Article
Article
Fig. 1 Simulated color appearance of 14 CRI reflective samples when illuminated by D65. The eight
samples used in the calculation of Ra are in the top row.
sumes complete chromatic adaptation to any light source two-dimensional 共a* , b*兲 CIELAB plot: the origin repre-
CCT. This assumption fails at extreme CCTs, however. For sents a neutral gray, the distance from the origin represents
example, a 2000-K 共very reddish兲 blackbody source would object chroma 共similar to saturation兲, and the angle repre-
achieve a CRI Ra = 100. However, the colors of objects il- sents object hue. The gray line connecting the circles shows
luminated by such a source would appear distorted. the object colors under the reference illuminant, and the
None of the eight reflective samples used in the compu- black line connecting the squares shows them when illumi-
tation of Ra are highly saturated. This can be problematic, nated by the test source. The positive a*-axis roughly cor-
especially for red-green-blue 共RGB兲 white LEDs with responds to red hues, and it is clear that the chroma of
strong peaks and pronounced valleys in their spectra. Color reddish objects is markedly decreased under the test source.
rendering of saturated colors can be very poor even when In this case, the fact that the CRI uses relatively desaturated
rendering of desaturated colors is good, which would result
in a high Ra value. RGB LEDs have the potential to be
highly energy efficient, but poor color rendering would in-
hibit their market acceptance. Developers of these light
sources need an effective metric to evaluate the color ren-
dering of RGB LED sources and LED luminaires.
The eight Special Color Rendering Indices are combined
by a simple averaging to obtain the General Color Render-
ing Index. This makes it possible for a lamp to score quite
well, even when it renders one or two colors very poorly.
Again, RGB LEDs are at an increased risk of being affected
by this problem, because their unique spectra are more vul-
nerable to poor rendering in only certain areas of color
space. These problems also apply to phosphor-type white
LEDs if narrowband phosphors are used, as most fluores-
cent lamps currently use, as well as any other current or
future light source employing narrowband radiation.
Finally, the very definition of color rendering is limiting.
Color rendering is a measure of only the fidelity of object
colors under the source of interest, and any deviation of
object color appearance from under a blackbody or daylight
illuminant is considered bad. Because of this constraint, all
shifts in perceived object hue, saturation, and lightness re-
sult in equal decrements of the Ra score. In practical appli-
cation, however, increases in the chromatic saturation of
reflective objects, observed when certain sources illuminate
certain surfaces, are considered desirable. Increases in satu-
ration yield better visual clarity and enhance perceived
brightness.7,8
A couple of computational examples from white LED
simulations3 illustrate the deficiencies and limitations of the
CRI. First, consider an RGB LED with peaks at 466, 538,
and 603 nm. Its spectrum is shown in Fig. 2共a兲. This source
would have a CCT of 3300 K and would receive a CRI Ra
of 80. This Ra is generally considered rather high, and most
users would trust that the source is a good color renderer. Fig. 2 共a兲 Spectrum of RGB LED with peaks at 466, 538, and
603 nm. 共b兲 CIELAB plot of color rendering performance with 15
However, this RGB LED would render saturated red and saturated reflective samples. The gray circles plot sample color un-
purple object colors very poorly, as shown in the CIELAB der the reference illuminant, and the black squares show sample
plot of 15 saturated object colors in Fig. 2共b兲. This is a color under the test source.
The CQS was modeled after the CRI to the extent that
was reasonably possible without sacrificing metric perfor-
mance. The CRI has been used in the lighting industry for
decades, and in spite of its problems, many users have been
content with it. The decision to develop a new metric that
has “the look and feel” of the familiar CRI not only pro-
vided a useful starting point for the development of the
CQS, but hopefully will aid in industry adoption.
Though a major motivation for the replacement of the
CRI is its relatively poor performance with some LED light
sources, the CQS was developed to evaluate color quality
for all types of light sources. The comparison of lighting
products of differing technologies will only be possible if
all light sources are evaluated with the same metric. Fur-
thermore, the goal was established to maintain consistency
of average scores with the CRI for fluorescent lamps. This
was a practical consideration, because the CRI is widely
used and accepted among fluorescent lamp manufacturers.
