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BLACK BEIT
World’s Leading Magazine of the Martial Arts
© s0¢
NOVEMBER 1965
Karate’s Flying Side Kick
(Yoko-Tobi-Geri)
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toes eee are ge ee pleatLetters to the Editor
THUMBS DOWN ON ANOTHER
KARATE TOURNAMENT
On April 10, 1965, T had the mis-
fortune to participate in and witness
fone of the worst spectacles 1 have
ever seen. Tt was the karate tourns
ment held in Monterey, California,
Sirike One: The tournament was
billed as an “All Northern California’
tournament, which it was mot because
only a few schools were represented
and many were not, even though
there were over 150 contestants, This
tournament should have been adver-
tised a5 a Green Belt tournament.
‘This tournament, as many others
are, was far too long and tiring. Per-
hhaps it would help if in the future all
ranks under Black Belt be weeded out
in inter-school or local tournaments
and only the {op one or two from
each school be entered. Afier all, the
crowd pays good money to watch keen
competition and not a marathon work-
out
Strike Two: The tournament was
unorganized and poorly run. None of
the schoo!s were introduced to the
audience or even mentioned. Contes-
tants were asking each other what
sehools they were from. When a mate
was won, the announcer would an-
‘ounce the winner by color of ribbon
instead of by the winner's name,
There were no demonstrations or
explanations to the audience as 10
what karate is or what was being
judged.
‘There were na facilities for food
of drink for the spectators, Many
simply got up and left because they
were hungry. I head lots of grumbling
over not being able to buy a hot cup
of coffee ar a coke. It is beyond rei
soning 10 ask several hundred people
fo sit through eight hours of any kind
of exhibition without one refreshment
oF cushion to sit on.
© Strike Three: There should be some
rationally accepted system of judging.
‘This tournament used the “One Point”
system which left much to be desired
‘They had two referees who constantly
disagreed with each other and other
officials would jump up from the
Judges" table and protest a desision..
6
‘There were arguments over points-
called and hooting from the audience
and some of the contestants. What
kind of nonsense is it that tolerates
siteh lack of diseipline from the of-
ficials and the contestants?
No matter what system is used for
judging, the referee's decision should
be final, as it is in any other sport,
and never should there be arguments
fon the floor in front of the audience.
‘The only time the officials should
hhave discussions is when there is a
question of a technical violation of
the rules, but never, never about a
point being scored. It is crude, unor-
ganized and degrading to karate.
In all fairness, I believe that the of.
ficials did the best they could under
the circumstances and tried to be fai.
But they got tired toward the end,
Who wouldn'? Still, in their haste to
cend this marathon they became care~
less and made calls that were ridicu-
Tous. This in turn made the contes:
tants reckless and technique was
thrown to the wind. There was un-
warranted and excessive contact which
resulted in some unnecessary injuries
‘The crowd instead of watching the
cream come to the surface for the
championship matches, saw a bloody
brawl of charging. mauling, clawing
fighters. Instead of watching good
technique, excellent control and focus
they saw contestants actually leaping,
into their opponents with arms and
legs Mailing, 1 saw a contestant slap
his opponent in the face with an open
hand. Why, even a woman ean recog:
nize that as a joke instead of a karate
‘technique.
In summarizing: I feel the tourna
ment did much harm to the sport of
karate and did nothing to enhance the
character of each participant. At one
point it almost broke out into a free
for-all
Quite a few people have told me
that they will never go to another
tournament like that one, either a>
contestants oF as spectators. It locked
too much like a neighborhood rumble.
T don't know whether your maga+
Zine covered this tournament or not;
if you dida't, you didn’t miss a thing.
‘This tournament could have been held
im some street and no one would have
‘ever recognized it as karate,
Bob Vegas
San Francisco, Calif
OF course you were there and we
weren't, but it seems bad 10 hold the
officials entirely responsible for the
bad manners of the audience. As for
contestants hooting at decisions and
throwing technique to the wind, it
sounds like the referees could have
‘mace the tournament considerably
shorter by disqualifying some of the
competitors
11 would seem Northern California
karate is having a crisis of success —
too many students. This country’s
judomen, with their many years’ head
start on Karate, have run into the
problem of marathon tournaments and
have tried to solve it by holding their
contests over a couple of days and by
picking contestants Jor major tourna-
ments through local and regionat elirne
inations, This last is easier for judo
than for karate because judo competi=
tion is conerolfed by the national Ama-
feur Athletic Union (AAU) and the
sport is daminazed (as of this writing)
by one Black Belt association, the
IBBE. Now that karate offctals like
the ones you mention in Northern
California are haveing some experi-
ence with this problem they should
be able 0. come to grips with it and
arrive at some sort of solution.
A BOOK ON GOIU-RYU KARATE
T was wondering if you could ine
form me as to whether or not there
is a book on the Goju-Ryw style of
arate, Keep up the good work on
your magazine. It was your mapt-
Hine, BLACK BELT, that got me started
in karate,
Gaylord Elam
Tulsa, Okla.
The book “What is Karate” by Mas
Oyama deals with Goju-Ryu karate,
It may Be obtained from our adver-
(iser, the Martial Arts Supplies Ce
P.O. Box 8176, Los Angeles, Calif.
70008,
(continued on page 6)EDITORIAL
POLITICS
IN THE
MARTIAL
ARTS
The U.S. Amateur Athletic Union
(AAU) and the National Collegiate
‘Athletic Association have been at
tempting to control the athletes and
{the person that usually suffers is the
athlete.
‘The athlete, who trains dawn to
dusk, is caught between two powers
‘and he doesn't know what to do. Nat-
urally, a8 sport writers continue to
‘condemn these two organizations they
‘only weaken the representation of
U.S. athletes in world competition.
Because judo is the biggest organ:
ization in the bude field, judo has been
in the open more than the others. But
each. organization has its problems.
“The Judo Black Belt Federation of the
U.S. (.8.B.F,) is now part of the AAU,
but it has two distinct factions: Uchi-
dda's and Port
Karate has been growing very fast
in the U.S. but blindly. Thera are
Several distinct groups, and those in
‘one group don’t wish to belong to the
others, Each group condemns the
others and tries to be the biggest.
Whether the school is phoney or not
doesn't matter anymore.
Aikido also has its problems. Kendo
seems to have the fewest probiems,
because itis still small; but nonethe-
less, credit should be given to Toraa
Mori,a great leader and instructor.
Politics should be left at the club
meetings and not brought to tourna-
ments. Many athletes are getting dis:
gusted with tournaments because of
the favoritism by the sponsor of the
tournament. Judges and refere
should not let their feelings influence
their decisions. If they keep playing
favoritism, eventually they'll just dis
courage contestants from entering al-
together = especially the good ones.
Fair play is the American way of life,
and this should be part of any tourn
‘ment held in the United States.
CALENDAR
Sept 4.5—WASHINGTON, D.C. Shufu
‘Yudanshakat Eastern Invitational
Judo Tournament. Contact Jarmes
Takemori, 308 Lamond Pi., Alex
andria, Va.
Sept. 6 TORONTO, CANADA. Canadian
‘National Exhibition Karate Cham:
pienship under the auspices of the
Rational Karate Assn. ta be held
fat the Canadian National Exhibi
tion:
Sept_19— DAVENPORT, IOWA. Age
Group & Senior Men's Open Judo
Contest, Contact Ken Brust, Dav
fenport YMCA Phys. Dept. (lows
AAU).
