Magazine of The Magic Circle APRIL 2014

James FREEDMAN
MAN OF STEAL
 THE MAGAZINE OF THE MAGIC CIRCLE
Issue 1173 Volume 108 APRIL 2014
EDITORIAL 07507 275 285
EDITOR Will Houstoun
Editor@TheMagicCircle.co.uk
40 Derby Road, London, SW14 7DP
ASSISTANT EDITOR Tim Reed
ASSOCIATE EDITORS
Anthony Brahams, Dr Edwin Dawes,
Scott Penrose, Ian Rowland, David Tomkins
CONVENOR OF REPORTS
Mandy Davis
Mandy@TheMagicCircle.co.uk
PAGE 99 PAGE 113 PAGE 116 PAGE 124 DESIGN 020 8521 2631
ART DIRECTOR
John Hawkins
FEATURES john.hawkins.7@btinternet.com
104d Grove Road
108 James Freedman – Will Houstoun Walthamstow E17 9BY
PROOFREADERS
Paul Bromley, Julie Carpenter, Barry Cooper,
REGULARS Tim Reed, Lionel Russell, Mary Stupple,
Rob James, Darren Tossell and Timothy
98 President’s View Dill-Russell
98 Circular News PHOTOGRAPHERS
Mark Hesketh-Jennings
101 Letters to The Editor ADVERTISING 07767 336882
BUSINESS AND ADVERTISING MANAGER
102 Circular Mentalism – Ian Rowland Scott Penrose
Advertising@TheMagicCircle.co.uk
104 Cheeky Dog Chicanery – David Tomkins 17 Berkeley Drive, Billericay Essex CM12 0YP
106 Crafty Conjuring – Chris Wardle MISSING AND BACK ISSUES
01923 267 057
112 A Rich Cabinet of Magical Curiosities – Edwin A Dawes Michael Candy
Sound of Music, Harthall Lane,
116 Club Night Events – Mandy Davis Hemel Hempstead,
Herts HP3 8SE
119 Magic in the Regions – Elizabeth Warlock PRINTED BY
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120 Cecil Lyle Award – Ian Adair
Copyright © 2014 by The Magic Circle. All rights reserved. No part
of this publication may be reproduced, stored in any retrieval
121 Reviews system or transmitted in any form or by any means, electronic,
mechanical, photocopying, recording, or otherwise without the
prior permission of the Editor of The Magic Circular.
124 Obituaries Views expressed in The Magic Circular are those of the
contributors and do not necessarily represent the views of
The Magic Circle unless specifically stated. Whilst every effort is
125 The Magic Circle Cares – David Hatch made to ensure the accuracy of all information published in
The Magic Circular, the Editor, Art Director, Staff and The Magic
Circle cannot accept responsibility for any errors or omissions.
126 Council Minutes Contributions must reach the Editor six weeks in advance of
publication if it is essential that they should appear in the
second month following’s issue and should be sent via email,
128 Forthcoming Club Events – Darryl Rose on computer disk or on CD whenever possible.

Cover
James Freedman
THERE IS A WAY
finger is, how it is moving and what pressure it is
applying. I then need to know exactly what purpose each
Will Houstoun MIMC of those component actions serves in causing the cards to
Published by
The Magic Circle move in the correct way so that I can understand any
12 Stephenson Way student errors and help fix them. As well as benefiting my
London NW1 2HD
VAT Reg No 233 8369 51 students this level of understanding has also improved

I
All enquiries recently have had the pleasure of releasing a three my own handling.
T 020 7387 2222
DVD set of my magic, produced by the wonderful Russ Of course this is not something which applies only to
Stevens, and it has made me think about the role technical moves – the precise understanding of “how”
teaching plays in my magic. There seem to be two and “why” is equally important when teaching
conflicting views on teaching: “Those who can’t, teach,” psychology, presentation, and all the other components
and “You don’t really understand something until you that make up a magic performance. Even if you have no
have taught it to someone else.” To me the second saying intention of ever teaching someone magic I suggest you
seems the most true – but then I would say that! sit down and think about how you might do so. Based on
In teaching both magicians and non-magicians I have my own experience I think that your own magic will benefit
seen two main benefits: I have to understand precisely even if the work is never used to teach someone else.
what I am doing and exactly why I am doing it. Even
teaching something as simple as an in-the-hands riffle
shuffle requires me to understand exactly where each
 CIRCULAR NE
PRESIDENT’S VIEW
SILVER CLOWN AWARD
Congratulations to Magic Circle
Member Hans Klok who was
Jack Delvin MIMC awarded the prestigious Silver
Clown Award at the 38th
International Circus Festival of
Monte Carlo, presented by
Princess Stéphanie of Monaco, on
19 January. This annual event is
recognised as being the most
important circus festival worldwide,

T he main problem of presenting Mental Magic

is getting over to your audience that you have
special powers, but falling short of claiming to be
maintain our superb headquarters, we need
regular funding. Where does it all come from? It
comes from hiring out the building to the
honouring only the finest circus
artists and performers of today,
collected from all parts of the
really and truly psychic. I get over it by talking corporate world, keeping up the Membership, and globe. Hans is the first Grand
about the fantastic powers of the human brain selling tickets for our public shows. Illusionist in thirty-eight years to
and the fact that the average human only uses a To do this we have to market our ‘products’. have performed in the festival.
very small percentage of their brain’s ability. I then Since I became President I have been trying to Hans said: “It was such an
point out that the brain has two main sections, clarify the various stages that lead to a successful honour to even have been invited
the conscious and the subconscious. The conscious organisation. First we need The Magic Circle to be there to perform … The winning of
enables us to live a normal life in the present, a ‘household word.’ We may be a ‘secret society,’ the Silver Clown was an absolute
with a memory that covers the past, and an although I prefer to think of us as a ‘society of high and was far, far above
imagination that thinks about what might happen secrets,’ but we must become the worst kept anything that I could have
in the future. The subconscious comes into secret in the world. dreamed of. How exciting it is
operation when we are asleep, just between being In order to do this Council created Friends of indeed, that magic has again found
asleep and awake, or under the influence of drugs. The Magic Circle. In these days of social a home in the fabulous world of
The subconscious is totally at the mercy of the connecting on the Internet, many of you will be in circus. To me, that is as equal, or
imagination and covers past, present, future and electronic correspondence with hundreds of the maybe even more important, than
all other directions with no control at all. The two general public – your friends. We need them as the actual award itself.”
sections are kept apart by an electrochemical gate, our Friends. All we need is their e-mail address
the correct operation of which keeps us sane. I and their permission to send them a regular SAM PRESIDENTIAL
then claim that, after years of practice, I am now newsletter and they can become officially a Friend CITATION
able to secretly slip into the subconscious without of The Magic Circle. On the Monday evening after the
harm and by so doing perform some amazing, Many of you will also be members of a local Blackpool convention the SAM
seemingly magical, feats. I go on to prove this society. No doubt there will be members there President, Dal Sanders, announced
using centre-tearing, thumb tips, one-ahead and who are not yet Members of The Magic Circle but, the following on stage at The Magic
the like. with a bit of help, could be. You will by now know Circle: “One of the great privileges
Why am I telling you this? In order to be about the new Apprentices. If not please read up of being The President of The
President and remain sane I have found it about them on the website Society of American Magicians is to
necessary to keep strictly to thinking along the (www.themagiccircle.co.uk/join-us/apprentice-sch recognise deserving compeers and
safe path of past, present and future. eme) or send an E-Mail to the Membership to award them with a Presidential
The Magic Circle’s mission is to preserve the Secretary (membershipsec@themagiccircle.co.uk)
past, live the present and plan for the future. The past has made us the most prestigious
How? The Museum with its artefacts and posters, magical society in the world. The present allows us
The Library with its books and archives; plus The to enjoy magic at its best. The efforts we make
Articles in The Circular, look after the past. The now will ensure an even more successful and truly
lectures and performances look after the present; fantastic future. l
and The Council plans for the future. What do you
do? Well many of you help to make it all happen;
Photo: Mark Hesketh-Jennings

and we all enjoy the results.

The whole operation is an enormous
undertaking relying on the goodwill of so many
volunteers. In practical terms what goes on and
how can anyone help? In order to administrater
our social activities, put on public events, and President@TheMagicCircle.co.uk

98 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

WS

Citation. Mandy Davis certainly FIRST AID AT TMC organising a Festival of Magic in
deserves recognition. She is the SAM On Monday 9 June 2014 Member March with two separate theatre
International Deputy for the United John Hill will be running another shows, a poster competition for
Kingdom, Liaison to The Magic Circle one of his acclaimed first aid junior schools, a museum
and a National Council Member. courses at The Magic Circle. The exhibition, lectures, charity shows
She has also helped out the SYM by course is British Red Cross and other events.
working with the kids on the WOW accredited and offers instruction in Trevor comments, “This is a most
(Weekend of Wonder). There isn’t a number of life-saving procedures. exciting and memorable year for
room on the certificate to list all her It will take place between 10:30 our flourishing Society and a
accomplishments! Please and 14:30 and further details can challenge for our fifty members.”l
congratulate her for receiving the be found by contacting John at
Presidential Citation…the highest johnhill@themagiccircle.co.uk or
award offered by the S.A.M.” calling 07713 092 936. Enrollment
Congratulations Mandy. is important for the course so make
sure you reserve a place if you want
CHILDREN’S to carry off the title. The winning to attend.
ENTERTAINER routine included the DIY Dolls
NATIONAL House bunny production, smoking THE MODERN MYSTIC
CHAMPIONSHIP bin, collapsing chair, Gum ball LEAGUE CENTENARY
The winner of the British Children’s machine, In Flight, the Unicycle The fifth oldest society in the
Entertainer National Championship (with a child on his shoulders) and country, The Modern Mystic League
in Blackpool last weekend was a toilet roll leaf blower, culminating (Blackburn & District Magic
Member Paul Megram AKA Colonel in two hundred exploding film Society), is celebrating its Centenary
Custard. It was believed to be the canisters. Congratulations must be (1914 – 2014). Member Trevor
strongest line-up ever, with every given to every performer for making Dawson, the Centenary President,
competitor having a great chance such a wonderful competition. with over fifty years membership, is

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 99

 IN G
N C
O U
N N
A The Magic Circle
MAGICIAN OF
THE YEAR 2014
THE PRIZE
The prestige in becoming The Magic Circle
Stage Magician of the Year

PLUS
£1,000 and a trophy for the Winner,
£500 for the Runner-up
& £250 for Third Place

THE FINALS DATE

Saturday 6 September 2014
at The Centre for the Magic Arts

ENTRY FORMS
Available NOW from the Organising Secretary
Michael Carr MIMC,
T 07786 075750
E SMOTY@michael-carr.co.uk
Open to all Members.
Entries close Saturday 28 June 2014.
Rules are available on the website.

100 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 LETTERS TO THE EDITOR

TMC WEBSITE that of the exam or even the desired material – a one-off routine gives
I have developed and maintained The Magic Circle website since 2008, much greater flexibility of material than I could ever hope to achieve
creating a new site that would serve the society as it grew and, more walkabout.
importantly, a site that would serve the Members. The site has grown, I for one would love to see a regular event at the HQ where any
soon to include every issue of The Magic Circular, many many hours of Member could perform a small routine to a select audience in The
videos, and encompassing The Young Magicians Club, The Magic Circle, Devant Room to allow them to try out an effect or routine in a pressure
and the Magic Circle Venue. environment in preparation for an exam. The opportunity could also be
After six years of working with many wonderful people on the IT used for those just wanting to try new material or to hone an existing
team, due to a number of reasons, including my health which has now routine. I believe this would fit with the principle of advancing the art
worsened, it is now time to move on, and regretfully I am resigning of magic by encouraging those who don’t always have the opportunity
from my position on the IT committee from February. to perform in a perfect setting for magic.
I wish whoever picks up the task going forwards all the best, and Maybe it could occur in place of a Hands On event, should sufficient
hope that they have the vision and ability to finish the journey that Members see it of value. It may even have the added benefit of
I, Chris Wood and Kenny Campbell started six years ago… attracting Members from further afield to the HQ on a Monday (I am a
Andrew Webb AIMC County Member myself). I’m confident the respected opinions and
feedback from the Monday Nighters to any participant would only
A POINT OF VIEW enhance their magical abilities.
May I through your letters column make a plea to the producers of Kind regards
magic DVDs? Mike Jenkins MMC
I have only a limited number of these as I prefer the immediacy of
access of books, particularly for revision and jogging the memory, but
in those that I do have there is one irritating aspect which occurs in all
of them: the explanation section is photographed from the spectator’s
perspective. This means that with cards in hand one has to go through
mental gymnastics to follow each move. How much more helpful it
would be for the shot to be taken from over the performer’s left
shoulder.
Another gripe I have is that because the majority of people are
right-handed surely it would be sensible for the demonstration to be by
a right-handed performer, for the same reason as above.
Or am I alone in my interpretive struggles?
Kind Regards
Walford Taylor MIMC

