AUTHENTIC TRANSCRIPTIONS

WITH NOTES AND TABLATURE

TEVEEI
EOE
To

\ SUREF (leer ee - :
} we x 3
i 2 ay:
y : ‘ 4
 ACOUSTIC ROCK
“3 JN THE 9Qs
2 All I Want

7 Here and Now

15 Ironic

22 The Man Who Sold the World

26 My Friends ‘

33 Name

41 Only Wanna Be With You

45 Over Now

57 Signs Tesla
trom Five Man Ac tical ]

56 Tears in Heaven

61 What Would You Say es F

68 Wonderwall Oasis | } é
from (What Story) Morning Glory?

72 Guitar Notation Legend

ISBN20 (dab
bo 7d 4

ie HALeLEONARD:®
Pesce CORPORATION
7777 W. BLUEMOUND RD. P.O. Box 13819 MILWAUKEE, WI 53213

For all works contained herein:

Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright
Infringers are liable under the law,

Visit Hal Leonard Online at

www.halleonard.com
 All |Want
Music by Glen Phillips and Toad, Words by Glen Phillips

Fmaj7 Am Bbsus2 Cc Am7 Dm G5 E7 F

xx oO xO fe) 9 i IE x fey Ae) xO Oo O xxXO xXxOoO © Oo 00 eS SR

C I
32 23 Shahi 32 Be ll 23 2 34 Al 342

Intro
Moderately ¢ = 130 Verse
(drums) Gtr. 2: w/ Rhy. Fig. 3, 2nd time
Dm F
3

|
oo

oo5 e — eee
s S ey _ = = ¢
=
1. Noth-ing’s NO loud as hear -
== cold XS GOS =
*Gtr. | (acous.)

: | :
5 . | } | z
| J Sal — a ri g Z -
|
an = e i
mf let ring — — — 4
‘let ning ‘

| § $
F 3 3 3 4 { 4 x—
se 2 feel 2 2 X
§ 73 3- |
|
*Two acous. gtrs. arr. for one.
**2nd time, play all parts simile ‘til bridge.

iC Am9 Dm iz

= ah = ah SS t +s =ee: = = z SS
aS: Pe e e
- ing when _ we he Truth is not kind and you’ve_
- ing the heart_ when all__. we need ISO) 1ewete the soul. _ But we __
Rhy. Fig. |

G pr he ne 48, er = SS oe
|
| ae |
=

= a =

jevaing 7 let ring { let ring sc ee

mae Sa Q- §
4 + 9 Q- ae aa 3 4 4
0 v 8 joo 7k Pe 2 22-0 2 2 §
2 ey 5 re § 3 3- §
3 ® |

Rhy. Fig.3
Gtr.2

Hie o

Copyright © 1991 Sony/ATV Tunes LLC and Wet Sprocket Songs

All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
 Gtr. 1: w/ Rhy. Fig. 1, simile
Cmaj7 F

(are ae = Se ee ee a eee
|

SS a

—— said nei - ther am And the air out = side,— so Solt, = is say-ing ev
— wouldn’t be __ that ee know. — And the air Out = side.= so Sol con-fes-sing ev

End Rhy. Fig. 1

> me Gtr. 2 (clean elec.)

é ; = z 3 Bee = SE ——_——
= $ z ==
= A F — = ——
let ring { mf
let ring = let ring ; let ring simile

0 3 4 0 6 a aS)
g—t——9 444 | 0 ri) 3——0—}-+_+—_+3 {
Q =F a ek 5 5 sy re 2 6
3 29 5
3 te 0 |0 Le
|

psec ge
Cmaj7 Am9 Fma}7 Am

"
ee ey :
ie at ft =e a=

= ee re ee _ —_
: ey 5 a — X aaa : | - 5 : + 4

ra a )) MIT DD) MTR

ja ‘nanaas =
| (All __ want to feel__ this way._) To be

“Rhy. Fig. 2

Eee = | eee SSS

let ring WY
w/ chorus

a
+ 1
0
1 a
3 0 =
*Doubled by 2nd gtr.
 ) MTT DP) nbd *d) MTR DY ce
a sa Nee ph SS
#5 nm — Ls —e ye an s
= ——————————
| a =a : _

D) MIT )) MOPS
te . ane sed oo eee

er PEPE Ses——
ning speaks,— eel f=
ae
(Bes aaae ; say.

(2 SS are bt =
End Rhy. Fig. 2 Sop
th : =
= oe
+ ae (chorus off)
let rin

1 1 11
— { 0 9 |
a + 2 [3 3
3 34 |
4

Gtr. 1: w/ Rhy. Fig. 1, Ist 3 meas. only,simile Gtr. 1: w/ Rhy. Fill |

Dm F Cmaj7 Am9

4
: ae 2. Noth=ine7s), "soma

— “a lata 2 a
_ let ringsimile
let ring 1

1 -
F -0 0 :
2 0 4 so 5
3 oO 5 5 :
Yi
 as Bridge

___ ap
at f aS — =

6 = = Ss )# pete ee Saeee
And it won't — mat-ter now, __
>
> ———— Fa
= === B == = a eee
ve : 3A SS 7
gas
3
ea
w/ light distortion let ring ae EU asse ci ;
chorus off let ring — —

3 4
@ : @ : f=) €2 : 4
3 Snen a 6 § 2 § 3
GH SaaeCReEaCREEEEC v 3
4 a 3 3 +
*Doubled by 2nd gtr. ’til solo. *T = Thumb on ‘G)

HS @ G F#m7b5
GS
rd
SSaS
i. os
SS 2) Se a mires i
a= Sea ee
— | a =
what-ev -er hap - pens will be. —_— Though the air ____ Ge G2 = Or gills Welle ee los,

¢ F $s a ~ 6 v 2
=i o = = oe > = s > > o > = e = =
——
Lets = = = = Die lee , aii — — | on ee let ring
let ring = lei cing = = = = = let ring

4 0 +)
1 9 | { | { 9 ‘
6 Y 0 9 2
Z oF 3 3 0 2 0 4
3 3 3 3
3 | 4 3

Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1, simile
Fmaj7 N.C. Dm

4 = : p= ,* = —s =
it won't trou-ble me. ere

(= f ee ee
Bx SN = = 2 |

te = Saye Lt 3
—— <
let ring |
AIVIST

4 | 4
OF + 4 3 4 3 4 ia
2 2 2 | -9—_4 02
4 x 3

* w/ dist.

F Cmaj7 Am9 Fmaj7

Gtr. | } as /

——————— oN
ST
A ee it ——
sai e : © aS o o

— / | Sone
let ring let ring

3 4 0
= 3—3—} 8-5 5-4 eee
{0} : -
 Chorus
Gtr. 1: w/ Rhy. Fig. 2A, Ist 4 meas. only,
2 times
Gtr. 2: w/ Rhy. Fig. 2, Ist 6 meas. only
Am Bbsus2 €

ee) eae, T1011

3 ES aa
(Alla want is to feele

a =z : |
let ring
w/ leslie effect

ie 5——{5)—-+ | uel 4
ei | 26 |
| .

| |

Gtr.
3 tacet
Am7 Dm G5 &

os f a = = — SS— = =
eee unis way._ ) Tombs this close,— iofell fate: same.
(All. —«I-~—s want ise tO™ tee!

Gtr. |: w/ Rhy. Fig. 2A

Gtr. 2: w/ Rhy. Fill 2 Gtr. 2: w/ Rhy. Fig. 2
Am7 Dm C

~ = | 1 iw a
—?
eee == :

ae
The eve - ning _ speaks, _ [ce] say. And it feels so close._
this way._ ) (Feel 2 ; say. — ) (Al ee Ty want is to feel_

Am7 Dm GS (@

bs Nv gf Le ahe7 =f
SS =
gs

Lon Let it take Igy, Let it hold me SO

this way, - be this close, feel _____ the same. _ ) (CA ee want is to feel _

Am7 Dm 17/ F i
es om
Gtrs. 1&2 / | L
1, LA

io
$e
Nee =.= SS = 2 A

I can feel Say.

== = {Houks way. Eve = ing speaks, —— WX say. )

Rhy. Fill 2
Gtr. 2

SS let ring
 Here and Now
Words and Music by Greg McKenna, Kay Hanley and Brian Karp

C G5 Am D Dsus4 Dsus; G Am”

Ho
x Oo Oo xXxOoO xo ie} xXxOoO xXxOoO KOOL —

sil | 2 34 2 Si 132 134 34 13421 134111

Intro
Moderately 2 =90
GS (Ce G5 D
Gtr. | (acous.)

GES re x esis =
“~~ gia ~ EF eS os

Ss “a: =

mf
¥ >
Feces aes
oe
a =a
:

F
5-53
3-533
3
} 1-4 —- 3
3 5
Sate
3-53
2
3
es
-$-4-9
§
4
0 Qo | 89-24 2 (4-2 6-4
B y ike | 4 o_o a—t 5
3 —- — 3 | 3 3

2s

a |
N.C C/G

ys A
#
NN
—
wa

—— 4 a §— 8, 3 3 3-3 I 3 =) 3 s 3
3>—}—_ "4 | 4 +—_1-+ 3 3—3—_ 343 3 o o—_0—o
——- 0 § §—_t—_4 8 0000 - 2 eS
2 —2 oe -H §—_§§—__2_2 2 re § x—X—_8 §—_§—-9
3 3 Sacer Hl x SS 3 im x x¥—_%X—_X_XX—_%#_*%
3 3 33s 3 3 3—3 3 3 SS ——

D/A C/G Gs Gsus2 Cadd9

eS = == i ==

2 § § § 0-00 9 3 3—3 3 3
3 = re eS cae $——_++_+_4_+_4 9 3333 3
b:e Sees ee oe ee ees 3 oe 3. eeee
2 ee ae 2 0 } uy iu
{= 8 2 2—§——9 0

eae 3 3333-33 —3

GS D/A C/G

= =] ° ee
a
: ten, we mighthave checked if the weath-er was right. __ And

a
End Rhy. Fig. 1

i's ayeiee vee valli ai oa on om “0

3—33 2 oe 0 9 e—o-
3 3 33 3-|3 a re ee 4 a
3
9 9——__x_x¥_9 88-2 2992 2 §—9— -- —§ 4-821
82 _§
8x —_ _§ X_x—§—_§
§¥—__%-¥ 484 §—_§—§-—§ 6 22 2 3 32
_X%¥ _¥—_X¥ _%_*-4 §—_4_3—4 6 3 3—3—3—____
_
3 3——3—_X 3—_3—3 3 -
Copyright © 1993 by Rebecca Lula Music, Famous Music Corporation,
Better Than It Sounds Music and Ensign Music Corporation
International Copyright Secured All Rights Reserved
 c G5 G6 Am Dsus4 D Dsus4 D Dsus4

= 7 P ae,
65° — = “oo | == — = |
Sens e ee ol @e go! /

| I don’t mind _ if you wantto drive— all day. ___

: hJ ee
@ A ¢ =e | 2 PH
ae = : 223
4 al 3 3 6 8 §- § f-§—8-0— 6 88-9 i rate 2-3 3-3 Bie
1 +44 +4 3 a a +4444 4-6-4649 3 3 3 3 33 33 HH
§ §— tbo § 0 au § 2 2 222 2 ee Fem Hi ae a ah
§ 68 He 2 ye a 6 Ga Oa Oaty 86 80-4
37 ae
3—3 [-iu X 6 6 666560 i

Verse
Gtr. 1: w/ Rhy. Fig. 1, simile
Gtr. 2: w/ Rhy. Fill 1, 2nd time Gtr. 2: w/ Rhy. Fill 2, 2nd time
GS Cadd9 G5 Gsus2 D/A C/G

(2 :
Sea =
ae ae ae
|
|

2. And, hey, is rain - ing I should have brought my Coats — And

3. And, hey, stop talk - think | can hear the Sea And

G5 Gsus2 Cadd9 GS D/A C/G

et
# ae: _~, _ — —_— 7_

a #

some-times
:

I_ could sell my soul _—

7

just to sit
:

and watch you

@ a

smoke. _
5 ¢ =;

And
did | tell you the sound of the surf—_ makes strange things hap-pen to me. And

~) TI) )) De MM) mmr)

Dsus4 Dsus :

ar, , //1
simile on repeat

6s Sa iz
I don't mind _ if you want to break ____ my _heart. 5 ce X burn _
I don’t mind _ if you want to crash_____ the car. Se ere turn _

Gtr. 2(elec.)

ces o sags= e AS
E ===
: : ee Ee
= D f
mf w/ clean tone
ReCinif)eee eee ee ee ny ST DIC RTIOs = eea ee = letttnges 3 = 4 efron 4
3 3- ae 3 ——— —— — 5

@
3 8 | 9
3 0 4 04 +—0—_} 40-43
2 ot 4 o—
3

Rhy. Fill 1 Rhy. Fill 2

Gtr. 2 Gtr. 2 ~ orn
oO re) —~p-
5 { @ QoQ —_ 8 z 7
-8 ae oO o ———
oO
bs w/ amp vibrato 8 |
ieeae vibrato off é
eg te ne = Wow

3
cs rae 1-3
3
; 13
2 8
8
LA f} 9 i. | _— 3
B 3 ¥ |
 SIRNA) mmm) mn) more
—— —— = ie — nag
wheel. __ | But you L
your heels. __ |
(1. Burn wheel. __
(2. Turn your heels. __

‘1 ee
=
Go

letTiNe a Sees
oe

oe 2
3 3 5 3 aaee
§ 2 2 0 8
o- f § io 4 §
x 8 8 3

Sm) mn) aman

ee = se eee
la = ter, here and now ____ just how good ___ we can feel
la = ter.)

Paonrodono wmode
dogo
doa

}|2

TT) A) an aA
aN

én i : BS

a 5 a 5
ce ae ar x | aa a or x
3 3 —
t zc
 don’t wor ry, so that black — Gatic as some kind of Guise.
(Don't wor - ry your - self.

Gtrs. | & 2

7a
ae 0 0 eet peat q 0 § §—_4
i 4 4 Saar a i 0 0 bt 0 8 —§
0 0 (Uae ieee eed ee xX 0 0 0 0 0—0 Ve att -§- 6 ot

eee 0 6 X 0 §—____4 X—6 -4

if bad __ times are com - ing up a - head, just

i ———

(cont. in slash)

= 2 2 2 0 —_—_——{}——__} —_——{}—__} §- 8 4} 4 § a
3 3 3 3 3 §—0. — $$} 1+ = —— + + + 4 +
4 4 4—X-—X—4 4—\_—_3—_-#-——_—_—__#—_1#- %#_ Xx }+-- 1 @#+$_ x § a &—_X 4 § xX—_
4 4 x¥—_k —_4—_—_4—___—— — —? X—XK—_?—__2 .— 2 ra x 2 2 x—2
2 2 x—X—2 2 3 $$ 3—_§_—_ X—_X—__3 —_—_3—_X—_*% 3 3 x 3 3 A—s

Am D

pds 1a) 1) PPD) Pee (Gtr. | cont. in notation)

4 ~@~ * — ee =
te Pe ge SE = a : 2 eS = -

put us in ROPue re AYCLSOsteee eee

—— = = _ )

Gtr.3 (elee.) S26 ee

o 2 ———— — = 2 See. See forte = = Bet ——

w) dist.

