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Carol of The Bells

This musical composition titled "Carol of the Bells" contains lyrics written in musical notation. It opens with a repeating four note melody played across different octaves that builds in intensity with additional notes and instruments joining in. The piece progresses with variations of the main melody along with accompanying rhythmic bell-like sounds and climaxes in the final measures with a full orchestra playing the melody at a very fast tempo.

Uploaded by

Guyot
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
191 views3 pages

Carol of The Bells

This musical composition titled "Carol of the Bells" contains lyrics written in musical notation. It opens with a repeating four note melody played across different octaves that builds in intensity with additional notes and instruments joining in. The piece progresses with variations of the main melody along with accompanying rhythmic bell-like sounds and climaxes in the final measures with a full orchestra playing the melody at a very fast tempo.

Uploaded by

Guyot
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Carol of the Bells


 = 160                   
Mykola Léontovytch

       

 
       

 


                            

8

                
 


                    
        

15

                           
   


                 
 
     
22


           
            
      


             


28

              
    



                   


35

              
                

         

2


40

 
  
                   


                  
    

45

 
 
                          


           
        
    

50

                       
  


 
                

            
55

  
           

   
   
    



      
61

                               
     


           

            
67

                          
    


                   


72

                          
    


3

                   


       
77

           
        
    


         
         
     
83

                
         


                            
 
89

          
        


   
                          
 
96

         
     
    


     
       
 
103

             
            

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