It was anticipated that a new metric with widely disparate
outputs could suffer from a lack of market acceptance and
use.
Unlike the CRI, which only considers the fidelity of ob-
ject colors under the test source, the new metric would seek
to integrate other dimensions of color quality. Evidence has
accumulated over the years that object colors that actually
deviate from perfect fidelity often “look better” to people.
That is, certain shifts in hue or chroma of object colors are
preferred by observers. This was the basis of the Flattery
Index, a metric proposed by Judd in 1967.9 He compiled
the results of previous psychology studies to determine the
preferred color shifts for common objects. For example, the
Fig. 3 共a兲 Spectrum of RGB LED with peaks at 455, 534, and
616 nm. 共b兲 CIELAB plot of color rendering performance with 15 preferred color of Caucasian skin is redder and more satu-
saturated reflective samples. The gray circles plot sample color un- rated than true fidelity.10 The colors of green leaves and
der the reference illuminant, and the black squares show sample grass are preferred to appear less yellow and slightly more
color under the test source. saturated than they really are.11 These findings were also
the basis for the proposed Color Preference Index 共CPI兲.12
More recent research has indicated that object colors are
reflective samples and combines the Special Color Render- often remembered as being slightly more saturated than
ing Indices by averaging leads to an inappropriately high Ra they really are,13 suggesting that humans’ idealized or pre-
score. ferred object colors have a higher chromatic saturation than
The spectrum of a slightly different RGB LED is shown the real objects. A later proposal suggested combining ele-
in Fig. 3共a兲. In this case, the peaks are at 455, 534, and ments of the CPI and CRI into a single CPI-CRI.14
616 nm and the CCT would also be 3300 K. However, the The illuminance of the lit environment has a profound
CRI Ra for this RGB LED would be only 67, a fairly low effect on object colors, but cannot reasonably be integrated
score that many users may not consider suitable for certain into a color-quality metric, which needs to be applicable to
color-important applications. However, the CIELAB plot in individual light sources, independent of their ultimate ap-
Fig. 3共b兲 reveals that the primary deviations in object color plications. Even if it is known that a given light bulb emits
caused by the test source are increases in object chroma for 3000 lumens, it is not known how far away from the user
green, turquoise, orange, and red colors. In real life, this the bulb will be installed or whether it will be installed with
light source would not appear very bad to most users and, other light sources. As a practical matter, illuminance can-
in some cases, would be preferred. This RGB LED source not be integrated into a color-quality metric. However, it is
illustrates the potential benefits of increasing the scope of a reasonable to assume that the environments in which the
new metric from the strict definition of color rendering to artificial light sources are used will be substantially dimmer
include other dimensions of color quality. than outdoor daylight conditions. Indoor artificial lighting
environments are commonly 50–500 lux, while daylight
outdoors can be up to 100,000 lux. If daylight is considered
2 Guiding Principles to be humans’ “ultimate reference illuminant,” as an over-
A number of basic tenets directed the development of the whelming portion of human evolution relied on daylight as
CQS. They are based on both practical and theoretical con- the primary light source, then it could also be concluded
siderations. To fully understand the reasoning behind the that objects illuminated by daylight are the most natural
different elements of the CQS, a brief description of these looking. The perceived hues of colors are dependent on
guiding principles is warranted. illuminance 共Bezold–Brucke effect兲,15 and colors appear
more saturated under higher illuminances 共Hunt effect兲.16 are unknown to us, without concern. Examples of such
Therefore, if an artificial light source increases object satu- measurement scales include shoe sizes, octane ratings of
ration 共relative to the reference illuminant兲, the object may gasoline, and radio station frequencies. Though most
actually appear more like it would when illuminated by real people do not know precisely how those numbers are de-
daylight. This may make the object actually appear more termined, they find the scales useful and have a general
natural to observers. understanding of how different outputs relate to each other
The ability to distinguish between similar colors, chro- 共a larger shoe size means a bigger foot兲. However, it was
matic discrimination is another dimension of color quality acknowledged that additional outputs, for expert users
that can deviate from absolute fidelity. The number of ob- needing specialized information, would be useful and
ject colors that a light source permits discrimination be- should be created to supplement the one-number general
tween can be inferred by the gamut area 共of rendered object output.