10
 Outro

Gtr. 2

Voc. Fig. 1

waste time think - ing *bout it here

=
Rhy. Fig. 2

te
Gu. |

=
= +t Ee: oo 3 rye
hile oa
= == =

mopaca>Kap
opepaacb>Kop

AmY

SN

babe._

ase aa

full full full full

End Rhy. Fig. 2

Je
_
OrNNo

OrNNS

11
 e I: w/ Rhy. Fig. 2, simile, till end

“fT by th" PS FE pm) =

End Voc. Fig. 1

a | = = = -
Noth-ing — else mat-ters but what we got here and _ now, _— babe.

Gtr. 3 C61 (0 ee ee Nee eee Se Pe Sey oe Be ey a ene

are} = : = — Za
6 <= ee :: = = ee = |
string 2 = a= Se ee 2 ee eee ee

a 1515 47-15 16-4

_—15-|
iL 46—7 +6—17
| |

—ed. Voc.: w/ Voc. Fig. |

AmY
“hy. Fig. 2A

ie ee eee
a ee =
$ ao :

Yeah, you can burn pave per. You can Rinne a wheel._

ee
NG oe eae RN a rae aioe ne ae Ae Rede = eee Reete ee eee ote oe ed year

: ——— *° 2
inn ekeee,
Se ea) full ROUTINS, ee hen Se ae

= 15154745 a | : TE ak RRR |
|
| J

Gtr. 2: w/ Rhy. Fig. 2A, simile, till end

End Rhy. Fig. 2A

pyay Py
o Se Se SS
But you Can tee change _ just how good__ we can feel

te
 SSS

% a
ee eele
5
SS Bkgd. Voc.: w/Voc. Fig. |
Am G

——— a aaa
2 we can feel, __ You can burn pa - oper. You can turn __

ro 2 ee ee | ee e Bre =
6 | x40 8 |
“Spe 9 ads | x9 - ||

Am G

ee eee
.

cae = oe
$-—. =

== el ANMAYetS, Se But you cans change____ la_ -

:
ee 7

See
#

: rae 5-5 = 5-7

= ro peee
|
sees Ss :
= : =

Am

ee |
= : =

———
$-

- ter, just how SO0d === we can feel

6 =e
Zee: SS SS SS
= ——=
SS ee
So ae ee L 35 ; E5 3s ; = wT
5 7 = —
BS |
 Gtr. 3 tacet
Gu. 4
felec.) G

(Mie deere SSS

w/slight dist.
full
a
ws
9—{9}7 7 7
o oS wo —y wo o w o nN 4] Nn

w/ Voc. ad lib. till end Gtr. 4 tacet

G G
©
Str

Gtr.3 == t ie

2 IN A (cont. In notation) oes ;

ri as F a A Jbe ee ben ones 4) ¢ Gtr. 3 o—e: *

=e [ if |= y aeS ° = eo |
ae ee
a? irae : =
ee |

_ a a
Gu.
divisi
3 wi . . mally
<a

=. zi == 42 | 3 } eer ——- 48
14 42 44-44 -42@_+44__+44_(44}412 44 42 a 4 7 X-7 x}
44 44- | 5 r-9
| 5 5—7 4
3 3 —

Begin Fade
Am G
~
KA iy ee Pax - ee. eee
* wap ff
2 —P tt
sft fie poe
ftp : ‘ 6 # 9,0
ee
full full full full

=! —+ + es
10-—{10)- 8848 18 {10)-8—_—8- 16 | —_15}12-43-42__42
' 9 9 44 442 rr 42 re |
44

ron Fade Out

Tet ? @ oe

el F = foes as =a c es : E =
is

44-42 44-42 —. §— e — g — : 9 $7 ——— $ g

42. 42 42—-44-4.0-@#—_ 916 9—18-48 48—_59— 4648 4+8—_5— 46 4+8—-18 —9 -9--}—_5—_}—_5-
F-

14
 Ironic
Lyrics by Alanis Morissette
Music by Alanis Morissette and Glen Ballard
D G Em sd LS
xXxOoO feKe} ie} 000 po x Oo Oo

132 21 34 12 3421 oom

Dsus4 D/F# =Gadd9 = =Em7 ~~ Cmaj7 Déoadd4

xXxOoO xO x xO x ° Oo xX x (oXs) x oOo

ue
34 | 24 3 24 12 4 32 32 4
Gtrs. 1,4 & 5: Capo IV
Intro
Moderately Slow¢ = 86
_ Emaj7 F#6add4 Emaj7
“(Cmaj7) (D6add4) (Cmaj7)

t,
2 ae
ee eee
|
2sy eee
So
|
ae ee
“—~@ -

Hey, I I whoa __ ho, I.

Gtr. | :
(acous.) ie F -

é ie} | ee _¢__¢' _4¢.__4ve =r= |

F $: 3° oe | od 8: = $: $
é i o ‘S $ SS| me 4) eo fu (i o
mf w/ fingers ——
let ring throughout
3 3 3 3 r? 5 3) 5 3 3 3
F (oy 8 9 9 =! 6 § 6 0 6 6 i
A. 0 8 Q =} .) 0 a 0 9 4 @
2 Ea 4 4—_4 z (3)
B 3 3 5 5 3
* Symbols in parentheses represent chord names respective to capoed guitars.
Symbols above reflect actual sounding chords.

Verse
Eadd9 FH/At Badd9 FH/A# Gtm7 FH/A¥ Badd9
(Cadd9) (D/F#) | (Gadd9) (D/F#) (Em7) (D/F#) (Gadd9)
a

8 eS —-- —— @ _» = ——
yy a ¢ Ff rl | ee 2 i f @ $= ane ie oi a |

1. An old mane turned nine-ty eight. _ He _ won the lot-ter-y. __— and

+ a & N\ | 7
4 2 { a =
CG e
= a
e « — a
| =a -
— a
ww
> SV > ae VY

3 2 |
3 3 3 3
3 0 |2 2 2 9 +2 Gr 3
= 5 ali : 8 9 +o 0
s U 3 2 0 Lg 3

FH/A# G#m7 FH/A# Badd9 FH/A# G#m7

(D/F#) (Em7) (D/F#) (Gadd9) (D/F#) (Em7)

Ge {a == : : era ==: SS
died the next_ day. in your Char-don-nay. — It’s a

;ss
—S
Se
ic

=e: 7 i —” ae = a

; |
3 3 3 3
2 = 2 2 9

2 3
§
2 0 = uy
2 0

© Copyright 1995 by MUSIC CORPORATION OF AMERICA, INC., VANHURST PLACE, MCA MUSIC PUBLISHING,
A Division of UNIVERSAL STUDIOS, INC. and AEROSTATION CORPORATION
All Rights for VANHURST PLACE Controlled and Administered by MUSIC CORPORATION OF AMERICA, INC.
All Rights for AEROSTATION CORPORATION Controlled and Administered by MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, INC.
International Copyright Secured All Rights Reserved
MCAranusic publishing 15
 Pre-Chorus
FR/A# Badd9 G#m7 FH/At Badd9
(D/F#) (Gadd9) (Em7) (D/F#) (Gadd9)
meee

ee Se ee
CS
tet t = = |
oa ce i: oe : y =
death row par don _ two min-utes too— late. And is-n’t it ron -ic?_ Don’t cha

=s —=— = |

— —=

3 3 o o 3 3
ve 2 =e 2 §- f"3 2 2
+ 0 0 § 0 $ sd
i 83 2 . - 3

Chorus
FR/A# Gtm7 D D Em
(D/F#) (Em7) Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. |

ee eee. E
ae a Yai

= OE To a s. —

——4 —- z
think? It’s like rain on your wed-ding ______ day. les a. frees =) mide=

Rhy. Fig. 1A End Rhy. Fig. 1A

oh2 (elec.) =

— —a 3 PH
6 : = | *4, = —— = £ $ :

eo vw ; te ie Ve oe ee

(cont. in slash) w/ dist.

I 4+ 4—4 4—4—4
3 ; 4 4444-4 __|
2 § f SS 4 4—4 4—4—+4
4 6 4 i 4 4 4 4—4—_4_4—_4 4 4 $ §$—_6 = SS
i = 4 2 Heyes ee 4 +4 Se sa Sent Ome Cac
2 6 § 2 2 2 2 4 SS 4—4—4

Gtrs. 1 & 2: w/ Rhy. Figs. | & 1A, 2 times

FH B FH G#m
(D) (G) (D) (Em)

aPA Sd er ee 2

Se ae
a

when you’ve al - read - y paid. It’s the good ad - vice_

F¥ B F# G#m
(D) (G) (D) (Em)

—— that you
f : =: ——— take. And

16
 Verse
Gtr. 4: w/ Riff A. 5 times
F D Dsus4 D/F# Gadd9
Rhy, Fig. 2

TTT TTT IT OeVe

PT
End Rhy. Fig.2 Rhy. Fig. 3
rant | Bad
& 5 (acous.)

=~
ey
ee es - — o ae —— a

a = oe 7 an ——— or =o
= iS = : eo fay 7a ae

who would of thought, _ it fig-ures? 2. Mis-ter Play It Safe _ was a

re Rhy. Fig. 2A End Rhy. Fig. 2A mf w/ dist

ers i oe ees = =e
i Gtr. 3 (elec.) =

: = as =

a Pe Sse ee a ae es Se ar ee
a ee ee
Q- 0 a
@ 0 tl 2-4 2
= — 2
6 — I |
Gtr. 2 tacet
Gtrs. | & 5: w/ Rhy. Fig. 3, 3 times, simile
D/F# Em7 7 FH/A# Badd9 FH/A# G#m7
“ (D/F#) (Gadd9) (D/F#) (Em7)
End Rhy. Fig. 3

= } y ps aly PH
AD
oe: ' — - —
te a =

fraid to fly. _ He packed his — suit - case __ andkissed his kids good-bye. ___ He wait-ed his
= ~ Gtr. 3 ea

=o 2 ae = es s = := =
v2:
ec
—
2 4 | 2-4 2 4
io |

es

FR/A# Badd9 FH/Ad G#m7 F#/A# Badd9

(D/F#) (Gadd9) (D/F#) (Em7) (D/F¥#) (Gadd9)

t, ESS ae
: ac ee
Se

Whole sdanin = lite = to take that flight. And as the plane crashed down _ he thought, “Well

(aise = Sel
Pe = 7
=
———

—
2 aa, F F
— 4

RiffA
Gtr. 4 (elec.)

mf’ w/ clean tone

& chorus Oe aeRee ees 7

Gs 3 9 9
2 2 0 |
A
B
=e

17
 Pre-Chorus
Gur. | & 5: w/ Rhy. Fig. 3, simile
FH/A# G#m7 FH/Ad Badd9 FH/Ad G#m7
(D/F#) (Em7) (D/F#) (Gadd9) (D/F#) (Em7)

SSS ae. Z =
SS Se ba
a
is-n’t this nice?” Andas=n it) 10) d= 7on-1c7 Don’t cha think? It’s like rain

aeae es
= BRS
———— 2 ee

(7) 79 9~7 iF i

|
|
|

% Chorus
Gtrs. 3, 4 & S tacet
Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 3 times
FH B Ft Gtm F¥ B
(D) (G) (D) (Em) (D) (G)

==
on your wed-ding day. It’s a free ride when you've

F# Gtm F¥ B
(D) (Em) (D) (G)

a 2 &
se °
2
—- ° Cf Pt —
= se ——
al - read - y paid. It’s the good ad - vice that you

To Coda
Gtrs. | & 2: w/ Rhy. Figs. 2 & 2A, simile ©
FH G#tm A E F# F#sus4
(D) (Em) (D) (Dsus4)

tats 4 t_f_f . eae eesCE ae =e.

: ————— 7 =
usteeaicde ent takej == And who would of thought? _ It fig - ures Well

Bridge
Gtr.
2 tacet
Cmaj7 D6oadd4
Rhy. Fig. 4 End Rhy. Fig. 4

ee 7) 7 eee Ee a
ra of s —_ == : —- _
typ if pe |eer mans ~
— —a
——— ~ =
:
life has a fun-ny way __ of sneak-ing up on you when you think ev - ‘ry - thing’s o - kay and

Rhy. Fig. 4A
Gtr.4
as

¢ —
we
“—
“—

3 3 3 5 5 5
0 0 8 0 0 0 6 3
0- ae s 0 i 0 Q- 8
2 2 2 2 8
3
4 4 4 4 4
3 3 3 a: 5 so) 3

18
 Gtrs. | & 4: w/ Rhy. Figs. 4 & 4A, | 1/2 times, simile
Emaj7 F#6add4 Emaj7
(Cmaj7) (D6add4) (Cmaj7)

SS
: ; =e e
ee a aS =
eee ee =
ev-'ry-thing’s go-ing right. And life has a fun-ny way __ of help-ing you out.

