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Lesson 4 Mil FINALS Compressed

The document provides an overview of media languages, including visual, aural, written, verbal, and nonverbal communication techniques used to convey messages. It discusses semiotics, media codes, and conventions, highlighting their roles in media production and storytelling. Additionally, it covers image analysis, camera techniques, and the importance of mise-en-scène in visual media.

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0% found this document useful (0 votes)
16 views42 pages

Lesson 4 Mil FINALS Compressed

The document provides an overview of media languages, including visual, aural, written, verbal, and nonverbal communication techniques used to convey messages. It discusses semiotics, media codes, and conventions, highlighting their roles in media production and storytelling. Additionally, it covers image analysis, camera techniques, and the importance of mise-en-scène in visual media.

Uploaded by

jmesllera0418
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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MEDIA AND

INFORMATION
Languages
LESSON 4
Prepared by Ms. Nica Rose Bron
CONTENTS
1 Media Languages
and its types
3 Codes and
2 Semiotics Conventions
4 Image Analysis
MEDIA LANGUAGE
refers to the way
different types of media
use various techniques to
communicate messages
to an audience.
use of visual elements to
VISUAL convey messages and
LANGUAGE ideas.
such as photograph, color,
symbols, and composition
(camera angles and shots)
how media communicate
meaning beyond words.
use of sound and auditory
AURAL elements to convey meaning.
LANGUAGE sound effects, music,
voiceover or narration.
diegetic and non-diegetic
sound.
helps to set the atmosphere
and mood also define the
genre of a piece.
use of text as a form of
WRITTEN communication in various
LANGUAGE media formats.
textual elements such as
headlines, subtitles and
captions.
choice of words: language
can be creative or formal.
VERBAL use of spoken words and
LANGUAGE how the language is
delivered.
it includes tone and
style, dialogue, and
persuasion techniques.
communicating without
VERBAL
NONVERBAL spoken or written words.
LANGUAGE
it involves using body
language such as facial
expressions, gestures, and
action to convey
messages, emotions, and
meaning.
SEMIOTICS
study of signs and symbols
TYPES OF MEANING

DENOTATION
The literal or CONNOTATION
The potential or
obvious meaning suggested meaning–
–dictionary beyond its literal
definition of a definition.
word.
MEDIA

CODES
tools and techniques used
in media production to
communicate messages
to an audience.
TYPES OF MEDIA CODES
DIEGETIC AND
TECHNICAL CODES NON-DIEGETIC SOUND
equipment is used to
tell the story in a media EDITING, TRANSITION,
MONTAGE
CAMERA TECHNIQUES:
Shot Types, Angles, LIGHTING
and Movements
TYPES OF MEDIA CODES
SYMBOLIC CODES
use of symbols and signs
that convey deeper
meanings

COLORS COSTUME AND ACTIONS


PROPS
MAKEUP
MEDIA
CONVENTIONS
established practices and
techniques used in various
forms of media to convey
meaning and structure content.
types of MEDIA CONVENTIONS

Format Conventions
Arrangement of media
Ex. Series/Episodes

Genre Conventions
Common plots. Ex. Fantasy
Settings. Ex. Haunted house
MEDIA CONVENTIONS

NARATIVE AND PLOT


STING IN THE TAIL
Ending is complete surprise
and unexpected.
OPEN ENDING
Leaves the conclusion unresolved.
MANIPULATION OF TIME
Flashbacks, Foreshadowing.
MEDIA CONVENTIONS

CHARACTERS
SYMPATHETIC CHARACTERS
evoke empathy from the
audience.

UNSYMPATHETIC CHARACTERS
evoke negative feelings, such
as hate or frustration.
MEDIA CONVENTIONS

CHARACTERS
Im a g e
ANALYSIs
AGE ANALYSIS
IM tio n of
th e ex t ra c
n in g fu l
mea fro m
for m a ti o n
in
ima ge s
HOW IS THE IMAGE CREATED?
FRAMING
It refers to how you
compose or
arrange everything
in a picture.
CAMERA ANGLE
s ho w y ou
It re f er
o sit io n th e
p n
e r a w h e
cam to or
in g a p h o
tak .
vi d eo
LOW ANGLE HIGH ANGLE

camera looks up, making camera looks down,


the person seem bigger making the person seem
or more powerful. smaller or weaker.
ERA DISTANCE
CAM
f e rs h o w
It re ra
th e c a m e
fa r
is fr o m th e
sub je c t
EXTREME LONG SHOT (LANDSCAPE)
LONG SHOT (GROUP OF PEOPLE)
MEDIUM SHOT (ONE OR TWO PEOPLE)
CLOSE UP (FACE)
EXTREME CLOSE UP (PART OF THE FACE)
DEPTH OF FIELD
(DO F)
e f er s h ow
It r o to
c h o f a p h
mu s .
is in f o cu
Depth focus photography
(whole scene in focus)
Conventional photography
(focus on the main object
with the background out of
focus.)
SOFT FOCUS

“DREAMY EFFECT”
YOOL
OF
TYPES
CAMERA MOVEMENTS

01 PAN (SHORT FOR PANORAMA) 04 CRANE

02 TRACKING (OR DOLLY) 05 HANDHELD


03 TILT SHOT 06 ZOOM
PAN OR PANORAMA

The camera moves


horizontally from side to side.
TRACKING
(OR DOLLY)

The camera moves on track (or


wheels) to give a smooth movement.
TILT SHOT

The camera moves up and down


while staying in one place.
ZOOM SHOT

The camera lens changes focal length to


get closer to or further from the subject
without moving the camera itself.
HANDHELD SHOT

The camera is held manually, resulting in a


more shaky and dynamic feel
CRANE SHOT

The camera is raised or


lowered using a crane.
CONTENT (WHAT IS IN THE IMAGE)
Mise-en-scene
It is a French term
that means
"placing on stage."
It refers to everything
that appears in a
scene of a film or play.
Visual aspects of a scene.

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