colors兲 of the light source. For instance, if one selects a set
of reflective samples and plots them in CIELAB with dif-
ferent light sources as the illuminants, the spacing between 3 CQS
samples will be larger for some light sources, resulting in Led by these guiding principles, a method for the evalua-
larger gamut areas, than others. When the distance between tion of light source color quality was developed through
samples is larger in a uniform color space, the samples computational analyses and colorimetric simulations. The
appear more different from each other 共than when distances resulting metric was named the CQS, a clear nod to the CRI
are smaller兲 and an observer would be able to distinguish a but sufficiently different to avoid confusion among users. A
greater number of colors intermediate to the two samples. thorough account of the calculations involved in the CQS is
In addition to increased chromatic discrimination, larger provided here. Readers who are knowledgeable in basic
object gamut areas have been associated with increased colorimetry may find the level of detail to be excessive, but
perceived brightness, enhanced visual clarity, and increased it was deemed important to provide complete enough infor-
object color saturation.17,18 Gamut area is clearly a useful mation that even a colorimetry novice could carry out the
measure for certain color-quality properties of light sources calculations. A spreadsheet, with all of the calculations
and has been proposed as the central component to a num- implemented as well as additional features, such as the dis-
ber of proposed color-rendering metrics.7,19–21 play of simulated sample colors, is also available from the
Finally, it was decided a priori that the new metric authors.
would yield a one-number output between zero and 100.
The CRI can generate outputs with large negative numbers
for very poor test sources. For instance, for a low-pressure 3.1 Reference Illuminant
sodium lamp, Ra = −47. Color rendering is virtually nonex- The CQS, like the CRI, is a test-sample method. That is,
istent with this lamp. A score of zero would effectively color differences 共in a uniform object color space兲 are cal-
communicate the same message. Negative values simply do culated for a predetermined set of reflective samples when
not convey any useful information and have the potential to illuminated by a test source and a reference illuminant. In
confuse users. essence, through a simulation, the appearance of the object
The decision to restrict the output of the new metric to colors is determined and compared when illuminated by the
one number is certainly controversial. The argument has test source and the reference illuminant. The reference illu-
been made that it is impossible to communicate the differ- minants are the same as those used by the CRI. For test
ent dimensions of quality with only one number.22,23 In- sources of ⬍5000 K, the reference illuminant is a Planck-
deed, in some cases different dimensions of color quality, ian radiator at the same CCT as the test source. These cal-
such as fidelity and preference, can be contradictory. A met- culation procedures are given in CIE’s primary colorimetry
ric to assess a property like color quality inherently con- publication5 but are repeated below. The spectrum of the
denses information. After all, if the goal was to provide all Planckian reference illuminant, Sref共兲, is calculated by
possible information about how a given light source would
render object colors, then one could use the spectral power
distribution of the source and colorimetric formulae to de- Le,共,T兲
termine the detailed color-rendering information 共e.g., di- Sref共,T兲 = , 共3兲
Le,共560 nm,T兲
rection and magnitude of hue, chroma, and lightness shifts兲
of countless object colors. Even with all that information, where T is the CCT of the test source and Le, is the relative
most users would still need guidance in how to use the spectral radiance calculated by
information to judge the suitability of a light source for a
冋 冉 冊 册
specific application. The purpose of a metric is to condense
such an immense amount of information into something 1.4388 ⫻ 10−2 −1
manageable and useful. In order to be useful for the great- Le,共,T兲 = −5 exp −1 . 共4兲
T
est number of users, most of whom have very limited
knowledge of colorimetry, a one-number output is desir- For test sources at 艌5000 K, the reference is a phase of
able. Though most users will not know exactly how the CIE Daylight illuminant having the same CCT as the test
number was determined or precisely what it means, this is source. The method for calculating the spectral power dis-
readily accepted by a majority of people. Throughout the tribution of the daylight illuminant begins with determining
course of our lives, we use many measurement scales, the chromaticity coordinates 共xD , y D兲 of the illuminant. For
whose precise meanings and measurement methodologies illuminants up to and including 7000 K, xD is
Fig. 4 Simulated color appearance of 15 CQS reflective samples when illuminated by D65.