Gtr. 3

Gs, - = Sgn See —————— =e ===s=

ee ce es eae, —
yy 7 —— | & aa 957
§—8 |

(D6add4) (Cmaj7)

ee) i ao Fe
eS eee ee ee
(cont. in notation)

_— when you think ev-’ry-thing’s_ gone wrong_ and ev-’ry-thing blows_up in_ your face... 3. A

Gtrs. 1 & 4

q re " bn
Stee
5 5 5 i 5 3 3 3 3 2
. 9 0 . Q 8 Q 3
9 4- 0 0 8 § 0 - 6
4 4 4 4 4 2 2 re 2
> 5 5 5 5: 3 3 3 3

Verse
Gtr. 4: w/ Riff A, 3 1/2 times
Gtrs. | & 5: w/ Rhy. Fig. 3, 3 1/2 times, simile Gtr. 3 tacet
FH/A# Badd9 FH/A# G#m7 FH/A# Badd9
(D/F#) (Gadd9) (D/F#) (Em7) CE (Gadd9)

— oe a
Greet 2
a
S22
nS
crit
or
f =e
: =
oe Parga: =e
traf-fic jam when you're al-read-y late, _ a no smok - ing sign _ on your

Gtr. 3

(cane <= SSS SS ee

19
 FH/A# Gtm7 FR/Ad Badd9
(D/F#) (Em7) (D/F#) (Gadd9)

——— ———¢ — wo :

6° i. ee a se
ee ee ee
cig a rette break. It’s like ten thou - sand spoons __ when all you

Fe/At G#m7 F#/A# Badd9

(D/F#) (Em7) (D/F#) (Gadd9)
+ e— Ne FE = =
Fee - : a 7 see eee —— = (oa eee
need Is a Knee It’s meet-ing the man of my dreams, — and then meet -

Pre-Chorus
Gtr. 4: w/ RiffA, 2 times

D/F# Em7 FH/A# Badd9

aes - (D/F#) (Gadd9)
Gtrs. 1&5 J. ——_;
x Ae ie yj (Gtr. |, cont. in notation)

ing his beau’ = i= full wife. __ And is-n’t it i - ron-ic? Don’t cha

Gtr. 5 =

= = =I oe oe
= o o
= oie
mf
(Sh £0 eR a eh EOS cee RNS DONO te vere Sen oe poe ee Ee

| 2 9 9 |
l | 4 4 |

Gtr.4

aie > oe | ]
I |
aE ———— tS fs. ——
|

5 =
BF
w/ bar SS
AWA
9 =, 3
2 | 2 2
| # § §
! 2 3

D.S. al Cod
FH/AY Gim7 FAAS Badd9 FH/AG Gim7 pues
(D/F#) (Em7) (D/F#) (Gadd9) (D/F#) (Em7)

Geia 7as
0-0
é
= --
f
Sogo
|—_— z ——
think? A lit-tle _ too i-ron-ic, and yeah I real-ly do think. It’s like rain

+ p—— = ES — a
6 Wo = S| e° @ a oe 4 es ia ow o := = —
“ | | “- |
ts ee = + = eS
—T oe oe e ie e —|-¢ e-

PC | YO ee earner ag Mc, coleineSipe oe Sg a PO nag al ee ee ety ee ee a ee S25 2 tee 2 ee a ee A a es 4

a
3 3 3 3 39 3 3 !
0 2 2 2 9 0 2 9 9 8 F 2 2‘ A Q- |

2 0 5 3 2 0 t

# ——" 2 awe —— —_—s Trae :

ance Gq @- a a = ss — @

Nee nea : Ce.

3 3 3 |
2
: =i
9 2 2 Lo 9 or
2 9 2 3 lo 9 $45!
 Bridge
Gtr. 2 tacet
* Gtrs. | & 4: w/ Rhy. Figs. 4 & 4A, 3 1/2 times, simile
Fe Fi#sus4 Emaj7 F#6add4 Emaj7
=?) (Dsus4) (Cmaj7) (Déadd4) (Cmaj7)

4 tere tt rer
¢ 8 - z= a - — — — = = ee —

= = See ae ee Z SS. Ws eee ——

oe And you know life has a fun-ny way of sneak-ing up on

Oe
= _

eee ee eS = = —

| | =—

|
* Gtr. | loosely doubled by Gtr. 5, next 7 meas.

F#6add4 Emaj7 FH6add4 Emaj7

(D6add4) (Cmaj7) (Doadd4) (Cmaj7)

ef fi9i¢ Sao Sib SaaS ea ee

———S a f . @ = a =

you. Ooh, life has a fun-ny, fun-ny way of help-ing_ you out, help
- ing_ you

t, ae ae ee, e :
‘ aoe ee = **

aa
faa foie
- [7-9 #
|
X= |
| ——
**string noise
te Free Time —

Gk.3 out.
+o a me
G ee = } = * = i
rit.
~ T 7
9 ; 4
T t

L Ff
Gtr.5

: = Sa ae : ji := = 1
:
ie TLS)6ke a epee
mg, ew ree ag a =
@ a 6——9 Cael T
g—_9-§—_ 64 9.4 = : mi
§ §—_4 60: : +
3 3 3 3 =
Gtr. |

ed

3 3 3-3 3 3
ae al 9 a 3 ) 0
9 $—+9 0 0 9 19 0
222 2 2 2 2 2
ae 3 3 3 = 3 RS
dbrmrood
yD
CO!

ayes Pie = wx

f= =i ie PP
3 3 3 3 3-— 3 3
3 3 3 0 —— 9 9 az wi
0 0 0 9 ce He g : 3 $9 -
2 2 2 2 —— 2 : Spal 3 5 >
3 3 3 3 3 i 3 au — —

21
 The Man Who Sold the World
Words and Music by David Bowie

E En/D Dm A Cc Db Ae

ooo Ff & & HH Re

G/A
Tune Down 1/2 Step: x0000%x eee xx0000 xXO pee) , eS x Xi ee

eee} 123 32 1 [333 sige

(2)=Bb G)=Ab 1342

@=Gb @=Eb
Intro
eee = 115 er
Giro (acous)) fae: é + )

Riff A mf
Gtr. | (acous.)
— =e = = i r=
(oeeee eer Pere eer Pere eet ee
fw slight dist.

| a ——< ae |

A eae 2-3-2—_9_+-2—_2_ 29 2-3-2—_9—_-2_2_2_4 2-3-2—_-_ 222-4 i ie ae ||

|
B | |

GA F Em/D Dm

63 = = SSS eee

1. We passed up - on the stairs,_

End Riff A

SaaS
SS Ss ze -=SS = Sa 2a | = ;

dist. off
(cont. in slash)

SSS a |
2==2——2— 0 Po Gee Poe Oe 23-202 {3}

| |

a STELITT) PTT TTT ST

seh
G/A Dm Em/D Dm Em/D

sa =ss ie == a ee
SF —
= we spoke in walls_ and web. Al - though | was = n't there,.
a and made my way- back home. _— I searched a - far the land,_

G/A_ F

LOST TTT) WA ae
ae : ==
he said I was_ his friend, __ which came as Sur - prise._
for years and years_ I roamed.
__ I gazed a - = YAY SINGS

© 1971 EMI MUSIC PUBLISHING LTD., TINTORETTO MUSIC and MOTH MUSIC
All Rights for EMI MUSIC PUBLISHING LTD. Controlled and Administered by SCREEN GEMS-EMI MUSIC INC.
All Rights for TINTORETTO MUSIC Administered by RZO MUSIC
22 All Rights for MOTH MUSIC Administered by CHRYSALIS SONGS
 WA A G/A

7 JP] ) (a aR
@ ——— —— ———— ee
S

= I spoke in -
—.
to his eyes. I
rd

thought
2

= you
oe cece
died
2

is
4

— We walked a mil - lion hills. I must have died res

Tih ) DAT TTT) (Gtr. 2 cont. in notation)

a a ae es a
long, a long, long time a= Ose Oh no ==
long, a long, long time EY = fie, ee Who knows?_

% Chorus
G/A F G/A_ Db G/A

not me, we nev - er lost cone (role

ia Not me I MEN? = te lost con - trol
Gtr. 2 3rd time (We)
|
| a

=e ee :

2 3 5 |
2 3 ) 9: 2 3 4)
3 aoe 1) 4 3 4 4
4 3

F G/A G/A F G/A

Gn SS SSS ee ———— =

2 ihcuiacem=as to tacoma of a
—_ MEOW TENTS to co —- with the

Zc 2 Fle =
——eee ee
[a oe #

rs od 7 = * = is (cont. in slash)

| a — Q--—2— - -3
g—2— 3} 2-3 5 |
— o-—_+_—__4 ——
Seco i 5 a
23
 Gtr. 1: w/ *RiffA

Db G/A AtYPe? Dm

man who — sold __ the world.

man who sold_— the world.
* Ist 3 meas. only, 2nd time; Ist 6 meas. only, 3rd time

ToC oda) 2. D.S. al Coda

sas 8 . ine
Gtr. 1: w/ Fill |
F E F Em/DDm

CSS SS
2.1 laughed and shook his hand _ Who knows?_

{} Coda
Guitar Solo
Dm Em/D Dm Em/D A G/A
Rhy. Fig. 1

Gtr. 2

Gtr. |

== ca Rannanne
 Gtr. 2: w/ Rhy. Fig. 1, | 3/4 times
Is Em/D Dm Em/D
End Rhy. Fig. 1

(i — aaa aaa

A G/A A G/A Dm Em/D Dm G/A

Soe == SS Sree ===:

— ———
ta en meee fee Ges pe) a er ee 2 eeee

| }

F Em/D F Dm Em/D Dm Em/D

= eee
Sm | ——————]
1010 co i ee [ee
|
|

A G/A A G/A Dm Em/DDm G/A_ F

ro

Gi 2ts a7

(3S apa aa
rit.

o—— :
——— ty 999-9 9-9 Ls Zee ee oan heath ee

25

||
 My Friends
Words and Music by Anthony Kiedis, Michael Balzary, Chad Smith and David Navarro

D Dm(add9) G/B Cadd9 E G6

xXxOoO xx ce} x_ O00 x ie) x fole) x foke)

132 213 | 34 2| 231 231

y c2

F#7add4 Fmaj7#11 CC Bsus4 F5 D5 D5"

| Hy :
x foe} ~ fexe) x Oo oO x fee) xxx OOOXXKX xXxOoO x

231 23 321 134 mn 23

Gtr. 2: Drop D Tuning:
@-=Ee @=pD
@-=-B @=A
@=-G @=bD
Intro
Moderately Slow 2 = 84
*Dsus2 **Dm/(add9) G/B Cadd9 Dsus2 **TD)m/(add9)
Gtr. | (acous.)
oY] =. |=
E e

mp
let ring throughout

l|
me ||
AB ims
I

Gtr. 2 (acous.)

ot 2S =

mp

Q 0 = 4
T. 3 Ph 4 ! 3 a3 |
CA 2 2 0-2 0 § 2—?2 0 2
1? §—3 3 §—_9 a) 2 6 § 3 3
B 2 cae |
*Chord symbols reflect overall tonality.
**bass plays F

Verse
G Cadd9 Dsus2 Dm(add9) G/B Cadd9

: a a ee =
_— to - : 2
a — ee She = Sie t zs = eo

1. My friends are so de-pressed. I feel the

ee Ss
vw >
=
a @
te iss

at .) 9}
3 3 3—-3--3-} 3 3 3 a
§-—0-—6 <=> -- 0 2—2- 2 2-2 0 Se Sa
L aos to +0 3 3 a 0 2 |
3 5 | 2 si

eee
ee
© 4
ES
:
a |
-
SS
ae i
=
sum.

Q- §
3 3 3 3
2
o—8 a9
345 3
2 es ea See ae
| ae
us z
@—3+5 3 0 iB: Bane

© 1995 EMI BLACKWOOD MUSIC INC. and THREE POUNDS OF LOVE MUSIC
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
 Dm(add9) G Cadd9 Dm(add9)

2 et f|
| ee He
E — a f- tp
ques-tion of your lone - li - ness. Con = fide “cause {| be on your side.

Pesos Sai ws — = :;
(ee
0 3 a3 Smeinens: -_ 6 Q =

9
Se
6 3 3
er| =
2
ae
=¥ ae oo = are 2 —s:
0 ==
as z |

0 Q §
3 3 3 3
2 2 2 9 6 9 | 2 2 ae 2
6 3 3 t<——9—_4 ~~ o—— 3 3
C2 Sai 3
0 SS) 3 6

ee ee ee
G/B « Cadd9 Dsus2 Dm(add9) G Cadd9

= | es

You know I A cae i you know I will.

== ° =° a = == = —— p=
ee =
4 0 Si 3 3 3 ee 3
3 9 : 2h 2 : 2 g 0 4 3 9 3 3 : 3 z
4 $—2— 2 4 2 4 s) 0 2
ts SE 4 )

Q-
4 §
2 2

Verse
Dsus2 Dm(add9) G/B Cadd9

Gy. SS 2S 2 SS a eee ——— ee

2. Ex - girl - friend called me up, a - lone and

Rhy. Fig.1
Gtrs. | & 2 a —

ged = = s aS eS?
m
- f a Se Q Cmemet 3 0
o- be 3- 3 3 3 St) 3 os
rer 2 2 fe 2 . 0 cate a) §
aed
0 9
=
6 4 3 3 9 9 6 9 or oer ae |
: 2 2 2 25-3

ne
(elec.) Rhy.
Sik Fig.ig. 1A i oa A = > ; = : =

(4 j= 2 : | “0? ° o | ° = =—- 2

mp w/ clean tone
let ring throughout
5 3 ze — ———
5 § § =) = ——— So
a th 8 8 8 6
ie 4 i i ¥ 5 a 5 s- SS. a '
7

27
 a
(ee
Dsus2 Dm(add9)

eS a ee he
G/B Cadd9 i

eeert
Dsus2. Dm(add9)
|
des-p’rate on a pris - on phone. They want to give her sev-en_ years

5
oe @ | ot é
fe o
: 3 ig meet
i
2 2 9 6 3 2 ) §-
3 3 Se 3 3 3 3 3 3 res 3 3 Sao Ome Ie
2 2 ? ae dee ae a nS rs 9 Sate Cea 2 2 2 zi 2 ——t AY
a) 6 (=O 3 6 i ee a 2 tae a 3
ae ae eee) |
= = = = e >

5 5
i # F tea ee 8
if rf F Ft F i¢

Chorus
G/B Cadd9 c Asus2 LG D Aadd9

eee = ES
|
CNP i
ee
Tae
| ——
ae
=
==

for be-ing sad._ love all of you _— hurt by the cold.-

+e"
89/6) uF wey gains pa
ee
ie ===> £
9 9 7 Q-
— 3 a — 0 = os
§-—9 90. 9 9 6
§——9_§_§—_4-9 |__2 2 — + 7
2 2223 3 6 = 3-315 9
End Rhy. Fig. 1A
= = > > Toe
\

Uwe eso se ee ae =
Bi ae
Seesas Soe

3 5 0 a o
6 6 6 3 { 0 Q -9—
—- = 9 2 2 6 6
s | 2 — a= 4 73
areas —— are

é Asus2 6 D Aadd9

G
te

:
:

ae
— =

:
{
= Ht
So hard
°
and
site 2
lone-ly, too,—
He
when you
E
don’t know_ __ your-self.
a
—

End Rhy. Fig. 2

ie SZ oS

|| 6
$6
2 —— = se
6 |3 2-375 9

He Fae cecee ze
$99 —9-9-9 9-6 6 9
2°] 2S ees me | 5—|
L $$$ 74 8 gO He ! 9- _ =
a Fi | 2 4 7 77-7 79-9 57
1 3 3-3/5 8 498
% Verse
Gurs, 1., 2. & 3: w/ Rhy. Figs. | & 1A, simile
F Dsus2 Dm(add9) Cadd9 Dsus2 ung G/B Cadd9

Ge === =
S=2 = —s
I
TS
=
= =
= =
=<
= 5
a Ne
if =
rd

3. My friends are So dis-tressed. They’re stand - ing on the brink of emp- et No words, |
4.1 heard a lit-tle girl and what she said was some-thing beau- ti - ful. To give your

To Coda
© Chorus
ee | & 3: w/ Rhy. Fig. 2
Dsus2 Dm(add9) G/B Cadd9 Asus2

orf : SSS aS —— > ae

know what to ex-press, this emp-ti - ness. — love all Of yOu

love no mat-ter what is what she said, _

Gs : : fey =
Jet finoes re a ee ee ee =
t FR
7 . 4 3—4
4 9
. 2 2
2 2 |
3 4 § |

Aadd9 e Asus2

=e aaa T —=——=
hurt by the cold. So hard and lone - ly, too.__

ES =F Mg —
: y : ; rx
te p f | |
== ><

eI Ly ee ak oe <a al a rs ee =i ini = = lepine eS SS eee 4

=) | § +
4 6
2 = 4 rf 2 2
y= SPSS 4 § 3 |

Guitar Solo

ao) TTT TT
Gtr.
3 tacet
Ee D Aadd9 D Dm(add9)

= ——< ae ee —— —— J
when you don’t know __ your - self.