PREPARING FOR AIMC

I am writing in response to the ‘President’s View’ in last month’s
Circular. I found the article very interesting and some excellent advice
for those looking to advance to AIMC, also equally good advice to any
‘would be’ Member preparing for the entry exam. I then find myself
thinking, wouldn’t it be great if The Magic Circle could do more to help
those wanting to pass an exam, or even Members who just want to
generally improve their performances?
As I see it, the main issue many amateur magicians have is finding
the right setting and a good audience, and by good I mean one that
will give an honest appraisal of the performance rather than an
obligatory well done. I find myself in a situation whereby I would like to
start on the path to AIMC, but not being a full-time working magician I
struggle to get in the necessary real-world experience to prepare
adequately. Even though I do perform a few table-hopping
performances during the year, this is not generally the same setting as

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 101

 OBSCENE WEALTH

A s many of you know, I lead a life of extravagant wealth and

indulgence. For example, I’m dictating this article to my personal
assistant, Miss Sabrina, while sitting by the pool in my sun-drenched
Andy himself (you can contact him via his website,dealer enquiries to
www.murphysmagic.com). The smaller size is also available from the nice
people at Magic Box. The price is very reasonable for the entertainment
private villa near Honolulu, sipping a rather excellent cocktail prepared value you’ll get out of it, and the props should last for a very long time.
by one of Hawaii’s finest bar stewards. Highly recommended.
But how did I come to be so obnoxiously rich? It’s obviously not from
performing ability or any other sort of talent, as anyone who has seen Infinite End
me fumble through some cheesy mind-reading tricks will readily testify. Patrick Redford has come up with an absolute gem of mentalism that I’ve
Well, let me tell you. The secret behind my obscene wealth is simple: been meaning to tell you about for some time. In essence, it goes like this:
I take bribes. Lots of them. Big, fat bribes that give off a carrion stink you display a board featuring nine different symbols arranged in a
of blatant corruption. three-by-three grid. You invite a spectator to select any one of the nine
Fact is, people pay me ‘off the record’ to hype their products both different symbols, inviting him to ensure that you don’t influence his
here and in other parts of the magic world where my morally bankrupt choice in any way.
tentacles have some grip. (By the way, it’s no use complaining to the The spectator names one of the nine symbols. You then show that not
editor about this – how do you think I got this gig in the first place?) only did you predict his choice in advance, but that his decision was
The bribes themselves range from fat wads of cash to free flights, guided, at a subliminal level, by all of the other symbols on the board in
holidays, gifts and so on. All I have to do in return is mention things various subtle, surprising and ingenious ways. For example, you show that
you might want to buy and say I like them. So, given that Miss Sabrina one of the symbols contains an arrow pointing straight to his choice – but
says it will soon be time for my afternoon massage, I suppose I’d it’s an arrow he never even noticed until you drew his attention to it. The
better get on with it. series of reveals, showing how every part of the board was actually
steering the spectator’s mind, is quite astounding to watch.
The COAL Man So, how does it work? Amazingly, the ingenious design of the board
Some time ago Alan Astra devised an excellent routine called Always does all the work for you. No matter which symbol the spectator chooses,
A Winner. Andy Clockwise has adapted this and turned it into a routine you will be able to ‘prove’ that the other eight symbols were subliminally
he calls C.O.A.L. (Chance Of A Lifetime). It’s a superb routine and a influencing his mind without him realising it.
perfect lesson in smart magical structure. This first-class piece of mentalism is called Infinite End. It can scale to
At first, the plot seems to run along fairly conventional lines. You any size you want – reproduce the supplied artwork on a poster or giant
show half a dozen picture cards bearing various valuable prizes (e.g. screen and there’s no reason why a thousand people can’t play along.
a new Ferrari) and one ‘dud’ prize (a lump of coal). You mix the cards
face down and give the spectator a free
C.O.A.L. is choice. At this point, you’d expect the
a perfect spectator to somehow end up with the sadly
lesson in disappointing lump of coal. That’s not what
happens. What does happen is cleverer,
smart funnier, more entertaining and perfectly
magical satisfying.
structure Andy has placed a demonstration video
online which you’ll be able to find using your
favourite search engine. The video isn’t meant to be particularly flashy
(it was taped during a local club competition), and it doesn’t show the
second phase of the routine. Nonetheless, it is well worth watching.
I would draw your attention to the clarity of the premise, the
effective use of good-natured humour, the way Andy lets you assume
the trick will conform to expectations, the timing of the neat twist that
places the performer in a difficult predicament, and the surprising yet
satisfying resolution. This, my friends, is what perfect structure looks
like. Whenever I lecture, I always stress the importance of good
writing and good structure, and this item is a perfect example of
how to get it right.
C.O.A.L. is available in both postcard size and stage size (A4) from

102 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 CIRCULAR MENTALISM

Ian Rowland MIMC

As well as being perfect for any mentalism show, it would also fit card. Square up the deck, keeping it face up. Explain to your spectator
beautifully into any talk about persuasion, influence, communication that you want her to cut off any number of cards, turn the entire packet
and related themes. face down as one block, and replace it on what’s left of the face-up
I do think this astonishing item that could be a real reputation-maker deck. Say that you’d like her to try to estimate how many cards
if presented well. If you’re interested, contact Patrick directly for details she cuts off.
(www.patrickredford.com). After she has done this, ask her how many cards she thinks she cut
off. Whatever she says, say that you’re not sure and offer your own
Superb Blackpool estimate that differs by a few cards. You do not need to be accurate.
At the time of writing, I have just returned from the sixty-second annual Say: “We’ll find out how many cards you cut off in a moment, and
Blackpool Magic Convention. I had a thoroughly enjoyable time, as I we’ll also see which card you cut to… do you remember what it was?
always do. The convention itself was superb, but for me the best part is I think it was a black five or something like that.”
always the social side – it’s a wonderful opportunity to chat, laugh, Here’s the psychological fun. When you say “which card you cut to,”
session and have fun with countless magical friends, old and new, from you are of course referring to whichever card was on the face of the
all over the world, in a happy environment where we can, for a few balance of the deck when the spectator cut off a packet of cards. The
precious days and nights, relax among our own kind. spectator knows she must have seen whichever card she cut to.
I am always impressed by how incredibly well organised the However, in 99.9% of cases, she won’t remember what it was. Why
Convention is. We had three full days and evenings of events, with over not? Because her focus was on the packet that she cut off and the
150 performers involved, and every event ran smoothly, on time, without number of cards in it; she had no reason to note the card she cut to
a hitch or glitch in sight. That’s a massive achievement, but the Blackpool because she didn’t know it was going to be important; she had no
Magicians’ Club somehow make it look easy, year after year. reason to remember it; and you have applied some time misdirection.
The Convention has a few critics (some of them evidently struggling a The spectator’s awareness that she must have seen the card she cut
little with the concept of constructive criticism). While everyone is entitled to, even though she (almost certainly) can’t remember it, is powerfully
to their opinion, I think it’s a shame that magic’s biggest and most deceptive. It creates the strong impression that the card, whatever it is,
successful annual convention, by far, is not one that everyone feels they couldn’t possibly have been forced in any way.
can enjoy, admire, support, contribute to and be part of. You can now have the spectator thumb through the face-down
portion of the deck (which she cut off and reversed), until she comes
Bristol Day Of Magic to the first face-up card. This will be your force card, the 4C. Remind
The Bristol Day of Magic is the UK’s largest annual one-day convention. her that nobody could have foreseen exactly how many cards she
More importantly, it’s also one of the friendliest and most fun to attend. would cut to, or which card she would cut to. Then show that you
I’ll be performing and lecturing there this year, but please don’t let that predicted the 4C in any manner you want. There’s only one gaffed
put you off. The rest of the line-up is much better: Gaetan Bloom, Dennis card to ditch (or two stuck-together cards to un-stick), and then
Behr, Paul Romhany, Magic Ollie, Daniel Dean and Neil Austin. That’s a you’re clean as a whistle.
pretty neat array of talent. If you’ve never sampled the BDOM before, you What about the tiny percentage of times when the spectator is
may want to think about giving it a try. It’s a very enjoyable day, unhelpfully astute and does remember the card she actually cut to?
well-organised yet informal, with plenty of good magic on offer. No problem. She’s just chosen a card completely at random, which is
(www.minervamagic.co.uk/bdom/). the starting point for a thousand perfectly good card tricks.
Don’t want to use playing cards? Fine. This works with picture
QUICK TRICK postcards or anything similar and, since they are less familiar than
The Christ force, invented by Henry Christ and published in 1934, is playing cards, you’ll have even fewer instances of unhelpfully
normally performed using a face-down deck. The face-up version, though accurate recall. l
slightly riskier, allows you to exploit some very neat psychological trickery.
Let me explain.
Take a well shuffled face-up deck of cards. Place your force card, e.g. Invitation
If you have items, stories, jokes or vicious rumours of interest to
4C, face down on the face of the deck. Then put a double-face card, or
mentalists, please drop me a line (ian@ianrowland.com). If you can’t
two cards stuck back to back with sticky tape, on the 4C. afford Derren and want to hire a fairly good also-ran mentalist, or you
Briefly fan the deck face up, without flashing the single face-down just have time to kill, please visit www.ianrowland.com.

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 103

 THE MAGIC CIRCLE Crazy Frog

SHOWCASE

sales
T his particular routine is one of those daft ideas I came up with
recently. Whilst not very magical the right performer could have a
lot of fun with this. It’s colourful and the climax usually causes quite a
l Magic Circle Umbrella. Navy blue with silver coloured
few giggles. It even has a running gag. All the props are easily
handle and printed silver logo. Automatic opening. £14.95 obtainable or made up.
l Magic Circle Playing Cards. Poker size with black backs
and gold coloured logo. £3.95 each or £6.95 for two. Routine
A square tube on a base sits on your table. You explain that you
l Magic Circle Key Ring. £1.95
have a prediction inside the tube, something you’re going to show
l Inside The Magic Circle. Souvenir booklet. £1.95 them in a few minutes, but first they have to try and work out what it
l Moleskine pocket ruled notebook with de-bossed is. You display four different sets of six cards each of which has a
Magic Circle logo, 192 pages £13.50 different colour back so they don’t get all mixed up. A child is invited
to help you.
l Moleskine large plain notebook with de-bossed
Magic Circle logo, 240 pages £17.50 The children are The first set of cards is
displayed: Christmas pudding,
all very keen to tin can, Easter egg, jelly
MEMBERS ONLY see what the four sandwich, birthday cake and
*please state your Degree when ordering selected cards are, mobile phone. One card is
selected and placed aside. The
l Button Badge* £3.95 so you read them second set is displayed: shiny
l Deluxe Gilt Button Badge* £5.95 out. A pair of shoes, silver necklace, gold
l Jewel with or without Star* £13.50
glasses, spotty watch, pair of glasses, baby’s
l Cufflinks* £13.95 dummy and mobile phone.
bow tie, tin can Another card is selected and
and friendly frog. placed with the first selected.
The third set is displayed: stripy
shirt, spotty bow-tie, smelly socks, sparkly dress, football shorts and
These items can be purchased from the Showcase at mobile phone. By now the audience start to notice that mobile phone
The Magic Circle Headquarters on a Club Night or can be is appearing each time. One card is selected and placed aside with the
sent by post to your address (P&P extra). Credit cards other two. Finally, the fourth set is displayed: cuddly cat, fluffy rabbit,
(Visa and Mastercard) and cheques drawn on a UK bank friendly frog, wriggly worm, prickly hedgehog and mobile phone.
accepted (cheques payable to “CMA Ltd”). One last card is selected and placed with the other three.
The remaining cards are discarded so you are only left with the four
chosen ones. The children are all very keen to see what the four
selected cards are, so you read them out: “A pair of glasses, spotty bow
For more information Email tie, tin can and friendly frog.” You are relieved to see that the mobile
ShowcaseSales@TheMagicCircle.co.uk phone card hasn’t been chosen! The children are asked if they would
or telephone 0207 387 2222 like to see what’s inside the tube? The tube is lifted up to display the
cuddly frog complete with his spotty bow tie, glasses and an old tin
can. But wait… he’s also chatting on his mobile phone! After the
laughs have subsided, you wonder what the tin can has got to do with

104 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 CHEEKY DOG CHICANERY

David Tomkins MIMC

anything? Peeping inside you discover a small prize or packet of sweets

for your assistant.

The Props
It doesn’t have to be a frog, glasses or spotty bow tie. Be creative and
work out your own original funny looking character. My frog is about
25cm high. The base is 30cm square. My tube is 32cm high and
25cm square.
You will also need four sets of six cards. Mine are A5 size. Refer to the
lists above if you would like to use them, otherwise create your own.
Please keep the mobile phone running gag in the routine, it is very funny
and topical. Toy mobile phones are easily obtainable.
The tin can is a gag, also quite amusing. Use any tin can and make sure
to check for any rough edges round the open end. File the edges if
necessary and never allow the child to put their hand inside just in case.

Method
The glide is a nice easy way to force a card. Of course it may be more
difficult to use the glide with A5 size cards. Instead you could position
the force card on the face of the pile after showing all the cards. Turn
the pile face down, making sure the children can’t see underneath,
and casually mix the six cards, keeping the force card on the bottom.
Ask someone to shout stop whilst you mix the cards and, when they do,
freeze for a moment before turning the set of cards face up to show the
chosen (forced) card. Repeat the same procedure with the other three
sets of cards.
The rest of the routine is obvious and I’m sure there’s no need to
teach grandma to suck eggs. This is a light-hearted fun routine, letting
you to concentrate on the presentation not the method. Have fun! l

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 105

 LEFT IS RIGHT!

