 
Think a bour di - ree - pion, won = der why vow have =n be» fore.
 
 
 
 
 
 
 
 
 
 
 
  
   
 
stind inthe place’ wher you work, now face West.
sand) [Now face West.
 
 
 
 
 
 
 
 
 
 
      
lise where you lire, won = der why you
   
 
 
 
 
 
 
 
SSS
 
 
 
 
  
 
3s
   
 
    
    
     
Lott eon “fase, check with the
your
(24) fect are going, to be un the
(Gin 3) (3) wish es were trey — the trees would be
YourVor
ae a
ci Tar- ya com pus Raps bu. Your
= eS = E r
, .
w=3
: I$
ee SSeS
wishes were Trees, the cores would be fall - ing.
feet ane go> ing tbe onthe ground, Your
 
 
 
 
 
 
 
oad iy there w
 
 
 
 
 
 
 
 
a —- =
head iy there wo oomoeyes a round So season is call = inp
Listen to. reason, move you a ~ round, So,
é =
 
Stand tn dhe place where you lve, — now — fact North
[sandy (Now fave North)€
Stand i the place where you work, mow face West,
(Now stand.) [Now lace Wess,
why you huvesn'e be fore. — =
 
 
 
 
 
 
 
 
 
 
 
 
'
Think x - boot— the place where you live, won = der why you have - n't he = fore
—n ——
to!
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
isa
 
 
 
 
 
whip 1 (Ele. G1)
= = 3 —
Fe oposeeose oop ee pe
ai  1 Your eyes are buen
i Gp he
‘Howe 3 se lok ric
eu
 
 
 
 
 
 
 
 
 
 
8 ¢
Be sop
te
. ing holes through tne, Pm gasoline
ra wart ty ty. Mu) hol- land Diwe.
 
 
 
 
 
 
 
 
 
 
 
 
 
tm— burning
= ana -
 
 
 
 
 
 
 
~—9 9 x9 aoa 3 9
{1 14 594 bo 4
4 0 19.
2 22 [oo 09 $02
+ i} 2 2
3 3 5
 
(© 1996 Wight Gorden Muse, USA
Womer/2tappal orth Americ Ue, London We BBSwe
 
 
 
 
 
 
 
a c
Cela Fig, 1 f
.—— ff f —s tee
pony Twen-n = eth cen mey gota aleop
Hol Wy wood isu dere.
 
 
 
 
 
 
 
 
You're ples 10 ene
= Pm Martin Sheen
 
 
 
 
 
 
 
 
 
 
 
 
 
Tha is ob ‘scene. Thac is ob seen
Vim — Steve Me» Queet Tm jim-my Dean
        
  
 
 
 
 
 
 
 
 
 
 
Chor: D Das? _D
oat 7 TI pe Ts Cant, hy, sine
You se the starts igbt.— your sun lee trie ome
 
  
 
     
 
 
Calle for Giro Dsus? =D 87 Em G Am
’ = Guy) 7D 7 -, 7
——— = —— _—
pets = PSS RES
a a - >
Your fight ¢ ~ clipsed the monn— to ~ night Be lee
ate 6»
— = eft
o bad a o- ra
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Solo: BT Am
2 SVD ID TTT PO Com tsi4
 
 
 
 
 
 
 
 
 
19141415 12410-8-10-
  
 
 
 
87
7
 
 
 
 
 
 
 
 
DK, alCoda
 
 
 
 
 
 
 
 
 
 
 
 
to seep
ev
0
Tiwen-ti- eth cen
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
blink.
Wewor't
ecp.—
ReallyVin aoe seared. Vim out of here
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Verse 4
Ui you ever wane 0 Ey
Mult Drive
Up inthe shy
Stand on cif and Fook down there
Dome scare
You are alive
You are alive
Yoo ate the star etBu ALL THE RIGHT FRIENDS
Words ond Musie by Wiliam Berry, Potar Buch, Michoo! Mills ond Michael Stipe
 
 
 
 
 
 
 
 
 
 
    
2! Gir. 2 6 Hee, Ge. 3 (12 8)
———~
= I ro aT - $554
Sf sing comdvve
 
 
 
 
 
 
 
 
 
 
        
 
 
 
 
 
 
=
eh tat
your search
 
 
 
 
 
 
 
 
 
 
 
er he 1 > lone.
will nev rend
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
‘© 1966 Night Goren Muse, USA
‘Wornerchappel! Nomh Amoriec tt. London V6 88SWw
Cero ie
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ics the gh way, hut—— you'll nev-
with—— the wrong — crows, you've — get ll
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Fe Froued Ft
f=
     
 
: whe the one
= 2 eee
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
(Conary male
== = ames
Hee been walking a ~ lone— now, for a long, long —
 
 
‘ue.PB, Wocal Fi V4 tones?
with the triends that just aren't mene. aren't mine, IT said a
— fe
pee
—
2 2
>
— a +
on
————
1 dontwan-ma = be with you mores —
 
 
 
 
 
 
 
 
 
 
 
 
Hacking Vocal Fig. 1
 
 
 
$i
 
 
SSS SS
just don't, 1 just don’, 1 just don't
want
 
you19
don't want
ust
 
 
3
 
 
 
 
   
 
[don't war
 
 
 
 
 
 
 
 
 
 
 
      
+
6 3
aS
i
1
 
 
 
 
 
juse dont want120
Tnstramental; FHS
 
 
 
 
 
Genter py MP yf Camtrty, sim
aS =
oie Po fs oe = jy
Hak hah uh ~ huh hah ub + bob hah ‘buh.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Gim Fis
 
 
 
 
 
Ub = huh hab uh huh hah uh
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
 
 
 
 
 
 
 
}
iu sisaee)
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