− 4.6070 ⫻ 109 2.9678 ⫻ 106 0.09911 ⫻ 103 4/14, and 7.5 RP 4/12. The reflectance factors for these
xD = + + samples are given in Appendix A. Although it was shown
共Tcp兲3 共Tcp兲2 Tcp
earlier that light sources can perform poorly with saturated
+ 0.244063. 共5兲 reflective samples even when they perform well with de-
saturated samples, extensive computational testing has re-
For illuminants with CCT of ⬎7000 K, xD is vealed that the inverse is never true. That is, there is no
light source spectrum that would render saturated colors
− 2.0064 ⫻ 109 1.9018 ⫻ 106 0.24748 ⫻ 103
xD = + + well, but perform poorly with desaturated colors. This is
共Tcp兲3 共Tcp兲2 Tcp related to some of the intrinsic properties of reflective ob-
+ 0.237040. 共6兲 jects. Desaturated colors have a higher broad baseline re-
flectance than saturated colors. In essence, that baseline is
The y coordinate 共y D兲 is calculated by white/gray. Of course, white is relatively “easy” for a
white-light source to render, because the light itself is
2
y D = − 3.000xD + 2.870xD − 0.275. 共7兲 white. Highly saturated objects lack the relatively high
broad baseline, and most of their reflected light is from a
The relative spectral power distribution of the daylight ref- much smaller segment of the visible spectrum. Therefore,
erence illuminant, Sref共兲, is calculated with the CQS sample set is limited to only saturated colors. The
simulated color appearance of these samples, when illumi-
Sref共兲 = S0共兲 + M 1S1共兲 + M 2S2共兲, 共8兲 nated by D65, is shown in Fig. 4.
where S0共兲, S1共兲, and S2共兲 are functions of wavelength The next step in calculating the CQS is to determine the
and are given in Table T.2 of Ref. 5. M 1 and M 2 are mul- tristimulus values 共X, Y, and Z兲 of each reflective sample 共i兲
tiplication factors determined as follows: when illuminated by the reference illuminant. In the fol-
lowing calculations, Ri共兲 is the spectral reflectance factor
− 1.3515 − 1.7703xD + 5.9114y D of reflective sample i,
M1 = , 共9兲
0.0241 + 0.2562xD − 0.7341y D
M2 =
0.0300 − 31.4424xD + 30.0717y D
. 共10兲
Xi,ref = kref 冕
Sref共兲Ri共兲x̄共兲d, 共11兲
0.0241 + 0.2562xD − 0.7341y D
Because the tables of S0共兲, S1共兲, and S2共兲 are avail-
able only at 5-nm intervals, the calculation of the CQS 共as
well as the CRI兲 uses wavelength intervals of 5 nm, which
is sufficient. Smaller intervals normally would not produce
Y i,ref = kref 冕
Sref共兲Ri共兲ȳ共兲d, 共12兲
冕
val of spectral distribution measurement of the test source,
then the S0共兲, S1共兲, and S2共兲 values should be interpo- Zi,ref = kref Sref共兲Ri共兲z̄共兲d, 共13兲
lated using Lagrange, cubic spline, or other recommended
interpolation method.24 Calculation at intervals of ⬎5 nm
should not be used. where
冒冕
3.2 Tristimulus Values
There are 15 reflective samples used in the CQS calcula-
tions, all of which are currently commercially available kref = 100 Sref共兲ȳ共兲d. 共14兲
Munsell samples, of the following hue value/chroma desig-
nations: 7.5 P 4/10, 10 PB 4/10, 5 PB 4/12, 7.5 B 5/10, 10
BG 6/8, 2.5 BG 6/10, 2.5 G 6/12, 7.5 GY 7/10, 2.5 GY A similar set of calculations is performed for the samples
8/10, 5 Y 8.5/12, 10 YR 7/12, 5 YR 7/12, 10 R 6/12, 5 R when illuminated by the test source.