Sept, 19—WHITE PLAINS, N.Y. First
‘Westehester Karate Championship
to be held at Westchester County
Center. Open to all classes. Con
tact'S. Bernard, 117 Main St, White
Prains, M. Ye
Sept, IS—CASTRO VALLEY, CALIF. Jun
lar Development Finals at Tak.
mato's Dojo's under auspices of
Hokea Yudanshakal Northern Call,
‘Judo Black Belt Assn,
Spt. 26_NEW YORK, NY. The 1965
United States Karate Olympics,
Sanctioned by the US.KA. Open
to all Karate Association and Sys
tems. Contact, The United States
Karate Olympics, P. ©, Sox 3093,
Church Street Station, New York,
ny.
Sept. 1965—SACRAMENTO, CALIF. Sac
ramento Judo Club Invitational at
‘State Fair Grounds under auspices
of Hakka Yudanshakat_ Northern
Galit. Judo Black Belt Assn.
Oct. 1965—$A0 PAULO, BRAZIL. Fourth
World Judo Championships. (inter:
rational Judo Fed.)
Oct. 2—TORONTO, CANADA. Fourth An:
‘nual Canadian, International Open
Karate Championships. To be held
at the Varsity Arena, Toronto, Open
% all Federations, Contact Tou
Fuoka Karate Dojo, 762 Yange St
‘Toronto, Ont.
Oct. 10-108 ANGELES, CALIF. Nanka
‘Yudanshskai Fall Judo Promotional
Contest. Los Angeles City College,
855 No, Vermont Ave. Contact Dan
Powers, 773-4001,
Oct. 23-24—PHILADELPHIA, PA. Shufy
‘Yudanshakei Fali Juda Promotions
et
Francisco State College st the col
lege. Under auspices of Hokka
Yudenshaksi Northern Cali, Judo
Black Belt Assn.
Nov. 7—STOCKTON, CALIF. Stockton
Judo Club Invitational at the club.
Under auspices of the Hokka Yu
danshakal Northern Calif, Judo
Black Beit Assn,
Nov. 14—NEW YORK CITY, N.Y. Tonta.
ive date. 6th Anqual North South
Judo Contest, N.Y. Athletic Club.
180 Central’ Park ‘So. Contact
Charles Lambur, OF $-2868. (Shu.
fy Yusanshakai).
Nov. 21—L0S ANGELES, CALIF. Judo
Team Tournament. Los Angeles
City College, 855 Na. Vermont Ave.
Contect “Ban Powers, 773-1003.
(enka Yadenshakal)
Nov. 21—SALINAS, CALIF. Apolto Judo
Club's Stockton Invitational under
auspices of. Hokka Yudanshakai
Northern Calif, Judo. Black ‘Bel
Assn.
November 1965 — FOWLER. CALIFOR:
NIA Judo Invitational. Contact To.
shitska Yamauchi, 1047 Simpson;
Fresno, California.STAFF: DAVID LEE Editor; PAUL LIGUORI
Managing Editor, CURTIS VOSS Art Di
rector, ROBERT WILLIAMS Staff Artist
OLIVER PANG Photography Editor: WIL:
LAM C. C. HU and FRED BLEICHER His
torians: DAVE F. ENSLOW Cartoonist; B.
DE NUZZO Circulation Manager: TAK KU.
RITA Special Projects; JOHN NAKAG Ad-
vertising Director; M. UYEHARA and J
UYEHARA Co Publishers.
Regional Editors: KEI TSUMURA Eastern
Canada; HERBERT VELTE Germany: KIM
BYUNG SOO Korea: MEL APPELBAUM New
York: ZARKO MODRIC Yugosiavia
LACK BELT, ING. ALL RIGHTS RESERVED, REPRODUCTION WITHOUE PERMISSION 1S STRICTLY PROMIDITED,
COMING SOON
ee Cee eee CEL oar |y
Ree une wear frre Mt
Cael ola uO ete Oa at ce ead od
Leia M Le)BLACK BELT
MAGAZINE OF THE MARTIAL ARTS
VOLUME Ill, No. 11
contents
ARTICLES
10 GUNJI_ KOIZUMI — A judo Landmark
Shiney, Chapter IV
22__A PARLAY THAT PAID
24 TANG SOO DO: Child's Play
28 THE I-GHIN GHING, Fact or Fancy?
34__AN ENGINEER DISSECTS KARATE
38__WOULD JUDOIT?
44__BLACK BELT INTERVIEW WITH KOICHI TOHEL
DEPARTMENTS
6 LETTERS
CALENDAR
EDITORIAL
15__BOOK REVIEW
52__ TOURNAMENT RESULTS
55__INSTRUCTOR'S PROFILE
56 PROMOTIONS
60__BLACK BELT TIMES
64 DIRECTORY
TECHNIQUES
32__KARATE
42__1upo
November 1965
COVER PHOTO:
The flying side kick (yoko-tobi-geri) is
‘one of Karates most devastating sur-
prise attacks. It also rates high as an
effective counterattack to the side of an
opponent's neck. Painting by C. Voss
Black Belt is published monthly by
Black Belt, Inc. BESO W. Weshington
Bivd., Los’ Angeles, California 90016,
at se at BS
Bessa a
Bie Pas at a,
nag heptane eet
hie meanness
ceteris
Sa etn Uae dh
Fie Si Sa at ae
aeThe lax sograph of G.K., taken on April 13, 1965.
L he last known photog
10 (copyright ~C. 1. Nash)NS
e)B)
GUNJI KOIZUMI
G. K.’s “New Judo”
Attracted Britain’s
Professional Classes
By Charles Grant
One day wher still a boy, the late Gunji Koizumi ran upto
his mother who was grinding beans, stole one, and ate it.
His mother reprimanded him saying if he ate raw beans
he would travel all over the World. Then he stole and ate
another one.
Whether raw beans caused Koizumi’s eventual trip to
England is unknown, but what is known is that when he
arrived, he founded the Budokwai and Judo movement
in Europe.
G.K., as he was affectionately known, was responsible
for the formation of the British Judo Association and the
European Judo Union. The colored belt system of grad-
ing is said to have originated with G.K.
Early photograph of G. K. (left) taken om September 3, 1926.From Meager Beginnings
His ich accomplishments arose from meager begin-
rings. He arrived in North Wales in 1906, practically
penniless, after passage from Bombay on a small cargo
ship. His first job was instructor at the Ashikaga School
‘of Jujutsu in Liverpool where he eamed 30 shillings a
week.
Alter a three-year trip to the United States, he re-
turned to London and with his “new judo,” began to at-
tract the professional classes who saw in it an advance-
iment of boxing, wrestling, and gymnastics.
GK. introduced the real Judo, downgrading Jujitsu as
little more than a collection of tricks. He stressed moral
and spiritual training and technique based on science.
G. K. visits with Charles Grant, instructor at Polytechnic Judo
‘Club in London,
‘A Judo Landmark
‘As Judo. beeame more popular, G.K, formed the world
famous Budokwai Judo Club in Kensington in 1918. At
the time, he described it as “an amateur organization to
facilitate the study of Judo and Kendo.
In his book, My Study of Judo, G.K. said he was in-
fluenced to join the Kokokan because it was a means
‘of physical development and mental and ethical training,
He called Judo an “ever progressive subject on the princi-
ple of maximum efficiency and minimum effort.”