T his is a no reset, no table, close-up or strolling effect using,

apparently, just two silk hankies and two small envelopes. It is
something a little different, which I hope you will enjoy.
He comments that the hardest part of the trick is to make them go back
again! (A standard joke which gains groans from the audience.) Realising
their suspicion, the performer stresses that they REALLY have changed
The performer comments that as he looks at his close-up audience, places. He asks the spectator holding the envelope containing the LEFT
he has people to his left and his right, but to them they are on his right silk to open their envelope – inside they find the RIGHT silk. The spectator
and his left. It is all a matter of perspective. Whilst saying this, he holding what they thought was the RIGHT silk now looks in their
reaches into his top pocket and pulls out two white, nine-inch silks. On envelope and finds the LEFT silk. They really did change places! The
one the word LEFT is printed in green and on the other is the word performer takes back the silks, tucks them into his top pocket and he is
RIGHT in red. He gives one hankie each to two people either side of reset for his next audience. “You see it really was just a matter of
him. He also hands them a small, brown pay envelope each and asks perspective, my LEFT is your RIGHT! At least I’m right about something!”
them to tuck their hankies well down inside and then to seal up the
envelopes. Having done this, the performer takes the envelopes back WORKING:
and, overlapping them in the same hand, shows both sides to confirm You require a stack of envelopes, so you have enough for several shows,
to everyone that the hankies are securely sealed into their envelopes. as you will use two each time you do this. One of each pair of envelopes
He then hands them back to the two helpers. should be secretly marked with a pencil dot for your identification. You
The performer states that he will make the hankies change places. also require three, white, nine-inch silks, two depicting the word RIGHT,
The audience are suspicious, as he has just handled the envelopes and written in block capitals with a permanent red fabric pen and one
the performer ‘notices’ this. He asks the spectator holding the envelope depicting the word LEFT written in a green permanent fabric pen. You
containing the LEFT hankie, to keep it tightly between her hands, whilst also require a thumb tip into which one of the RIGHT silks is tucked.
he takes the other envelope from the second helper, opens it and pulls The use of a thumb tip to create a switch is certainly not new, but I
out some of the RIGHT silk, to prove that everything is above board. He think my combination of an old card move with the envelopes helps to
tucks the hankie back inside and folds over the top of the envelope, make this a slick and magical substitution trick.
closing it. This is then held between the palms of the second helper. Display the two silks and envelopes as described. Hand the marked
The performer states that he will make the hankies change places. envelope to the spectator with the LEFT silk. When you take the two
He says: “The LEFT hankie is on your left but my right, right? And the envelopes back, overlap them in a ‘V’ shape, so that when you turn your
RIGHT hankie is on your right but my left, right? Now I gave you the hand over to show the backs of the envelopes you can slide one envelope
RIGHT hankie as you are on my left, but you (pointing to the other over the other, thereby switching them. (This is the same move as when
spectator) have been left with the LEFT hankie, although you’re still on you have a double-faced and a double-backed card but want to
my right, right?” (Patter in this vein can be used to humorous effect as apparently show them on both sides.) Hand the envelopes back, but now
much or as little as suits your performance style.) The performer then the spectator holding the RIGHT silk has the LEFT silk. (The pencil dot
claps his hands and says that the hankies have indeed swapped places. ensures you do not confuse yourself with this convincing move and give

GREEN RED

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 CRAFTY CONJURING

Chris Wardle AIMC

Hopefully the the envelopes back appropriately for deal one card for each letter to the table, for example spelling
the trick.) With the attention on the M—I—S—T—E—R, then drop the rest of the cards on top. (You can
application of an envelopes held by the spectators spell ‘Mrs’ or ‘Missis’ by the way, but you have to spell ‘Mr’ as ‘Mister.’)
old card move secretly steal your thumb tip. In You then ask for their family name. Is the character a Baker, Mechanic,
married up with order to prove that nothing has Butcher or Fireman? Whatever is said you pick up the packet and spell
happened yet you tear open the out the rest of the name as follows: (for Dough the Baker)
the use of a LEFT envelope (which they think D—O—U—G—H, then drop the rest on top and pick up the packet
thumb tip makes contains the RIGHT silk), reach in again to spell T—H—E, then drop the rest of the cards on top and pick
for a novel with your thumb and index finger up the whole packet again and spell B—A—K—E—R, one card for
and pull out some of the RIGHT silk each letter and drop the rest of the cards on top. If you follow this
method from the thumb tip you were procedure, amazingly, no matter which name is chosen from the
wearing. Once they have seen some of the red lettering, tuck it back options above, the chosen card will now be back in its original position,
into the tip and withdraw the thumb tip in the process. Fold over the third from the top. The final question to the child is: “Were you telling
top of the envelope several times and get the spectator to hold it the truth?” If they say yes, then spell Y—E—S dealing one card for
securely, as the other spectator is doing – to avoid anyone getting each letter again and take the third card, the ‘S’ card, and you will be
a peek prematurely. You are now all ready to reveal the switch for a holding the chosen card. If they so no, then say that it was all a lie!
magical surprise! Spell L—I—E and the ‘E’ card is their chosen card. (You can spell
As you can see this is a fun, colourful effect, ideal for most age groups F—I—B, as it sounds a little less deceitful, if you prefer.) This is a
and with a supply of envelopes there is no reset so you are ready to go at variation on the wonderful Nine Card Problem devised by Jim
any point in your performance. Hopefully the application of an old card Steinmeyer (first published in MAGIC magazine, May 1993.) I wanted
move married up with the use of a thumb tip makes for a novel method, to ring the changes and make the effect appeal to children so started
which is something a little bit different. playing with Happy Family cards, to give it pictorial and historical
interest. By spelling the name as ‘Master Lean the Butcher,’ spelling
Just a Thought... MAGIC FAMILIES four words rather than three as in
Here is an item to use when you are performing close-up and you have The adults the original version, the card always
tables that include children. You display a hand of cards from the watching will ends up in the third position rather
children’s game Happy Families, explaining that this is a quaint, old card
game played by children in the past where you had to match up cards to
appreciate that than in the centre of the packet.
Remember, you ask three questions.
make family groups. You display your hand of mixed cards, which is made spelling Miss Ask for the title, then the family
up of: Mrs Lean the Butcher’s Wife, Mr Hose the Fireman, Mrs Dough the Dough the Baker name and finally if they were telling
Baker’s Wife, Master Lean the Butcher’s Son, Mr Muck the Mechanic, Miss the truth.
Dough the Baker’s Daughter, Master Hose the Fireman’s Son, Mr Dough
is fewer letters The adults watching will
the Baker and Miss Muck the Mechanic’s Daughter. (My cards are from a than spelling appreciate that spelling Miss
set printed by House of Marbles and are traditional-looking but on Master Muck the Dough the Baker is fewer letters
smooth, modern card stock, so are easy to handle.) You point out that than spelling Master Muck the
there are male and female characters and they have a variety of surnames
Mechanic Mechanic, for example, and the
linked to their jobs. The cards are mixed face down and a child chooses apparent freedom of choice highlights this.
one and shows it around without you seeing. You lift off the top two The trick does not work with all of the Happy Family characters so if
cards then offer the rest of the face-down packet, for the chosen card to you want to choose your own rather than mine listed make sure you
be placed back, then the two cards are dropped on top. (Don’t make it check them. For those interested in the mathematics behind the card
obvious that it was just two cards.) The chosen card is now third from placement of the original effect and several variations involving spelling
the top. You say that it is very bad to lie, however, you are going to play card names repeatedly, then look no further than Colm Mulcahy’s
a game, where you are allowed to fib! This will appeal to your young Mathematical Card Tricks (published by CRC Press in 2013 and
audience. You are going to ask about the identity of the card and the reviewed in the January 2014 issue of The Magic Circular). Who knew
child can lie or tell the truth. First you ask as to the card’s title. Is the that this classic card trick would also work, with my slight variation,
character a Mister, Miss, Master or Mrs? Whatever is said, you using Happy Family Cards? l

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 James
FREEDMAN
Man of Steal
Interviewed by Will Houstoun MIMC

James Freedman MIMC is a well known

Member of The Magic Circle. He is well known
for his work as a magician and pickpocket and
has also worked extensively as a consultant
on film and television as well as running
a marketing and training business using magic
principles. Following his recent victory
in The Magic Circle’s Close-up
Magician of the Year 2014
I caught up with James
to talk about picking
pockets and magic

108 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 Will Houstoun: Congratulations on winning The Magic Circle’s close-up Magician of
the Year 2014.
James Freedman: Thank you.

Will: How did it feel to win?

James: I was obviously very pleased to win. It’s a title that’s held in high regard.
I also think The Magic Circle Competition is unique. As a Society, we have let it become
a competition for workers. We perform to a largely lay audience and three of the judges
are laypeople. I don’t think any of the performances this year would’ve stood a chance
at being placed at the International Magic competition or FISM. I think our competition
is about commercial acts. Who would you book for a gig?
Whilst many members are very creative and winning awards, I don’t think The Magic
Circle itself is producing magicians who are likely to become World Champions or rival
the ingenuity and creativity coming out of places like Korea. That is because we’re doing
things the same way as we have done them for some time –and the world is moving
on past us.

Will: Do you think that is a problem?

James: Yes. I do think it’s odd to have lay judges in a magic competition. We don’t
see the Olympics with three experienced technical judges looking at the diver saying,
“Tom Daley has done a triple salco, pike and treble turnaround,” and a lay judge saying,
“I liked his trunks, so he’s the winner for me.”
I would also ensure that the judges have some sort of moderated discussion
afterwards. Without that it could be that someone wins when none of the magician
judges had them in first place. I am not trying to dismiss all the hard work that goes into
running a good competition, these are just things I think could be different.

Will: So you paid close attention to the kind of competition that it is?
James: Yes. You need to think about who the audience and judges are as well as how
the judging works. I remember when I entered the Circle competition, not so long ago,
and one of the judges told me afterwards that some of the panel wanted me as the
winner, but because a large chunk of the marks were for originality and I hadn’t done
anything original, I didn’t win. Now the rules have changed and originality is not
something that the winner is judged on, although there’s a separate originality prize.
You have to perform in a way that suits the competition you enter.

Will: That makes a lot of sense. In a broader sense, what do you think the role of
competitions within the world of magic is or should be?
James: They don’t really serve any purpose other than mostly short-term publicity if
you decide to use the title in that way. How can you honestly judge whether performance
A, with three matchsticks, was better than performance B, with two dice and a pack of
TED London 2012 cards? You just can’t. It’s very subjective.

Will: So, on the PR side of things, has winning the competition done anything in terms
of your day-to-day work?
James: It certainly made a difference when I won it in my twenties but it’s too early to
say whether it’ll make a difference this time. I’m not really doing much close-up work
now as I am focusing on doing my stage pickpocket act. That’s where it’s at for me at
the moment.
Also, when I last won, if someone read in the papers that you had won a competition
at The Magic Circle it was a big deal. Now Google will bring up several hundred “Award
Winning Close-up Magicians of The Magic Circle,” even though the competition’s only
been running since 1962!

Will: Misleading quotes are wonderful aren’t they!? You mentioned your work as
a pickpocket, when did that interest start? Did it run concurrently with your interest
in magic?
James: I had an interest in magic from around the age of four. Late one night, before
the days of video tape, Parkinson had a guest who was a stage pickpocket. I was allowed
to stay up late and watch this gentleman give what I thought was the most brilliant and
engaging performance using members of the audience. The next day I was trying to steal
Thief in Downing Street
s

pens out of my friends’ pockets and to re-enact what I had seen. I couldn’t do any of it,

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 I had a day job we did some really big and
prestigious projects together.
Then, in 1999, the business I was working for
was sold. Those of us who had some shares got
some money. I got very little money, but it gave
me enough of a cushion to consider what did I
want to do. I created Magic Management,
which applied psychological principles from
magic to business communication. Within the
first few months we had landed Coca-Cola and
Sony as our first two clients. They were then the
biggest and the second biggest brands in the
world. We were very lucky.

