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The document provides detailed instructions on constructing and using a carving pantograph, which allows for the reduction of three-dimensional objects into smaller carvings. It includes information on materials needed, assembly steps, and techniques for carving various items, such as jewelry and model railroad parts. The pantograph can be built from scratch or purchased as a kit, and it is adaptable to different carving tools.
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Save Carving Pantograph For Later HOME WORKSHOP HANDBOOK, 1st
Above, comparison of Indian head
master and finished birch carving
‘graph from the master carvin
Making and Using « Carving Pantograph
OU can make fine reduction carvings
from almost any three-dimensional ob-
ject within the moving limits of the com-
paratively simple carving pantograph seen
in Fig. 1
This inexpensive unit can be built from
ich or assembled from pre-cut, finished
parts furnished in a $12.95 kit (see construc~
tion details on page 154). You can make tem-
plates, brass molds for plastic injection mold-
ing, name plates, and form dies for small or-
namental metal parts. Jewelers can engrave
tiny lettering and signatures. HO-gage model
railroaders can make detailed models four
times gage size, then accurately pantograph-
‘ntl final designs are approved. carve them down to size as in Fig. 4.
‘expensive di182 HOME WORKSHOP HANDBOOK
This tool is ideal for linoleum block carving,
for block printing plates, or for carving mini-
atures of animals and flower plaques for jew-
elry. For example, you can easily carve in a
small bit of rare wood a beautiful brooch, one-
third the size of the original model. Then,
using the finished carving as a pattern with-
out resetting the pantograph, you can reduce
the same carving to one-sixth the original—
or just the right size for matching earrings.
Ordinary shop tools (Fig. 17) make ideal
models for men’s tie-clips and cuff links.
How to Use a Pantograph. When setting up
your work for carving, allow about a half-inch
of extra material on all sides to be cut away
as scrap. First locate the pattern on the bed
as indicated in Fig. 7, then temporarily spot
the material to be carved in position. Move
the stylus to the outside edges of the pattern,
checking to be sure the material will be large
enough to cover these points.
‘The patterns may be taped, clamped or
screwed directly to the pantograph bed. For
simple flat work, ordinary masking tape usu-
ally works well’ (Fig. 8). For irregular ob-
jects, make simple clamp blocks as in Figs. 1
this tiny fish is part of @ series made by
Wildlife Miniatures of Chicago, from large plaster
Costing of original model, The plastic miniatures are
hand painted in full color.
musing
t< LAME
MAKE CLAMPS AND BLOCKS
FROM SCRAP MAPLE peo
‘Two methods of helding work and patterns in place
A third way is to screw through o scrap por
the unit te the bed.
and 9. If your pattern has plenty of scrap
area, it may be easier to screw di etly
through the pattern into the bed. Fasten the
material to be carved to the bed similarly,
making sure that none of the tape, screws or
clamps will be in the immediate vicinity of
the carving head.
Tf you are carving with a round-headed
burr, choose a burr that is ¥2, % or % the size
of the round end of the stylus. For rough
STYLUS
CARVING BURR
aN
_—————————
2 TO} RATIO (ROUGH CUT)ee
HOME WORKSHOP HANDBOOK 1583
STYLUS
RESTING
On Bed
CUTTING BURR
curTER
TAPER
warcHes
STYLUS
TAPER
)
FLAME SHAPED ct
CARVE in 8 IRC!
moTiON
the next
clamp and repeat the
cuts the burr should be even smaller than the
exact ratio of the reduction you plan to make
(Fig. 10). If you use a flame-shaped or ta-
pered cutting tool, then you'll need a tapered
stylus point to match (Fig. 13).
Insert the stylus in the pantograph and set
to a depth that will allow the arms to be
approximately level. Then insert the cutting
burr and set it so that it will be about 2 in.
above the pantograph bed while the stylus is
resting on the bed (Fig. 11).
You are now ready to make the first rough
cut in the material from the pattern. With
the pattern and material securely clamped to
the bed, start carving on the high points and
work in a rotary cutting motion with the
stylus over the pattern. This will allow the
cutter to clear away any shavings after each
bite (Fig. 13). Work over the entire pattern,
including areas around but not under the
clamps, which are not removed when making
the rough cuts,
For the Finish Cut, put in your sharpest
cutting tool and reset the depth so that the
cutting tool will just touch the bed while the
ing made on o
Bench Craft pantograph from
jatiern. Note the two adjustable beds,184 HOME WORKSHOP HANDBOOK
bed. Inset shows smooth-finished piece cut out
‘of small hardwood block by portable electric
rinder held in the motor erm.
stylus is resting on the bed (Fig. 12). Again
carefully go over the original pattern with
the stylus in a circular motion, being sure to
carve away every bit of scrap. Then remove
one clamp at a time and carve away the mate-
rial in that area (Fig. 14). Replace the clamp
and move to the next one, and so on. Finally
carve around the edge to free the finished
reproduction. When you are through, you
will have an accurate reproduction of the
original pattern ready for slight sanding and
+ painting (Fig. 15).