Xi,test = ktest 冕
Stest共兲Ri共兲x̄共兲d, 共15兲 Zw,test = ktest 冕
Stest共兲R共兲z̄共兲d. 共24兲
冢 冣 冢 冣
Ri,test Xi,test
Gi,test = M Y i,test , 共25兲
Zi,test = ktest 冕
Stest共兲Ri共兲z̄共兲d, 共17兲
Bi,test Zi,test
冢 冣 冢 冣
Rw,ref Xw,ref
where Gw,ref = M Y w,ref , 共26兲
冒冕
Bw,ref Zw,ref
ktest = 100 Stest共兲ȳ共兲d. 共18兲
冢 冣 冢 冣
Rw,test Xw,test
These integral calculations are done numerically at 5-nm Gw,test = M Y w,test , 共27兲
intervals. Bw,test Zw,test
where
3.3 Chromatic Adaptation Transform
冢 冣
0.7982 0.3389 − 0.1371
Even though the CCT of the reference illuminant is
matched to that of the test source, the chromaticity coodi- M = − 0.5918 1.5512 0.0406 . 共28兲
nates are likely different, because the test source chroma- 0.0008 0.0239 0.9753
ticity rarely falls exactly on the Planckain locus or Daylight
locus. Thus, a chromatic adaptation transform is necessary Next, the “corresponding” R, G, and B 共Ri,test,c, Gi,test,c,
to compensate for these types of differences in light color, Bi,test,c兲 values are determined for each sample i,
as was also applied in CRI. A current chromatic adaptation
transform procedure was adopted in CQS. Ri,test,c = Ri,test␣共Rw,ref/Rw,test兲, 共29兲
After calculation of the tristimulus values of the illumi-
nated samples, these values are corrected for chromatic ad-
Gi,test,c = Gi,test␣共Gw,ref/Gw,test兲, 共30兲
aptation. The CMCCAT200025 is applied. The tristimulus
values of a perfect diffuser illuminated by the reference
illuminant 共Xw,ref, Y w,ref, Zw,ref兲 and by the test source Bi,test,c = Bi,test␣共Bw,ref/Bw,test兲, 共31兲
共Xw,test, Y w,test, Zw,test兲 are first calculated as the white refer-
ences. For a perfect diffuser, R共兲 ⬅ 1. where
冕
the luminances are not knowable in this situation, they were
Y w,ref = kref Sref共兲R共兲ȳ共兲d, 共20兲 assumed to be high and identical 共e.g., 500 cd/ m2兲, which
makes the degree of adaptation equal to 1. As these values
cancelled out, they do not appear in Eqs. 共29兲–共32兲.
The corresponding tristimulus values 共Xi,test,c, Y i,test,c,
Zw,ref = kref 冕
Sref共兲R共兲z̄共兲d, 共21兲
Zi,test,c兲 after chromatic adaptation correction are then cal-
culated,
冢 冣 冢 冣
Xi,test,c Ri,test,c
and
Y i,test,c = M −1 Gi,test,c , 共33兲
Xw,test = ktest 冕
Stest共兲R共兲x̄共兲d, 共22兲
Zi,test,c
where
Bi,test,c
冢 冣
1.076450 − 0.237662 0.161212
Y w,test = ktest 冕
Stest共兲R共兲ȳ共兲d, 共23兲
M −1
= 0.410964 0.554342
0.034694 .
− 0.010954 − 0.013389 1.024343
共34兲
3.4 CIE 1976 L*a*b* Coordinates In a similar manner, the difference in chroma between
The uniform object color space used in the CQS calcula- the two illumination conditions, reference and test, is cal-
culated as follows:
tions is CIE 1976 L*a*b*; thus, these coordinates are cal-
culated for each of the reflective samples 共i兲 when illumi-
⌬Cab,i
* = C* *
− Cab,i,ref . 共46兲
* , a* , b* 兲. The
nated by the reference illuminant 共Li,ref i,ref i,ref
ab,i,test
calculation procedures are given in CIE’s primary colorim- The color difference between illumination by the refer-
etry publication,5 but are repeated as follows: ence illuminant and test source for each sample is given by
* = 116
Li,ref 冉 冊
Y i,ref
Y w,ref
1/3
− 16, 共35兲
* = 关共⌬L*兲2 + 共⌬a*兲2 + 共⌬b*兲2兴1/2 .