Will: What kind of thing did you do in these

sessions?
James: When I was working in the property
business, one of my responsibilities was to write
the shareholder presentations and analyst
pitches that my Chief Exec would deliver. I
realised that I was giving him lessons that I had
learned from magic. The whole point of those
presentations, and in some ways the
performances that we give as magicians, is to
differentiate yourself, not just to be another
clone of another act. It was all about
differentiation. So if every other company
was going to see the analysts with a laptop
presentation, you are probably better off
going low tech with an easel with some
James, Barney Clark and Sir Ben
boards, for example.

but it didn’t stop me having a go. By the time I four.” Magic was only ever a hobby and I didn’t Will: When I think of magicians giving
was in my late teens I was stealing ties at see it as being something that could be a business training, I think of somebody who talks
school and taking things out of their pockets. It sensible career choice. Perhaps with some about the way body language works and can
was a hobby. parental influence, I thought, I had to get a be interpreted, then proves their point by doing
Many years later I was chatting with “proper” job. the invisible deck. Just using magic to validate
someone at The Circle who told me that that So I studied to be a Chartered Surveyor but fake expertise.
pickpocket was the great Borra. I don’t have not confident about passing my final James: We wanted to avoid that completely.
many regrets, but not getting to see him live is examinations, to become a member of the The first thing was that there weren’t any magic
one. Thanks to John Fisher, who produced that Royal Institution of Chartered Surveyors, I also tricks. I think it is dishonest to say in a training
Parkinson show, I managed to get a video tape took papers to join the Incorporated Society environment, “I’m reading your body
and watch it again though. of Valuers and Auctioneers. To my surprise, language,” when actually you’re reading a
I passed both. Subsequently, the two marked envelope. In that context, I don’t
Will: What was the experience like seeing it organisations merged and I lost a few letters think psychology and magic tricks are good
again many years later with much more after my name. bedfellows at all. Of course, it’s fashionable
knowledge? Was it still the same wonderful and trendy, because everyone is now a
thing? Will: At what point did you decide you wanted psychological illusionist.
James: It was more wonderful, but in a totally to do more magic?
different way. When I was younger it flew by in James: In 1994 I was very busy with a career Will: Almost immediately after Mr. Brown’s
a few minutes. The luxury of being able to in commercial property, but Richard McDougall popularity soared…
watch it again with a bit more of a knowing eye asked me to take part in a show called Ever so James: Quite! We taught things like Ramsey’s
is amazing. Borra is one of my absolute heroes. Sleightly at the Battersea Art Centre. It was idea that to get someone to look at something,
There will never be another stage pickpocket London’s first weekly magic show since you look at it yourself. If you want them to look
with his finesse and style. Maskelyne and Devant and he doesn’t get the at you, you look at them. That’s a fantastically
credit he should for having produced it. At that powerful thing for someone who’s standing at a
Will: I know you are also a trained auctioneer show I was approached by John Woolvett who lectern and giving a corporate presentation.
and you worked as a chartered surveyor. How suggested we work together. So for about six
did that fit with your magic? years, John and I did ad hoc corporate events Will: I know you’ve also done quite a lot
James: There is the old joke: “What’s the together – he would take the message during of work as a consultant for film and TV. Could
difference between a professional magician and the day while I was at work and I would deal you talk a little bit about some of the
a large pizza? A large pizza can feed a family of with it when I had some downtime. Considering interesting jobs?

110 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

James: Certainly. I’ve been very lucky to work I’ve just been in a meeting today for a current which may not be apparent when you watch
on some extraordinary films. The first major television production, and the production my act, or Barry Humphries. I like people that
feature I worked on was Oliver Twist for Roman company are happy to use edits and camera are different.
Polanski. Without any doubt, the man is a trickery. I’m being quite forceful that they Within magic I have lots of influences. The
genius. I know it’s an overused word, but trust shouldn’t. Not because I’m a purist about first one is someone most people reading this
me. Roman Polanski is a genius. magic, but because I absolutely believe, and my magazine will never have heard of. His name
experience on The Illusionist and other films has was Harry Adler, but I knew him as Uncle Harry.
Will: Why? convinced me, that lay audiences with no He wasn’t my uncle. He was my
James: When I met Roman I asked: “How’s technical knowledge can smell the difference. great-grandmother’s second husband, a
this going to be filmed? Where’s it going to be At the end of the press screenings for The Member of The Magic Circle and an
shot?” He said, “I don’t know yet. Give me Illusionist, we even asked audiences: “What do escapologist and general magician. He
something authentic, and then I’ll tell you how I you think was real and what do you think was performed in the very first decade of the
want to shoot it.” I said, “Well, yes, but they’re done in post-production?” Lay audiences pretty twentieth century as “The Great Adler, Military
not really going to learn to pick pockets. That much got everything right and magicians got a Illusionist.” Despite the age gap I knew him
will take months.” He said, “Well, then you’ve lot wrong. until I was sixteen and he used to take me into
got months.” He wanted me to teach the boys Alan Alan’s or Davenports. He was a huge
genuinely how to pick pockets. Will: What are you working on now? influence on me and if anyone reading this
Well, there are some short cuts, because a James: In 1999 Richard McDougall suggested knows anything about him I would love to
particular boy might only need to know how to I drop the magic from my act and just pick hear from them.
take a particular item out of a particular pocket, pockets. My act immediately went from forty The person who’s able to make me change
but he still wanted them to be able to do it for minutes down to fifteen and I’ve spent all the my performance the most with the fewest
real. Then when he looked at the final piece, he time since building it back up again without words is Richard McDougall. In fact, he even
knew how to shoot it. using magic tricks that the public would helped me with the competition despite being
That willingness to give me the time to teach recognise as magic tricks. I gradually got it up overseas. I was getting a little bit nervous
them some of the psychology paid off. When to a forty-five minute show and I’m now because it was a competition so I opened an
Roman Polanski came in and said, “I want an working on a new one-man show, which I hope old text message from Richard that he’d sent
update. How are they doing?” Harry Eden, who will be largely new material. It will have some me on the afternoon of a high profile stage
played the Artful Dodger said, “Just stand over pickpocket bits, certainly, but it’s around a more show. It basically said: “Calm down. Be yourself.
there and we’ll show you,” and in that action general theme of dishonesty and theft. If you couldn’t do it, you wouldn’t be there.”
stole from the director! And later, Sir Ben Richard helps me enormously without even
Kingsley, who played Fagin, knew that the boys Will: Is it being done for anything in knowing it.
were going to be stealing from him, but never particular? I also have to mention David Berglas, but
knew whether they had or not. He just couldn’t James: At this stage I have to say watch this then he’s influenced every magician currently
feel it. space, but it will be out this year. on the planet. Borra, undoubtedly. Houdini
That’s hugely different to some TV shows I’ve and Malini, I think, all in different ways. There
worked on where they just need a quick Will: Who are your influences both outside and are just too many to mention them all.
pickpocket scene and things are more faked. inside magic? That’s the thing I love about magic.
James: Outside of magic, my influences are Influences can come from almost anywhere
Will: I know you also worked on varied but in the business, from variety, I and new ideas continually occur. The real
The Illusionist. suppose. People like Morecambe and Wise, secret is acting on them. l
James: That was great fun. A friendly battle, if
you like, between traditional magic methods
and Hollywood methods. On several occasions
the production had a method for a particular
effect that the director/writer had envisaged,
and it was going to cost thousands of dollars
and be done on a computer. We’d say, “You
may like this,” and just do the magic live.

Will: One of the things that was conspicuous

about that film were things like Robert-Houdin’s
Orange Tree being included using CGI. There
was a lot of reference to legitimate magic that
was faked, as well as real magic.
James: One interesting thing about that
Orange Tree sequence is that until it’s grown to
about six inches, the whole thing is mechanical
and there’s no CGI. It’s only from that point and
as the oranges bloom that film magic was used.
You could almost hear the audience response
when we did the previews because as I often
say, they can smell the difference. Aaron Johnson, James and Edward Norton

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 425. JOHN FREDERICK SUTTON: ASSISTANT, AGENT AND MANAGER
TO JOHN HENRY ANDERSON AND FREDERIC MACCABE

T he first mention of the name John F Sutton in the magic literature

appears in Clarke’s Annals of Conjuring in 1925 as being for some
years assistant and business manager to John Henry Anderson, Great
during my own performances, for any night they may select, if they can
then and there perform – I care not by what means – the tricks (I mean
no offence in the word) they now do under the cover of darkness, and,
Wizard of the North. It is not known precisely when Sutton was first as I believe, with the assistance of confederates (else wherefore the
employed by Anderson but it was obviously after the Wizard’s return to darkness?) – I will not only acknowledge their right to take any name
Britain from America, almost penniless, as a result of the effects of the or assume any attributes they think proper, but I will pay the sum of
Civil War on show business and a disastrous theatrical season in New one hundred pounds into the hands of the Lord Mayor for charitable
York; his former manager Edward P Hingston had remained in the purposes. I thus offer them an opportunity of satisfying the public that
United States. Whether Sutton met Anderson in America is unknown they do possess such attributes as warrant them in assuming the
but he was certainly there during 1861 as a ‘Grand Complimentary supernatural agency they are laying claim to. Of course, should this
Testimonial to MR JOHN F. SUTTON’ was held at Pike’s Opera House, challenge be accepted, I reserve to myself the right of explaining any
Cincinnati, on 19 September 1861. natural means or appliances by which the tricks are performed.
Of Sutton’s work as an onstage assistant, only one example of him
being named in such a role has been found, in March 1865. The By 1865 Anderson had introduced special Anti-Spiritualistic Matinees, and
previous year the Davenport Brothers had arrived in London and an extended section nightly within his main show. At the Town Hall,
created a furore amongst the literati of London. Anderson, who had Birmingham, in March 1865, at the close of his usual performance, he
been exposing the work of bogus spiritualists and demonstrating rope presented his version of the Davenport séances, in illustration, he said, of
releases since the early 1850s, had gone into battle against the the extent to which humbug could be carried. The Birmingham Daily Post
Davenports both in print and onstage. Thus this report in the (22 March) carried the following report of the proceedings:
Manchester Times appeared on 15 October 1864:
A plain deal cabinet, opening to the audience with three doors, was
MR. ANDERSON AND THE SPIRITUALISTS.- Professor Anderson has brought upon the platform and erected upon normal horse [trestle]
challenged the ‘Brothers Davenport.’ He says: “I make this offer, or, supports. The Cabinet, having been inspected by several persons who
if the terms are more impressive, give this challenge to Mr Palmer’s mounted the platform by invitation, and pronounced free from
protégés. I offer them the use of St James’s Hall, illuminated as it is conjuring apparatus, the Professor introduced his daughter, and invited

Sutton being bound by a sailor at St James’s Hall, 1865

112 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 A RICH CABINET OF
MAGICAL CURIOSITIES
Edwin A Dawes MIMC
© The Magic Circle Archive

John Henry Anderson Frederic Maccabe Lizzie Anderson

any gentleman in the audience to tie her as he liked. After some delay, to the audience sitting, one at each end of the interior of the
two gentlemen volunteered their services. They tied Miss Anderson cabinet, helplessly bound, and several articles, including a
with great pains, employing about ten or fifteen minutes in the cornopean, a tambourine, &c., were introduced beside them. The
operation, and using up from twelve to fifteen yards of rope. While doors were then closed, and the cabinet was watched with intense
they were doing so, a slight hissing arose, upon which Professor interest. In less than fifteen seconds, a head was shown at a
Anderson reminded them that there was no spiritual humbug in what diamond-shaped aperture in the centre door, and a heavy article
was about to be done, but that it was a plain attempt to show them was thrown out. The next moment, the cornopean struck up with a
that the feats for which other parties claimed supernatural origin well-known air to which the tambourine beat time. The audience
could be performed ‘without the aid of spirits.’ applauded heartily; but were still more roused to enthusiasm when
Miss Anderson, securely tied, apparently beyond the possibility of the music having ceased, the doors opened and revealed Mr Sutton
unravelment, was then lifted into the cabinet, and the doors were and Miss Anderson, sitting bound in their places.
closed. In less than sixty seconds the doors were thrown open from The gentlemen who had tied them having examined the cords
the inside, and Miss Anderson stepped out free from her bonds. The and testified that they were in the same condition as when fastened,
result was hailed with loud cheers. the doors were again closed, and the musical performance repeated,
The Professor then intimated that his secretary (Mr Sutton) and his accompanied by the forcible ejection of articles from the aperture in
daughter would allow themselves to be bound to the inside of the the door. The doors again opened, showing the inmates of the
cabinet in any way the most dexterous rope-tier could adopt, cabinet bound as before. Having been closed a third time, a brisk
stipulating only that the ‘tomfool knot,’ from which the Davenport concert took place inside, at the close of which the doors opened,
Brothers could not release themselves, and which he therefore need and Miss Anderson and Mr Sutton stepped out unbound, with the
not attempt, should not be used. Several gentlemen came forward and cords in their hands. The audience applauded the unequivocal
occupied about a quarter of an hour in tying Mr Sutton and Miss success of the experiment,, which, as the Professor remarked, made
Anderson to bars inside the cabinet. One of the operators in this further comment upon the Davenport pretensions unnecessary.
procedure was a ‘professional’ from the gallery, whose appearance on
the platform was hailed by the applause of ‘the gods,’ affording a The only image of Sutton we have found is of him being bound by a
guarantee of the genuineness of the tying operation. sailor at St James’s Hall in the New Penny Illustrated Paper, and is of
s

The tying completed, Mr Sutton and Miss Anderson were exhibited very poor quality as the accompanying illustration amply testifies!

