Vesperal Emotion Poem
Vesperal Emotion Poem
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    A. TEXT LOCALIZATION
        1.-Biography of the author and works
Ernesto Noboa Caamaño is an Ecuadorian poet who was born in Guayaquil on August 11.
1889, son of a well-off family, his father Don Pedro José Noboa and Mrs. Rosa.
María Caamaño, the same one who continuously participated in the political movements, after
having completed his secondary studies in the place where he was born, he moved to Quito where
I started a strong friendship with Arturo Borja and it was in the same place where I embarked.
his poetic career, which began to be recognized through newspapers and magazines, these two
poets were the core of Quito. Ernesto Noboa suffered throughout his life from the attack of neurosis that
only morphine could relieve his pain, the poet striving to overcome that
disease, traveled to Europe, but it did not have the expected results as even in his
inside I felt that I was lost and had no desire to overcome the loneliness in which I was
I found. (Sentinel, 2008). This poet is a figure of modernism in poetry.
Latin American, belonging to the Decapitated Generation, along with Arturo Borja, Humberto
Fierro and Medardo Ángel Silva. During his life, he published a single book titled 'Romanza of
the Hours" and others wrote several works that were very notable such as, for example:
Emoción Vesperal, Ego Sum, Hastio, Vox Clamans, Nocturno, Anhelo, Las danaides, entre
Others, these literary works were the ones that brought him achievement in the field of literature, to his
38 years old died on December 7, 1927 (Ecuador, 2017). “vesperal emotion is
one of the poems that brought the author the most success, the same one that was dedicated to one of his
relatives Manuel Arteta, same event that is explained in a letter that Ernesto
shipment
EVENING EMOTION
1.-External analysis
The poem 'Vesperal Emotion' belongs to the literary school of Modernism and to the genre
lyrical since the poem is written in verses and in addition to this it is worth noting that it has
a feature that cannot be overlooked is the deep feelings it reflects in
This is important because this aspect characterizes the genre to which it belongs.
                                                                       12            11   A
       There are times when you shouldn't laugh                        12            11   B
       to embark on a journey of self-discovery                        12            11   B
       3. quietly, somehow                                             13            11   A
       4. I will see you tomorrow in the sea
                                                                       11            11   A
                                                                       11            11   B
       5. Entrepreneurial path through nursery
                                                                       11            11   B
       6. and-to-lose-yourself-after-a-certain-time
                                                                       11            11   A
       7.the-mysterious-sea-in-discovery
       8.for-the-chanting-of-all-time.                                 13            11   C
                                                                       11            11   C
       9. A queue does not know what it has until it is removed
                                                                       12            11   D
       10. with-the-feet-the-cats-ignoring
       11.they-will-cut-off-his-feathers.
                                                                       13            11   E
       12. What you should know is that we are not just mere beings.   11            11   E
                                                                       11            11   D
       13.from-the-glau-ca-sound-of-the-bis-mo,
       14.le-ten-ta-rán-la-súl-ti-mas-si-re-nas.
It consists of two stanzas of four lines each called quartets as they are
eleven-syllable verses
In addition, the last two stanzas are composed of three verses each like the ones that
they are called tercets.
The verses are of greater art, the same that consists of the same number of syllables with the help
of the metric licenses like this poem, the sinalefa plays a fundamental role since the
the author makes significant use of this.
First verse
It shows the number of grammatical syllables, metrics, and the scheme that represents the rhyme.
As in the case of the first paragraph, line number 1 rhymes with line number 4,
belonging to an assonant rhyme since only the vowel sounds are repeated.
Verse #2 with #3 has a consonant rhyme since all sounds are repeated from
from the last accented vowel
                                            certain-port
Second verse:
This stanza consists of eleven-syllable verses without the use of any metric license or the
use of the accent in the last word. The rhyme of this stanza is the same as that of the first.
Third stanza
Verses 9 and 10 have a consonant rhyme: remote-unknown and the last verse of the stanza.
rhyme with one of the verses from the fourth stanza.
Fourth stanza
It has a consonant rhyme: mirage–abyss and its last verse rhymes with verse number
11 that consists of the third stanza.
2.-Internal Analysis
The phrase that expresses the lyrical self is even if one knows that even the remote confines of the
unknown plains will follow the procession of their sorrows, what the author expresses with feeling is
Whatever I do, wherever I go, I will always remember the sorrows, the same ones that...
they influence him.
In the last stanza, the author expresses how he is about to give up and be consumed by the
abyss, since at the moment he mentions that the last sirens will tempt him, it means
what has been previously mentioned is the moment to make the decision to fall or
to get up
        3.- Relationship of the title with the content
The title is somehow related since what it expresses in its content is connected.
with the emotion and when referring to 'Vesperal' it refers to something that comes before to give
as a consequence of something, as in the poem when it expresses the desire to embark and depart
adrift this results in drifting away while the day dies.
The tone is sad and melancholic as it reflects the solitude experienced in this poem.
passing and the wishes of no longer wanting to live.
The reasons are intangible as the author expresses the disorientation, which conveys the
feelings.
The writer in this poem has a sober language, at the same time it is serious and it is what
characterizes the poem since it is through this that the poem takes on the magnitude of the
emotions that the author feels, in addition the use of adjectives is what characterizes each
action of the poem.
The style is direct as it uses the first person, the phonic level is present as the verses consist of
of rhyme and this gives it a rhythm, the morphosyntactic level is another of the aspects that
they are well defined in the poem since the use of adjectives is very important, the level
syntactic is very high since the sentences by which the poem is composed have the
correct order and easy understanding
Literary Figures
EPITHET
ANAPHORA
Enjambment
You can remove from your life the reasons that cause your suffering.
This poem reflects the feelings and thoughts that a person can have in
difficult moments where one does not find a solution and lets themselves be carried away by what
they feel, and in this way giving up, this poem despite the time in which it was
Written, there are still aspects that reflect different situations of the present, where many
people fall into depression and make extreme decisions.
Bibliography
Ecuador, F. (January 19, 2017). Ecuador Forums. Retrieved from Biography of
      Ernesto Noboa Caamaño:
      w.forosecuador.ec/forum/ecuador/education-and-
      science/81216-biography-of-ernesto-noboa-and-caamano
      summary