⌬Eab,i i i i
共47兲
冋冉 冊 冉 冊 册
3.5 Application of the Saturation Factor
1/3 1/3
Xi,ref Y i,ref Rather than simply calculating the color difference of each
* = 500
ai,ref − , 共36兲
Xw,ref Y w,ref reflective sample as above, a saturation factor is introduced
in the calculations of the CQS. The saturation factor serves
* = 200
bi,ref 冋冉 冊 冉 冊 册
Y i,ref
Y w,ref
1/3
−
Zi,ref
Zw,ref
1/3
. 共37兲
to negate any contribution to the color difference that arises
from an increase in object chroma from test source illumi-
nation 共relative to the reference illuminant兲. As discussed
earlier, evidence suggests that increases in object chroma,
Note that, in the definition of CIELAB,5 the formulae are
as long as they are not excessive, are not detrimental to
different depending on the values of 共X / Xn兲, 共Y / Y n兲, and
color quality and may even be beneficial. Taking the middle
共Z / Zn兲. These conditional formulae are needed only to cor- ground, with the implementation of the saturation factor, a
rect the results for very low reflectance samples. It has been test source that increases object chroma is not penalized,
computationally verified that such conditional formulae are but is also not rewarded. The color difference for each
not needed for the 15 color samples used in CQS, thus the sample 共i兲 illuminated by the test source and reference il-
simple formulae above are sufficient for accurate calcula- luminant are calculated, with the integration of the satura-
tion for these samples. tion factor 共⌬Eab,i,sat
* 兲 is calculated by
This procedure is repeated to calculate the coordinates
for each sample 共i兲 illuminated by the test source 共Li,test* ,
⌬Eab,i,sat
* = ⌬Eab,i
* if ⌬Cab,i
* 艋 0, 共48兲
ai,test, bi,test兲.
* *
* = 116
Li,test 冉 冊
Y i,test,c
Y w,test
1/3
− 16, 共38兲
⌬Eab,i,sat
* = 关共⌬Eab,i
* 兲2 − 共⌬C* 兲2兴1/2
ab,i
if ⌬Cab,i
* ⬎ 0. 共49兲
冋冉 冊 冉 冊 册
3.6 Root Mean Square
1/3 1/3
Xi,test,c Y i,test,c All the previous mathematical steps are performed for each
* = 500
ai,test − , 共39兲
Xw,test Y w,test of the reflective samples. In the calculation of the General
Color Quality Scale 共Qa兲, the color differences from all 15
* = 200
bi,test 冋冉 冊 冉 冊 册
Y i,test,c
Y w,test
1/3
−
Zi,test,c
Zw,test
1/3
. 共40兲
samples are considered. If the color differences were
merely combined by averaging all 15 color differences,
then the Qa score could be still relatively high even if one
From these coordinates, the chroma of each sample un- or two color samples show very large color differences.
der the reference illuminant 共Cab,ref* 兲 and test source This situation is entirely possible with the notable peaks
and valleys of RGB LEDs, which can render a couple of
共Cab,test
* 兲 is calculated as follows:
object colors poorly, while performing well for all other
* = 关共a* 兲2 + 共b* 兲2兴1/2 , object colors. To ensure that poor rendering of even a few
Ci,ref i,ref i,ref
共41兲 object colors has a significant impact on the General Color
Quality Scale, the color differences are combined by root
* = 关共a* 兲2 + 共b* 兲2兴1/2 .
Ci,test 共42兲 mean square 共rms兲,
冑
i,test i,test
15
The differences of the coordinates 共⌬L* , ⌬a* , ⌬b*兲 be- 1
tween illumination by the reference illuminant and test ⌬Erms = 兺 共⌬Eab,i,sat
15 i=1
* 兲2 . 共50兲
source for each sample are calculated as follows:
⌬Li* = Li,test
* − L* ,
i,ref
共43兲 3.7 Scaling Factor
The “rms average” CQS score is calculated by
⌬ai* = ai,test
* − a* , 共44兲
i,ref Qa,rms = 100 − 3.1 ⫻ ⌬Erms . 共51兲
The 3.1 in Eq. 共51兲 is the scaling factor, similar to the
⌬bi* = bi,test
* − b* .