2Followed Dr. Kana
He followed the original conception of Dr, Figoro Kano
to adapt Jujitsu to a means for mental and spiritual train-
ing which brings balance, self-confidence, self-reliance,
., sourage, and sell-recognition,
G.K. with two youngsters at his famous Budokwai in London
in 1938.
In Singapore, in 1908, he studied under Sensei T,
Akishima, learning tricks reserved only for the very ad-
vanced.
GK. received his earliest training when he was 12
years old and joined a Kenjutsu class (double-handed
swordsmanship) in his village. Then he went to Tokyo
and took up Jujitsu, After that, he attended an advanced
school of jujitsu in Korea under an ex-Samurai named
Yamada.”
G.K.'s Judo was not lost with his death in April of
this year. An instructional film of his techniques was made
in 1948 at his famous Budokwai Judo Club,
13Recent photograph of G. K.
faken at his famous Budokwai
in London.
Besides Judo, G.K. had ancther interest in which he
became an acknowledged expert — Oriental lacquerware.
He was appointed consultant in this field to the Victoria
and Albert Museum in 1922 and later catalogued the
‘muscum’s entire collection of lacquerware.
GK. died an 8th-Dan, the highest Black Belt grade in
Britain. Londoners will remember him every time they
walk past the Budokwai, G.K, House, 4 Gilston Road,
London, $.W. 10. ~
4BOOK REVIEW
AIKIDO BOOK TOO FAR-FETCHED
AIKIDO SELF-DEFENSE: Holds &
Locks for Modem Use by Bruce Teg.
ner. (Thor Publishing Go., Hollywood
27, California, 1961. 125 pp. Paper.
$1.95)
I you were to pick up 2 book on
karate, would you expect to reed about
boxing? Of course not. In Bruce Teg.
ner's Aikido Self-Defense, you won't
find any aikida techniques that re:
semble those illustrated in Tohei's
and Uyeshiba’s books on aikido
‘An aikidoman usually faces his op-
ponent with a left hanmi stance, and
Sometimes with a right, but never with
both fest parallel and facing his op:
ponent as shown on page 19. The
hhanmi is a basic stance that each be-
ginnar learns first. In aikido you never
Use your fest to trip (refer to Tohel's
‘and Uyeshiba’s books on aikido), but
‘Tegner uses trips constantly in his i
lustrations. The reason for not using
tripping throws is that you will easily
lose your one point if you have only
to support your body. As To-
hei explains in his book, you must
constantly retain your one point and
keep your body in one straight line.
‘Any one with a little knowledge of
aikido can easily notice that the de-
fender has lost his straight line in i
lustration 1, page 85.
The basic techniques of aikido are
ikkajo, nikkajo, sankajo, shihonage,
and kokyunage, but nat even once are
any of these basic techniques shown.
The art of “bo” techniques is unfa-
riliar to aikido men, but these tech-
niques are illustrated from page 111
to 125,
The author states that “‘in choosing
aikido for defense, the student accepts
both aspects of the training — the
physical and the mental — for they
‘are both essential.” But he doesn't
explain the mental aspect of aikido,
ingtead he recommends that students
read Henry David Thoreau’s “Walden”
‘and listen to music. His reason is that
“we (Westerners) have such different
habits of life and different ways of ex-
pressing ourselves. Therefore, the
presentation of Oriental philosophy to
accompany the teaching af the un-
armed Arts does not come through to
om
‘This book is not recommended for
anyone attempting to learn the art of
aikido or its techniques. It is too far-
fetched from the aikido presented by
top masters Tohei and Uyeshiba,
(yeshiba is the son of the founder of
aikido),
LEARN
JAPANESE
RECORDS
as‘ JAPANESE
3 ALBUMS
PLUS
BOOK
wer $5.95
MARTIAL ARTS
SUPPLIES CO.
15SHIH-YU: Chapter IV
The Battle of Hang-Chow
The death struggle
begins on the Mei-hua Chang.
speaking, she struck at Ts'ui-hua,
Ts'uichua quickly countered it and
the fierce fighting began. Each matched
the other in skill, and at the end of
the day, neither woman hed won
victory. They decided to continue the
battle the next day, but the same
thing happened. At the end of the
third day, the contest was completed
without @ vietor, and Li Hsigo-huan
returned home to find her father there
on an unexpected. visit. He knew
nothing of the feud
She burst into tears when seeing
him and related the story of her
husband's death and following events.
He was furious and asked his daugh-
ter to take him immediately to the
Kwangtung Society where he could
wreak his revenge on Shih-yii
Li Hsiao-huan’s father was called
Li Hung although he was better
known as Li Pa-shan, He was an ex
pert in martial arts, being the student
of a skilled master, a hermit, known
as the white-cyebrowed Taoist priest
At the Kwangtung Society, Li Pa-
shan demanded to sce Ts'ui-hua, who
recognized him as a skilled boxer
her father had onee warned her about.
He was as skilled as her father and
she knew she would be no match for
him. Very respectfully she went forth
and bowed to the older master, but
Li Pa-shan raged with anger and de-
manded that she bring her son Shihe
YU from the building to fight him,
“My son is just a youngster and
didn’t realize that he was in contest
with your son-in-law. I apologize for
rousing your anger and upsetting
you.
Li Pa-shan Challenges
Pa-shan ignored her apology and
Te'uishua begged for forgiveness on
her knees. She pleaded that her son
was still injured and had paid for his
actions with great suffering.
by William C. C. Hu
SYNOPSIS: In last month’s
isoue, Shih-yii killed the “Ti-
ger" with the help of a breast
plate and steel-plated boot
soles. Then the “Tiger's”
wife, Li Hsiao-huan, obtained
revenge on Shih-yit by almost
killing him with concealed,
poisoned spikes in her shoes.
He was saved only by the skill
of his mother, Ts'ui-hua, who
then challenged Li Hsiao-
huan.
“All right, we eannot allow anyone
to say 1am not a virtuous person. I
will allow him half a month's time
for his recovery: then I want to teach
this little scoundrel the real skills of
the martial arts on the tournament
platform.”
Li Pa-shan had the same notice
posted on the tournament platform
so that everyone would know of the
challenge he threw at the Kwangtung
Society.
Sobbing bitterly, Ts'uishua told her
husband and Ch'en Yirshy of the
challenger's skills in the martial arts.
No one could think of a solution.
Finally Ts'vi-hua decided to-seek the
aid of Chib-san, the abbott of the
Monastery in Fukien,
his aid,” she said, “we will
Find a solution.” ‘Then she armed
herself with a pair of swords and
asked for a fast horse.
She travelled all day and night,
eating only dehydrated cereal, before
reaching her destination. One of the
monks recognized her, calling her
7Shihemei, or little sister, meaning she
‘was at the same level in martial arts
as he.
“L have come to seek the aid of the
{great master,” she said, and told the
monk of her pressing trouble.
‘The monk sighed and shook his
head. “If only you had come a day
earlier. He has gone on a trip and
no one knov's where or when he will
return."
‘Ts'uichua moaned deeply and be-
gon crying,
“Come now, little sister, it's not
as bad as you think, There are others
that you ean call upon for help.”
“But, who?”