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 The Miss Anderson who participated in the Davenport cabinet the November 1865 parting between the latter pair. By late February
presentation was Anderson’s daughter Lizzie, who subsequently became 1866 onwards, Mr J F Sutton is stated as Agent in all Maccabe’s
an expert exponent of the Japanese Butterfly trick after Dr Lynn had advertisements in The Era, a position which morphed variously into
introduced it to Britain in 1866. Lizzie’s first performance of this lovely Business Manager and to Treasurer over succeeding years, continuously
trick seems to have been at Easter 1867 in Liverpool. until at least 1885 (the last newspaper advert so far noted bearing
However, it would appear that Sutton parted company with Anderson Sutton’s name is a one-day engagement in Motherwell in February 1885).
in 1866 and to trace the background leading up to his departure it is This nineteen-year stint included overseas tours, notably a three-year visit
necessary to go back to 30 July 1865 when Anderson opened a new to the Antipodes in 1881-84, on which he was accompanied by his wife
season at St James’s Hall, London, and engaged the services of the and family. Mrs Sutton, in fact, was a pianist by profession, and provided
ventriloquist Frederic Maccabe. Later, in November of that year, he also the musical accompaniment for Maccabe’s show, at least on this tour.
engaged Anak (Joseph Brice), a French Giant, but by the end of that In the first part of 1890 Sutton was managing Strong Man Sandow’s
month his unsuccessful season ended abruptly. In September 1866 he road show Muscle, Music and Mystery, the mystery being in the capable
was declared bankrupt with “unsuccessful engagements of a ventriloquist hands of Charles Bertram, and by October-November 1890, he was
and a giant” quoted as key factors. Secretary of an art exhibition in London featuring 160 oil paintings by
To compound his woes, Anderson received a letter from his son John Jules Garnier (1847-89), the well-known Parisian artist, advertising the
Henry Junior in America informing him that Hannah, mother of four of his show as a ‘Rabelais Exhibition,’ which was effectively a flag for the
children, had died at Newburgh, New York State, on 22 August 1866. In significant racy content of many of these paintings. This led, after only a
his reply, Anderson Senior told of his bankruptcy and wrote “The week or two, to about thirty of the works being seized by the authorities,
scoundrel Sutton also got me into a frightful mess at St James Hall and and Sutton and a co-defendant being brought before the Bow Street
left me, to go with a man I brought out, called ‘Maccabe’ a mimic and magistrate on obscenity charges. They were committed for trial, but
ventriloquist. He cost me £1400 and did not draw a shilling.” although the committal hearing in November 1890 was extensively
This letter ended up in Harry Houdini’s Collection and in 1921, at a reported, there seems no trace of a subsequent full trial, which the press
time when he was Editor of M-U-M, he published it in the March issue. would surely have reported in juicy detail had it occurred, so perhaps the
This brought forth, in the next (April) issue of the magazine, a robust charges were later dropped. The magistrate did order the destruction of
defence of Sutton from none other than Harry Kellar, Dean of the Society the seized paintings.
of American Magicians. However, this was not Sutton’s first involvement with racy pictures. In
December 1888, Sutton, giving his address then as 141 Sauchiehall
Just received the M.U.M. I read the Street, Glasgow, brought a court case against an Inverness man for
letter of the Senior Anderson, to his son alleged breach of contract relating to the purchase of a well-known
John Henry Anderson Jr, in which he uses painting owned by Sutton, entitled ‘Nana,’ by the Russian artist Marceli
the term that ‘Scoundrel Sutton.’ The Suchorowsky (1840-1908). Sutton had apparently been exhibiting this
only complaint he has against Sutton is painting in Glasgow for three years, and allegedly had a written
that he left Anderson to go with statement of intent from the defendant to purchase the picture for the
‘Maccabe.’ Mr Sutton was a gentleman, not-inconsiderable sum of £11,000. The man from Inverness, who,
© The Magic Circle Archive

an honourable man; it is true that he improbably, was a twenty-two year old agricultural pupil with a
managed Maccabe through Australia Ross-shire farmer, maintained (a) he was seriously drunk at the time and
and cleared up a fortune. He could not incapable of making a contract, (b) the “price was extravagantly beyond
have injured Anderson by taking the value of the picture” and (c) the picture was “an indecent
Maccabe on tour, for, according to representation of a courtesan.” Sutton was seeking to enforce the
Anderson’s letter, Maccabe cost contract at £11,000, or alternatively receive £5,000 in damages.
Harry Kellar Anderson £1400, and did not draw a Judgement was reserved to 5 February 1889, on which date the case was
shilling.. So Anderson should have been thankful to get rid of him. resolved in favour of neither party, the defendant subsequently falling
Mr Sutton was my friend and he told me himself, that the reason he down in a fit as he left court! It emerged that the exhibition of this
quit the management of Anderson was – that the game was a losing picture between December 1885 and December 1888 had yielded the
one to all concerned and he knew that Anderson and Maccabe did not “very large” profit of £4,843 (which presumably accrued to Sutton).
agree – probably, as Anderson wrote ‘he cost me £1400 –and did not The last Sutton reference in Britain noted was in October 1891, when
draw a shilling.’ he was back in Glasgow, showing a ‘cyclorama’ exhibition of ‘The Falls of
In justice to my friend Sutton who is dead I feel this explanation is Niagara,’ and New York Passenger Lists disclose that he arrived in New
due to him. York on 22 February 1892 with a stated age of 62 which, if accurate,
When I was a boy, I was for a season assistant to John Henry would indicate a birth in 1829-30. His whereabouts thereafter remain
Anderson, and found him a very fine man whose memory is dear to currently unknown
me, and I think that letter from his father, when the old gentleman Sutton’s marriage detail, and also his entries in the 1871 and 1881
was peeved and smarting under the imagined injury of his manager censuses, establish that John Frederick Sutton, profession Agent, married
leaving him should not have been published. Lydia Ann Whitehead at the church of St James The Less, Thorndike Street,
Westminster on 10 September 1865. Sutton’s father, also John, and by
Yours sincerely, then deceased, is revealed to have been a Cheese Monger by profession,
HARRY KELLAR. and 1841 and 1851 censuses/directories show that he was in business
and resident in the Seven Dials district, although young John Frederick is
(It was, of course, John Henry Junior with whom Kellar worked in America not present on either of these census returns.
in the later 1860s.) His wife Lydia (b. 3 June 1839) was the daughter of a Chelsea
Anderson’s antipathy to Sutton probably arose because Maccabe may shoemaker turned professional Flautist, and is herself noted as a Pianist
have poached his services from Anderson in the immediate aftermath of in the 1861 census. At the 1871 census, the couple were in lodgings in

114 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 1871 census as forty-two years old and the 1881 census as fifty-one. This
translates into an 1828-30 birth date range and tallies with the deduction
made from the New York Passenger list of 1892. However, his father John
the Cheese Monger’s age is given as twenty at the 1841 census (at this
census, ages tended be rounded down to multiples of five) and thirty-two
at the 1851, suggesting an 1817-21 birth date range, which seems
incompatible with the range for John, and unfortunately a death date for
him hasn’t been found to get an age/birth date indication from that.
Further confusion is the following commentary from the Leeds Times of
15 November 1890, in connection with the obscenity prosecution: “... At
least £5000 worth of these indecencies [i.e. the pictures] has been
destroyed by order of a London magistrate, Mr Vaughan, and the show in
which the whole series appeared is shut up. It is certainly a matter of
deep regret to me that one of the defendants should be a man well
known and highly respected by a large circle of friends in Leeds. I refer to
Mr. J.F. Sutton, the cannie Scot who piloted our old friend Fred Maccabe
for some years. I am puzzled by Mr Sutton’s moral twist. He is a thrifty
man, and fond of dollars, but it is difficult to think him guilty of getting
them by nasty picture showing.”
Chorlton, Manchester, with a five-year-old son. Sutton’s occupation is The description of him here as a Scot is thus at odds with his apparent
given as Author and Musical Agent. Maccabe and his then-recently origins as a Londoner; however, he may have been living in Scotland by
acquired wife were in a cottage in Didsbury at the same census. this time (cf. 1888 court case). Both the 1871 and 1881 censuses list him
By 1881, the Suttons were in their own home at 1 St Paul Road, St as London born, the latter specifically as St Pancras. l
Pancras, London, now with three later children aged from 0-10. John’s
occupation was stated as Music & Dramatic Agent, Lydia’s as Teacher of ACKNOWLEDGEMENT
Music & Piano. In a court case reported in 1873, in which Maccabe was I am grateful to Michael Dawes for newspaper and census searches and
being sued for libel, Sutton gave evidence, in which he stated that he to David Hibberd for the use of images from The Magic Circle Archive.
(Sutton) then lived in Camden Town, so may have been at St Paul’s Road
already by then, or if not then he was certainly in the same neighbourhood. REFERENCES
Sutton’s birth details have not been found, and there is an age Clarke, S.W. (1926). Magic Wand 14, 203-209.
discrepancy. The marriage certificate lists him simply as of full age, the Kellar, H. (1921). M-U-M 10, 1.

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www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 115

 CLUB NIGHT
EVENTS
Mandy Davis MIMC CONVENOR OF REPORTS
Mark Hesketh-Jennings PHOTOGRAPHER

20 January – 10 February

MONDAY 20 JANUARY 2014 The boys commenced with a standard perspex box revelation and,
YOUNG AND STRANGE whilst it was clearly intended to reveal Young, it produced the unknown
Reported by Tim Barnes ‘layabout’ from the film clip, Member Graham Colvan, still eating the
Richard Young and Sam Strange visited The Magic Circle to perform the kebab we’d seen him with on the streets earlier. A great introduction and
majority of their Young and Strange ‘free fringe’ show from the one which fantastically set the tone and style for the evening. A snooker
Edinburgh Arts Festival. This was followed by an explanation of their cue Sword Box followed with Strange as the magician and Young as the
thinking behind one of the illusions. hapless victim, trapped inside the cardboard carton.
Their introduction was delivered via video, charting the re-formation A card routine was next and then a performance of the Stodaire Egg
of the Young and Strange double act, following an apparently trick, all interlaced with the Young and Strange trademark banter of
acrimonious break-up which, in turn, had led to a period of depression dislike for one another. A humorous slide montage was followed by
and semi-rough living. What we were not to know, at this time, was another card routine; and a large illusion then returned us to the initial
that the film would provide a whole host of opportunities for gags film and Young’s life-long desire to own and perform this one item. Their
through the show and call-backs to images, and incidents, within climax was a double Kevin James Snowstorm, with added snow pumped
this initial piece. from the theatre gallery – a beautiful and dramatic end to a thoroughly
engaging show.
The lecture segment focused on the Sword Box which we learned was
their adaptation of the U F Grant Sword Box from the 1950s. With the
benefit of the open box being filmed from above, we saw every
manoeuvre as twenty or so sharp cues were slammed through the wall of
their custom-made cartons. The level of detail was impressive, down to a
clever idea to show penetrating spikes even on the wall that Richard
Young was to finally be forced against. What was particularly interesting
was their approach for dealing with and moving on from those occasions
in rehearsals when Young is hit – either being stabbed or simply having
his clothing ripped! Whilst billed as an illusion, this was basically what we
all assumed – a man, in a box, trying not to get hurt. Fascinating stuff;
and unlike most pieces of magic, this was all the more impressive for
having been shown this duo’s method.
[The Hands On Pre-Show in The Devant Room featured Roberto Forzoni.]

MONDAY 27 JANUARY 2014

LEE HATHAWAY AND FRIENDS
Reported by Lee Hathaway
This evening of street magic was introduced by Shaun Ames from Covent
Garden Street Performers Association. Magic Sam, a talented street
performer who also demonstrated effects and ‘classic’ lines, then ably
compered the remainder of the show.
Seth Engstrom spoke about his journey into street performing, his
inspirations and how to build confidence. Following this mini-lecture he
performed his own take on the cups and balls: a version that used just
two cups and built on the work of Michael Ammar and David Williamson.
Paul Carpenter discussed another aspect of street performing: the art
of first building a crowd and then making them want to pay! After a talk
on the way to deliver hat lines he performed a strong blindfold routine
Young and Strange
after having his eyes sealed shut using coins, dough and tape.

116 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 Paul Carpenter

Magic Sam

Jack Beavis

Jack Beavis has utilised his natural, nonchalant, ‘can’t be bothered’

attitude to create a very funny character-based act. As both a skilled
magician and juggler it was a little bit like watching comedian Jack Dee
trying to perform a magic act!
Congratulations to all the performers for putting on a great night on
The Magic Circle Stage.