i,ref
共45兲 value 4.6 used in the calculation of CRI 关Eq. 共1兲兴. The
scaling factor for the CRI was selected such that a halo- M CCT = 1 共for T 艌 3500 K兲, 共54兲
phosphate warm white lamp would receive a Ra value of where T is the CCT of the test light source. The derivation
51.26 The scaling factor for the CQS was selected so that of this equation is given in Appendix B, which need not be
the average of the General Color Quality Scales 共Qa兲 for a repeated by the users of the CQS. As shown in Fig. 6, the
set of CIE standard fluorescent lamp spectra 共F1–F12兲5 is CCT factor has little impact on white-light sources of prac-
equal to the average output of the CRI 共Ra = 75.1兲 for these tical CCT range 共less than two Qa points are lost for
sources. Though the average scores remain the same for sources T ⬎ 2800 K兲 but will penalize the light sources hav-
these representative fluorescent lamp spectra, scores for in- ing much lower CCTs.
dividual lamps are not identical. This selection was in-
tended to maintain a certain degree of consistency between 3.10 General CQS
the CRI and CQS in real use and minimize the changes of Finally, the General CQS 共Qa兲 is calculated as follows:
values from CRI to CQS for traditional light sources.
Qa = M CCTQa,0–100 . 共55兲
3.8 0–100 Scale Conversion
The CRI can give negative values, which is not desired.
Because the basic structure of the calculations are the same 3.11 Special CQS
for the CRI and CQS, the CQS would also yield negative Similar to the CRI, the CQS values for individual test
results for very poor color-rendering sources. To avoid oc- samples are calculated to allow more detailed evaluation of
currences of such negative numbers, a mathematical func- color quality. Using the same scaling factor, the 0–100 con-
tion, as follows, is implemented version formula, and the CCT factor described above, the
Special CQS 共Qi兲 for each reflective sample i is calculated
Qa,0–100 = 10 ln兵exp共Qa,rms/10兲 + 1其. 共52兲 by
The input and output relationship of this formula is Qi,PRE = 100 − 3.1 ⫻ ⌬Eab,i,sat
* , 共56兲
shown in Fig. 5. As shown in the figure, only scores lower
than ⬃30 are affected by this conversion and higher values
are scarcely affected. Because such low scores only apply Qi,0–100 = 10共ln exp共Qi,PRE/10兲 + 1兲, 共57兲
to lamps with truly poor color quality, the linearity of the
scale at the very bottom is deemed unimportant.
Qi = M CCTQi,0–100 . 共58兲
3.9 CCT Factor
One final multiplication factor addresses the fact that the 4 Additional Scales
reference illuminant 共with its CCT matched to that of the Though it was emphasized that the CQS must have a one-
test source兲 always has a perfect score 共 = 100兲 for any CCT. number output, it is acknowledged that certain applications
This variable, called the CCT factor, was devised to penal- 共e.g., quality control in factories兲 will require more specific
ize lamps with extremely low CCTs, which have smaller information about the color-rendering properties of light
gamut areas 共and, therefore, render fewer object colors兲 and sources. Therefore, for expert users, three additional indices
冋 1
Qa,rms = 100 − 3.78 ⫻ ⌬Erms − 兺 ⌬Cab
15 i=1
15
* · K共i兲 ,
册 共60兲
sion of the saturation factor, which is effective when light
sources enhance object chroma. Because traditional light
sources 共incandescent and discharge lamps兲 mostly do not
enhance chroma 共except the neodymium lamp兲 and because
where Qa is scaled so that the scores for fluorescent lamps will be
similar to Ra, the scores of Qa for traditional lamps are
K共i兲 = 1 *
for Cab,test 艌 Cab,ref
* , 共61兲 generally very close to Ra. Figure 7 shows the comparison
of Qa and Ra 共as well as Qf, Qp, and Qg兲 for several tradi-
tional lamps, including fluorescent and other discharge
K共i兲 = 0 *
for Cab,test ⬍ Cab,ref
* . 共62兲
lamps. The differences are within three points for fluores-
As was done for Qa, the scores of Qp are rescaled 共scaling cent lamps and five points for all these lamps. On the other
factor of 3.78兲 so that the average score for the 12 reference hand, the CQS shows much larger differences for neody-
fluorescent lamp spectra 共F1–F12 in Ref. 5兲 is the same as mium lamps and some RGB LED model spectra, as shown
that for CRI Ra. in Fig. 8, which shows differences up to 20 points. In ad-
dition to RGB LED spectra that enhance object chroma,
Fig. 8 shows some RGB LED spectra that have relatively
4.3 Gamut Area Scale Qg poor color rendering for saturated colors and are scored
The Gamut Area Scale 共Qg兲 is calculated as the relative lower by the CQS than the CRI. The data for the light
gamut area formed by the 共a* , b*兲 coordinates of the 15 sources in Fig. 7 and 8 are shown in Table 1. This demon-
samples illuminated by the test light source in the CIELAB strates that though the CQS does not deviate substantially
object color space. Qg is normalized by the gamut area of from the Ra scores for traditional lamps 共this is a require-
D65 multiplied by 100; therefore, its scaling is different ment for acceptance from the lighting industry兲, it appro-
from Qa, Qf, and Qp and can be Ⰷ100. See Appendix B for priately treats the chroma-enhancing RGB white LED
the equations to calculate the gamut area formed by the 15 sources and problematic LED sources.