“If you dry your tears, I will tell
you. Why not seek out the grand
‘master, Wu Mei, at the Paicho Temple
in the province of Yiinnan"?
‘Why did I not think of Wu Mei”?
‘Tsuishua quickly thanked the monk
and mounted her horse.
Wu Mei was an old nun who lived
in the Pai-ho Temple. She was even
greater in the skills of the martial
arts than the abbott of Shao-lin Mon-
astery. However, because of her age,
she was devoting the rest of her life
to the chanting of the liturgy and
travelled all day
and all night, with 2 meal of only
dehydrated cereal, before reaching
Pai-ho Temple atop a high hill
Finds Wu Mei
She found Wu Mei praying inside
the Temple. She dropped to-her knees
in front of her and cried for mercy.
‘Now, now, child, what is. trou-
bling you so that you must come so
far and beg mercy?”
Ts'ui-hua told the old nun of her
plight. “If only you would come
with me to Hangchow, you could
help us all,” she pleaded,
Wu Mei closed her eyes and
chanted, “Nan-wu Ocni-to-fo, nan-wu
O-nisto-fo.” ‘Then she opened her
eyes. “Iam a servant of the Lord
Buddha and have come to this remote
place to live my life in peace and
solitude without the troubles of the
18
layman. I have not uttered any malice
nor-bothered with polities and society.
Neither have I practised the skills of
fist fighting or the handling of weap-
ons of warfare. 7 seek only non
lence. I am sorry you had to travel
such a distance to find me. Why don’t
you seck out the abbott Chih-san
in the Shao-lin Monastery. You should
not waste your time here with me.”
Tslui-hua again dropped to her
knees and her tears flowed like two
streams of water, “Without you,
everything is lost,” she said bowing
and pulling on Wu Mei’s garments
“The abbott is on a long journey
and no one knows when he will re-
tum. If no one will help me, I will
dic here under the eyes of Buddha
rather than go back and see my son
Killed.”
Wu Mei looked long and hard at
her. “Knowing no one else will aid
you, I will help you.” After instruct-
ing her disciples to guard the temple
and attend to the worshipping of
Buddha, she took Ts'ui-hua by the
hand and the two women knelt before
Buddha asking for divine blessings
and mercy. Then, without delay, they
proceeded to Hangchow. Ts'ui-hua
carried all the baggage on her hor:
Wu Mei mounted a donkey and car-
ried a Buddhist staff.
‘They arrived at the Kwangtung
Society the day before the scheduled
fight. Everyone was there to grect
them including Shih-Yi, who was
now recovered from his wounds. A
great ceremony was prepared to
honor the great nun and Chen Yii-shu
ordered that only Buddhist meals be
served while Wu Mei was a guest,
The next moming everyone in the
Kiwangtung Society arose carly and
Tsuichua served Wu Mei personally.
She told her son to fetch Wu Mei's
Buddhist staff, When Shih-yil picked
it up, he noticed it was made from
solid iron and weighed about eighty
catties (1 catty equals about 14
pounds). He smiled realizing that Wu
Mei, even in her old age, was strong
Throngs Arrive
At the tournament platform,
throngs of people had arrived to wit-
ness the great contest. Li Pa-shan
‘was already on the platform practis-
ing his skills when Wu Mei and the
‘others from the Kwangtung Society
arrived. Wu Mei instructed Ts'ui-hua
and Shin-yii and then leaped on the
platform. The crowd cheered at sce>
ing this eighty-year-old woman with
such agility. She wore her usual Bud-
hist attite and her eyebrows stood
‘out white as snow. When Li-Pa-shan
saw her there erect and showing no
sign of her age, he immediately rec-
ognized her as the prize pupil of the
white eyebrowed Taoist priest, his
‘own former teacher, Wu Mei clasped
her hands together in the Buddhist
greeting, “My greetings to you, master
tie
‘Greetings to you also. Had 1
known you were in this city 1 would
hhave personally visited you. It is rude
of me not to greet my older comrade
and I hope you will not think ill of
me.” Then Li Pa-shan fooked at Wu
‘Mei from the comer of his eyes. and
said with sarcasm, “However, I would
Tike to inquire what brings you here
to the city of Hangchow, away from
your secluded Pai-ho Temple? I just
‘wonder, is it that you have come to
instruct me in the techniques of the
martial arts?”
Wu Mei remained calm. “I have
abandoned the ways of the layman
and now I serve only Buddha, But
since We meet on the tourmament
platform, I would like to say some-
thing to you.”
“If you have something to say, say
it. If it is reasonable, I will devote
my attention to it, however...
Wu Mei looked straight at him,
"Since both of us follow the paths. of
truth, you by the Taoist doctrine and
me by the Buddhist, we have aban-
doned society and sought refuge in
remofe places, We should not hinder
ourselves with the problems of the
layman. I have not come here to teach
‘you the skills of the martial arts nor
to meddle in your affairs.” Wu Meipaused. “However, I have heard that
‘you have challenged someone to fight,
‘and I am puzzled since both of us fol-
ow the doctrine of nonviolence and
have vowed not to harm any living
creature. Afier inquiring, I learned
of the dispute in this town, and that
Fang Shih-yii had killed your son-in-
law in a contest.
“There is no reason for us to con-
demn either of these two persons
since both were at fault when they
decided to settle their dispute vio~
ently. Moreover, Shih-yi being a
youngster did not know that the per-
son he killed was your son-in-law.
‘We must excuse him and also punish
him, However, it was the will of
Heaven that your son-in-law should
so early join his ancestors. And Shih-
yi did not go unpunished, as you
Know. Heaven did not allow Sbitt-yii
to die. We cannot question the will
of Heaven, And now you seem to
‘want to change the decree of Heaven
‘and demand this youngster’s death
“I sce that you are greatly angered,
‘and can understand why, but I ask
that you think about what I said, If
it will please you, I will call both
Shih-yii and his mother to come be-
fore you on bended knees and beg
your forgiveness. 1 will also ask
Shih-yi’s father to give one thousand
taels of silver to your daughter so she
may spend the rest of her life in
‘wealth, Then we can abide in peace
and follow the path of righteousness.”
Li Pa-shan stared at Wu Mei with
‘wide eyes and forced a smile. “Are
you finished? My sorrow for my son-
in-law is as deep as the deepest ocean,
Af Fang Shih-yii had not concealed
‘weapons on his person, it would be
another question, But I cannot ex-
cuse foul play and deecit. And now,
it is you who is meddling in our
family matters.”
Then he grabbed Wu Mei by the
collar, but she quiekly tore his hands
‘off saying: “Please remember we are
both along in years and should not
quarrel because of our vows, But if
you should start fighting, there will
‘be no turning back, There is no
mercy for the violent.
“Do you thing I am afraid of you?”
he shouted at the top of his lungs.
“You don't frighten me at all!”
With that, Li Pa-shan moved for-
ward and tried to strike Wu Mei with
the palm of his hands, She leaped
backwards and chanted the sacred
words, “Nan-wu o-ni-to-fo.”
“You must think very low of me.
Certainly 1 will meet you on the Mei-
‘hua chang.
‘After this exchange, they both
jumped from the platform and im-
mediately left with their followers
‘At the Kwangtung Society, while
Wu Mei rested, Shih-yii inquired of
Ui Pe-shan Amazed
Li Pa-shan jumped towards her
and again tried to strike, but
time Wu Mei blocked him with her
left hand and slapped his face lightly
with the other. Li Pa-shan was amazed
at her speed, but still thought it just
lucky that she should make a strike.