Gtr. 4 (elec.)

e
= SS Se
(cont. in slash) of w/ dist. simile on repeat
[LUeas = eeee
Se en 3

eens—
= — >
Zima
—-
a ee
8

ears
: =
=
7
0 |
7
9—8—9- 0
——
“F499 9 9 25 5/4F 5 3 3B
 |i.
Cadd9 Dm(add9) G/B Cadd9

DA TAmn Ar awamto
pa = '
Yee SL PAA
rrr he @ (e)
—— — =

full full
PERRET Arne
— — aes a 43 $3
4 444.45 5 5 BF PP EAE Ht 44th 4 42 42>
— aan > r=
2 a ea a a 40-42

[2. Bridge

Pi | Jn Ip
a E

—— —— —
Im - a - gine me

= =

r i be es wlll oles re: a oe oe wy oe

slight vibrato

AAA
= | | P=
42 42
—SS—
5 4 7. —— 7 7-9
=
6 =e i
40. +8 3 2 2 2—?. Z F 5 “s 5 5+F

F#7add4 Fmaj7# 1 |

LDee ee
a ee, Tone
# = ——
“te =— =. ——— 4 |
| —— -_—
taught by trag - Re lease is

ge =
AAAPRARRARAAS
ff |

we : 7 es > = > > - =

RAPA

(} 4 | | |
AEE: 5 5 ! (eta oes es 5 =
2 3 | 3 3 3 3— 3 3 {3
 D.S. al Coda
Gtr. 1: w/ Rhy. Fill |
Bsus4 F5
ne ete oS

j | |
we
> > = =
ely = = > = >= > = >
| ne ES A
= > => =s
ee PE ae ere
2 = >

== == ————s Se — = =2

| fy: J 7 » aiid ‘alle al eff + #8 ©

ves:
C= - S Se ee
a g =>
223s >
==
0 0 § 0 0 ay
a3) 6 4 4 6 0 6 |
4 4 4 4 4 4 4 x p44 444444 46414 4 44 4 444 Hh
-4 4 4 4 a 4 hX 3 3 3 3 3 ieee ee ae +3
2 2 2 2 2 2 2 Ki3 ee pe (is PRR a ie eS

€)-Coda
Chorus.
Gtrs. | & 3: w/ Rhy. Fig. 2
Asus2 (€ D Aadd9

6
ce I F
ae SS
ee :
=e
=s 7
woe all of you — hurt by thes colan ==

4 —_ | ee = =
Gtr. 2 a a —— |

gd tl e
Fag
——— o |
se SS
vl 5 e
ee
P BES

LEPC ese ee Sag oli gh se cy ee ee ae rt ee ri JL: oe Se gees ap 2,

4} 9 6 4
4= 9
9 9
2
E
2% 2
F i
$7 ae
7$—8-7—7-
|
[ 3 9. 4 3 3-345 4 4 - |

© Asus2 c D Aadd9
» : - - - : oS ee ee ee a:
SSS SS — —— = 7 -
SS SS

So hard and lone - ly, too,— when you don’t know— your
-self.

oe we
a
we
~
eS
=

9 9 aa
{ + 9 4 §ool §-
gS ems 5 2 ——- 7— 77} 7 7} 7} 6
3 32 2 0 3 3—3/5 4 §—_9—_0—_0—_9_4

Rhy. Fill 1

31
 Outro
Gtr, 3 tacet
D Dm(add9)

a a ss 8s ¢ ss pf f fot ;
Gtr,4
~frfr
- - ©

1010 —_10—_ 101010101010 10—_10 40 40 49—_40—_19—_10—_10—_ 1016 49—_10—_10—_10—_ 404040 |

Seg eee ee ea ee eee

ne |
Dm(add9) Cadd9

Pe Ee wire el a ae
ea
#$ $ $ ¢$ ¢ $< a? a? af a> £
: Leff
—_————
fee See
ee Sel

494049404019 _49 40404940 4040-40-40 ee ee Se

444444 4 tg dg dg dg 44 44 44 55 5 5 5

Ds a
Cadd9 D5 2?

SS Gtrs.
1&4f
(Gtr. 2 cont. in notation)
ee ee eee

Gt nee!

G 2222 2226222255
———— Saas
=
5
=
=
hw
=
7 ot =
@
=
;
(cont. in slash) ¢@&

§
SS a =) 3 3
ee Se 2 2 2 2
0 3 3
0
§
*Gtr. | omit © str. open

Segue to “Coffee Shop”

# —— =a = | a

= e rs te —— = e o d
 Name
Words and Music by John Rzeznik

Tuning
Q@=E @=eE
@=E @=a
@=Aa @©=D

Intro
Moderately Fast Half-Time Feel ¢ = 148
AS A5/G# Dsus2 F#m7 AS/E
Gtr. | (acous.) Rhy. Fig. 1

ief 4 ee Fabs i= eset === is *— a

o a Sar = i
eo - e eo @¢ o Po a
ee wee

let ring throughout

0 §— 6 §- 4 §
F
A 5
rs A 8
| ay
9 0
6 6 0 9 9Q-
4 6 4. 0
[
B =
9 f se
9 egos
| 6
3 |
ae i 3 i:4 : 2

Gtr. 2 (acous.)

2 cea =a. rem oleae 2

4 ; \— —" o =— =
i
mf
a ae : =
$
let ring throughout

a 4 4 0 =o: 4 a oF
T 0 0 9 o 6 o- - 9 8
A a 4 as 6 00. 3) .
9—2 9 ; 6 8 =! x $ = |
= F 6 :

De Dmaj9 Dsus2 D5 Dmaj9 D5 End Rhy. Fig. |

+, a
oS C

9 0 0 0 o— 0 0
0 9 Q 0 9 9 0 0
on
aT lan oe 0
799-42 _| 42 —42 42 0 I~
5--f—7# 0 94 o-0
974 9 9
797 |
ee 9 a a oeee 12 I-o 7-9 9 Pe: 9 9 3

HTH

es = ae 8 aa 9]
Se
5 <7 7 9 9-42} 42 9 9-747 97
ae gee O Sate [ 42 9 9
4 0

© 1995 EMI VIRGIN SONGS, INC., FULL VOLUME MUSIC and SCRAP METAL MUSIC
All Rights Controlled and Administered by EMI VIRGIN SONGS, INC. (BMI) 33
All Rights Reserved International Copyright Secured Used by Permission
 Gtr. |: w/ Rhy. Fig. |
AS/G# Dsus2 F#m7 AS/E
AS

?
Gtr. 3 (elec.)

Oe ———————— ie
mp
w/ “E-bow”

i |

|
|

|
|

a eee a
Rhy. Fig. 2

fe
Gtr. 2

4 . = ° = 2 ri =f
< a
6 6 6 9 i 9
: H ; 9 a ; ; 6 - _— 2 Fas
9 9 9 6 a: 6 | Q- 9
Q 5
7 6 4 2

Gtr. 3 tacet

De Dmaj7 Dsus2 D$ Dmaj9 D>

4# = = = = ‘ :
+ — —= —-
1. And

End Rhy. Fig. 2

re 00-0 0 § 4 6 4 §—}
re pe etl §- $ 8 4 § §&—|
eee a aan a SD) SS OO Ot 9
ae aa ae Gs Sa 122 a Fossey —!
re lean ee) oe tea = 42- ae a mn 9 —— Saal 1

Verse
Gtrs. | & 2: w/ Rhy. Figs. | & 2, 2 times
A5 AS/G# Dsus2

é Ee f ee ee eeeee fw t 7g
| ee

GS = NG though _ the mo - ment passed _ me ye I

scars are sou - Veo itso ayOU nev - er lose, the

F#m7 ASIE De Dmaj9 Dsus2 Be Dmaj9 D8

a!
= ae = 7 =a
still can’t turn == a - way. *Cause
past Is nev = er far. And

AS AS/G# Dsus2

4 a we rs +N N i | 4
. 2 ; = 7 . = af @ = 2 t t :
——e —

all the dreams _ you nev - el thought_ —you’d lose sot

did you Se your = seli ===" some) = where = out there, dia you

34
 9 Dmaj9 Dsus2 Dog Dmaj9 Dé’

+t —— = 5 =a ors ise = | ‘
=f a ae oS = Sas =: = ——_
tossed A Weyn¥ the way. And
gel (OAC a star? And

Gtr. 2: w/ Rhy. Fig. 2, Ist 7 meas.

Gtr. 1: w/ Rhy. Fill |
AS A5/G#

i! e | o— —. ie Tt N
| eo @ ets @

let - ters that you nev - er meant to send get

don’t it make __ you sad to know that life is

End Half-Time Feel

Gtr. 2: w/ Rhy. Fill 1, Ist time
Gtrs. | & 2: w/ Rhy. Fill 2, 2nd time

F#m7 AS/E By Dmaj9 Dsus2 Ds Dmaj9 a

,
2 — ———~
|| = = 2

t = | -= ee wa) |
G? 2 oS SS 7 === an.
lost or thfown_ a - way. And
more than who __ we are? We

Chorus
Fi#m7 Esus4 Dsus2

pitt ere a now we're grown_ up -

SSS

phans _____ that

SS
ip
nev - er
y

knew__
faeT

their names. _
ee ol
: te

We
7

grew up way — too ae ae and now there’s noth-in’ (ies) alee evens

Gtr. |
: t file es | ae
¢ eei
e
o
=F ee
=|
Se a oe
oe
Re
ee

4——9 Q Q 0 Q- Q

— coenes ees e a
4 se 0 § 0 =

4——4 3 cad
§- .Y -Q- =

Gthe2

i
“t : J - zN iea
M, ext maa a
4 = = 3 :
0 9 0 0
8 6 0 | 6 0 ah
§ . § Q tase § 8 Q- Se |
0 C0 8 Y a a, 0
4 4 aa |
4 2 0

Rhy. Fill 1 Rhy. Fill 2

Gin: Gtrs. | & 2

OOOO NOOO oo

35
 F#m7 Esus4 A/E Dsus2 A/D Dsus2 A

~ 9tate ——— > ae — = —

GF SS ee ee ee = =
don’t be - long_ to no one, that’s_ a shame. But if
Res = jain: Ul) be - come ___ our his tOmays A
ak AS es e

2 a i = iad aes oe seen od

tf nF*
“acs oPv 3 a
° =
7 es
=
o 6 4 a
a Q- 9 a
}- 6 6 4 5 4 -§ Q- 5 § SS
. 4 3 4 9 7 § 4 6 (Se
Q- § 0 0 @
4 4 +0 8
6
hil i —_ \ |= aes ra ae Z ===" :
i = =

6 4 * :S ee eS SS ee =
— ass as :
eo

8 0 ee 4 4 4 4 @ 4
a) =) 0 6 6 tu sf a) 6
4 X t
4 2 9

F#m7 Esus4 A/E Dsus2

G
#
o; p— fete
sii
p Seos
+
Pe op 2
sin = [ee
+
= 0 ate=e od———
= t Z ‘ |
— =

you could hide _ be = side = inte may - be for__ a-while. ed

ti - red song_ __ keeps play - in’ Om = as) Ul red Tal =) edi = 0%
= ;

: a
ee
4 | = rat nee
o_ @ s
—_ @
a 5
5 @
|
§-—_4 6 9 §- oo
a 8 0 §- 6 § 4 Y 0-0
4 2 —4 X .o x Xx aa
0 6 x x X X .
4 TE iP 7 4 t
6 §

2a =
2a Gages
Ageeee
= y 2 @ eo
Bae:
e
Sa oe eo e

4 oD §—_4 5 0 0 a §
60 0) 6——6 4 Q § ee 4
6 6 4 3 0 4 0 | § § 0
; 4 § 4 md §- 6 4
4 2 6

Fi#m7 Esus4 Dsus2

SS SS azal Sa|
+ £ Sate | Fi : —
zl + | g :

7
I won't_ tell no one your name. And I won't tell °em your_

: Tare o ee a e
ae ae $s =Y | =f ; (2 : © a = = = | a
o e ee e ee ee S
4 5 Y
6 I}
9 0- —e_ 4—2 | i
Q S—6 S| ||
4 4 :
2 0

tf aa | ae ow
5e — t= | i
= @ Se = = =

eope eo eeee oe
0 0 6 Q
0 §
0 4 Q
8 42
0
0 |
‘
4
@ . §-
0
| | I
 Half-Time Feel
' F A5/G# Dsus2 7#m7 AS/E

== — — = | a ——E = { -
—— ——<—_ Sen ee SS }
name.
I won't tell’em your name._

4 —— = —_— —

= —S eo
eo

9 9 0 |
6
6
9
8 >
eS.
— 9 =

0
re
0
ze)
9 0
3)
| 9 a 9 96 |
3 $ 6 6 0 Q 6 9 | 6
0 re 9 9
? 6 4 2

eS erie
S Se Se =
amie
ee -”
:
ro a Sr= ome
ae
a

0 Om 4 9
6 0- 6 | g
4 9 @ —H .o 6 6 a
8 0 -§ 0 § § 9 0
9 6 5
: 6 _ 2

De Dmaj9 Dsus2 Dé Dmaj9 Ds

é+ = } = = — = Ts ¢ = = |

—— 2. And

:~
== Laon wa
eee |
of on
ee =)
3
—
ey,
23
=
= SS

-
=
al
oa

(#)—
—T

7 Q Se 0 0 § ) 0 0 ==
Q Caeaen naman EEC ES, 6 6 ae 0 Q 0 a
Ors SS in @ .Y 2 Ee jt ae,
5¢F (Sear et oh nr Ga ieemtG I
4 74-9 9 ote — i ee ee 9 wo 9

bs

| ——~

Bees JS oe

|
es a ro Soe io aa SF § Q- Q-
=e fp te a se 0 0
ieee Ora ZX 8 oo Oe aoe
sO aa 2a pe Cat
peste een 42 8 ee rt Shae
HES a 9-12 42 | (fe 9 9 9
6 0- 8

Gtr. 2: w/ Rhy. Fig. 2, Ist 7 meas.

