KYIV, 2022: Preview Only
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xmnmnsu| YOUNG BAND GRADE 2.
KYIV, 2022
A sequel to MOSCOW, 1941
BRIAN BALMAGES
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INSTRUMENTATION
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1 Conductor Score 2 Trombone 1 SUPPLEMENTAL and WORLD PARTS
The following instruments and transpositions
4 Flute 1 2 Trombone 2
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(all parts) are available to download from
4 Flute 2 2 Euphonium www.alfred.com/supplemental
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2 Oboe 2 Baritone T.C. E b Alto Clarinet
2 Bassoon 4 Tuba E b Contra Alto Clarinet
B b Clarinet 1 B b Contra Bass Clarinet
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5 1 Timpani
5 B b Clarinet 2 1 Bells E b Horn
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B b Bass Clarinet B b Trombone T.C.
2 1 Vibraphone
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2 E b Alto Saxophone 1 1 Chimes B b Trombone B.C.
2 E b Alto Saxophone 2 2 Percussion 1 B b Euphonium B.C.
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2 B b Tenor Saxophone (Snare Drum, Bass Drum)
B b Tuba T.C.
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E b Baritone Saxophone 2 Percussion 2
B b Tuba B.C.
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2
B b Trumpet 1
(Crash Cymbals, Tambourine,
4 Triangle, Wind Chimes, E b Tuba T.C.
4 B b Trumpet 2 Suspended Cymbal) E b Tuba B.C.
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4 F Horn String Bass
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Please note: Our band and orchestra music is collated by an automatic high-speed system.
The enclosed parts are now sorted by page count, rather than score order.
THE COMPOSER
Brian Balmages is known worldwide as a composer and conductor who
equally spans the worlds of orchestral, band, and chamber music. His
music has been performed by groups ranging from professional symphony
orchestras to elementary schools in venues such as Carnegie Hall, the
Kennedy Center, Sydney Opera House, Toronto Centre for the Arts, and
many more. He is a recipient of the A. Austin Harding Award from the
American School Band Directors Association, won the 2020 NBA William D.
Revelli Composition Contest with his work Love and Light, and is an elected
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member of the prestigious American Bandmasters Association. Balmages
was awarded the inaugural James Madison University Distinguished Alumni
Award from the School of Visual and Performing Arts. In the same year, he
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was commissioned by his other alma mater, the University of Miami, to compose music for the
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inauguration of the institution’s 6th president, Dr. Julio Frenk. His music was also performed as part of
the 2013 Presidential Inaugural Prayer Service, which was attended by both President Obama and
Vice President Biden.
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As a conductor, Mr. Balmages enjoys regular engagements with all-state and regional ensembles as well
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as university and professional groups throughout the world. Notable guest conducting appearances have
included the Midwest Clinic, Western International Band Clinic, Maryborough Music Conference (Australia),
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College Band Directors Conference, American School Band Directors Association National Conference,
numerous state ASTA conferences, Teatro dell’Aquila (Italy), and others. Currently, he is Director of
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MakeMusic Publications and Digital Education for Alfred and MakeMusic.
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ABOUT THE MUSIC
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Written in response to Russia’s invasion into Ukraine in 2022, this piece raised over $60,000 to support
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humanitarian relief efforts. Within months of being written, the piece received hundreds of premieres in
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nearly every state in the United States as well as many performances abroad by groups ranging from middle
schools to community bands and professional groups. Below is the original note that accompanied the
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announcement that I had completed the piece.
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Like so many around the world, I believe strongly in the ability of one person to make a difference
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for those in Ukraine. To that end, after 16 years, I have decided that it is now time for an official
“sequel” to one of my most popular pieces ever for young band—Moscow, 1941. This work was
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composed in the first weeks of the Russian invasion into Ukraine, during which time the entire
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world has seen senseless tragedy, humanitarian crises, and incredible heroism and passion from
the Ukrainian people. This piece, Kyiv, 2022, changes the narrative, where the theme from
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Moscow, 1941 (which is based on the Russian folk song “Meadowlands”) now becomes the
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aggressor, and the heroic people of Ukraine are represented by the Ukrainian National Anthem
and the powerful song “Prayer for Ukraine.”
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Musicians familiar with Moscow, 1941 will undoubtedly hear the intentional parallels between the
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two pieces, and I can see Kyiv, 2022 being performed individually or alongside Moscow. Certainly,
it will spark a lot of conversations about humanity, history, culture, and more. I hope directors are
able to use this piece to help students see how music really can help us relate to the world
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around us, and also to offer a musical way to support the people of Ukraine.
—Brian Balmages
in support of all Ukrainians, their families, and the incredible relief organizations on the ground
DURATION: 4:30
KYIV, 2022
A sequel to MOSCOW, 1941 BRIAN BALMAGES
(ASCAP)
Menacing ( = 72) 4
Flutes 1
2
Oboe
Bassoon
1
B Clarinets
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2
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B Bass Clarinet
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as
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1
E Alto
Saxophones
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2
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B Tenor
Saxophone
E Baritone
P
Saxophone
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Menacing ( = 72)
es 4
1
B Trumpets
ir
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2
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F Horn
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Trombones
1
2
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R
Euphonium
e
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Tuba
lU
Timpani
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(F, G, B♭, D)
Bells
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3 3 3 3
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Vibraphone
Chimes
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S.D. (+ Field Drum if player available)
Percussion 1
B.D.
(Snare Drum,
Bass Drum)
Percussion 2
Cr. Cym.