{They started fighting furiously then.
Each punch or kick was countered
with the greatest ease and speed. It
was a battle of the tiger and “the
dragon. After the contest had pro-
ceeded late into the day, Li Pa-shan
shouted to Wu Mei to stop and listen
to him. Wu Mei thought that Li-Pa-
shan was coming to his senses and
wanted to end the fight.
“We are too old to be fighting on
this tournament platform,” Li Pa-shan
said.
‘Yes, we should not fight at afl.”
‘Do you think I am asking for 2
truce,” he snapped back, “Never! T
am only thinking we are both so skill-
ful we should fight on the Meichua
chang. It will take me three days to
erect this new arena. Do you dare to
fight me on the Meishua chang?”
‘nua chang: Ancient Death Platform
het about the Mei-hua chang.
“Please do not bother the grand
master,” Tsui-hua said. “She must
rest now.”
But Wu Mei smiled. “You have a
‘very intelligent son, and I'm sure that
many of you are silently asking the
same question. I shall tell you.
“The Mei-hua chang is a structure
for the highest form of combat in
which the loser’s prize is death alone.
‘The structure consists of one hundred
and eight clusters of five posts cach.
Each cluster has one post in the cen-
ter and four surrounding it, in the
pattern of a peach flower. The clusters
are ten feet high and as'far apart as
a long stride. Between these clusters
‘on the ground are spikes and stakes.
If you should lose your footing, you
would surely mect death on thei
sharp tips. This is the ultimate in
tournament platforms, and you are
‘noi taught to fight on them unless you
are an accomplished master. The ut-
‘most skill is required because you
1920
LiPasshan Performs His Exercises Atop the Mei-hua chang
must not only worry about your op-
ponent’s attacks, but also about your
stance with each backward and for-
‘ward movement. It is an expensive
structure, requiring five hundred and
forty posts, and takes three days to
build because the distances between
the clusters must be measured exactly,
It is the most deadly form of tourna-
‘ment platform.”
‘Ts'uichua looked very alarmed.
“And now you must challenge Master
Lion the Meishua chang. I do not
know what (0 say in excuse of my-
self.”
“Think nothing of this, Ts‘uihua,
It was I who finally decided to come
to Hangchow. I will know how to
fight on the Mei-hua chang.”
During the next three days while
the Mei-hua chang was being built,
Wu Mei taught Shih-yi the more
skillful forms of the martial arts, He
caught on quickly, pleasing Wu M
‘Then, on the afternoon of the third
day, Li Pa-shan's messenger arrived
to inform Wu Mei officially that the
fight would take place the next morn-
ing. Wu Mei remained calm.
‘There was great excitement the
next morning at the Kwangtung Soci-
ety. Wu Mei arose early, said her
morning prayers, and with the crowd
that formed outside, formed a gecat
procession to the contest area, They
had to fight their way through the
crowds that came from all parts of
the area to sce their first Meisfua
chang fight,
‘Wu Mei Is Taunted
Li Pa-shan, accompanied by his
daughter and a band of students,
stood at the foot of the Meifua
chang. When be saw Wu Mei, he
said sarcastically: “Do you think you
will be able to fight on such a struc-
ture?”
Wu Mei merely smiled, as Li Pa
shan continued speaking,
“1 wonder if you have ever seen
‘one before.”
So," Wu Mei replied, “you have
built this structure to intimidate me?”“What if I have? You are old and
1 really don’t know if you'll be able
to stand the strain, or if your footing
is as sure as the words you 80 clo-
quently utter,
‘ow notice that Tam far in my
years and yet you accord me no
Tespect. I truly regret that our master
spent so much effort teaching you the
skills of the martial aris, for you
do not use them to aid people but
to intimidate and harm them, Have
you not leamed that violence is
‘wasteful and useless? It is now clear
that both you and your son-indaw are
of the same breed. You both do evil
It is still not too late to change your
mind and settle this matter in a more
peaceful way.”
“Huh, do you think Tam fooled
by your words Wu Mei? You are
afraid to challenge me on the Me/-fua
chang. It that not so?”
“Afraid? Do you really think 1 am
afraid, No, I am not afraid of the
Meishua chang, but 1 am fearful of
the results, It is only an instrument,
It knows not what evil it ean do. We
should know better than to allow an
inanimate structure to rule our des-
tiny.”
“Well said, but your words are Tike
a breeze to me.”
‘Wu Mei continued to try to reason,
but to no avail. Then she said: “All
right, if we must battle on this struc-
ture, then let us prepare ourselves, I
should like to see some of these skills
you boast about so loasely."”
"So be it,” he said and leaped onto
the posts. As he went through his
exercises, the crowd applauded his
flayless technique. Li Pa-shan was in
his sixties, but moved with the grace
and speed of a young man. He did
set of exercises with eighty-one mave-
ments. When he finished he turned to
Wu Mei,
“Are you satisfied? Do you still
think you can fight me?”
“You have performed well and
show great skill, but I see that you
are still trying to intimidate me.”
“Well, now that I have performed
for your pleasure, let us see you try
the same feat on the Mei-fua chang.
‘Wu Mei smiled and with a leap
jumped to the top of the posts. She
showed no sign of her age as she per-
formed a set of exercises using all
one hundred and eight positions
Then she jumped down and said to
Li Pa-shan: “Now are you satisfied”
Whispers to Daughter
Pa-shan realized he had under-
estimated her prowess. He secretly
pulled his daughter to the side and
whispered that if she saw him being
feated, she should throw a pair of
iron rods up to him. Then he went up
to Wu Mei,
“Are you ready to do battle on the
Mei-fuea chang?”
Wu Mei nodded. But she had seen
Li Pa-shan seeretly whispering in his
daughter's ears and therefore told
‘Ts'ui-hua and Shih-yii to observe the
movements of Li Hsiao-huan beeause
she expected foul play. Then both
contestants leaped up on the Met-hua
chang.
“
Next Issue: Wu Mei and Li
Pa-shan fight it out on the
Mei-hua chang
Fosnino mire
by Enslow
a4A Parlay that Paid
Chicago Karate School Teaches TUF Squad
“Mas Oyama congratulates Frank Gruzanski, chief instructor ai
the Chicago branch of Oyama’s Karate school, after inspection.
22
A. imaginative American has
parlayed a 6-year Army stint in Japan
into @ respected Karate School on
Chicago's south side.
Besides having representation in
Masutatsy Oyama’s Japanese Karate-
Do Kyokushinkai, the school claims
to be the first in America to include
Zen meditation as part of the Karate
training. 3
Charles V. Grukanski, now a Chi-
cago police officer, returned from Ja-
pan in 1956 to discover Karate was
virtually unknown in his native city.
He spent the next several years gain-
ing the confidence of Master Mas
Oyama who allowed him to open a
Chicago branch of the Qyama School
in 1960.
Gruzanski has been studying Ka-
rate since 1954. He is a black belter
in Judo and has studied at the world
famous Kodokan, Since 1960, he has
trained hundreds of students, includ-
ing police officers, doctors, lawyers,
nurses, and the famous Chicago Police
TUF Squad (Task Force Undercover
Function). Members of the TUF
Squad watk the streets disguised as
drunks, conventioneers, soldiers, and
‘other potential victims, seeking “jack-
rollers."