MONDAY 3 FEBRUARY 2014

THE MAGIC CIRCLE ANNUAL CLOSE-UP COMPETITION
Reported by Tim Barnes
How do you review something like the Annual Close-up Competition
without simply providing a list? Perhaps you can’t – so here goes:
The performers: Matthew Le Mottée, Brendan Rodriguez, Noel Qualter,
Steve Cooil, James Freedman, Lewis Starnes, Billy Reid and Tim Saiet.
The magic we saw: Tricks with ropes, three; rings, three; elastic
Seth Engstrom bands, one; sponge balls, one; wallets, two; coins, seven; paper money,
s

one; guillotine, one; fruit, one; and cards, sixteen – but there may well

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 117

 have been quite a lot more.
The magic we didn’t see: Re-Maxed Iceolation. A clever trick, but
neither the chosen card nor the ice was visible on the theatre screen so,
sadly, we missed the moment.
The magic we saw more than once: Two coin assemblies, both
presented as finales to the acts.This surprisingly was the only duplication
in a competition that often includes multiple repeats.
Allied arts: One performer. Brendan Rodriguez, performed some
juggling and was also the only performer not to use cards.
Comedy magicians: One performer. Steve Cooil was the only obviously
comedy magician, although James Freedman is a straight man with a
plethora of very funny lines.
Mentalism acts: None. Both Noel Qualter and James Freedman worked
with predictions, although not as straight mentalism.
Performers working to music: Two. Both Brendan Rodriguez and Billy
Reid also performed with patter.
Performers with more courage than your reviewer: All eight!
Was it a vintage year, did I hear you ask? Well, probably not. There
were no stand-out moments but there were no car crashes either. There
were more than a few fumbles but there were some great lines with
Dave Bonsall
performers thinking deftly on their feet. We also saw a particularly nice
presentation using the Joe Porper Strong Box. It’s a wonderful item that
I’ve never managed to create anything interesting with yet Lewis Starnes MONDAY 10 FEBRUARY 2014
has done so. There was some great routining from some performers too, THE DAVE BONSALL LECTURE
notably Matthew Le Mottee and James Freedman, both performing with Reported by Kevin Bird
rope. In other cases a sense of routine was rather lacking. “I have one Dave Bonsall explained that his two passions were magic (he originally
more thing to show you” implies simply working down a list. Having the had a dove and manipulation act) and making things. However he had, in
Originality Award presented was a bonus, as it isn’t always, and it went to the past, lost some of this passion for the former (now thankfully
a worthy recipient too. restored) and his appetite for the latter eventually escalated – before long
he became a magic dealer, PropDog.
So who were the winners? Dave explained his philosophy on performing and the importance of
The Originality Award went to Noel Qualter with a creative set good routining. He highlighted this by performing, and explaining, his
comprising his marketed iDeck, a clever card to wallet routine and the three phase working close-up act, featuring a ring, sugar and cards, and
picture of a freely-chosen film star appearing in a small frame. involving some effects or props he markets.
Dave opened with his strongest routine: a borrowed ring vanished and
Third place: Lewis Starnes for well-presented card magic with some nice appeared clipped onto his car keys which he took from his back pocket.
twists and the Porper Strong Box finish. Continuing, he again caused the ring to vanish, this time appearing inside
a sealed envelope taken from his wallet which had been earlier placed on
Second place: Brendan Rodriguez with his trademark contact juggling, the floor of the stage. During his explanation Dave covered some of the
his take on the Crazy Mans Handcuffs, a ring routine and a clever moving issues that he felt magicians often raise when borrowing rings, in
drawing on a card. particular relating to ring flight routines, and encouraged Members to
perform the effect. In Dave’s marketed version Ring Flight Revolution
First place: James Freedman with card magic and his ring and rope the working parts were neatly concealed within the construction of a
routine. All nicely assembled, faultlessly performed and thoroughly car key shell. Going on to explain the second part of the routine, Dave
entertaining. demonstrated what have become known as Bonsalopes and also
several different methods of loading the ring in to the envelope,
depending on whether the wallet was on the floor, in the spectator’s
hand or even in a pocket.
A well put-together effect involved the contents of a sachet of sugar
poured into a rolled-up £10 note vanishing, re-appearing, then
transforming into a solid sugar cube. Finally the sugar was restored back
into the sachet which had been torn into small pieces by the spectator.
The detailed explanation included the ingenious use of a swimmer’s nose
clip as a hold-out device for the sugar cube.
An indifferent card visibly transformed into a signed card inside a
convention type name-badge holder, a clever use of the WOW gimmick.
The card then appeared on Dave’s forehead, then folded in his shoe and
Photo: Darren Tossell

was finally discovered in a deck of cards which was now transparent.

In addition, several other bits of business, sight-gags and comedy props
were also discussed during an extremely informative and enjoyable
lecture. Many thanks to Dave Bonsall, not only for a superb evening but
Jack Delvin and James Freedman
also for standing in at short notice. l

118 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 MAGIC IN THE
REGIONS
T here has been much magic around the
regions during the winter months despite
storms and floods of biblical proportions –
Elizabeth Warlock MIMC

magicians do not let such dramatic events

detract them from their magic. Thus it was vein gave us a mental item using a picture, and working for a well-known national company,
that over two hundred close-up enthusiasts Danny Buckler was hilarious – no tricks, just but he loved magic and being with magicians.
gathered in Cheltenham on January 11 for pure comedy, thus bringing a great finish to a Steve Evans, who died at the early age of
The Session, organised by Andi Gladwin and truly magical weekend. fifty-two, showed great courage in his fight
Joshua Jay, where some eye-popping magic The highlight of the weekend though had to against cancer and I am sure his unique
could be seen from top-flight magicians be the Guest of Honour, Guy Hollingworth, who brand of magic did much to ease his
from both sides of the Atlantic for the showed what a master he is, not just with a suffering. As a result of this he will be
ninth year running. deck of cards but in the presentation of the remembered by the many magicians
It was a packed programme of lectures, effects. In a virtuoso performance he showed his throughout the country for his performances
talks and shows from performers such as version of Twisting the Aces called Waving the whether he be lecturing, emceeing a British
Zach Mueller who showed the Clip Shift and Aces, an Ace Assembly and reverse, pulling the Ring show or doing a stage or close-up act,
Phantom change of card in a fan of cards; Aces and the whole deck through the lining of which were all spiced with a certain comedy.
Ben Train gave us Cutting the Aces, an Ace his jacket, Oil and Water, signed card revelation, He was a member of the Wolverhampton
Assembly and a Lottery Number effect; John and that truly magical torn and restored card. Circle of Magicians, as well as the British
Guestaferro included the Luggage Tag Although a barrister by profession, he is the Magical Society and British Ring which will
Sandwich effect and the Ring on and off epitome of a professional magician and can all be the poorer for the loss of his
Straw; John Carey used coins for his section; take his place among the very best. Immediately organisational skills. Our condolences go to
Jon Allen explained his borrowed note following his performance there was an interview their wives Morag and Septima respectively
routine and bill switch; the charismatic Joe with Andi Gladwin and Joshua Jay before he and their families in their great loss.
Barry, a card and gambling expert from was presented with a Lifetime Achievement Mel Harvey has performed on many cruise
Staffordshire, performed various card Award. He received a standing ovation. ships during his varied career, but none could
locations, so expertly done that I am sure we We were saddened to learn of the recent equal the one he was booked to do over
are going to hear a lot more of this young deaths of two of our Members, namely Bob Christmas and New Year as the ship cruised
and talented guy in the future; and the Hayden and Steve Evans. Bob will perhaps be around the Canary Islands and Madeira. There
irrepressible John Archer had the audience best remembered as the British Ring PRO, a job were to be two shows split between the two
holding their sides with laughter with his he did for many years for an organisation of weeks, and as the ship sailed from Tilbury the
book test variation called The Streets using which he was a former President. But few will number of props he could take was no problem.
A-Z street maps instead of regular books. know that from his teens he was a prominent But one thing that could not be foreseen was
There were two evening shows, the first member of his local club the Associated Wizards the weather, for as the ship made its way into
being Morgan and West as Victorian of the South in Southampton, was a popular the English Channel and on through the Bay
magicians. Among the many effects they children’s entertainer and known for his comedy of Biscay it hit storms and force nine gales
performed were the Great Escape using magic act in which he performed Clippo, a trick resulting in anything not nailed down being
balloon handcuffs, the Houdini Needle Trick, that he made his own. A larger than life person, thrown around including the passengers.
Card in Shoe, a version of the Chop Cup and he was a quantity surveyor by profession Eventually the seas calmed enough for Mel
a couple of mental items that included a to perform the first of his two acts although
version of Al Koran’s Medallion. It was a most effects like the cane to table and the moving
entertaining ninety minutes. table had to be abandoned, but the Electric
The gala show on the Sunday night was Sawing thru was included despite ending up
emceed by John Archer who had some great with a rather ragged cut, which the
gags between the acts. Appearing were passengers thought very Tommy Cooperish.
George Firehorse, a comedy club performer Taking this as a compliment Mel is currently
© The Magic Circle Archive

who interspersed his comedy with such working on a Tribute to Tommy act. But the
effects as balloon in bottle and Torn and way Mel dealt with such adverse conditions
Restored Newspaper; John Guastaferro did a and ensuring the show went on so impressed
rope and ring routine and a stage version of the company that he has been offered six
the Ace Assembly; Jon Allen produced a more cruises this year.
bottle of wine and did a rope routine and I’ll be with you again soon with more
Mel Harvey
Coins Across; Luke Jermay in a more serious News from the Regions. l

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 119

 THE CECIL
LYLE AWARD
Ian Adair MIMC

Two Losers, One Winner! folded papers and fan these for all to see that each is of a different
Many different versions of Just Chance have been published and colour. Rest each against the surface of the clear tumblers.
marketed since Tom Sellers first originated his tray method. This version Mention that inside one and one only there is a £20 note and ask
doesn’t use a tray or a stand of any kind. It simply uses three folded two members of the audience to take part in this experiment.
pieces of paper, all containing appropriate messages, with only one Ask the first spectator to think of
revealing a genuine £20 note (or any paper currency). I did mention one of the colours and then to name it.
that the Lift away the folded paper of that
Requirements colour and slowly open it out, keeping
l Three sets of specially folded papers. magician it flat onto the audience as you do so.
l Six slips of paper containing a word as follows: always wins, Allow the folded message slip to slide
Three reveal the word ‘Loser,’ the remaining three, ‘Winner.’ and, as you can out onto the table. Now ask the
l Three small paper clips. spectator to take it, open it out and
l Three £20 notes (in our case). see that I am read aloud its contents. The spectator
l Three clear transparent tumblers, either in glass or plastic. the winner! will announce ‘Loser.’ “Sorry Madam,
These are used in place of a fancy stand, the upright folded papers there’s going to be two losers in this
resting against them. game, and I’m afraid that you are one. But, please give this lady a nice
round of applause for participating?”
Each set of papers is identically gimmicked. The papers used for these The performer states that only two coloured papers remain and
are in different colours, Eg: red, blue and green. A set consists of two requests the second spectator to make a selection. Whichever one is
identical coloured paper squares, folded as illustrated, and stuck back selected (and the spectator can be asked to change their mind, if you
to back – the classic Buddha Papers principle. wish) is opened as before, the inner message being handled by the
The inner papers contain the messages and are smaller in size than spectator alone who reads out an identical message ‘Loser.’ “Ah,
the outer faked ones. The three £20 notes are neatly folded and another loser; that’s two losers. I did mention that the magician always
inserted into the papers which carry the message ‘Winner.’ These are wins, and, as you can see that I am the winner!” The final paper is
then folded and inserted into one side of the gaffed papers. The lifted away from the supporting tumbler and is held high for all to see.
opposite sides contain the folded ‘Loser’ message slips only. When both In doing this, it is casually reversed and it is this side which is opened
sides of the gaffed papers are neatly folded, each resembles a folded for the climax. The message paper slides onto the table. The performer
piece of paper, and a paper clip is fastened on one edge so to keep asks another spectator on his
each secure. It is important that the performer knows which side behalf to open it out and
contains which, and it may be advisable to apply a small faint pencil reveal the message inside.
dot on the sides which don’t contain the folded money. The message is read aloud
‘Winner’ and the £20 note is
Set-up revealed. The performer
Have the tumblers nested within each other and rest them on retrieves the £20 note, opens it
your table surface. out for display and pockets it.
Have the folded papers (with dotted sides uppermost) He then says: “As I previously
together. Place one of the tumblers on top of them to secure mentioned, the magician
them if desired. always wins!”l

Working and Presentation

Tell the audience that you are about to stage a game. Further explain
that it is a game of chance and that someone might be lucky
enough to win a genuine £20 note. Add that the magician
always wins.
Position the three tumblers in a row with their mouths
downwards, leaving a gap between each, then pick up the set of

120 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 REVIEWS
Lewis Starnes MMC
Ian Rowland MIMC
Ian Keable MIMC
Will Houstoun MIMC