(Crash Cymbals,
Tambourine, Triangle,
Wind Chimes,
Suspended Cymbal)
2 3
Wind Chimes
© 2022 Brian Balmages
exclusively distributed by ALFRED MUSIC
50117S All Rights Reserved including Public Performance
4
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
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as
1
A. Saxes
2
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O
T. Sax.
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B. Sax.
P
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1
es
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
3 3 3 3 3 3 3 3
Vib.
L
Ch.
Perc. 1
Perc. 2
5 6
8
50117S
5
11
1.
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
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B. Cl.
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as
1
A. Saxes
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2
O
T. Sax.
ur
B. Sax.
P
11
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
3 3 3 3 3 3 3 3 3 3 3 3
Vib.
L
Ch.
Perc. 1
Perc. 2
9 10 11 12
50117S
6
17
a2
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
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nl
as
1
A. Saxes
ch
2
O
Euph. play
T. Sax.
ur
B. Sax.
P
17
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es
st. mute
1
Tpts.
ir
st. mute
2
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qu
Hn.
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1
v
Tbns.
R
Euph.
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e
Tuba
lU
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Timp.
P
a
Bells
eg
3
3 3 3
Vib.
L
(only let F ring)
Ch.
Perc. 1
Perc. 2
13 14 15 16 17
50117S
7
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
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as
1
A. Saxes
2
ch
O
T. Sax.
ur
B. Sax.
P
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
3 3 3 3
Vib.
L
Ch.
Perc. 1
Perc. 2
18 19 20 21
50117S
8
23
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
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nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
23
e w
es
open
1
Tpts.
ir
open
2
e
qu
Hn.
s i
Tbns.
1
v
2
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
3 3 3 3
Vib.
L
Ch.
Perc. 1
Tri.
Perc. 2
Sus. Cym.
22 23 24 25 26
50117S
9
rit. 30 Deliberate March Tempo ( = 120)
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
B. Sax.
P
rit. 30 Deliberate March Tempo ( = 120)
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
v
2
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
27 28 29 30 31 32
50117S
10
34
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
34
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
v
2
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
33 34 35 36 37
50117S
42
11
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
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nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
P
B. Sax.
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42
es
1
Tpts.
ir
e
2
qu
Hn.
s i
v
R
Tbns.
2
e
e
Euph.
lU
Tuba
r
Timp.
P
a
eg
Bells
Vib.
L
Ch.
Perc. 1
Perc. 2
38 39 40
50117S
12
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
v
2
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
43 44 47
50117S
13
50
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
P
B. Sax.
e w
50
es
1
ir
Tpts.
e
2
qu
Hn.
s i
v
1
R
Tbns.
2
e
Euph.
e
lU
Tuba
r
Timp.
P
a
eg
Bells
L
Vib.
Ch.
Perc. 1
Tri.
Perc. 2
48 49 50 51
50117S
14
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
2
ch
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
div.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
54 55 56 57 58
50117S
15
61
Fl.
1
2
Ob.
Bsn.
Euph.
1
Cls.
2
y
B. Cl.
e
nl
as
Hn.
1
A. Saxes
ch
2
O
Euph.
ur
T. Sax.
P
B. Sax.
61
e w
es
1
Tpts.
ir
e
2
qu
Hn.
s i
1
v
Tbns.
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Wind Chimes
Perc. 2
60 62 63 64
50117S
16
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
play
1
A. Saxes
ch
2
O
play
ur
T. Sax.
P
B. Sax.
e w
es
1
Tpts.
ir
e
2
qu
Hn.
s i
v
1
R
Tbns.
2
e
Euph.
e
Tuba
lU
r
Timp.
P
a
eg
Bells
Vib.
L
Ch.
Perc. 1
Perc. 2
65 66 67 68 69
50117S
17
poco accel. 72 With Determination ( = 126)
Fl.
1
2
Ob.
Bsn.
play
1
Cls.
2
y
B. Cl.
e
nl
as
Cl. 1
1
A. Saxes
ch
Cl. 2
2
O
T. Sax.
ur
B. Sax.
P
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poco accel. 72 With Determination ( = 126)
es
1
ir
Tpts.
e
2
qu
Hn.
s i
1
v
Tbns.
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Tamb.
Perc. 2
70 71 73 74
50117S
18
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
play
as
1
A. Saxes
play
ch
2
O
T. Sax.
ur
B. Sax.
P
e w
es
1
Tpts.
ir
e
2
qu
Hn.
s i
1
v
Tbns.
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
75 76 77 78 79
50117S
19
82
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
82
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
Timp.
r
(D to E♭)
P
a
Bells
eg
Vib.
3 3 3 3 3 3
L
Ch.
Perc. 1
Perc. 2
80 83 84
50117S
20
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
2
ch
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
3 3 3
L
3 3
3 3 3 3 3
Ch.
Perc. 1
Perc. 2
85 86 87 88 89
50117S
21
92
1
Fl.
2
Ob.
Bsn.
1
Cls.
div.
2
y
B. Cl.
e
nl
as
1
A. Saxes
2
ch
O
T. Sax.
ur
B. Sax.
P
92
e w
1
es
Tpts.
div.
ir
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
3 3 3
3
L
Ch.
Perc. 1
Cr. Cym.
Perc. 2
90 93 94
50117S
22
Fl. 1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
2
ch
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
95 97 98
50117S
23
100
Fl. 1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
100
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
v
2
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
100 101 102 105
50117S
24
molto rall. Brillante ( = 54) rit.
Fl. 1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
molto rall. Brillante ( = 54) rit.
e w
es div.
Tpts.
div.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
3
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
106 107
Tri. 109 110 111
50117S
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