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Tuba Tuning

This document provides a fingering chart for the tuba that illustrates notes that tend to be sharp or flat in pitch and suggests alternative fingerings. It notes that every instrument can have varying pitch tendencies and players should learn the tendencies of their specific instrument. The chart lists fingerings for each note from low Bb up to the F one octave above middle C, indicating which notes are most stable for tuning and giving alternate fingerings where needed to improve intonation.

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0% found this document useful (0 votes)
95 views2 pages

Tuba Tuning

This document provides a fingering chart for the tuba that illustrates notes that tend to be sharp or flat in pitch and suggests alternative fingerings. It notes that every instrument can have varying pitch tendencies and players should learn the tendencies of their specific instrument. The chart lists fingerings for each note from low Bb up to the F one octave above middle C, indicating which notes are most stable for tuning and giving alternate fingerings where needed to improve intonation.

Uploaded by

Skwill S
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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52 ■ Part 6 Fingering Char ts Illustrating Pitch Tendency and Suggested Alterations

Figure 6.10. Tuba Fingering Chart

BB b - Tuba (3- and 4- valve)

Key Chart S indicates notes that are often Sharp in pitch. Every instrument, even identical
models, can have varying pitch
!tendencies. Learn the pitch of
F indicates notes that are often Flat in pitch. CAUTION your instrument and advance
! your skills to voice / place / lip
RIGHT every note in tune. Use alternate
Hand vS indicates notes that are VERY SHARP in pitch. fingerings only when necessary!
}
? bwBb
Concert Concert Concert

w
vF indicates notes that are VERY FLAT in pitch. Stable
3rd ger
4th ger

F A
r
2n ger

w
ge

Tuning
in
fin
fin

bw
n

F = Flat S = Sharp
df
t fi

Notes
1s

Stable with

B b
Tuning indicates notes most stable for tuning in band. Band:
Note F A
B b , F, A
Concert
1 2 3 4 Best Slightly Fairly
indicates suggested alternate fingerings. Sharp Stable

* If a note has more than one fingering choice, then recommended fingerings are listed first.

?
However, if your horn has a 4th-valve, the 4-valve positions are recommended as 1st choice.
S

#w bw w
vS vS vS
bw w w
E b E F F
# G b G

1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 1 2 3
(if S, pull 4th slide) (if S, Lip down/drop jaw,
or use fingering below)

1 2 3
Lip down/drop jaw,
1 2 3
Lip down/drop jaw 1 2 3

?
or pull 1st slide

# w bw w w
Stable

#w bw w
Tuning vS vS
Note

G # A b A A # B b B C

1 2 3 1 2 3 1 2 3 1 2 3 4 1 2 3 4
(if S, pull 4th slide)

1 2 3
Lip down/drop jaw, 1 2 3

?
or pull 1st slide Lip down/drop jaw

#w bw w # w bw w
OK
w
S S S
Tuning

C # D #
Note
D b D E b E F

1 2 3 1 2 3 1 2 3 1 2 3 1 2 3
(if S, Lip down/drop jaw, Lip down/drop jaw slightly sharp
or use fingering below)

1 2 3

The original purchaser of this book has permission to reproduce this Fingering Chart in unlimited quantities for educational use in one school only. Any other use is strictly prohibited.
Copyright ©2012 by MEREDITH MUSIC PUBLICATIONS. International Copyright Secured. All Rights Reserved.

SheetMusicDirect.us Order 5133627 | 1 copy purchased by George Andrikokus on May 19, 2017 at 8:54pm CDT
Part 6 Fingering Char ts Illustrating Pitch Tendency and Suggested Alterations ■ 53

BB b - Tuba (3- and 4- valve)


? #w bw
#w bw w #w bw w
Stable
S Tuning
Note
F # G b G G # A b A A # B b

1 2 3 1 2 3 1 2 3 1 2 3 1 2 3
(if S, use fingering below)

1 2 3
? w w #w bw w # w bw S

b
vF vF vF vF
B C C # D D D # E b

1 2 3 1 2 3 1 2 3 1 2 3 1 2 3
(if F, use fingering below) (if F, use fingering below) (if F, use fingering below) (if F, use fingering below) if S, Lip down/drop jaw,
or pull 1st-valve slide

1 2 3 1 2 3 1 2 3 1 2 3

1 2 3 4

? w S
w S
#w bw S
w #w bw
vS
E F F # G b G G # A b

1 2 3 1 2 3 1 2 3 1 2 3 1 2 3
Lip down/drop jaw Lip down/drop jaw Lip down/drop jaw or if S, pull 1st-valve slide if F, try fingering below
Pull 3rd-valve slide or
use fingering below
1 2 3 1 2 3
Small icons are non-traditional fingerings.Although they are 1 2 3 1 2 3

w
flat 7th partial fingerings, some students play these better in tune.

? w #w bw w To correct sharpness in pitch:


F

A #
1. Relax embouchure; pull jaw/lower
A B b B C teeth down and back.
2. Open up the inside of mouth;
drop floor of mouth.
To correct flatness in pitch:
1 2 3 1 2 3 1 2 3 1 2 3 1. Focus air with more energy;
if F, try fingering below if S, use fingering below increase air support and aim air
forward and higher in mouth.
2. Firmer embouchure; more lip
1 2 3 1 2 3 and air compression.
1 2 3 1 2 3
Flatter fingering Sharper fingering

Pitched Tubas If consistently sharp in pitch:


BBb Most popular for school wind band use at all playing levels. 1. Is embouchure too tight/tense?
2. Are all slides pushed all the way in?
CC Better for advanced playing levels and orchestral performance. 3. Best mouthpiece for instrument/student?
Has a brighter/clarity sound than BBb. If consistently flat in pitch:
Eb More popular for advanced solo, chamber and orchestral performance. 1. Is embouchure too loose?
F More popular for advanced solo, chamber and orchestral performance. 2. Are all slides pulled too far out?
Has a smaller bore. 3. Best mouthpiece for instrument/student?

The original purchaser of this book has permission to reproduce this Fingering Chart in unlimited quantities for educational use in one school only. Any other use is strictly prohibited.
Copyright ©2012 by MEREDITH MUSIC PUBLICATIONS. International Copyright Secured. All Rights Reserved.

SheetMusicDirect.us Order 5133627 | 1 copy purchased by George Andrikokus on May 19, 2017 at 8:54pm CDT

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