Gruzanski introduced Zen medi-
tation to his students feeling that
those studying the martial arts must
coordinate the body with the mind,
As a result of Gruzanski's intro-
duction of Zen meditation in hi
‘school, other Karate schools in Amer-
are following his lead.Students of the Karate School of Oyama in Chicago.
Mas Qyama presents Nidan certificate to Frank Beske at
Oyama’s branch sehool.
Instructor Frank Beske of Oyama Karate Schoot breaks four
J+ by [2einch boards with Mae Geri.
23The Moo Duk Kwan is the largest
association in Tang Soo Do in Korea.
It was founded by Kee Hwang, &th-
Dan, in 1945, at its present head-
quarters in Seoul, Korea. Tang S00
Do techniques are powerful and fast,
emphasizing kicking attacks. In Ko-
rea, men five feet four inches can
jump kick boards and tiles held sever
feet im the air and shatter them. Tang
Soo Do attacks are 80-percent kicks,
but the hands are not neglected. A
fist of Sho-Dan has been clocked
at one hundred miles per hour,
Tang Soo Do: Child’s Play
This Father-Son
Relationship Pays Off
Text by Charles Sereff and Photos by Clark Aiken
| became acquainted with the Moo
Duk Kwan association about three
years ago when I studied with a Ko-
ean officer, Choii, Sung Hak, at
Lowrey Air Force Base in Denver,
Colorado. After he left, I met Robert
‘Thompson and Fran Heitmann, both
2nd-Dans, who had trained at Osan
Force Base in Korea. By study-
ing with these fine teachers for two
years, I made Sho-Dan. Then I
‘opened my own club, the Denver
‘Tang Soo Do Academy.
24‘Scott Ser
O'Rourl
March
of winces ax he takes a juntp kick from opponent Sean
‘at the First New Mexico Karare Tournament held
Both boys received trophys.
After a short time, the idea of a
children's class frequently passed my
mind, but 1 wasn’t sure if Tang Soo
Do would be able to hold their in-
terest. I decided to experiment with
my oldest son, Scott, eight years old.
sd Criswell
also had a son who was the sume age
So with these two, we be
One of my students, Fi
25‘Slow Going
It was slow going at first and took
a great deal of paticnce. But gradually
the boys beeame interested and took
the training seriously. Coordination
and balance began to improve through
repeated basic blocks and strikes.
Soon they were advancing to the many
kicking techniques that Tang Soo Do
is famous for.
When Scott started training, his re-
port card in physical education at
school read, “Needs improvement in
coordination and competitive play.”
Six weeks later, his report card read,
“Ouisianding in physical education,
coordination, and self-confidence.”
This convinced me the training
had done wonders for my boy and
‘encouraged me to develop the chil-
dren's class. Slowly we began to fill
the class. Another of my students,
Ralph Krause, with great patience and
care, became the boys’ instructor. He
‘taught awkward, self-conscious boys
to become graceful and self-confident.
‘They were also taught the valuc of
self-restraint and the high honor code
of the Hwa Rang Dan warriors
26
|
|
Charles Sereff demonstrates basic techniques to his sons, Seon,
8, and Guy, 3.
lds Scot Sereff (left) and Fred Criswell, Jr do
‘Kaas between their fathers, Charles, (left), anel Fred.Advanced Rapidly
Scott and Fred Jr advanced rav
pidly and were soon doing formal ex-
ercises or Hyungs. Next they began
mastering flying kicks and semicfree
fighting. The boys took part in many
demonstrations and were always re-
scived well by the audience. Doing
Hyungs in front of as many as 200
persons really built their self-con-
fidence.
‘Then in November came a very
proud day for me; I presented Scott
and Fred Jr. with their green belts.
rx
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of karate punches and or kicks.
Available in 30 days
KBKI - - - - $10.80
27.An Extensive Study of the Lchin ching and
Bodhidharma’s Connection
With the Oriental Martial Arts
The Lchin ching,
Fact or Fancy?
Why is there such confusion over
the authenticity and interpretation of
the I-chin ching, an ancient se¢ of ex
ercises thought to have originated with
Bodhidharma? Is the L-chin ching a
genuine work of the early Sth century
as claimed or is it a later forgery?
What association did Bodhtdtar-
‘ma, the Indian Buddhist priest, have
with Lehin ching? Was jt an Indian
work translated into Chinese? What is
the underlying purpose of 1? Can the
Lehin ching be considered the nucleus
of the modern Martial Arts?
This series is the result of extensive
research into these questions by Wil-
liam C. C. Hu. Part one recounts a
popular story as 10 how the Tchin
ching came to be written
Tate tas sty eats, various teo-
ties have promoted the claim that the
foundations of the Martial Arts, e.g...
Karate, Kung-fu, were found in a sys=
tem of exercises called the I-chin
ching ( 49% ), or in Japanese,
Ekikinkyo. This theory, and also the
belief that Bodhidharma is the father
of Oriental Martial Arts, are not re-
stricted to the West; they are also very
‘common in the East,
28
1 began my study by scarching
the catalogues and bibliographies of
both ancient and modern works. To
my surprise, I found that there is not
just one form of exerci
F-chin ching, but ten ve
tions.
The I-chin ching is attributed 10
the Indian priest, Bodhidherma, who
is supposed to have been in China
during the early Sth century A.D
by Dr. William C.C. Hu
‘However, there are many other ver-
sions of how the chin ching was
handed down through history.
‘The most popular story about Bod
‘hidharma relates that when he went
to reside in the Shso-lin Monastery,
hhe saw the monks were weak and un-
healthy. In order to strengthen them,
the devised a system af exercises called
‘he I-chin ching.
Before Bodhidharma’s death, heBodhidharma Arrives at the Cos
‘of Wucti, First Emperor of the Liang Dynasty
29,gave to his successor, Hui-neng
( Bat), two sacred books, the
Hsi-sui ching ( SAME ) and the
E-chin ching ( B3§#% ). The Hui-
neng unfortunately, did not survive
history, but the other did.
This story cannot be documented
by historical record; neither can its
authors or sources be substantiated. It
is found in the preface of a small book
published in 1875 called the Wei-
sheng I-chin ching 4&3. 3448 and
written by Sung Kuang-so
CBX ). The pretace is said to
have been written by Li Ching
( 33h) a great military officer
of the T'ang dynasty (618-906 A.D-).
It is dated the second year of the reign
of Emperor Tai-tsung of the T'ang
Dynasty (629 A.D.)
LiChing writes:
“In the time of the Hou-Wei dy-
nasty (424-535 A.D.), in the year of
Taicho (477 A.D.) when Emperor
Hsiao-ming was on the Dragon throne,
the Indian priest Ta-mo (Bodhid-
arma in Chinese), arrived at the
court of Wu-ti, the first emperor of
the Liang dynasty. He then went to
the Kingdom of Wei in Northem
China and lived in the Shao-lin Mon-
astery.
After a residence of nine years, he
died and was buried at the foot of the
Hsiung-erh Mountain, between the
present day provinces of Honan and
Shansi, After a course of years while
his monument was being repaired, an
iron box was discovered within his
coffin.
“The inside of the box was filled
with wax which protected the con-
tents, The contents were #0. books,
cone termed the Hsi-sui ching and the
other the F-chin ching.
