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Fader Cleaning: RM Three

The document provides instructions for cleaning and replacing faders on the RM THREE professional mixer. It instructs users to remove faders, spray cleaner or lubricant inside, wipe off excess, and reassemble. Replacement faders and power supplies are available from Stanton or local dealers. The troubleshooting section addresses issues like hum, low volume, and no sound, providing potential causes and solutions.

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0% found this document useful (0 votes)
79 views4 pages

Fader Cleaning: RM Three

The document provides instructions for cleaning and replacing faders on the RM THREE professional mixer. It instructs users to remove faders, spray cleaner or lubricant inside, wipe off excess, and reassemble. Replacement faders and power supplies are available from Stanton or local dealers. The troubleshooting section addresses issues like hum, low volume, and no sound, providing potential causes and solutions.

Uploaded by

antopapuda
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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FA D E R C LE A N I N G

The RM THREE faders may need lubrication from time to time. This will extend
the fader life and eliminate any potential damage due to extended heavy usage. RM THREE Professional performance mixer
Cleaning Instructions
1. Remove the fader to be cleaned by unscrewing the outer screws (removing
the 2 inner screws will detach the fader from the fader plate) and disconnecting
the cable coming from the mixer.

2. Spray a small amount of cleaner or lubricant into both ends of the fader and
slide the fader back and forth a few times to spread the fluid evenly throughout
the fader.

3. Shake and wipe off excess fluid before re-assembling the fader.

FA D E R R E PL AC E M E N T
To replace the cross or channel faders, follow step 1 of the cleaning instructions.
Replacement parts are available from Stanton or your local Stanton dealer.

LF-RM3 Channel input fader


CF-RM3 Crossfader
PS-18US US Power Supply (110v)
PS-18EU European Power Supply (220v)
PS-18UK UK only Power Supply (240v)

OWNER’S M A N U A L

© 1999, Stanton Magnetics, LLC


T RO U B LE S H O OT I N G
Thank you for making Stanton your first choice in professional DJ mixers.
Problem Cause Solution
This new, innovative family of mixers has been developed with input from the profes-
Excessive hum when using Poor ground connection. Properly connect turntable
sional DJ community, bringing to the marketplace a previously unavailable, afford-
phono source. ground wire to mixer ground
able combination of user-friendly, functional design, rugged construction, and pro- terminal.
fessional quality features.
Loose cartridge/headshell Check cartridge connection
Stanton and your authorized Stanton dealer are dedicated to your complete satisfac- connection. to headshell. Check head-
tion by offering benchmark service and support throughout the long life of your shell connection to tonearm.
Stanton product.
Low frequency hum while Poor AC source ground. Properly ground the AC
Again, we appreciate your patronage, and look forward to many years of making operating source unit. Loose input/output connec- source. Check all input and
music together. tion. Shorted cable. output connections for
secure fit. Isolate and replace
the damaged cable.
PLEASE READ CAREFULLY BEFORE USE OF THIS PRODUCT
Program volume can’t be Amplifier or outboard gear Connect amplifier or outboard
FAILURE TO FOLLOW THE INSTRUCTIONS PRINTED BELOW MAY VOID WARRANTY adjusted with master volume connected to the record out- gear to master output.
control. put.
• Follow all security advice printed on your mixer No power. Improperly connected AC cord Properly connect AC cord to
or power line source not on. AC power source. Turn power
• When removing the unit's AC plug from the power source, grasp and pull the
on.
plug, NEVER the cord itself!

