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Reflection

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17 views3 pages

Reflection

Uploaded by

denghanyueyyg
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We take content rights seriously. If you suspect this is your content, claim it here.
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Reflection

"Reclamation" and "The Cave" exemplify the notion of indigenous futurism that gives

new insights based on the intersection of indigenous cultures, environmentalism, and speculative

fiction.

In "Reclamation," Theo J. Cuthand show us a powerful depiction of a planet long

recovered from dystopia where Indigenous communities are left to construct the future after the

world was destroyed by climate change and colonization. The movie successfully combines

documentary-style storytelling methods with futuristic speculation, conveying the image of a

future planet where Indigenous community members lead ecological remediation work by

themselves1. The motion picture addresses the notion of the indigenous spirit of adversity and

defiance to achieve reconnection with nature, which is equally admirable and a figment of the

earlier battles and colonization of the land. The appearance of 2-Spirit characters as main

characters brings extra layers to the narrative, pointing out the interconnectedness of Indigenous

identities and their roles in imagining an alternative future. Today, in our world where

conversations about gender identity and LGBTQ+ topics are becoming more and more common,

the portrayal of two-spirit people in this movie stands as a strong example of accepting and

celebrating diverse identities in Indigenous cultures2.

However, "The Cave" by Helen Haig-Brown is a more mythical five-step ritual that

profoundly illustrates Indigenous cosmology and spirituality. The film director makes a

remarkable usage of the captivating images of the world and the chilling music that allows the

1 Cuthand, “Reclama on.”


2 Cuthand, Theo Jean. “Reclamation
ti
viewer to ground himself into the universe in which the barriers between the physical and

spiritual realms are removed3. Considering that we are experiencing the repercussions of inter-

human division and conflict, "The Cave" emerges as a symbolic representation of the need for

spiritual unity as well as of the utmost duty to the world of nature.

Moreover, a film that employed oral tradition as a storytelling medium exemplifies the

strength of Native communities that had come close to being wiped out completely. the unique

oral Traditions of Indigenous cultures that are still in use and are widely applied in modern

storytelling. When Indigenous languages and cultures are struggling to be maintained, "The

Cave" highlights the need to retain and recover the complex Indigenous knowledge systems4.

The films, though distinct, capture central themes of Indigenous Futurisms, which work

to disrupt the dominant narrative of the future while maintaining the dignity of Indigenous

cultures, epistemologies, and worldviews. They remind us to advocate for Indigenous people

when discussing environmental justice, decolonization and our sustainable planet. The two films

"Reclamation" and "The Cave" are clear case examples of Indigenous storytelling on the cinema

plate, which bears a strong reminder of the Indigenous presence and revival.

3 Helen Haig-Brown, ?“?E?Anx - the Cave.”


4 Helen Haig-Brown, ?“E?Anx - the Cave
References

Cuthand, Theo Jean. “Reclamation,” March 19, 2024. https://vimeo.com/279943832.

Helen Haig-Brown, ?“E?Anx - the Cave,” May 9, 2023, https://www.youtube.com/watch?

v=GoLvf8a4mQ4.

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