Gtr. |: w/ Rhy. Fig. |
A A5/G# Dsus2 Fim7 AS/E
a 4 a coe =e = -

ad i ———— ae a Se : z=
— Se”

Mmm, mmm,_ mmm. ___ I won't tell “em your name _

End Half-Time Feel

Gtr. 2: w/ Rhy. Fill 1

Dmaj9 Dsus2 Be Dmaj9 D3 i:

o @
———
= — eS === = 2 eS =al Se oe
=
f=
= ——— —
= 2 I |
¢ ij

Ow!
 Guitar Solo
F#m7 Esus4 Dsus2
Gtr.2

GSP PFA TET SS SS

\ex
tt (ES

|
ta
let ring throughout

4 a eeeet eee een) 9) 0 04. 0 =) 6—0—_§—_6 9 § §

0 6 §6—_9—_9 | - 0 6—9§—__§—_9 | §- 0 Q- 4
9
o~-8 9 0 9-9
6——0-——_
$9
00 —__ 00:
24 Se eee 4 4 5 7 |
ees SsCee Pe es 9- . | i |

Gtr. | Rhy. Fig. 3 End Rhy. Fig. 3

; = aaa Ze == :? : ——

- Sh | 0 ou | a 4 4 0 § —} |
0 6—9 0 a | 6——9—_9—_9—_9_| 9 9 9 9 9 _9_#
4 7 a 2 2 2 to 9 9 0 8 0 9
4 4 2 2 - 8 4 4 4 6

Gtr. 1: w/ Rhy. Fig. 3, 4 1/2 times, simile Gtr. 3 tacet

on fe eee
Gtr. 3 F#m7 Esus4 Dsus2
a

w/ “E-bow” mf

oF =o 5 5

ers ———-
Gtr. 2 if

| ° = een

e
4 a -§- 4 9 4 9 $ § =9- 4 4 4 a
8 9-—-g 9999} 9-6-9 9 9 $9 +6 8 $
F F ii 7 7 F Ft | 7 4 4 (x 2 4 vs 9 o .F §- 9
= 4 é é 9
| o

Gane Fim7
#m ae
Esus4

#3 LS Za Ss

é = Vv a
2 eS
9 0 se) 0 0 - - § “O= 9 4 4 0
QS -- 4 se at § =u 0 a) 4 =~ — 8 ee 8 $
(e) 0 0 : § ; § 2 4 4 Q- =o 9 9 9 9

Dsus2 F#m7
aS — ——~

a ee ced a ee a
a oe

| il

9 ————— 9 0 9 9 =
§-—>_—_§__}-_—§__—_4—_4
z
0 0 iy 0 —— Sale i tars
44 42 +4 42 42 44 +4 +4 42 42 42 +4 ++ +4

38
 F#m7

ee) §— 4} Q- - 0 <= 0 aay .) 4 3) SS Sa §

0 4 0 §—$§$9- =>. 6- 4 0 Jv: 0 -§—_- 4 4 3) -4—_9—__9—__0—__0—_6
44+—_42—__44 46—4647- 47 46 46, 46 101010: 44 42 §—11—$_11_42<"_12-_ +122.“

L i‘ |
4

ae Esus4 Dsus2 F#m7

)
EF _£ po |
Dee
nu |e
yt var TT]
w/ out “E-Bow”

‘222
22S ee re 2 ae ee ee
Gtr. 2

§ 0 § 4— § § 0 4 Q-
ot tt Ips 4 4 Y 0 of == 4 4 0 et
“SESS SF 42—_ 4244 : 44 42 44 46 46 +7 4444-42 - 42-12

Verse
Gtr. 3 tacet Half-Time Feel
Esus4 Dsus2 AS

G? SS =S=====22
3.1 think a - bout _

SS See |
ee “i ~~ OS. ee 8

—-

BPD

(tet
et
 AS/G# Dsus2 F#m7 AS/E i) Dmaj9

“es ——=- Mi 5° i Ess —— |

bi. =
Lle

you all__ the time, __ but 1 don’t need _ (iltte Signo. =

—————— ee |
Ao OD OO

Gus. | & 2

Qe Ee

Q Q-
==
=e 4 ! 8
0 ry 4. a f-—. p— |
4 SS SE
: 7-99 9. 42
== 6 2 4

Gtr, 3 tacet
Dsus2 Ds Dmaj9 yy AS

(0S Se
A
= t # 2

a
- i = = See

5
- —

ee
eS

=
=
Z
ae

Sr pe So e
| ——

It’s lone - ly where_ you are._

Gtr.
|&2
Po
$F inst rs ae ee as

“lr z SS =

Ir 0 33 SS 6 § SF § 9 =i; § Q-
§——§—4 99-5 9 [9 4 9 9 6 a 9 o- o- |
Q- SSS Sa GES a — Ocean =o — 4
b 42 42 42- cen ann aS eee eal § 6
- ete 42 peo 9 g o——9 ;

AS/G# Dsus2 F#m7 AS/E Dsus2

SS SS SS
- ae — - nes - : — | ~

2 :
Come — back down __ and I won't tell “em your name. __

¢ = Z| 2 == == — = |
: 9 ry
ee

9 9g 9ae
7 0 §—, 6 ee
4 9 9 (7 | 9 9
e 8 6 - 0 0 ! 6 9- :
6 4 2 l9

Dmaj9 D A
+
tt = — = aes a ae

ae . ze Loo |
eo 3 CS
ee

— 5.9 — a 9
=| - ae
0
9 9 6
rf
9
im
io ||
| :4) — a ss 3
cs '
 Only Wanna Be With You
Words and Music by Darius Carlos Rucker, Everett Dean Felber, Mark Wiiliam Bryan and James George Sonefeld

(E) A$) (F#7sus4) (Asus2) (Bsus4)

° loko} xO [eXe) x loko) xO [eXe) x foe)

231 13 1 34 12 134

All Gtrs.: Capo II

Intro
Moderately¢ = 102
“(E)
Rhy. Fig. 1A
(AS) (E) (AS)
End Rhy. Fig. 1A
Gtr. 2 | |
(acous.) ‘ es ; ot / /
Loe
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtr. | (elec.) tie \

= ,
: <
ze
= = = > Ld e = = =

fs
§—_§;—_0—_0_9—__9—_9__9—__9—__9—__4 § Jama (SS 2
T 8—0—_§—_ 6 _0—_0—_0_6—_§—__9—_9 y Comme | come peas meme game eCaR IS 5
— i SSS SS 2 Lie rs es pa ee ee ee ee 4
2—_2—_2__2_2_2 9 _4—_4__4__4 4 Wena | Oe et ae ae eee 4 |
2 2 Uae Omer 0 ae § in X 6 te §-
6 6 e Om
* Doubled by mandolin.
** Symbols in parenthesis represent chord names respective to
capoed guitar, and do not reflect actual sounding chord.

(E) (AS) (F#7sus4) (E) (AS)

a nan ae 3 nan

eeeeese 2 aesh oes 2 |

te a | ly S @

ee
sim.

SSS a te > a S&S a) ab Ge Oe ao goes fe

Geass 9 Caeer0, 9 a ae a a a od Ce) SD GeGT Cat:
— SSS SS SS SS ee - comet 4 (Pacad wdents hee ee ere ee ree 2 ame
eatin cE aa 4 4—4 4 Sa ea 4 4—4
2 == St 6 x x C2 2 CS 4
§ 4 2 2 4 §

% Verse
Gtrs. | & 2: w/ Rhy. Figs. | & 1A, | 1/2 times Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 4 times
*FH BS FH BS FH Bo FH BS F# BS
(E) (As) ©® (AS) (©) (Ao) (E) (A$) (E) (Ag)

_ SS SS —
=
1. Youand me, we come from diff-rent worlds, —
actual sounding chord 2., 3., 4. See Additional Lyrics

Fd BS FH BS FH BS
(E) (AS) (E) (AS) (E) (AS)
tte + =a a = a Soa j 5 SS ==
4 tt + ¥ = | za ova - =a 2 = 7 : ae 2 = Z mn - ;= #|

you like to laugh_at me when | look_ at oth-er © girls._ Some-times you’re cra - zy,——

FE BS Fe BS Ff BS
(E) (AS) (E) (AS) (E) (AS)
tatsa === =e Sire =o i= =e SF = ==: a
4 —— 4 —~@ eae: rk ae = Sav! = neh oeere ies SNe er Fees

and you won-der why I’m such a ba - by’ ‘cause_ the Dol - phins make.me_ cry._1., 2., 4. But there’s
5. Gant

© 1994 EMi APRIL MUSIC INC. and MONICA’S RELUCTANCE TO LOB

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 41
 oe
To Coda @ Gus. | & 2: w/ Rhy. Figs. 1 & 1A
6
Chorus Fe By
(F#7sus4) (Asus2) (E) (AS)
Rhy. Fig. 2A End Rhy. Fig. 2A

a
a SSE-= a o

nocthin: = can] dos 1. I've been look-in’ for a girl like EEE:
ae be
help it if I’m luck-y,” Dae tae) on-ly want to bewith you. —
Rhy. Fig. 2 End Rhy. Fig. 2. *Gtr. 3 nx

Oe, wee Beek bbe ty

Gu. | RiffA
= t t - uP en = a : ite = —- 5 @ 2 Je 2)

masta x Pree Pe ES Sa a ka -* = = =
| x
= = ; = . ; a ae mf
: a) 0 0 0 9 . §— q maa 4
0 § -Q- 0 o 0 Coane 4 S—h—, 4 a i 7
4 4 4 4—4 4 6 § SaaO .) Ca §
. 4 4 4—4 F t t

* Piano arr. for gtr. ** Play when

recalled only.
|[2.
Gtrs. | & 2: w/ Rhy. Figs. | & 1A
Gtr. 3: w/ Riff A
Fe BS FH BS FH BS
E) A$) E) AS) (E) (AS)
t Hate —— one = 3 “ = : t |
RAG es = = ‘Saaane eas oe

Se You can __

End Riff ARiffAl

Gtr. 4 (elec.)
a — = {| —<—— ! SS eas
eA a : = oe o oe agg Oe eg
mf w/ slight dist.
4 se) 0
7 fs
a i> aa
2 4 4 4-6 4 2 2—_4 2
2 4
4
Gtr. 4 tacet
(Asus2) (Bsus4)
Rhy. Fig. 34 End Rhy, Fig. 3A
Gu. 2

wt
| in aaa —
ee ae, / : 1/:
is “te ay o a =

call ine your fool, I on-ly want to be_ with you. -

Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. |
= Byte — : —* Z. :

© ————i| = nF oe‘ | : :
t a te 9 0 4 0 .F 6 .
r as 0 0 0 0 0 0 0 0
+ -§ & § 6 a 6 § & t§
| 7 7 7 F 9
t 0 6 4 6 x X
7 7
| Gtr.t 4 .
End Riff Al

————————— =
i =e

{2}

ie
Gtrs. | & 2: w/ Rhy. Figs. | & 1A
Gus. | & 2: w/ Rhy. Figs. | & 1A Gtrs. 3 & 4: w/ Riffs A & Al
Fe BS Fe BS Fe BS F# BS
me 6 6 6
a? (E) (Ag) (E) (Ag) (E) (Ag) (E) (AS)

SS ——
tg Ba. = | = 3—— =
SEH pp

| = pap | ee ii
 (Asus2) (Bsus4)

Gtr. 2 )

pty + = oa Sener

eee eae
ee ees

ees
> + = : = i it e202 _92 ee oa

ei) I on-ly want to be with you.

figy— 1— a
alr,

= = re) —— a
rey
4 =
02 g
4
f
|
= 4
Q- 9 i

Guitar Solo
Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 4 times
Gtr. 3: w/ Fill 1, 8 times
Fe BS Fe BS
(E) (AS) (E) (AS)
Ge t ————— es q : — = — — =

Gtr. 4 eB 2 2 > Ss z ee > Ss

¢ = z oa ef As eo =~ = Sa ee -|
mf
let ring — == = a Sas ee ne ee
SS am aa EX aS ES aa van a ES
ssa) a ee i) 4—4 ree i—S5 Sey 4—_4 —))
0 § =F Y eee | 9 6 ¢ 6 6

FH Bs FH Bs
(E) (Ag) (E) (Ag)
ie > a > ug > = a me
=EN
2543 —2
Catrd a PN fad SN .
= a
oe
ee
= @
ae
—Z eo
— =
£ e- | eo e i = in eo E (Cait: c= . :

let ring aes = =

Yo aN a FS Vaan Vaan a la Vans as

-4— 4 ——0 9—_9 i= -4—_9 eee 7—? 50 4—4 jaa.
6 4 § 0 Oa] Q- oF @ § 6

Ft BS FE BS
(E) (AS) (E) (AS)

6 ee Ss TTT lef
e eo. a D EB ei tt
ie VY
ee

letring — --~——---— 4 let ring— —__ full 11/2

poss wi, t
a" ; eae cae 9
rf z 1+ {44-9 a ae’ a
§ 4 = 4 4-6 it #9 Saint +4
|

43
 Chorus
Gtrs. | & 2: w/ Rhy. Figs. 2 & 2A
Gur. 3 & 4 tacet
Fe Be Gt7sus4 Bsus2
(E) (AS) (F#7sus4) (Asus?)

Ce =e — eee
fit
=
|

Yeah,I’m tang-led up— in blue,— I on-ly want to be with you._

|

= : |
—
full

} +
iu Dre
a
9-44
—— |
: 5
Gtrs. | & 2: w/ Rhy. Figs. | & 1A
Gtrs. 3 & 4: w/ Riffs A & Al } Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
Fd Bo Fi BS Bsus2 C#sus4
(E) (AS) (E) (A$) (Asus2) (Bsus4)
tite 4: : —— SS eee
joe a —
=
geeeemeeacnnsgpnegeie
Youcan___--
fas Sa

call
eT

«=mew— your oniapte

fool. _—
a

poco rit.
a

On-ly want to be with :

oe

you. —

A Tempo
Gtrs. | & 2: w/ Rhy. Figs. 1 & 1A, 2 times D.S. al Coda
Fe BS FH BS FH BS F# BS
= (E) (AS) (E) (AS) (E) (AS)

Coda
Chorus 6... 1 & 2: w/ Rhy. Figs. 1 & 1A
. 3&4 w athe & Al Gtrs. | & 2: w/ Rhy. Figs. 2 & 2A
BS F¥ BS G#7sus4 Bsus2
(A8) (E) (A8) (F#7sus4) (Asus2) ‘==

On Ss Se eS a aSe ee
oa + + + +

Youcan call me_ your fool, I on-ly want to be with you.-

Gtrs. | & 2: w/ Rhy. Figs. | & 1A Gtrs. | & 2: w/ Rhy. Figs. 3 & 3A
Guts. 3 & 4: w/ Riffs A & Al
Fe BS FH BS Bsus2 C#sus4
(E) (A$) (E) (A$) (Asus2) ae

a SS
See
ae
SSS ,
Yeah, I’m tang-led up
:
in
Se blue, I on - ly want to be with
<

Gtrs. | & 2: w/ Rhy. Figs. | & 1A, Ist meas. only |Weide | 4.
FE BS Fe BS
(E) (AS) (E) (AS) ©)
se =

7 a
a= Fi |
I on-ly want to be with you. _

bee Rca ae “
Sa
é Se
[ -© i
4 § §
ii 7c 7
4 +6 4 2 a 2
—S Sha

Additional Lyrics
2. You look at me, you got nothing left to say. 4. Sometimes I wonder if we’ll ever end.
I moan and pout at you until I get my way. You get so mad at me when I go out with my friends.
I won't dance, you won't sing. Sometimes you're crazy, and you wonder why
I just want to love you, but you want to wear my ring. I’m such a baby, yeah, the Dolphins make me cry.