For larger projects that are too thick for a
single flat bed, you may need to build a two-
level bed similar to the Bench-Craft profes-
sional model shown in Fig. 16. The two-level
beds will allow you to obtain at least double
the height with much less distortion due to
the tool pivoting about the hinge-blocks.
Construction Details. To build this carving
pantograph accurately from scratch, you will
need to have access to a good circular saw
and drill press, a sharp letter D-size drill, a
left-hand 4-in. spiral reamer, a "%o-in. coun-
terbore with Y%-in. pilot, and a circle cutter
with a Yin. pilot drill.
If you do not have this power equipment
and special tools, you can dispense with the
need for them inthis project by ordering the
parts pre-cut and finished in kit form from
Bench-Crait, Dept. HW, Rolling Meadows,
Ill ($12.95 postpaid)
The kit includes fully-machined rock maple
arms protected with a warp-resistant ebony
finish, all hardware washers, the stylus and
assembly sheet, and notes on processing the
bearing. All bearings are ready for lubrica-
tion and assembly.
‘Not included, of course, are the plywood
bed (which you can make from scrap), the
powered hand grinder and flexible shaft.
Make the Bed (Fig. 18) from %-in. fir ply-
wood. Since it is a work surface to which you
will screw-fasten many projects, don’t finish
or polish it.
From rock maple (required for accuracy)
carefully saw the various arms and brackets
to shape as in Figs. 18 and 19. Then carefully
drill and counterbore the holes shown, start
ing with the pivot block.
Drilling the arms requires the utmost ac-
curacy. For best results, lay out a template
on a piece of % x %-in. steel or aluminum
bar stock for the locations of the various holes
in individual arms. Clamp the template in
place on one arm, drill the end hole with the
letter D drill, and insert a ¥%4-20 bolt. Drill
the hole in the opposite end and insert an-
other %-20 bolt. Then drill the rest of the
holes in that arm. Drill the various holes in
the other arms similarly, using the template
for accuracy.
WATERIALS LIST—CARVING PANTOGRAPH
‘Size and Description
2 Wye 0.0.x 17/64 LD. x 060 thick 1" dia. nylon washer
10 9/46 0.0. x 27/96 1.0. x.060 thick nylon washer
2 9/16 0,0. x9/32 1.0.x 3/68 thick steel vasher
V4 R.A, medium Tock washer
4 20°W.c. Tock nut (plastic Inset)
Vr 20 N.C. standard hex mut
Var 20 W-. standard wing ut
32 N.C. standard ex nat
Yor 20% 134" N.C. hex head cap screw
20 x2" N.C. hex head eap sere
(7 203 234" N.C. hex head cap sere
20 x 9° N.C hex head cap seren
th machine sere
rh wood screw
20 x 4" threaded rot
156 12" clear rock maple—planed two sides to 34” thick
4 8x 12" Wr plywant—good one
ix‘clamps and Slecks from serap ma
i—HOME WORKSHOP HANDBOOK
186
DRILLING DETAILpol
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HOME WORKSHOP HANDBOOK 187
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WASHERS
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ANCHOR
‘This pantograph can be adapted to almost
any flexible shaft such as Foredom or small
portable electric hand grinder with a straight,
shank such as Dremel, with an rpm ranging
between 7,500 and 27,000.’ Just adjust the
large hole in the tool-holding motor bar for
a snug fit on the tool you plan to use. By
cutting a slot to a smaller hole in the motor
bar as in Fig, 19 and using a nut and bolt,
the carving tool can be clamped securely in
this bar.
‘Swab the bearing holes in the arms with
SAE 20 oil, then ream all bearing holes with
the left-hand, ¥4-in. spiral reamer. Re-oil the
reamed holes and allow to stand for two da;
Repeat this process three times. This will
saturate each bearing with oil and give satis-
factory bearings for accurate carving.
Insert all of the ¥4-in. bolts and nuts that
must be press-fitted into the arms. To seat
the parts, tap lightly with a small hammer.
Re-swab holes heavily with oil and complete
assembly except for the motor bar. Add a
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HINGE ASSEMBLY
$-20x3§"
READED ROO
(See DETAIL)
$" puvwoon
BED
HINGE BLOCK
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ex. Ho. CaP screw
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Hex. Ko Cap screw
drop of oil on each nylon washer at assembly.
Adjusting the Arms. Starting with the
hinge, adjust bolt so hinge will work snugly
without sticking. Carefully adjust bolts in
each arm individually so that the arms work
snugly without binding. If arms are too tight,
they will not move; if too loose, they will
cause sloppy work.
‘After the arms are adjusted they should not
require readjustment for various reduction
settings. Now you can attach the motor bar
and make final adjustments at this bar only.
‘Make the Stylus from ¥%-20 threaded rod,
tapering one end for a fine point cutter and
rounding the other end for ball-shaped cut-
ters.
Tf nylon washers and lock nuts are not
available, you can obtain a complete set of
11 washers, three nuts and a tracing stylus
by sending $2 to Bench-Craft, Dept. HW,
Rolling Meadows, Ill.
"Add the flexible shaft and stylus, and you
are ready to go to work.
ee