“The I-chin ching concemed the
conservation of the body. The Hsi-sui
ching, however, was later lost to the
world alter several generations. The
surviving text of the chin ching was
written in the language of T'ien-chu
(as India was then called), There was
great difficulty in having the text trans-
lated and the real meaning of the f=
chin ching was lost.
30
“What the priests of the Shao-lin
Monastery derived from the F-chin
ching was the advantages of self-de-
fense methods. One of the monks at
the monastery argued that what Bod-
hidharma left could not. be unimpor-
tant and just methods of self-defense.
This monk went on a pilgrimage to
the O-mei Mountains in the province
of Szechwan in Southwestern China
in search of one who could translate
the work and extract the true mean-
ing of the Lechin ching.
He soon met an Indian priest by the
fname of Pramiti Pramiti told him that
the Ianguage of Buddha cannot be
readily translated because it is extra-
ordinarily deep in meaning. Prarsiti
explained the I-chin ching only as far
as he was able,
The monk was invited to stay at
the temple and be initiated by degrees
into the details of the J-chin ching. In
one hundred days of practising, he
became quite strong. In the second
‘one hundred days, his entre body had
received the full benefit. After the
third one hundred days, his constitu.
tion became as hard as steel, and he
felthe could be a Buddha, The visiting
monk was so pleased that he accom-
panied the Indian priest wherever he
went.
“A person by the name of Hsti
Hung (4a _) met the monk and
Pramiti and obtained from them the
secret method of the I-chin ching. Hsti-
Hung then gave the teats ofthe f-chin
ching to a red-bearded person who in
turn gave it to the writer of this pref
acc.”
‘This story attributed to the pen of
LiChing, isa bit suspicious. If it were
really written by Li Ching, then two
questions must be answered. First, Li
Ching during the time that the pref
ace Was supposed to have been writ
ten, was the president of the Board of
Rites. With the changing of an em-
peror (T'aitsung being the second
Emperor of the T'ang dynasty) there
‘would be very little time for the Presi=
dent of the Board of Rites to be wri
ing prefaces. Also, there is a void in
the biography of Li Ching concerning
the F-chin ching.
‘The second question then arises.
Why was there no mention in any
other work of the existence of the J-
chin ching from the seventh century
AD. until the mid nineteenth century?
‘The I-chin ching is supposed to have
been a mid fifth century work: how
ever, throughout the national bibliog-
raphies, catalogues, and historical an-
nals, there is no mention of this work.
It is strange that no Buddhist text
should mention a work handed down
by the fist patriarch of Zen Buddhism.
x
a
READERS: Because of the tremer
dous increase of correspondence
requesting information, we will no
longer be able to reply to those
{ers not including a self-addressed,
stamped envelope,
= Black Belt
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31Wace ee eels
Downward Block (gedan-barai)
and Counterattack
This technique is used mainly against kicking
attacks. The forearm near the wrist deflects
the kick aimed at the groin, abdomen, or
solar plexus. After the block, the opponent
is open for an effective counterattack.
Nokamora et} end pas tae ae
1 himself for attackNekamura blocks Ozawa's right arm as Oxawa shifts weight
in preparation for a kick.
Orawa throws a sharp
his left arm into downward block motion. Nal
hand is ready for the counterattack
‘The hand of Nakamura's blocking arm has swung diagonally —
Seon sng safcting ation ATi eo ’
impact, Nakamura's arm is complotely extended. He hat Natamura oxecutes his counterattack with a strong punch to
made sure he hasn't extended his arm beyond the front of the side, His balance is excellent because he deflected the
his body, nor lifted the shoulder of his blocking arm which point of contact and ftned bis wen
makes i impossible to tonto the chest muscles, ments to thote of Ozawa's,
ide Nake-
Interntional Karate Organization, San
Gabriel, Calif.
33Approach With Reason, Not With Tradition
An Engineer
Dissects Karate
Text by Joe J. Marti
Ill and photos by Jack Steadman
Te rcrmt is more than a cestury behind the deveop-
ment of Judo, it is omly because of the negligence and
ignorance of the instructors and students.
Dr. Choule J. Sonu, a former Karate instructor and
engineering professor at the University of Florida and
now at Louisiana State University, has been trying to
modernize Karate with his “rational approach” method.
‘The Sth-degree black belter from the Wado-Ryu says
that this gap is not a result of unintelligence, but rather
of negligence in changing their teaching methods in light
of science,
Rational Approach
His rational approach is to dissect each technique un-
der analysis and reduce each move to a physics diagram
—then solve for maximum effectiveness in terms of the
greatest output for the minimum input.
It was as chief instructor of the Florida University’s
Karate club that Dr. Sonu noticed shortcomings in the
way Karate is being taught and interpreted in the United
States today. Too many students and instructors are. con-
tent to mimic the techniques of others, and fear to de-
fe from tradition thinking it would be a sacrilege to do
30,
Dr. Sonu believes that traditions make the art rather
than the art making the traditions,
‘He advocates a break with traditions when they fail
scientific analysis. His rational approach, he believes, may
well be the key to unlocking the potentialities of Karate.
34The limit to the ways of teaching Karate is determined
only by the number of individuals associated with it, Every
instructor has his own pet theories which he emphasizes,
but this in itself is not bad. What is bad to the art, he fee!
is the way some of those theories are formulated,
It is @ sad fact, Dr. Sonu says, that not every chang
hhas been an improvement, It has been, and stil is, the
method of some instructors to modify the techniques of
Karate to suit their own purposes without 1
Some
ard for 1
will. make
lvancement of the art as a whole.
changes which clearly conflict with the laws of physics,
and even the most accomplished master of Kai
disregard the principles of physics.
Is that the need is for more
Karate. Modern class:
be combined with the old
m procedures should
“show ‘em how’
ad use today
method which is in widespr
Gear Teaching Methods
Dr, Sonu bel
geared to the in
teach
Jual because not every Karate student
wes that methods should be
has the background of seience and mathem
Teaching Karate is really just
sining the student to
interpret Karate will benefit. mostthose who approach it with an open mind. An objective
study tends to bring out the core more quickly because
both student and instructor in questioning the recognized
tenets, must constantly confirm even the most basic
doctrines
Dr. Sonu believes that any instructor worth his belt
should be willing to put his teachings to the test. He also
feels that top many Karate students hold back their ques-
tions because they don’t want to offend the instructor.
To avoid this in his own classes, he begins every class
by telling his students that to blindly defend the dogmas
of Karate will do immeasurable harm, but to actively seck
cout the weaknesses of the art and work to strengthen them
is to really contribute to its advancement,
‘As with any other deviation from the beaten path, this
method of teaching and interpreting Karate has been
criticized by purists who maintain that any change in
the art would be detrimental, But in Dr. Sonu’s mind, the
application of scientific principles to the teaching and
teepreting of Karate will lead to a better understanding
of the art, Then and only then, he feels, will Karate reach
its full potential.
oe Martin practices flying sile thrust kick against seven-foot
‘Makawara Board.
a‘After a six weeks’ illness, the doctor insisted 1 do some-
thing to improve my muscle tone. Judo, he suggested, would
beexcellent therapy.
WOULD JUDOIT?
A Housewife’s Joust with Judo
by Jean M. Diamond
Ta aso uott 1 had ined up with « number of women
judo instructor that I learned we would be the
ight by him. Until now he had taught only
agile West Pointers and boot camp reeruits. Like it or not,
wwe were pioneers.