3. Put on a little Dylan, sittin’ on a fence.

I say, “That line is great.” You ask me what I meant by
“Said I shot a man named Gray, took his wife to Italy.
She inherits a million bucks, and when she died it came to me.
44
 Over Now
Lyrics by Jerry Cantrell
Music by Jerry Cantrell and Sean Kinney

AS G# G#5 BS

i
oN XKK ei Pon eT ZS See
le fee 6fr ofr

i) 111) 111 |

Open D Tuning, Tune Down 1/2 Step:

@=Db @-=pD>
@-=Ab @=Ab
@-=F ©@©-=pD>
Intro
Moderately é =112
* FH B/FH F# B/F# D G/DD G/DD
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. | & 2
(acous.)

= 228 —g
: | oei i : Z :SEL
=
i : ee:
=
= ai i
cf P.M. 4 P.M P.M BM
PME = / Saale,
‘3 SS 4—_4 4 4 SS —---
F 4+ 7 ee 4 4—4 4 4 6993-9 9 a ;
8 OSS ae naeSee owes see ee Se
So —5—4 5 4 Sp yp 4—4 4 0

4—_4—__4_4__4__4__4-—4 4—4— 44-44 4 §—_0—_9—_9—_0—_0—_

0-0
* Chord symbols reflect implied tonality.

% Verse
F¥ B/F# F# B/F# F# B/F# F# B/F# F#

et l= = Sage
=p
LES
2 == =
: eae
——— ——
=

(oe ean = it’s oO - ver now, __

2. Well,— iSae ev er now, __
3. Guess _ Se eo even now, __
Rhy. Fig. 2

4 aaa E$ i : := :Zei3 s Fedi |

P.M._ P.M.— 4 P.M. P.M.
l 4—_§_4, 4 4 oe 4—_4- 4 4
os
44476 —4— 4—4 4 4 - 444744 44-5 4
4—_4_4—__4—_4 4 | ae 5 4 | 4—_4—_4—__4—_4—4 5—-+ — 4
4—_4—__4__4__4 4 | 4—_4 4 —4 | 4—_4—__4__4—__4—__4 4—4 4 a
> ky cae ass Sa a | — $ 4— 4—4—__4—_4—__4—__4 444
4—4 44-4444 _1 4 _4_4_4_4 44-4 4—_4 4-4-4 44 4 4 4-4
4—_4_4_4

G/DD G/D D F# B/F# F# B/F# Fé

Seco—— : SS =a ie ee:
D
———
“a
6?
: —— : =

| | |
but I can breathe some - how. _
yet I can see some - how. —
I seem a - live some - how._
End Rhy. Fig. 2

cd ro e. — t + Se @ ~ _ €&
(a a — a
z $s 3% —o = £ *
Gaaeaeee
e¢~eeewee
THR ets as
¢~eweewecsce¢e
P.M._ P.M P.M
6—_4—_— —4—4 4 4
447 44 -4—4 4 4
4—4— 444+ 5 4 5 4
4—_4—_-4_4__4—+ 4. 4 4 4
4—4—_4—_4_4+ 6—4 6 4
4—_4—_4—_4_4_1+_-4—_4__4-—_4_4—__4-__4—_-4

Copyright © 1995 Buttnugget Publishing and Lungclam Music 45

International Copyright Secured All Rights Reserved
 Gtrs. | & 2: w/ Rhy. Fig. 2
B/FH Ft B/FR F# B/Ft FH B/FH F#
, #
nA as eas sere men : +y == SS = — =|
: ae = = a at ae 5 i yaite= 3 t E ee =

When ___ iUs all_..-- +=worn (O18 pe

NA eCeiay— iS) all Se sone wrong, —
When ___ ivs out of sight, —

D G/D D FH B/F# F# B/F# F#

= —— —— E = ee a= =
Get ee gaa a ——— |
Pd rath er go. with OU =
iUs hard to be so strong. ——
just) wait and do your time,

Chorus

1.,2. You know it’s been on my mind, —___ Could — you stand _
3. You know It’s been on my mind, —____ Could I stand _

NNNNS NHNNS ANNANS NANWNNS NNWNS HHS NUAHNS NANWNHS NANNHNS NAHNS PAPPPDD

right here, look me _ straight_ in the eye__ and = say ___ that it’s © - ver now?
right here look my = Selt === "inl ithe eve aa and — say that it's © = ver now? _

|
|
|

= zt i =
Pe Pus =
|
}
=
=e

ry FF

ee a ae ee eer ae
SS ees aes ee ae ee Se a 9——9—_§
9 gg |
| ee Soe an I es 9—9 99 _g 3 __| g—9—9_§ 5 4 |
ae SS a) I ES he as 9g
46
 Gtrs. | & 2: w/ Rhy. Fig. 1, 2 times

, Fe B/FHF# B/F#F# D GID D GID D F#

ee ee
$ 3 aes — —S a se =

—~ We pay — our debt___ some - time

[1. \[2.
B/F# F# B/F# F# D GDD GDD D GID D G/D D

ae $ = :
| = =e
ee Se
eer ee
hws a a Se $5

We pay our debt “some: -)"fime-—

Interlude
Half-Time Feel
F#m7 Dmaj7

2 SSS ee
# a

sees / We pay —_ our debt_ some

- time._

Oe ims Seo oe eer

let ring throughout
ene Eeeeee
simile on repeat

Gtr. 2

let ring throughout

simile on repeat

9 2 4 4 0 2 + 4 4
3 3 3 3 3 San 3 3 San 3— 3 3S 3
4 4— 4 4 . a 8
=

To Coda
F#m7 Dmaj7 oO

tS t = | = |= ¢ = |pt i a : : : !

es We pay — our debt_ some - time._

End Riff A
 Guitar Solo
Gtr. |: w/ RiffA, 2 times

F#m7 Dmaj7
#
————— ———
Gtr. t

[
a ee ee ~
=== === a 2 =

ere 2 meat rer se eae eres arsny earnen See

o4 4 4 | 4—4 | :
|

F#m7 Dmaj7

:
eee
: SeHlesasso==
ee a aa ae ae ere cre
irrerae
1/2
RW
a
ene Saree ss =e =

Gtr. |: w/ Fill | Gtr. 1: w/ Riff A, last 3 meas.

F#m7 Dmaj7 aoe

[ee ee ae eae
# —— — fe Pas —__~@ « @ («) EX

1/2

Se ee
ae ee 2oseeeee aoe ==

D.S.
al Coda
(take 2nd ending)
Gtr. 1: w/ Riff A
Fim7 Dmaj7 End Half-Time Feel

(j= Se =

48
 0) Coda
Outro
Gtr. 1: w/ RiffA, 2 times
F#m7
Dmaj7

gee 2 SS ee
jo SS . = ae Geess
eoe
me)
2 4 4—4—_5-5+ 7 7as 739
¢——4 3 3 | aa A
4 4 4 4 |
| | —
18

OF Se Se eee ee
AS

iT i} i} | | i}

nN
NG: JS
ini
| aot
+t»
HE
sree

F#m7
EA)

4 alee 4 g 4—_|—-4 z 4 sae em : 4 Me

0 0 8 !6 9—— -@ 0 : 8 9 0 |9 0 twee
9

git reins
+

masBee,
6 6 SS
4 4 4 eee
|
4 0 |

0 0 eee == = :

Tg SS Se aS aaa

4
i ee
| ee
: 49
,
 Dmaj7

Dmaj7

F#m7 Dma 7

pods
Gtr.

qe SS —— —
PE Se

= ==
© |
iain fal
@
 from Five Man Acoustical Jam

Signs
Words and Music by Arthur Thomas

D Dsus4 D5/A G/B G/A Cadd9 G A9sus4 A

xXO xxO xOO x x_ O00 X xXO0O0 x oO feJe) KXO0000 xo °o

132 134 23 1 3
he
34 21 34
ae
21 34
& 11

Intro é
m™ Vv
ean Slow # = 82 pice
Dsus4 D Dsus4D ~— Dsus4 D DS/A G/B Cc G/B

Si Oe ee ea eae, (cont. in notation)

én ee ee
aa | |
eee
1. And the — sign says, “Long-haired, freak-y peo-ple
2., 3. See Additional Lyrics

(oe ee eeee 4 in Sen

simile on repeats
ay letring— = Sep letiine Reea ee 4

F 3-3 1 8
A a comes | i a5 pa) 0 8
Sy 60-0 Ya) 2 4
3 7 3 2

D/A G D A

ee = = 7 25 — == SS —
need NOs Ape ply S50 eeeeLUCKed my_ hair up un - der my _ hat and [

es
LEGIT Ty ose a ee mres SHilEhninge — Sse eee

3 3 3 4¥—_ 2 2 2 th oo desi fab

: 3 3 3 §—_ 3 3 3 3——_3—_1—_+ 2 2 2 2—_}-
2 § § Cant 2 2 2 fg i —— ie
2 4 § §—_8 8 6 0 a 2 2 2 2— 4
6: 2 2 6—_ Se Oe tt SS
s =! 3

A BS Bm

: Zz= Z =——— pp
rsa: 9 he tee == =
ae

S SS _ — — |

went in ask = him why. — He said, “You look like a fine, — out - stand-ing young _

7 SI
SS e
a
=
~wewes?
SS ae |

3—_}_1__1"Y"_4 0—-—_9 2 2 2 ——— 9 2 2—_2_2-- 9 —.

3 3 3 3 3—}—_2__2_2 fo 5 3 3 3 Saas Su Pe
0 §—_-9 §—_9—_2—_2__?2 2—__2___4—_4 4 4 4 4—_4 4—_4- 4—_4-_4__}-
§—_}—_2—__2_2 a ae 4 4 4 4—_4 1. 44 4
0
2
00
Soe es ee na §—§2-2 2 2 2 o= 3 et Se ee Se = a
3 o—o:

Copyright © 1971 by Ensign Music Corporation and Aquila Publishing Company

All Rights for the World Controlled and Administered by Ensign Music Corporation
International Copyright Secured All Rights Reserved 51
 === =.
do.”
] think you'll_ so I took off my hat and said, “I-mag-ine that, huh,

NCPENGD

Chorus
Cadd9

me a - work-ing for you.” _ Oh. Signs, signs, eV *ry-where a sign fuck -

** Lead vocal is doubled next 4 meas.

7o™ an

ing up the scen-er - y, break - ing my mind. Do this don’t _ do ___ that. Can’t you read_
Silat
ONC CNP

CNOPCNSD

) FATA MTA
Cadd9 D Dsus4 D Dsus4 D Dsus4D DS/AGS5/A

(cont. in notation)

2.And the

Gtr. 2

al

e-

(cont. in slash)

52
 Cadd9
Dsus4 D/F# G

ae
og b= Thumb on ©

Dsus4 D Dadd4
Cage gy

say now, can’t_ you read? You got to have a_ shirt and GO == 1) Beli ee Seat,
—

2 oe

let ring

A9sus4

You can’t CAN eat. You ain’t sup - posed to

ri
13
oe ==aS eS ea oS =i iii
POPPOND

Popa
CNS NOD

CNS
(NOD

Dsus4 D Dsus4 D Dsus4 D N.C.

be here. And the

: if
4.
as 5 e :N

53
 eS
Gtrs. | & 2 tacet

: : eesfeees ee ee eeeee | eeeOS

ee ney
Ss ee ee
sign said, “You got to have a ber - ship
mem- card (toy yet SLE Ooh!

Guitar Solo

a
Sg

Gtr, 2 pees

—_———

hold bend

1/2 1/2 1/2 full 1/2

i s t fee ey‘ Saheee: a= De a te te te tad

Z 49— 46 SS -: S}—*
9 9 9 Se (i) Pe EY ae ~ Ee: !

A9sus4 A A9sus4 Cadd9

/ ; En = ae as esi j Prem a }Meehia”

hee
(cont. in notation)

His PS
ay es
- = = 20)Sate
be) 4 (0) fie)‘> Sees ae iat
#£ E f = F | 2 Z E : is i E ee —s =

1/2

1/2 1/4 (a ee:

eet
40
ee eee tt 49—42-49 (p-—h-__)
alr
(O-44R ee
498 7.
—
-
ae 49 ——
t
+—
=
QP g {9}

2.S.
al Coda
Gtr.
2 tacet
D Dsus4 D Dsus4 D Dsus4 D DS/A G/B

ie : se ee 3. And _ the

S e
Gtr.|

2 -

ator
i——_@-

ee
ea OF act

divisi
el pease ete ne ait
mp
+ Pare
9 2 Bio 2 a 2 2 oi5 2
ss 3 3 ee ee: 3 3 l
73 W 2 2 2 2. : ae | 2 2 3 3 3 3 3 s——
8 9 § § 6 a 6 § 69 i.
8
aes: I
* Gtr. 2 to left of slash.

