requiem of love


        
Matsuii

    
Allegro, like happy memories

 
                 

    
                     


          
  
    
 
9

                       
                         


         
     

17

           
                            
 




          
  
 
rall.


26


          
              
 
  
 
       


     
 
      
     
tempo primo

  
34


                   

                             

     


  

      
 
  

43

                      

                 
            

Matías Bermúdez

    
 
2

         
    
rall.

 


52

                    
                     


    


       
          

Andante


61


    
        
  
        
    
   


         
 
   
68

 
                   
                    
3


     
   
      
        
75

            

                     
     
  


  a tempo
     3
  
rit.

  
82 3

  3
          
     

       


 



 
   Lento   
  
        
       
87 3

 
    

     

3

 
3


  
Matías Bermúdez

      

3

         
 
92

               

     
   


      
          
   
96

            
         
3

   


 
     
   
       
 
100

               

      
   
  








     
     
          
  


104


         
      
      
   
   










             
                
 
108
3


    
       

   
3


 

3

 

Matías Bermúdez



  
4

  
 
      
       
Grave, very gently

  
112



            
  
rall.


 
 

115


 



Matías Bermúdez