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Acoustic Beats

The document outlines an experiment to study acoustic beats resulting from the superposition of sound waves from tuning forks with slightly different frequencies. It details the principles of wave superposition, the experimental setup, and the procedure for measuring beat frequencies using an oscilloscope. Results confirm that audible beats are generated when two oscillations with slight frequency differences are combined.

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0% found this document useful (0 votes)
10 views4 pages

Acoustic Beats

The document outlines an experiment to study acoustic beats resulting from the superposition of sound waves from tuning forks with slightly different frequencies. It details the principles of wave superposition, the experimental setup, and the procedure for measuring beat frequencies using an oscilloscope. Results confirm that audible beats are generated when two oscillations with slight frequency differences are combined.

Uploaded by

Amare Geto
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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LD

Mechanics Physics
Acoustics Leaflets P1.7.1.2
Sound waves

Acoustic beats

Displaying on the oscilloscope

Objects of the experiments


Studying acoustic beats resulting from the superposition of tuning-fork oscillations with slightly different frequencies.
Displaying the beats on the oscilloscope
Determining the beat frequency fb and the frequency f of the superposed oscillation and comparing these frequencies
with the individual frequencies f1 and f2.

Principles
The wave character of sound becomes obvious when the if the two amplitudes A1 and A2 agree exactly. In this case, y(t)
superposition of two sound waves with equal amplitudes A1 can be regarded as an oscillation with the frequency f and a
and A2 and slightly different frequencies f1 und f2 is studied. At time dependent amplitude:
the position of the observer an oscillation comes about with y(t) = a(t) ⋅ cos (2␲ ⋅ f ⋅ t + ␸) (IV)
the time dependence
with
y(t) = A1 ⋅ cos (2␲ ⋅ f1 ⋅ t + ␸1) + A2 ⋅ cos (2␲ ⋅ f2 ⋅ t + ␸2) (I).
− −)
The fact that the phases ␸1 and ␸2 of the two individual a(t) = 2 ⋅ A ⋅ cos (2␲ ⋅ f ⋅ t + ␸ (V).
oscillations are completely arbitrary has been taken into ac- The magnitude of the amplitude a varies periodically be-
count. tween 0 and 2A (see Fig. 1), the change occurring twice
In order to calculate the beat signal, the quantities during one period. The number of so-called beats per sec-
ond, the beat frequency fb, is therefore
A1 + A2 − A1 − A2 f1 + f2 − f1 − f2
A= ,A = ,f= ,f = , −
2 2 2 2 fS = 2 ⋅ f = f1 − f2 (VI).
␸1 + ␸2 − = ␸1 − ␸2
␸= und ␸ When the amplitude a(t) passes zero, the sign change of the
2 2 beat leads to a phase jump in the superposed oscillation.
are introduced. After some transformations, the superposed In this experiment, the superposition of two sound waves
signal is given by generated with tuning-forks that are slightly out of tune is
− −) ⋅ cos (2␲ ⋅ f ⋅ t + ␸)
studied. The beat signal is received with a microphone and
y(t) = 2 ⋅ A ⋅ cos (2␲ ⋅ f ⋅ t + ␸ then displayed on an oscilloscope. By detuning one tuning-
− − − ) ⋅ sin (2␲ ⋅ f ⋅ t + ␸) fork the beat frequency fb is enhanced, or, in other words, the
− 2 ⋅ A ⋅ sin (2␲ ⋅ f ⋅ t + ␸ (II)
beat period
This expression becomes even simpler,
1
− Tb = (VII)
−) ⋅ cos (2␲ ⋅ f ⋅ t + ␸)
y(t) = 2 ⋅ A ⋅ cos (2␲ ⋅ f ⋅ t + ␸ (III), fb
is made shorter. The frequencies f1, f2, and fb are determined
by measuring the corresponding periods T1, T2, and Tb with
the oscilloscope.
0210-Sel

Fig. 1 Acoustic beats when the individual oscillations have the


equal amplitudes.

1
P1.7.1.2 LD Physics Leaflets

Carrying out the experiment


Apparatus – Strike the two tuning-forks with the hammer one immedi-
ately after the other, and compare the audible beats with
1 pair of resonance tuning-forks, 440 Hz . 414 72
the display on the oscilloscope.
1 multi-purpose microphone . . . . . . . . 586 26 – Determine the beat period Tb, and record it.
1 saddle base . . . . . . . . . . . . . . . . 300 11 – Set the time base to 0.5 ms/DIV.
1 two-channel oscilloscope 303 . . . . . . 575 21 – In order to determine the periods T1 und T2, strike each
1 BNC/ 4 mm adapter, 2-pole . . . . . . . 575 35 tuning-fork separately while the other is removed from the
resonance box.

Setup Measuring example


The experimental setup is illustrated in Fig. 2.
– Set the switch (a) of the multi-purpose microphone to ~ .
– Lower the frequency of one tuning-fork by means of the
clamping screw (b).
– Put the tuning-forks on the resonance boxes, and direct the
openings of the boxes towards the microphone.
– Connect the multi-purpose microphone to the oscilloscope
via the BNC/4 mm adapter:
Zero line: middle
Coupling: AC
Scan: 20 mV/DÍV.
Trigger: Auto Fig. 3 Experimental setup for displaying acoustic beats on the
oscilloscope
Time base: 20 ms/DIV.

Table 1: The individual periods T1 and T2 and the beat


period Tb:

T1 T2 TS
ms ms ms

2.20 2.25 112

Fig. 2 Display of an acoustic beat on the oscilloscope

2
LD Physics Leaflets P1.7.1.2

Evaluation

Table 2: The individual frequencies f1 and f2 and the beat


frequency fb

f f fS f1 − f2
Hz Hz Hz Hz

455 444 9 11

Eq. (VI) is confirmed by comparing the measured beat


frequency fb with the difference f1 – f2.

Results
When two acoustic oscillations with a slight difference in
frequency are superposed, beats that are clearly audible are
generated. These beats can be displayed on an oscilloscope.

Supplementary information
More precise investigations are possible if the beats are re-
corded with a storage oscilloscope or with the computer-as-
sisted data logging system CASSY.

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© by LD DIDACTIC GmbH Printed in the Federal Republic of Germany
Technical alterations reserved

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