54
 D Cadd9 G

eS ea
a

Signs sign ¢ "ry-where a 1) fuck

Smears, ———— |—— —————- | eee ———

6? ; f$siiicicis |
|
ow J
e se
4 © of $$ 2 3 $£

= 3 3 ss ei aS) a,

pe
eS eee eee et
3——_3—__3-__3- 3
eee fw ee coer to:
3 3 5 5 3 3 3 3
Se
A, EE,
AE, TEL
A: ER,
TRL,TEE SE
ER.
ED,SE.
ae
—— ———— j—__3—3
* Lead vocal is doubled till end

D G D A G5
(ee ee es eet ge e ——————e 2 —¢ 99 > ht — 9 > rae
ae o —= = ——F— i a! a ee ee ee eeee g i |

- ing up the scen-er-y, break - ing my mind. Do this, dont do = hat Can’t you read the ign?

eee ae
——<—<—

oe e e o & &
¢ e~¢

—— 2 — a a a ao we t
a) 6—_4 tf) @—_§_9—_0—_0_4 uy -h 6 —§—__§_ 9-9-0 2 2 2 2 2 0 §
a —_—_——i—4—_4—_4_4_4__4_4-4

Cadd9 D

SSS : |
pe aa

4 — — — ——— fas ,
- = = = = j

———
4 4 5 o 2 s pa
~—4 4 os e -« 5S Cc
|
‘
1£ z $ z 3 Oo ;

3 3 my 3 3 3 3 3 SS ee 2
3 3 3 3 3 3 3 3 3 ee 1-3
4 § 4 8 8 §- 8 0 1) ae nat aa § 2
2 2 2 2 2 2 2 2 = ae 8
3 3 3 3 3 3 3 3 (ee 3 t

Additional Lyrics

2. And the sign says, “Anybody caught trespassing will be shot on sight.”
So I jumped the fence and yelled at the house, “Hey, what gives you the right
To put up a fence to keep me out or to keep Mother Nature in?”
If God was here he’d tell it to your face, “Man, you’re some kinda sinner.”

. And the sign says, “Everybody welcome, come in and kneel down and pray.”
And then they pass around the plate at the end of it all, and I didn’t have a penny to pay.
So I got me a pen and paper, and I made up my own fuckin’ sign.
I said, “Thank you, Lord, for thinkin’ about me, I’m alive and doing fine.”

55
 Tears in Heaven
Words and Music by Eric Clapton and Will Jennings
Intro
Ballad # = 80

Snere cities
er — SS
WHOL FN E/G# F#m7 F#m7/E D/F# E7sus4 E7 A

“Ble
aa
Tel
por Sait} it siete
—-
| 2 a 2 2 3 3 3 3 Z 2 2 2
u i oes 3 3 : | t; 2 2 a 2 2 + a 2 2 2
| aie 8 4
-4 ——4
-B 02 4-4 —2 22 9 9 92
9-1 2-44-90 a
— * T = Thumb on ©

Verse
i A i Fim7 ee D/F# A

ieee Ie — you
Seknow my _ name if I saw you in hea -
2. Would = you hold my hand if I saw you in_ hea -

[peesoe =
ol

= | | | |
SS ee eeee
r eeSro: TOP fart oy Nek et eee
SS SSS
ae 4 re cee
See ae a EE
ae Se oes
ee rier Te 8
t E A/JE E7 A E/G# F#m7 F#m7/E

a cae a eeeae e |
ven? Would it be the same
ven? Would ya help me stand

=
=
4
|
eee!
ea!
||
ea
i> > ‘| i
||
|@@ Wy oe
om

"Lahel ealigjaan aa Ss
ee
Tae
ee |
wy
ene he
| 8 9 joo =
ae | i392 5 g-5 2 2 = |
4 1 2 4 2 2.4 4-2 2 2 2 |
[ : ry 4 4 : : |
= (8)—0 8 9 eres 4 3 B SSeS 9
i

SS Chorus
D/F# A/E E AJIE ET F#m7 CH/E#

(a eee ee ee Z t
i

ieee
Ee | ————

if I saw you in hea- ven? I must be strong __

if I saw you in_ hea - ven? I'll find my way

a soe
sa ee ey &
Bobi seOeste = wa T =
oT |
twa]
8 2 2 4 +
3 3 2 2 | _g § 2. 3 Hl
eegl cos ae
2 2 2 2 rt 4 2 4 1 i 5 { ; f
ram a ar: 6 6 9 i ea ber aan* 2 eae ts 4 4 4
Copyright © 1992 by E.C. Music Limited and Blue Sky Rider Songs
All Rights for E.C. Music Limited Administered by Unichappell Music Inc.
56 International Copyright Secured All Rights Reserved
 AT/E F#7 F#7sus4 F#/A# Bm7

Vers — eee ——, —_s

G ——— ee a ae
= 2 7 ,
ee Sea

and scar : Ty on, *cause _ I know I don’t be long _

through night and day ‘cause_ | know I just can't stay

the
eo Fee ee TS
— = = = = te yr

i 2 ee ee e e
2 3 : 2 12

Catt 0 8 -B | ae 2 2 : oa ie : J

To Coda} i.
‘ D/E A E/Gt# F#m7 F#m7/E D/F# E7sus4 E7

eS | : See
here_in hea - ven.
here_ in , hea - ven.

==4 == aah anes ~o oI Aa Dude GS = a = = == =

se er, al Bia
Tas
owe se Seas ene: ‘
ae ~
ee
WI]

(3 on?
3-3-4 2
pS
| 2
ggg
25 4-2
22
2 2
a2——+2Ts 3-3
2 —
4—_4 -4 9 a 2 2 2 |
{8} NS 0-2 4—4 = 29 9 9 lo a 2 4

[2.
Bridge
A D/F# E7sus4 E7 A G G/B Am

: —— | : ee: f =
Time can bring ya down,_

S&S oe ae es - —
jelel
||
3—9
SSS
§—¢ 0
= 8 2
3

2
SS
3

2
3

-9---!
--|~—_2
| o—8 ==8 2
9—h—0
2

zal
Se
;
3
+
2
Q---—4
0
: SS

D/F# G D/F# Em DIF G C G/B Am

(ge a SSS
time can bend your knees. — Time can break your_heart, _

ea ee 5 :eee 2 T=
0
33 1-4 1 3 1
= poe p yae 2 aw y3 2——_# |
a—3 ae ae i=
{0)- 2— 213—3 322 29| —6 @—2—2-3
 i).
ee
iH/ iss ©
E7
7

Te! = — wwe evrcy

AJE
A/E

CNN
E7

oS
||e_
® : Bilicsa eurrcu
A/E

Ay g || °

ta
7 - ek) ONT cN
a eS

AT/E
tt | A
| CEL Gp
7(i
- e
8 whet
~
||e_

We =
7 hr
D/Ft
Wo
aver
D/F#

Ne)
1a8
|RO
D/F#

-
es
we — 8 seliele

F#m7/E
|
isel==)

F#m7/E

fi
-
[|

C#/E#
ami | till Ree sar) [op
please, —
ee

2) é ite ct

F#m7
ae

ee
Ree
a
F#m7
eymt
cucu
= )s
eucu
gin

i au
ae

E/G#
TR WEI cuecuci
D/F#

E/G#

Wes
beg

ou+th|
3
VA
ya

ne — eee chchcucuse
have cwi

Interlude
ne OO cucueustct

A
nee!
a

58
————
+4 ee
Se
—_ PE
a
ee.—

— there'll be no more tears _ in h

fg) ef %
oe 7

po
2
:

2
=

9
:= =

OT OT
3

3
—s—

3 3
—

Re
= 4 = == = i — ——=

SS’

3 3 4 2 2 2 — 3 |
2
4 = 2 : . : : E 8 - 4 : Se |

‘ A E/G# F#m7 F#m7/E D/F#

Gee
E7sus4 E7
= - - |

ae! ae

~
Fl |
~~) |
TU
[Omeall
Wee at
<<
rs §- <i) 2 2 2 2 3 3 3
2 2 4 4 2 ze 2 “1 2 2 =e 7
2 2 Te 2
0 4 +
6
4—_4- 2 se 2 8 4 §- 2 2 2 6 8 §

Verse
A E/G# F#m7 F#m7/E

Ga ——— a eS |
= @
a _

3. Would you know my name

poy

b
fot roe 0
PF aT OG
i s g : z : §—2 ic 4 4 He : 2 = 8 : § |

D/F# A E A/E E7 A E/G# F#m7

i if
ee I saw you
ree in _ hea - ven?
ee eae Would you be __ the same _

| | | , = ele
gets — : r Fr = : = = = = . =
ee
on ae i ee er hE r i
—— aa (=== 5 r) 9 8 4 ae
 D.S. al Coda

F#m7/E D/F# A/JE A/JE leg

I saw you in hea - ven?

||

COON

Oo Coda
E/G# Fi#m7 F#m7/E

ven. fr ee

Bm7 D/E E/G# F#m

i
Pd
Eid “
Sat

know here in hea = ven.

i)

Freely
F#m/E

au. ~
{oR i)
dl
@! a
| ee| ve |
[| =< || jesse
a J
Whales
_— io |ee) ||e [|X = [|eo 2 2»
Wa"
P|

TR
ie
ES
a
oPpCN

(@
fselo

CN
ONCN

ONGN

Ve)
oD

ON

ON

up
or

vr

ON
N
ON
chet

CRON
NCH

(=>)
--)
|

(==)

--)

[==
ON
nN

--)
ON

NN
N
o

60
 What Would You Say
Words and Music by Dave Matthews

Gsus2 F G Am Esus4 AIG G#/F#

xO Xx ple na

a | 134211 bhesche So bl HE

Intro Reames ||4.

Moderate Rock # = 120
N.C.(A9) (A/G) Asus2/G
Gtr. ey
| Rhy. Fig. 1 are End Rhy. Fig. 1

SS Sa —

Gtr. 1: w/ Rhy. Fig. 1, 3 1/2 times [is

N.C.(A9) (A/G) (G)
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtre2: >

ee

Y P.M. , 1/2 ( )

2 Was)eae!
a 5 oF
eet Se 3—s 3—3

>< Verse
Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 3 1/2 times
Gtr. 4: w/ Fill 1, 3rd time
N.C.(A9) (A/G)

pe = See === =

IIe, (Oho) and__ down the ===) pup) = pies: = hair, fleas and ticks jump ev -
2., 4. See Additional Lyrics

ee (A/G) (AY)

whee Down the hill fell== Jacks ands Jill “and

(Cause of Oo - frig - i - nal sin.)

© 1994 Colden Grey, Ltd.

Used by Permission All Rights Reserved 61
 =
(A/G)

a — = @ eee ee ee = ae :

—— =+~you came __ tum - bling af ter.

(‘Cause of @ = rig

Pre-Chorus
Gtrs. | & 2: w/ Rhy. Fill 1, 2nd time

Bie Ce TIT ae
Gsus2

LS eee = ee
Ne ieee) - way the tears,
i sin.) 2 AN dont ume der = sstand) = at best and

Gtr. 2

5 5 5 i é ri
x % % x X a
4 faa 2 Pas XK 5 5 5 zs 4 24
2 Zak rs oe eT 3 3 a 5 5. 5
x X—X% x X—X XX
3 Saar 3 3 os X—%

Gtr. 3: w/ Rhy. Fill 2. 2nd time

Am G B Esus4
\ |
> E
= = = = = = > >

s (ip eee omen ee

6! if fe is f [ & iio . - =n ra ig o zie =

drink a hope to hap - py years and you may find ___ a_ life
can - not speak for all the rest. The morn - ing will rise, —_ a life -

At SS eS
= > > Pa x = a

| | ‘eae rs 7. a
F 5 Gi 5 ees rf ¥ 5
> 5 = = x x *
5; 5 45 ie t fe 5
7 4 F rs 5 oe 3

Rhy, Fill 1
; J Rhy, Fill 2
4
Gtrs. | & 2 Gtr. 3

E 4 = 7 fe 44 ke ere
=i : = —————— = ee
ca Parra te =rl. Re pet ETT eae Se

.= WSC a le iinows: Ss 4

+ § 4 3
F ; Fr 0 |
A 5 A aI
CB s B ;

62
 Gu. 2 tacet To Coda €}
F G N.C.(A9) Asus2/G

a? (cont. in notation)

as a ee eee =
é a = i se PA . EO a a ee es == f= — : f+ i f 1° }
= = = = ae eS oo t= 7 ———

time’s passed_ you by. ee

time’s passed_ me by.

(What _ would you say?_

Gtr. 3 (acous.)

ST
ace ee eee Sree 4

o F
X X oc ~—8 Sas
4 4 5—6 ~4 3--4
3 5 5 Ee
| s

¢ : Gtrs. 1&2 : a

oe : oe | ay ae = = Ss a
ae
A P.M

§—- |

7 ep $
42 34 4~ 2
5 CaS 2
ama 8 6 x
Seat) 3

Chorus
Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 2nd time
AQ Gadd2

t ee See
fon

ey 44 de See ad =
St = =. = =SEs

Don't drop
If = you a mon -_ key on a

End Rhy. Fig. 2

ag Gtr. |
yo“ PM. divisi

—— er 5 | = |{
bE 4-2 34 4-9} aS, $——§—__2 4 4 2 2 s) peas
5 an 4 | $ Coed 2 = 6/5 — 24 _ 3 #§#<$_ 0 15—_ 045 —_2 —_645- 4
Fas 4 9 % ~~
545 3 * Gtr. | tabbed to right of slash

63
 Gus. | & 2: w/ Rhy. Fig. 2, 2 1/2 times Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 2nd time

A9 Gadd2 AQ
ns ! i = = =
SS nd Se _ bite the — mail -
Well, don’t cut my life line. Well, don’t
string. If you a dog-gie on a chain,

Gtr. 3 r | AAA

(SS 4
eg |
Sree oe

=e te 5 Be aes
5 75 —5—__#
|
! 5

I |
Gadd2 A9 NG ae) |

Gtr. 2 i) j é |

co SG festa Syl a : |
a “What would you say? )

t Gtr. |

ae ag Ss ees eee === ites SS]

=.
L- = ~8 Lge | 22 0
ao “ mF 73+ i : 2 2
s ¥ |
3 3 3

ee Verse
3 tacet
Gtr.

ee
# AQ A/G AQ

— 3. Ev ‘ry _ dog has its day, ev-’ry_

Gtr. 3 ae
#3 ; = 2 Gtr. | ns :

6 Le a ee - }

P.M.
=

—— | ne es et ee |
ier 9 0

a aaee ——
Gtrs.
|&2

Est a =
Fi hae a

a 2: =——SSs =

P.M.
|

Serer mere 4—X_X 1 5 ed : 2 t § 4 4 |

—- oS SS 2 i = —— = |

64
 A/G AY G6

ee 3 z 2S
Se Cay, aits way of be-ing for - - ten. *Mom, its my birth - day. Would you say, —

—= > i>

P.M.

8 2
x— 2 2 at 2 = : 2 oan { § |
2
XY 9 = 2 2 | +
6 the
3 5

4 : eT

P.M : P.M P.M. iy : 7 : : : 2

P.M.