samples. Note that the chromatic adaptation transform to
D65 共used in the derivation of the CCT factor兲 is not used 6 Conclusions
in Qg. Qg is calculated directly from the 共a* , b*兲 coordi- Throughout the development of the calculations of the
nates calculated in Section 3.4. CQS, computational testing of the performance of the met-
band phosphors but currently employ primarily narrowband test, validate, and improve the performance of the CQS are
phosphors for improved energy efficiency and color render- underway. This is a necessary step to ultimately assess and
ing. verify the performance of this metric.
Though the approach for developing the CQS relied Appendix A. Spectral Reflectance Factors for 15
heavily on computational analyses, visual experiments to CQS Samples
Appendix B. Calculation of CCT Factor CIELAB was designed for best performance with D65, and
The CCT factor is based on the relative gamut area of the the gamut areas of a wide range of CCTs can be more
reference illuminant as a function of its CCT. First, the accurately evaluated using this conversion.
X , Y , Z tristimulus values of the 15 reflective samples under Then, the gamut area of the 15 CQS samples in CIELAB
the reference illuminant are converted to their color appear- 共a , b*兲 space 共see Section 3.4兲 is calculated for the refer-
*
ance under D65 using CMCCAT2000 chromatic adaptation ence illuminant at the given CCT. The gamut area is di-
transform23 共see Section 3.3兲. This is done because vided into 15 triangles 共S兲, each of which is formed by two
Table 2 Gamut areas and CCT factors 共MCCT兲 for a number of CIELAB units兲. If the gamut area of the reference illumi-
CCTs. nant is greater than that of D65, the multiplication factor is
simply set to 1,
CCT 共K兲 Gamut Area MCCT
M CCT = 1 if G 艌 8210, 共69兲
1000 1579 0.19
Res. Appl. 33, 192–200 共2008兲. Yoshi Ohno is the group leader of Optical
24. CIE 167: 2005, “Recommended practice for tabulating spectral data Sensor Group, Optical Technology Division
for use in color computations” 共2005兲. of NIST. His group is responsible for main-
25. C. J. Li, M. R. Luo, B. Rigg, and R. W. G. Hunt, “CMC 2000
chromatic adaptation transform: CMCCAT2000,” Color Res. Appl. taining national standards of the candela,
27, 49–58 共2002兲. lumen, and color scales. He serves as the
26. J. Schanda and N. Sándor, “Colour rendering, past-present-future,” in director of CIE Division 2 and active in many
Proc. of Int. Lighting and Colour Conf., pp. 76–85, SANCI, Cape national and international committees in
Town, South Africa 共2003兲.
ANSI, IESNA, CIE, CIPM, and IEC on opti-
cal metrology and standardization of solid
Wendy Davis is a vision scientist in the Op- state lighting.
tical Technology Division at the National In-
stitute of Standards and Technology 共NIST兲.
She joined NIST soon after completing her
PhD in vision science at the University of
California, Berkeley, in 2004. Dr. Davis and
her colleagues in colorimetry and photom-
etry are currently establishing a permanent
Vision Science Program at NIST. Her cur-
rent main research focus is the develop-
ment of a color quality metric, suitable for
both solid state lighting, and traditional lamps.