HER MAJESTY’S SPELL want to perform this effect. Personally, this was lectures which includes some extremely
by Dani DaOrtiz the only negative for me: I‘d be worried about a deceptive routines.
Gimmicked deck and instructional DVD. $39 tricky spectator who is determined to take a All in all, you get over four hundred pages
(£24) plus p&p from your favourite dealer. particular card (we’ve all been there). With of brilliance. It’s all practical, it’s all
Dealers contact Murphy’s Magic Supplies, management and confidence I’m sure this tried-and-tested, and it’s all from the ‘as
www.MurphysMagic.com wouldn’t be an issue or as Dani suggests you good as it gets’ school of excellent routines
Reviewed by Lewis Starnes could have just one or two cards selected. built on savvy and ingenious thinking. In
You will need plenty of space to perform this addition to the many effects and routines,
The wonder worker has three cards selected, effect; it’s a parlour piece rather than table Cassidy offers many wonderful words of
remembered and returned hopping close-up. This is a good effect that, if wisdom regarding the theory and practice of
as he thumbs executed well, will play big. One final note, it’s successful mentalism performance, and you
through a worth mentioning the bonus effect includes a would be hard pressed to find a better source
deck of pretty useful principle that allows you to force a of practical wisdom.
cards. He card that isn’t even in the deck. This alone is a It is very difficult indeed to see how this
proceeds brilliant little nugget with many applications. compilation could be improved in any
to spell to significant way. The author is incredibly
the first two THE ARTFUL MENTALISM OF knowledgeable, experienced and creative, the
selections and BOB CASSIDY. VOLUME 2: contents are consistently superb, the book
hey presto, locate FUNDAMENTALS itself is beautifully printed and bound, and
them he does. For by Bob Cassidy the price represents extraordinarily good
the third selection, the 413 pages, hardbound, 9.3 x 6.3. $65 (£39) value for money.
spectator lies and names a plus p&p from www.magicbookshop.com If you have any interest in mentalism
completely different card – the queen of Reviewed by Ian Rowland whatsoever, you should get this book. If you
hearts for example – yet still the selected card think you might one day want to get into
appears. Here comes the kicker, every single This is one of those occasions when writing a mentalism, you
playing card, including those selections review is both easy and a pleasure. Bob Cassidy should start with the
already found, now turn into the previously is a great mentalist, this is a great book, and preceding volume in
thought of decoy card, the queen of hearts. you should buy it. the series, Artful
You receive the special deck needed to Just in case you’d like a little more detail, let Mentalism, and then
perform this effect. However, this is not a me describe what you get for your money. You you should get this
misprinted deck to do the heavy lifting for get ten of Cassidy’s greatest publications neatly book. If you have no
you. What you’ll actually need is some compiled in one high quality, hardback volume interest in
intermediate sleight of hand, psychology and that has been beautifully printed to the highest mentalism, but want
willingness to be bold combined with the possible standards. You get so many gems and the pleasure of
deck supplied. But that’s okay; you have an riches that it’s impossible to list them all here. reading a book
excellent teacher to guide you through this. They include Universe, a wonderful treatise on written by someone
The effect is Dani DaOrtiz’s and the reactions the art of the impromptu no-gaff book test, and who enjoys
he receives will have you wanting to get out A Journey Through The Fourth Dimension, complete mastery of
there and try it yourself. I’ve not seen much Cassidy’s truly inspirational account of his his subject; and who
DaOrtiz before, but the tutorial on this DVD lifelong search for the perfect Three Envelope has the ability to
certainly made me want to seek out his other test (which I mentioned in the March 2012 share what he knows clearly and concisely, in
work. His technique on classic forcing and a issue of The Circular). Other highlights include a brilliantly well-written, entertaining and
version of the second deal were particular Cassidy’s uniquely insightful explanation of The fascinating manner, laced with wit and good
highlights. His thinking on the classic force 21st Century Q&A, and Intuitively Yours, a humour, then you should get this book.
was especially thorough; however it needed superb explanation of how to combine Highly recommended.
s

to be, as you’ll be using it three times if you mentalism with public speaking and corporate (Disclaimer: this book includes Cassidy’s

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 121

list of thirty-nine favourite mentalism books. Secondly, he details plenty of chick must only be one day old and has to be
This list includes something I wrote. This hasn’t neat touches and handling kept in a warm environment and
affected my review. If I thought this book was points; a mixture of his own, Ken properly watered. So you not only
terrible, I would either say so or ask not to Brooke’s and especially Johnny need access to obtaining
review it.) Thompson, whom Luis fully newly-born chicks the day before
acknowledges. There is one the show but also the means of
THE EGG BAG particularly deceptive move returning those you don’t use.
by Luis de Matos where the bag seems to be (Luis suggests getting at
Gimmicked bag and instructional DVD. $35 folded up into four, with no least five or six, saying
(£21) plus p&p from your favourite dealer. possibility of it concealing an that only one might be
Dealers contact Murphy’s Magic Supplies, egg. His whole routine, fully suitable for the trick – but
www.MurphysMagic.com explained, is a superb, delicate he didn’t elaborate on
Reviewed by Ian Keable handling of, not just the egg and what behaviour a ‘good
the bag, but also of the single, chick’ displays.)
The Egg Bag is a true classic of magic – a trick seated spectator. Luis fully explains his excellent load of the
which I suspect most magicians have played Finally, Luis comes up with a finish to top chick (although unfortunately, in the live
around with at one time. The version best the helper removing the egg herself – which performance, there is a camera cut-away as the
known to UK audiences is undoubtedly Ken is the production of a live chick. This is the main load is happening), but I was surprised he didn’t
Brooke’s, which uses the Malini Egg Bag and selling point of Luis’s version, highlighted by go into more detail of how to produce the
has as comprehensive a set of instructions as the image on the cover of the DVD and the ‘loaded chick’ from the bag. What he does is
you could possibly want. Luis de Matos also write-up on the back. And full marks to Luis for crush a blown egg at the same time as the
uses the Malini Egg Bag, so what does he add going into comprehensive detail on how to chick pops out; one can easily imagine an
to it which isn’t there in the Ken Brooke obtain your chicks, how to look after them prior accident happening. In the explanation he uses
original? to their production and the correct way to give a toy chick, which I don’t feel is appropriate,
Essentially it is three things. Firstly, a them away at the end – so the child isn’t left given he is teaching many magicians who will
justification for using a rather unusual prop. Luis with an unwanted bird. have had no experience of handling live birds.
says it is his ‘pocket’ – and demonstrates this I could certainly see the production of a live My own advice would be to buy this DVD for
magically by pulling his pocket off, so it chick being a reputation maker but I would the great routine prior to the ‘big finish.’ If you
becomes the bag. This does looks very advise anybody to tread very wearily before want an extra load, then keep to something
convincing and is an impressive start to the trick. embarking on such a path. Luis stresses that the inanimate: Luis’s method, for instance, would

(Open to non-Members of The Magic Circle)

THE MAGIC Saturday, 10 May 2014 at The Centre for the Magic Arts
HISTORY GATHERING Chairman: EDDIE DAWES
Official Opening by Vice-President SCOTT PENROSE at 10.45 a.m.
@THE MAGIC CIRCLE
SPEAKERS INCLUDE:
MICHAEL SYMES The Magic of Zuleika Dobson
PIETRO MICHELE Jonas: The Card-Playing Conjuring Jew
RICHARD EVANS Thomas Yeates and Isaac Fawkes
EDDIE DAWES A Tribute to the Late Brian McCullagh:
Australia’s Leading Magic Historian
BILL KALUSH The Houdini Diaries
SCOTT PENROSE & Peeps at the Past: Some Magic of Yesteryear
JOHN DAVENPORT

Coffee will be served from 10.00 a.m.

Tickets (including lunch and afternoon tea) £40

Available from The Magic Circle, The Centre for the Magic Arts,
12 Stephenson Way, London NW1 2HD
mail cma@themagiccircle.co.uk
Payment may be made by cheque (payable to ‘The Magic Circle’)
or by Visa / Mastercard.

122 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

certainly work for a glass of whiskey. finish. I should mention the DVD that some other card effects. However, if you’re a
The Egg Bag part of the DVD lasts just over accompanies the deck doesn’t discuss using the card guy (or gal) you probably have other,
an hour; there is then a further thirty minutes deck in this way either. Any longer routines that cleaner methods to achieve this climax.
advertising other Essential Magic products with incorporate a deck switch will be of your own
a couple of performance card routines in the devising. The DVD supplied focuses on a single THE COMPLETE DIGITAL
middle. You also get a nicely made Malini Egg routine that I found quite weak. A spectator PRECURSOR
Bag, smaller than the Ken Brooke original, with chooses and signs a card from a mixed deck by Conjuring Arts Research Center
the DVD. and these cards are inserted into the box. Hey Downloadable pdf. $2.99 (£1.80) per issue
presto, when slipped back out the entire deck is or $199 (£119) for the full file.
OCD DECK now in new deck order with the signed card in www.shop.conjuringarts.org
by SansMinds the correct place. The absence of other effects Reviewed by Will Houstoun
Gaffed deck and instructional DVD. $35 (£21) beforehand and the super-clean handling may
plus p&p from your favourite dealer. Dealers invite suspicion from some spectators, and I’m Anyone who attends Fechter’s Finger Flicking
contact Murphy’s Magic Supplies, not sure I can see the point of having the Frolic will be aware of the legendary
www.MurphysMagic.com selected card signed? The card doesn’t go Precursor Suite – an idea started by William P
Reviewed by Lewis Starnes anywhere. Okay, in the spectator’s mind it Miesel, Ed Eckel and Ron Zollweg and now
moves up or down the deck several continued by Leon Etienne, Matt Episcopo,
I enjoy an entertaining and technical places to take its correct Mike Hrab and Andrew Quinn – in which the
card routine that climaxes with the position – hardly a set convention continues until the wee small
shuffled deck returning to new deck closer! If you’re hours with plenty of drink, laughter and
order. The OCD deck allows you to going to carry a magic. What they might not be aware of (I
achieve a new deck order finale completely certainly wasn’t for a number of years) is that
without any sleight of hand. A gaff gaffed deck the suite was originally started in support of
deck of cards does all the work for you. around, I can The Precursor magazine. If you had an idea
There is however one significant think of many that you thought might be suitable for
drawback: you can’t do any other other trick decks publication you could go to the room, have
effects with this deck. That means if that offer a greater a drink, and show it to the team behind
you want to perform a longer routine pay-off. the magazine who would file it away
(an assembly for example) you’ll need I think the strongest use for future use!

s
to switch this deck in before your big of the deck is to switch it in following The Precursor was started in June 1983

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 123

and ran through one hundred issues, and four complete polished pieces but also Kenner, Milt Kort, Ed Marlo, Max
special issues, until it ceased publication in May includes a number of works in Maven, Gene Maze, Gary
2006. Miesel, who edited The Precursor progress and ideas for further Plants, Jon
introduced it in its first issue by saying: development the magazine Racherbaumer,
“The aim of The PRECURSOR is to provide to provides an interesting Michael Skinner, Alan
the magic fraternity a magazine devoted mainly insight into the creative Slaight and Herb
to revolutionary and experimental close-up process of a number of Zarrow. I can’t believe
material.” prominent magicians that there isn’t
“At the present time, there are a number of through over two decades. someone on that list to
magazines devoted to commercial close-up Whose magic will you find in The tempt any magician
routines for the performing magician. Hopefully, Precursor? A full list of contributors who says they are
we will be able to provide a journal to record would be impossible to provide but, interested in close-up.
ideas that may not be commercial at the amongst others, you will find items from One of the problems with
present time, but, with some adaptation, could names such as David Ben, Neal Elias, Bob reviewing something like a
very well be the miracles of tomorrow. Of Farmer, Eddie Fechter, Karl Fulves, Martin complete file of a magazine is the
course, if an idea is not only revolutionary, but Gardner, Norman Gilbreath, Phil Goldstein, Bill sheer quantity of material that you need to try
commercial also, it will not be turned away.” Goodwin, Bro. John Hamman, J K Hartman, and present an informed opinion on – in the
Because it does not have an emphasis on Justin Higham, Bill Kalush, Hideo Kato, Chris case of The Precursor some 2,500 pages.

OBITUARIES

David Baldwin MIMC Science degree, and at the age of thirty-five he about the Appeal I was leading to fund the new
1928 – 2014 became the youngest president and chief headquarters, he immediately became a strong
Remembered by Michael Bailey MIMC executive officer of a major real estate supporter, giving a number of very significant
company. He later formed David M Baldwin donations. He then set about encouraging a
After a brave fight against cancer, David Reality, and this flourishing business in New number of overseas Members to also become
Baldwin MIMC died peacefully at his home in York allowed him to share his personal major benefactors, and even persuaded some of
Florida on February 16. I first met David prosperity. He supported charities in the arts, his non-magician business friends to give
about twenty years ago. He was an education, and medical fields, and when he money to a magical society they scarcely knew.
enthusiastic magician then living in New Jersey joined The Magic Circle in 1995 and heard And as soon as I told him of a shortfall at a
and eager to join The Magic Circle. David had critical moment when the cash had run out and
loved magic since he was a teenager and he building work would have stopped, David gave
worked in a New York magic shop for a time. a further large sum to fill that financial black
He never performed professionally but hole. He also suggested that Members should
retained a keen interest all his life, and was freely donate magical ephemera, books and
always ready to show the latest trick to his apparatus for a Grand Appeal Auction, and the
friends, family and business colleagues. proceeds from this event helped to pay off the
David took a particular interest in the final bills.
history of magic. He built up an impressive It is no exaggeration to say that our
collection of props, posters, memorabilia, and permanent headquarters would not have been
Robert-Houdin mystery clocks, all beautifully completed without David Baldwin’s enormous
displayed in a dedicated mini-museum at his financial help. When Members who now enjoy
home. He acquired a large portion of the the building see his name on plaques in the
effects of The Great Raymond, one of Devant Room and the Library, they should
America’s master illusionists, and in 1996 he reflect just how important was his contribution.
published a lavishly illustrated biography of The bust of David Devant and the rare
this fine magician, written by Member Robert-Houdin mystery clock on display in the
William Rauscher MIMC. Devant Room, as well as the stained glass
David left university with a Bachelor of Magic Circle logo on the floor of the foyer, are

124 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

Fortunately the Conjuring Arts Research Center
have produced a top quality pdf of each issue
that makes the material much easier to dip in THE MAGIC
and out of. Of course you can easily read the
individual issues (each pdf is of a single issue) CIRCLE CARES
but, because the text is fully searchable, you can
also easily and quickly search every single issue
for any key phrases or names you like.
David Hatch MMC
If you are interested in a particular issue of
the magazine then individual issues are
available at $2.99 or you can buy the complete
file for $199 – over one third off the individual
issue price. In addition The Precursor Index has
also been scanned and is available as a free
download so, if you are still on the fence, visit
www.shop.conjuringarts.org to take a look at the
complete index – I suspect that after you do you It is always nice to start this column with good news and we congratulate
will be clicking on the ‘place order’ button. l Stephen Kennard MIMC on securing a job in Amsterdam, even though it has
forced him to retire as Treasurer.