• Avoid placing your mixer near heat sources, such as power amplifiers. Blown fuse. Remove the fuse cover with a
flat-bladed screwdriver.
• When in use, place your mixer on a stable surface, away from vibration. Always Replace fuse with a new
use care when carrying your mixer. Impact, or heavy vibration may compromise 500mA fuse.
the unit's mechanical integrity. The manufacturer is not responsible for damage
resulting from an impact, or misuse. The amplifier is turned up, Faulty output connections Properly connect amplifier, or
but there is no signal. outboard gear to mixer.
• When in use, place your mixer away from sources of hum or noise, such as
transformers, or electric motors. Improper level adjustment. Properly set crossfader,
channel faders, gain con-
• To prevent overheating, always provide your mixer with adequate ventilation
trols, and input selector tog-
air space. gles.
• Avoid stepping on your mixer's AC cord. Repeated compression of the cord
No signal in headphones. Improper connection.
may lead to electrical shorting. Check headphone connec-
tion to mixer. Tighten if nec-
• To avoid damage due to AC voltage peaks, always disconnect your mixer from
Improper level or cue mix essary.
the power source during electrical storms. settings.
Adjust headphone level and
• Your mixer contains no user-serviceable parts. The manufacturer is not cue mix to the proper level
responsible for any damage or personal injury resulting from unauthorized and channel settings.
user-servicing or modifications. In addition, the warranty will be void if any
unauthorized service by the user is detected. Always return you mixer to an
authorized Stanton dealer for servicing.
D E S C R I P T I O N O F FU N C TI O N S
1. Main microphone input: XLR connector
2. Microphone 2 input: 1/4” connector
3. Mic level controls: Controls the overall microphones output level
4. Mic EQ: Controls for low frequency, midrange, and high frequency
equalization of both microphones with (+/-12 dB) Note: Any changes made to
EQ settings will change the overall microphone output level
5. Effect ON/OFF switches: Turns effect send signal ON or OFF for each channel
6. Cue ON/OFF switches: Turns Cue signal ON or OFF for each channel
7. Input selector switches: Selects the audio signal source for each channel
8. Gain control: Controls the input sensitivity of each channel
9. EQ: Individual controls for low frequency, midrange, and high frequency
equalization with (+9/-26 dB) Note: Any changes made to EQ settings will
change the overall output level
10. Pan control: Controls left/right output balance of each channel
11. Channel faders: Controls the output level of each channel
12. Crossfader Reverse: Reverses the direction of the crossfader
13. Frequency Kill switches: Individual kill controls for low frequency, midrange,
and high frequency of channels 1 and 3
14. Crossfader: Fades the master output between channels 1 and 3.
15. Headphone output: Connection for 1/4 inch headphone. It is recommended
headphones with an impedance rating of 200 ohms or less be used for
maximum volume
16. Headphone level control: Controls the overall headphone output level. It is
recommended headphones with an impedance rating of 200 ohms or less be
used for maximum volume
17. Master Cue ON/OFF: Turns headphone output ON or OFF
18. Master level control: Controls the overall signal output level.
19. Master balance control: Controls left/right output balance of the
overall signal
20. Send level: Controls the level of the signal traveling to the external effects
unit used in the effects loop
21. Return level: Controls the overall level of the the external effects used in the
effects loop
22. Power indicator: Blue LED indicates whether mixer is ON or OFF
23. Level meter: Displays the level of the overall output stereo signal
24. Power switch: Turns the mixer "ON" or "OFF"
TE C H N I CA L S P E C I FI C AT I O N S
Line inputs: 6 (RCA), 150 mV / 27K ohm
Phono inputs: 3 (RCA), 3 mV / 47K ohm
DJ mic input: 2 (XLR, 1/4“), 2.45 mV / 3K ohm
Effect Send: 1 (1/4”), 775mv
Effect Return: 1 (1/4”), 245mv
Master output: 1 (RCA), 775 mV / 1K ohm
Record output: 1 (RCA), 245 mV / 10K ohm
Headphone output: 1 (1/4”), 32 - 200 ohms recommended
Frequency Response: 20 Hz - 20 kHz, +/- 2 dB
Tone Control : + 9/-26 dB (Hi, Mid, Low)
Mic Tone: Hi/Mid/Lo +/-12 dB
Gain Control: 0-20dB
S/N Ratio: Less than 70dB
T.H.D: less than 0.2%
Dimension(LxWxD): 14” x 10 1/4” x 4” (356 x 260 x 102 mm)
Weight: 8 lbs (3.6 Kg)
25. Channel Inputs: 2 line and 1 phono inputs are provided for each channel.
Line inputs are used to connect to line level sources such as CD players,
MDs, DATs, samplers, etc. Phono inputs are used to connect to turntables. WA R R A N T Y
26. Ground connector: Connects to the turntable ground connector to eliminate
electrical hum. Ground connectors are usually supplied with turntables This unit has been designed and manufactured using quality
27. Master output: Connects to an amplifier, EQ, crossover, or other outboard components. Therefore, it is warranted to be free from defects in materi-
signal processing. als (limited as specified below), and workmanship for a period of twelve
(12) months from the original purchase date. During this period, all
28. Send output: Connects to the input of an outboard signal processor (such as service and parts necessary to repair a defect will be free of charge. This
the NEXT! DJS-24 digital sampler) limited warranty applies to mechanical parts which are subject to wear
29. Return input: Connects to the output of the outboard signal processor to and tear as specified:
create an effect loop
• Faders, specified durability: 15,000 cycles
30. Power supply connector: Input connection for the accompanying power • Rotary potentiometers, specified durability: 10,000 cycles
supply. • Switches, specified durability: 10,000 cycles
Consequently, the parts listed above are warranted to be free from
defects in materials and workmanship for a period of thirty days (30)
days from the original purchase date.

FOR THE WARRANTY TO BE VALID, PLEASE COMPLETE THE


ONLINE WARRANTY REGISTRATION FORM FOUND AT
WWW.STA N TO N M AG N E TI CS . CO M

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