= 2— 2 % | |
2 2—3- o—— 5 8 5 5-2
| x —k x ee
3 3 5 __§ § 5 5 5 5 3
* lead voc. is doubled, next 5 meas.

Ad Gs a9 Ge
$ 2 ae rl yk aS :
| #4
=
|
= oe te
- os f

Ss
p+ = =— =

eee ere yy: What_would you say?

(Now, what would you say? )

Gtrs. 1 & 2
£ TES

: ne : 7s — =a3 aa a
P.M.

| ae, a ae a 9 eas eng 9

; 4-+—2— 34 met 3 eeer 34 alae. =
a 9 tx =¥
SHAE == 3
** w/ crowd noises

Interlude
* A7sus4 AS A(b9) B7 A7sus4
Gtr. |

oe ily Wn ares i tiie

5
3 Oe Oe Ope 8
H 6 50. i = X—*% x* fe § Sse
5 F Sa 2 aan X—*% 2 XK =) i [Sse
vy 6 = =; ar aad

SSS SSeS aT a Ss
Gtr.2

4 (We he * eee es
$ 5 ae ee st eevee eee eeemee Ly 7X 6 6 6 § 0 9
7 7 7#—_}#_# et XX 2-4 7—_X_X_# 77?
¥YXY_—. +k
oe ent §
* Chord symbols reflect combined tonality.

65
 Sax Solo
A A(b9) B A7sus4 AT AS A(b9) B7 NE

{oh a ie VS’
2
|

A7sus4 A7 N.C.

Oui mRSSS Se

AS A(>9) B7 NC. A A(b9) B C#-7(b9) C#-7

4—6- 2X2
SSeS

>>
32-9
66
 A7 AS A(b9)A9 BT G#13 Al3 G#I3A13

x 8—X_xX-8 $—8—8—0—4 6—_9—_X_X— x

% 7—%¥ X-6 §—6—_4—_0—8 3———_4- a ae
: xX? }—} 2—2- ; 3 |
4 X-*% 2 . : x om
; 2 _ 3—)—_4 1X §

Harmonica Solo
Gtrs. | & 2: w/ Rhy. Figs. | & 1A, 3 1/2 times
AT A(b9) 1) INOS A9 A/G A9 A/G

6 J == |
2,4 AH * Gtr. 4 ;

ie

Kh
<><
x - ||
D> ao D> D>
I
* Synth. arr. for gtr.

ae
i) Coda

2eeere = 7
Asus2/G
D.S. al Coda Oe

1a) PTA) = wouldyou — say?__

SS SSS lS —
SS
‘

Additional Lyrics
2., 4. I was there when the bear ate his head, thought it was a candy.
(Everyone goes in the end.)
Knock, knock on the door. Who’s it for? There’s nobody in here.
(Look in the mirror, my friend.)

67
 from What’s the Story Moming Glory

Wonderwall
Words and Music by Noel Gallagher

Cadd9 Em7 G Em7/B Em11

ae ne eens pecs: oe
|| EL ae34
21 34 2 34 21 34 2 34

Capo II
Intro
Moderately @ =87
Em7 G Dsus4 A7Tsus4
play 4 times

Rhy. Fig. 1 End Rhy. Fig. 1

aa34 SE Giiiil
Gtr. | (acous.) eee jaan

: 2
AS fiiss
2
mf
let ring throughout
3 3 Sat 3 2 St ei 3 a ae ae
T 3 3 Se 3 J—< oi Sees ae 3 aad eo ee
LA Q 0 ph tt 0 gh aa ee pe § §—_ 0 0 —_0 0
2 2 ———— a er § Q 2 2 2a —— 0-0 Oe
B 2 2 or 2 . 6 @ 0 a ee ee
6 .) 0 Se 3 Cees

Verse
Gtr. |: w/ Rhy. Fig. 1, 3 times, simile
F#m7 A Esus4 B7sus4
*(Em7) (G) (Dsus4) (A7sus4)
ae = = = |
ed ¥ a o a a — y
1.To - day is gon-na be the day that they’re gon -na throw it back to you. __
* Symbols in parentheses represent chord names respective to capoed guitars.
Symbols above reflect actual sounding chords.

F#m7 A Esus4 B7sus4

(Em7) (G) (Dsus4) (A7sus4)
———= —— Qe |

6e zh si oe so ¢ eo ¢ @ | |@ oe, © te 2 = ~ £

By now you should have some - how Te) valleeized what you got - ta doje

F#m7 A Esus4 B7sus4

(Em7) (G) (Dsus4) (A7sus4)
4 ¢ —— ep ——" —=_ —— —
f 2 e (= a: zi e o =e @ € 2
“/ a oe =
a = : a —
lidonti be = eves that an : y - bod y feels the way I doe a - bout you now

Dadd9 Esus4 B7sus4

(Cadd9) (Dsus4) (A7sus4)

|
|
Hata
=a

SS Sa Saas
+ y oe x
oss rs s}e- 64 re
S cee
3 eos a eee a a a a, eo ae eee Ee 3
3 as ae ee eS SS ae ae aa eS Fearae Ce
9 nee jeune eat SERS omer el ee toe ee ao 8Gey Gs ee
3 j———4 0 9 eS ED SS
0 64-6 6 6 = SS ae a)
=a oe

_ Copyright © 1995 Sony Music Publishing United Kingdom and Creation Songs Ltd.
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
68 International Copyright Secured All Rights Reserved
 Verse
Gtr. 1: w/ Rhy. Fig. 1,4 times, simile
F#m7 A Esus4 B7sus4
‘ (Em7) (G) (Dsus4) (A7sus4)

ae l= zie = = ee Oa oo £ 1 5 |
2. Back - beat, the word is on the street that the fire___. in your heart if Olle ==
Sr UOmeeday, was gon-na be the day, but they'll nev - er throw it back to you; =—

F#m7 A Esus4 B7sus4

eS
(Em7) (G) (Dsus4) (A7sus4)

SS I’m sure you've heard it all be - fore, but you mev-er real - ly had a doubt. _
By now you should have some - how Wiss = Zl = shasta what you're not to do

F#m7 A Esus4 B7sus4

‘ (Em7) (G) (Dsus4) (A7sus4)
E ee —
I don’t be - lieve that’ an - y - bod - y feels the way ease a- bout you now.

F#m7 A Esus4 B7sus4

(Em7) (G) (Dsus4) (A7sus4)
4 == =
G ae 2 = : = = t = ¥ = = —|
Se
And all
And all

Pre-Chorus
=D) E F#m7
( (Em7)

tf er SSS —— = |
6 | = as oe <= F ==S ———— —
——— the roads _ we have — to walk — are wind - ing, and all —
—— the roads _ that lead _ you there _ were wind - ing, and all _

Gtrs. | & 2 (clean)

¢ = ee = aS =: = i= = =|
ad
ring throughout =_—~
3 2 3 2
3 3
0 2 3) 0 gS
0 oe 6 @ 2 2 3)
3 0
Sees
* Chord symbols reflect overall tonality.

D iz F#m7
(Em7)

oS ee eS
(C) (D)

o = Se z se
the lights _ that lead _ Us) there= are blind - ing.
see the lights _ that light — the way — are blind - ing.
 A E/G# F#m7 A
(G) (D/F#) (Em7) (G)

=, : * 5
| =
f
ad ze He f ° oe e
Se, _ a ——

There are man - y_ things_ thate = would like to say to you, — but I don’t know how. -

rc a @ @
—— a ee o-—= 2 ar =o £ ° = e = @ |
a o == ———— oe
= e nb e oF =
| ee —————

= 3 _ 3 3 3 3 |
3 3 3 3 3 =,
=
0 ry
2 0 6 9 —
|
3

B7sus4
(A7sus4)

te. 8 = = = t i @ =
Sa = =|
Be-cause
I said

ae =—— 2 @ ars
=!
o -
= See e
e | SI
SS
(cont. in slash)

4 9 9
C 3 3 3 3 o 3: 3 3
{0} $ 6 §- 6 o
IK 2 2 2
4 6

Gtrs. | & 2: w/ Rhy. Fig. 2,

2 1/2 times, simile
Dadd9 F#m7
(Cadd9) (Em7) (G) (Em7) (Cadd9) (Em7)
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr.
1&2 ss , pe :

=hie == : ——==—
==
| es

Fe
|

—————————
|

may
ane- you're gon - na be the one _ that saves me.

A Fim7 Dadd9 = —F#m7 A F#m7 Dadd9 F#m7

4 (G) (Em7) (Cadd9) (Em7) (G) (Em7) (Cadd9) (Em7)
#¢ 4 — -
= 2 os = 5
S sSs Se sere
===>
a
ra @ |
2
all you're my won - der
 : 1 = Soa

||2.
Gtr, 2 tacet Gtrs. | & 2: w/ Rhy. Fig. 2, last meas. only
A F#m7
(G) (Em7/B) (Em11) (G) (Em7)
Gis. | ar 5 - ay rae ar
vik ee /

= ——— ee
ss = SI = z = ay — 1

I
I said

Chorus
Gtrs. | & 2: w/ Rhy. Fig. 2, 8 times, simile
Dadd9 F#m7 A F#m7 Dadd9 F#m7
(Cadd9) (Em7) (G) (Em7) (Cadd9) (Em7)

==
SSeS Se SSeS
—e
may - you're gon - na be the one that saves me.
(I said may Dey)

A F#m7 Dadd9 Fim7 A F#m7

(G) (Em7) (Cadd9) (Em7) (G) (Em7)
tf | 2 + ——
—ee And
Se
af - ter all
ee you're my
ee won der - wall. __

Dadd9 F#m7 IX Fitm7 Dadd9 F#m7

(Cadd9) (Em7) (G) (Em7) (Cadd9) (Em7)

aeS a a a el ee SS
t sl

Ee
I said may - be
(“said may. be:=3)

Regs)
A F#m7 Dadd9 F#m7 A F#m7

Se SS =]
(G) (Em7) eae — (G) (Em7)

Ps you’re gon - na be the one that saves me You’re gon - na be the one that
(Saves me._)

She
Outro
Gtrs. | & 2: w/ Rhy. Fig. 2, 3 1/2 times, simile
A F#m7
(G) (Em7) (G) (Em7) ~
Gtr 1 a |
1&2 <a

#|
= #3—a | : -_ | eee =e = =a |
= = : = is

71
 Guitar Notation Legend
D A D EPG
Guitar Music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes. © ©
open 3fr
RHYTHM SLASHES are written above the
staff. Strum chords in the rhythm indicated.
as
Use the chord diagrams found at the top of
the first page of the transcription for the
appropriate chord voicings. Round Notes:
noteheads indicate single notes. Ean _o #3- _ x
= 2 i E |
THE MUSICAL STAFF shows pitches and asg
A (0)
rhythms and is divided by bar lines into
measures. Pitches are named after the first Strings:S
seven letters of the alphabet. E 2
8 |Tt -3

TABLATURE graphically represents the ; 2

guitar fingerboard. Each horizontal line 2 | 6:
A
represents a string, and each number E
represents a fret. 4th string, 2nd fret 1st & 2nd strings open, open D chord
played together
HALF-STEP BEND: Strike the note and bend WHOLE-STEP BEND: Strike the note and GRACE NOTE BEND: Strike the note and bend up as_~SLIGHT (MICROTONE) BEND: Strike the
up 1/2 step. bend up one step. indicated. The first note does not take up any time. note and bend up 1/4 step.
a es ' a, : I .

1/2 full 1/2 1/4

=e a Z oe sae
+ |
9 LA g- CA 4 9

‘B 'B |
BEND AND RELEASE: Strike the note and PRE-BEND: Bend the note as indicated, then VIBRATO: The string is vibrated by rapidly WIDE VIBRATO: The pitch is varied to a greater
bend up as indicated, then release back to the strike it. bending and releasing the note with the degree by vibrating with the fretting hand.
original note. Only the first note is struck. fretting hand.

== : :
12 RAPA WWW
T. Sree ae
CA 4 9
|
|

HAMMER-ON: Strike the first (lower) note with PULL-OFF: Place both fingers on the notes LEGATO SLIDE: Strike the first note and SHIFT SLIDE: Same as legato slide, except
one finger, then sound the higher note (onthe ‘to be sounded. Strike the first note and then slide the same fret-hand finger up or the second note is struck.
same string) with another finger by fretting it without picking, pull the finger off to sound down to the second note. The second note

f= (Ss (2.
without picking. the second (lower) note. is not struck.
mais

== —eS =

li
TRILL: Very rapidly alternate between the TAPPING: Hammer (“tap”) the fret indicated NATURAL HARMONIC: Strike the note while PINCH HARMONIC: The note is fretted
notes indicated by continuously hammering with the pick-hand index or middle finger and the fret-hand lightly touches the string normally and a harmonic is produced by adding
on and pulling off. pull off to the note fretted by the fret hand. directly over the fret indicated. the edge of the thumb or the tip of the index
z finger of the pick hand to the normal pick attack.

— T
j ae Harm.
e RE.

;
: Hi OF | [ T. I

= |
42 5 42 5
8
(B : 8 :
PICK SCRAPE: The edge of the pick is MUFFLED STRINGS: A percussive sound is PALM MUTING: The note is partially muted RAKE: Drag the pick across the strings
rubbed down (or up) the string, producing produced by laying the fret hand across the by the pick hand lightly touching the indicated with a single motion.
a scratchy sound. string(s) without depressing, and striking them String(s) just before the bridge.
with the pick hand. 5

ae
rake __ 4

t 5—
T pa | :
LA x ! = :
arco i i
TREMOLO PICKING: The note is picked as VIBRATO BAR DIVE AND RETURN: The VIBRATO BAR SCOOP: Depress the bar just VIBRATO BAR DIP: Strike the note and then
rapidly and continuously as possible. pitch ofthe note or chord is dropped a before striking the note, then quickly immediately drop a specified number of
specified number of steps (in rhythm) then release the bar. steps, then release back to the original pitch.
returned to the original pitch. ae meet
és Ne V W/
1
——— Tyke ee SI a=
Wi Dat eee eee 4
wih yy bare
ae ee 4 “2-1/2 -12
V
'T—s 7 + 1 ai F
Zz Zz ihe 0} PA ?—_?. 7
(B- aa 1B
72
 bit

: : Here and Now Del Amitri | 4

: a: aoa Alanis Morissette € | |

se | The Man Who Sold the World Nirvana

_. MyFriends Red Hot Chili Peppers r

5 shes : Name Goo Goo Dolls #

a | Only Wont Be With You Hootie & the Blowfish

: | 1am Over noe Alice in Chains . :

| | Signs Tesla

U.S. $14.95

ISBN 0-7935-b871-4

Or a799 9015" 9 9/p-

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