It is good to see people on the mend after serious illness, so we are delighted that
Graham Reed MIMC is back with us as his usually cheerful self on Monday nights.
Sarah Campbell MMC is also back after a short illness and Mark Hesketh-Jennings is
once again installed behind his camera. Bob Auld MIMC and Roger Withrington MMC
are both having investigations, and we wish them well. We also send our good wishes to
Andrew Webb MMC as he stands down as webmaster. Janet Clare MIMC should be near
the end of her therapy by the time this is published and hopefully recovering from the side
effects. Our Chaplain Tim Saiet AIMC has been appointed as Priest in Charge at St. John’s
church, Hildenborough. We remember him and his wife Charlotte, who has not been in
good health recently. Michael Vincent MIMC has let it be known that he is suffering from
loss of hearing, and we do send him our best wishes, together with all Members
mentioned in previous issues.

further reminders of his generosity. The David I am sorry to report the deaths of David Baldwin MIMC, the largest single donor in the
Devant Award, given by The Magic Circle for funding of 12 Stephenson Way, who died peacefully at his home in Florida; former Magic
services to international magic, was David’s Circle Member Len Bonfield, past President of the Ilford magic club; and internationally
idea, and he presented a small sculptured renowned magician Aldo Colombini.
version of the large bronze as the trophy for
this prestigious honour. Just a thought: “My best friend is the one who brings out the best in me.” Henry Ford
David’s encouragement at every stage of
the refurbishment of 12 Stephenson Way was The latest welfare news can be found on www.themagiccircle.co.uk where ‘Welfare’ is a
just as valuable to the small dedicated team sub-section of ‘Club Room’. Contact details for Members can also be found on the website
who had the responsibility for the project. He under ‘Membership List’. Although space considerations make it impossible to include the
would phone me regularly to learn about contact details of all those mentioned in this column please do not hesitate to contact me if
progress, and when more funding shortfalls you need help in contacting a fellow Member. I will continue to include contact details for
appeared towards the end of the work due to relatives and non-Members where necessary, or when specifically asked to do so, as below.
unforeseen design changes, David was again If you hear of Members or their families who are sick or facing hard times please contact:
ready with his cheque book. It is impossible David Hatch MMC (Welfare Officer)
to overstate his extraordinary munificence 6 Darnley Road, Woodford Green, Essex IG8 9HU
and personal support for the largest project T 020 8504 4134
in the history of The Magic Circle. David E WelfareOfficer@TheMagicCircle.co.uk
wanted nothing in return except to remain a
Member of the society he proclaimed to be Chaplaincy:
the best in the world. Revd Tim Saiet AIMC
David Baldwin was more than a respected Philo Trust, 16 Butler Avenue, Harrow, Middlesex HA1
Honorary Life Member of the Inner Magic T 07973 136 968
Circle. He was a kind, modest, and ultra E timsaiet@btinternet.com
generous man who will be sorely missed by Rabbi Geoffrey Shisler AIMC
his many friends throughout the magic world, 10 St Petersburgh Place, Bayswater, London W2 4LB
and we send our sincerest condolences to his T 020 7229 6215
wife Barbara and their family. l E Geoffreyshisler@TheMagicCircle.co.uk

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 125

 MINUTES

Thursday 6 February 2014

MINUTES OF THE MEETING meeting held on 8 January 2014 YMC Treasurer, seconded by RP. to the prior written consent of TMC
HELD AT THE MAGIC were approved, with amendments. Agreed unanimously. and the user obtaining all other
CIRCLE’S DEVANT ROOM Further amendments were made necessary consents.
6.30 – 10.10P.M following AE’s arrival. 7. HS2 Where any recordings and/or
TMC need to appoint a photographs are used commercially
PRESENT 4. MATTERS ARISING representative for HS2. StP will with TMC’s written consent TMC
Jack DELVIN Darren Tossell was sourcing e-mail the Announcements list. shall offer, if requested to share the
Alan MASKELL (Chair) members’ ties and scarves. RP to be Council Liaison on this revenue generated with the
Steve PRICE matter. relevant recordist in such
Mandy DAVIS 5. SECRETARY’S REPORT percentage as Council may from
Kevin DOIG i Apprentices – James Kenedy, 8. MEMBER DEVELOPMENT time to time decide.
Geoffrey DURHAM Marcus Morgan, Marius Brill FP proposed to reinstate John All in favour, except RP against
Andrew EBORN ii New Members – see attached Lenahan, seconded by LH. Agreed and AM, StP abstained.
David FUNG schedule unanimously.
Lee HATHAWAY iii Reinstatements – Graham 12. BRAND
Hugh NIGHTINGALE Desmond MMC, Dean Maudsley MD arrived at 7.30pm. Prior to the meeting, Stephen
Keith PAIN AIMC* Kennard proposed Marvin’s Magic
Richard PINNER iv Resignations – none 9.FAILED EXAMINEES be granted a TMC license for tricks
Fay PRESTO v Promotions – Nigel Mead MIMC* Council reiterated that failed and magic sets, seconded by KR.
Katherine RHODES vi Correspondence examinees will be offered the Council voted online. All in favour
Marvin BERGLAS Steve and Megumi Biddle – chance to become Apprentices. with MB and SP abstaining.
Darryl ROSE thanking those involved with
Christmas show 10. QUESTIONNAIRE 13. CMA STRUCTURE:
Jenny MAYERS Michael Carr – thanking Council MB proposed a detailed Alexander Crawford and Brian Sibley
(Minutes Secretary) for his MIMC* questionnaire for members, had written a report regarding
Alan Hudson – thanking Council seconded by KR. All in favour. MB TMC’s relationship with CMA. AE,
1. APOLOGIES for his AIMC* to prepare a draft set of questions GD and MB would produce a report
SP (SK stepped down as A complaint had been made for council to augment. once they had further details.
Treasurer due to work in regarding a private booking of a
Amsterdam) TMC member. AE arrived 8.00pm. 14. REPORTS (ROUND THE
StP will write to the member TABLE ROUND-UP)
2. DEATHS: and also to the client. 11. COPYRIGHT PERCENTAGE A Museum/Archive, Stage Magician
The deaths of Steve Evans, MIMC AE proposed a form of wording of the Year, Circular and CMA
and Non-Member Leslie Press 6. TREASURER regarding video/photo copyright, report were circulated. Council are
were reported. Members of the RP proposed Mark Lee for the seconded by FP. looking forward to receiving the
Council stood in silence as a position of TMC Treasurer, seconded The Magic Circle should be the proposed application form and
mark of respect. by FP. Agreed unanimously. owner of all rights including the rules for the Stage Competition.
FP proposed that the Treasurer be copyright in all recordings and i Monday Night Committee
3. MINUTES allowed to vote, seconded by KD. photographs. DR to liaise with CMA regarding
On a proposal by KP, seconded Agreed unanimously. Any use of such recordings welcoming guests into the
by RP, the minutes of the KD proposed Dave Andrews for and/or photographs shall be subject building.

126 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

 It pays to
ADVERTISE in

To reach 1500 magicians around the world

costs less then you think

Full page from £100.00

Half Page £55.00
Quarter page £30.00
all prices subject to VAT

For full details contact the Business and

ii Chewing gum had again been request to the Benevolent Fund Advertising Manager Scott Penrose
found in theatre following trustees. on 07767 336882
Monday Night Events. DR to If performers exhibit, use or or email advertising@TheMagicCircle.co.uk
make an announcement. train performing animals in
iii DR said TMC YouTube channel England, Scotland and Wales,
would have content for they are required to be registered
members only and public. with their local authority. TMC
iv YMC – KD said discount for and CMA shows will only book
YMC at Christmas Show had performers who have the
been popular. A deal would be appropriate license.
repeated for “At Homes”. MD asked that when the
v TMC CUMOTY – RP announced chairs in the clubroom were
the Close-up Competition had replaced, some were available
been won by James Freedman, with arms.
with Brendan Rodrigues in It was agreed that the minutes
second place and Lewis Starnes would only record Proposals,
in third place. The Originality seconders, votes and action
prize went to Noel Qualter. He points.
wished to record his grateful Our Headquarters
thanks to Katherine Rhodes THE MEETING CLOSED AT
MIMC & Rajan MIMC for 10.10PM. Conventions
there help.
DRESS CODE
vi Public Events – RP informed NEW MEMBERS ON Smart attire is required at all events in the Headquarters.
Council that the first “At Home” 6 FEBRUARY 2014: MOBILE PHONES
event had run well. Please ensure that you switch off your mobile phone before
vii Membership – LH said that he entering the Headquarters. If you must make a phone call,
would take over as Membership please do so outside the building.
Secretary from DF who was PHOTOGRAPHY AND SOUND RECORDING
stepping down. The use of any form of recording equipment, audio or visual,
including cameras and mobile phones, is not permitted in any
15. ANY OTHER BUSINESS part of the Headquarters except by special arrangement.
GUM
MD is waiting for information
Please refrain from chewing gum of any sort in the
before bringing a report regarding
Headquarters.
the possibility of a TMC gathering SMOKING
at the IBM/SAM convention. Smoking is not allowed anywhere in the Headquarters.
Rev Peter Liddelow had asked if We all benefit from these conventions, so please respect and
money from the Benevolent Fund abide by them to avoid being turned away. Thank you for your
could be used to fund live understanding.
streaming (as it helps members
unable to attend to stay in touch
with TMC). We will pass on the

www.TheMagicCircle.co.uk APRIL 2014 THE MAGIC CIRCULAR 127

 FORTHCOMING
CLUB EVENTS life not just a job. This lecture will stress the real secret of magic and
that is how to connect with people, not alienate them with your well
practised tricks. On top of learning some brilliant never-before-seen
APRIL 2014 effects, you will come away from this lecture with a better outlook on
how to use magic to enhance your personality and connect with your
audience.

April Monday 31
STAGE MAGIC – PERCEPTIONS ON PRINCIPLES AND

T he Headquarters is open on Club Nights from 3:00pm until

10:30pm. Unless otherwise stated, events start promptly at
7:30pm and are scheduled to finish between 8:45pm and 9pm.
PSYCHOLOGY – OLIVER TABOR
The lecture covers stage magic with an introduction to the techniques
of simple body steals, loads and productions and the psychology
Club Nights are principally for Members, so entry is by Membership behind them, and how the techniques and rules followed by stage
Card. A bona fide magician guest may attend any evening that is not manipulators can easily be applied to all performance situations in
marked ‘Members Only’ on condition that he or she is able to show magic, from cabaret to close-up and from parlour to children’s shows.
membership of a magical society. A non-magician guest may only Amongst the various effects shown, the technique of how to produce a
attend evenings that are marked as ‘Show’. Guests may only attend dove is demonstrated and how this method can to applied to produce
other objects such as a bottle, a rose or deck of cards in various
two evenings a year. No guest may attend unless booked in advance.
performance situations. Methods are shown on how to deconstruct a
If you wish to bring a guest, please email cma@themagiccircle.co.uk.
trick or routine by eliminating any unnecessary movements thereby
All guests must pay a £15 entry fee at the door and respect our
giving your magic more impact for audiences; this is displayed by also
Conventions. Indeed, it is your duty as their sponsor to ensure that they referring to the simple the rules of stagecraft.
do. The Magic Circle reserves the right to refuse entry. See our website
for all the latest event details and to subscribe to a Looking forward to May
weekly email reminder of upcoming events.
May Tuesday 6
April Monday 7 BOB HAMILTON – SHOOTING THE GREATS!
THE BERGLAS TOUCH – Members Only
Legendary magician David Berglas is interviewed by his son Marvin. May Monday 12
Marvin’s unique perspective will encourage David to open up and RAVI MAYAR – NO CARD TRICKS
allow us an exclusive backstage pass to his father’s creative mind and
thought process. David will give us some fascinating insights into his
long career in magic and share the thinking that has made him revered
worldwide as “The International Man of Mystery.” Change of address? Please login to your account at
www.themagiccircle.co.uk. Under “Quick links”, click on
April Monday 14
“Profile”. At the top, under “Edit” you should be able
MARK SHORTLAND – ON & OFF STAGE
to select “update your profile”. You can contact
Mark Shortland currently performs around the world on the top cruise
webmaster@themagiccircle.co.uk if you encounter
lines, as well as corporate and private functions in the UK. Not many
magicians have had the success that Mark has achieved in the any problems.
relatively short time he has been performing. This full evening’s lecture Member in need? Contact Welfare Officer David Hatch,
will show what got him to where he is today. WelfareOfficer@TheMagicCircle.co.uk

This is one of the few lectures focusing on cabaret. Mark’s show has
won him many awards and the back-bone of the act will be explained
along with the theory, choosing volunteers.

April Tuesday 22
DAN HAUSS LECTURE
Dan Hauss is the creator of Flow, Rattled, Sleeping Queens, Lit and his
newest release Rubber band thru hand. He has a wealth of
unpublished underground magic to share with you! His creative talents
have been a secret source for many top magicians including David
Blaine, Dynamo and Paul Harris. With many more exciting creations
soon to be launched, Dan Hauss will let you into his world of magic.
He will show you how to use magic in your everyday life to give you a
social edge, meet people, and be the life of the party. Magic is a way of

128 THE MAGIC CIRCULAR APRIL 2014 www.TheMagicCircle.co.uk

www.TheMagicCircle.co.uk APRIL 2013 THE MAGIC CIRCULAR 000