I waited in my official judogi and bare feet, Never had I
felt material as strong as that woven into the judogi..
‘The instructor arrived wihtout a sound, and a gasp went
down the line of women. Here was an enlarged live repto-
duction of Yul Brynner, and in color, Not a hair showed
‘on his head, Slanting eyebrows and a ruddy sunburned com-
plexion topped his six-foot frame. He was a grizzly bear in
shoulders and arms. I looked around, Where was that small,
fragile Japanese I was going to toss over my shoulders?
38
He spoke a different language. No longer was I a Judo
student. I was a Judoka standing in a dojo (gym) on a
shigja’ (mat). My instructor was a yudansha (one who
holds a black belt grade) who would try to teach me the
waza (art) of Judo. He disliked wanryoku (the use of
strength) and emphasized the butsukari (practice to the
position of broken balance only).
“Judo,” he said, is a sport based on the ancient art of
Jujitsu, One must be courteous and respect the safety of
hhis opponent. Before each shobu (contest), he said, we
‘must bow to our opponent and then to the picture of Jigoro
Kano, founder of Kodokan Judo.
“Judo is based on yielding ground and using the op-
ponent’s momentum. One should strive for speed of mind
and motion with coordination.” I listened, impatient to
begin the instruction,He told us that Judo translated means “the gentle way”
and that its theory is opposite to natural reactions and
most American exercises
He taught us how to fall safely. 1 was surprised. After 38
‘years of falling off horses and out of trees, 1 considered
‘myself an expert, He didn't, Along with ten other women T
spent two evenings falling on the mat
In the next maneuver, I ad to knock my partner off
thet feet and lower her gently to the floor. I coud see this
‘would be much easier if I disliked my partner. 1 was re-
minded of my first dancing class when we hung to our
partners out of desperation, not even speaking, being so
busy keeping off cach other's fect
To throw my partner, I had to cut her across the back of
her ealf with the back of may heel while holding the lapels
of her judogi. She was to do the same to me and at the
same time. We hopped up and down as though on a hot
riddle before we passed the point of buisukari and landed
on our “butsus.” When the instructor sorted us out, he
said Judo really wasn't that difficult, I should relax. Follow
instructions and I could even throw him.
So 1 followed instructions and I threw him — into the
air, over my head, all the lovely 200 pounds, grizzly bear
shoulders and slanted eyebrows, Now I was more confi-
dent. Judo no longer mystified me. Then I made my big
mistake.
1 invited my husband to the next class,
“The insteuctor asked me to demonstrate a point. All I
remember next was fying through the air with the greatest
of ease. My husband laughed with abandon and my son
shricked, “What's that man doing to mommy?” When I
landed seconds later, I decided a middle-aged woman flying
through the air in a bathrobe after a hard day's work is a
pretty ridiculous sight. I gave up pure Kodokan Judo.
My son was happier.
39—— copies at $1.00 each. BLACK BELT MAGAZINE
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JUDO_TECHNIQUE
Hon Ho Son, a jude coach of Germany, demonstrates hit
fovorite throw, the fai-otoshi. Another name for this tech:
nique is chothi-woza, or chance technique, which implies
the importance af seizing the apperturity forthe thaw and
‘epplying it quickly, Harmony between hands and feet is
cesentol.
1. When his opponent steps sideways fo the right, Son
drops down and steps back with hie left foot, He has unbal-
anced the opponent towards the right front corner by pulls
ing him ferward and pushing upwards with his hands,
making him come up on his f00s. San has quickly cut his
right foot across the front of the opponent's right foot,2, Son isin perfect postion forthe throw os the opponent
hos token «@ step forward and Sen's feet are pointing in
the some direction. He hor made his opponent depend fer
‘is bolance on the ball of his right foot.
3. San, in excellent form, throws his opponent quickly by
pulling his left elbow in hord toward his stomach and puch
ing up with his right hond. This sweeping action is executed
exactly in the same direction that his opponent is moving
toward his left oblique rear). San is extremely careful
when he applies this technique not to attack promaturaly..
Photographs by Herbert Velte
WANT A PEN PAL?
Why not?
Wilbur C. Robinson of Mon:
roe, Louisiana, wrote Black Belt
Magazine recently requesting
the editor to print his letter
about pen pals. Wilbur doesn't
care if his pen pals are male or
female, but they should be
around 15, his age.
He's mainly interested in
Judo and Karate and ean be con-
tacted at 203 South 23rd Street,
Monroe, Louisiana, o
43Black Belt Interview
With Koichi Tohei
Technique Without Ki,
Says Master, Is Not Aikido
BLACK BELT: How manytimes have
you visited the United States?
TOHEL: I've made five trips to Hawaii
and two to California,
BLAGK BELT: Have you been to any
other countries?
TOHE!: No, but the Hombu (head
quarters) has sent five instruc-
tors to Europe.
BLACK BELT: Are you planning to
visit other countries?
TOHEI: No, | have too many students.
to teach in America.
BLACK BELT: Is Aikido good tor
children?
TOHEL: Yes, in Hawaii, the Aikikai
teaches children from 8 years
old up. They have about 300
children today.
BLACK BELT: But don’t you think it
is too difficult for them to un.
derstand the ki?
TOHEI: Yes, it is difficult, but they
lear if the instructor can ex
‘plain the coordination of the
ki with the body.
BLACK BELT: What is the best age
to learn Aikido?
TOHEL: | think about 8 years old
44
BLACK BELT: Don't you think that
age is too young? Before they
‘can really understand the ki
‘they'll be tired of the art,
‘TOHE!: This depends on the teach.
ings.
BLACK BELT: To what extent?
TOHEI: Some excellent university
professors cannot teach chil
dren, only adults. Aikido .in-
structors are the same. But it
is a prerequisite that children
have a superior instructor,
BLACK BELT: Would you recom
mend Aikido for women?
TOHEI: Yes.
BLACK BELT: How about older peo-
ple?
TOHE!: Yes, for them also,
BLACK BELT: Why aren't there
‘more women and older people
who practice Aikido? They seem
to be enthusiastic at first but
eventually fade out alter tak
ing a few falls.
TOHEI: Because they are afraid to
fall. One Aikido instructor rea
lized this and started a special
type of training for these peo:
ple. His students just do exer:
ciises with the application of
‘the ki under the guidance of
Police Lt. Shinichi Suzuki of
Maui, Hawaii. They learned to
flow the ki just as well as their
counterparts who study the en:
tire art.
BLACK BELT: Do you think the main
Principle of Aikido is the ki
TOHE!: Yes.
BLACK BELT: How many countries
have Aikido dojos today?
TOHE!: Aikido was ‘taught in 18
countries five years ago. but |
don't know the exact figures
today-maybe 30 or 40 coun.
tries,
BLACK BELT: Approximately how
many person participate in Ai
kido today? .
TOHE!: About 100,000 I'¢ say.
BLACK BELT: How many in Japan
and Hawaii?
TOHEI: Seventy to 80 thousand in
Japan. About 1,500 in Hawaii.
BLACK BELT: Is it easier to teach
American beginners or Japa:
nese?
TOHE!: The Japanese seem to ac
cept it more readily
BLACK BELT: In other words the
‘Americans are more skeptical?CO ay
Pe ey
Pe eee mei
‘mental in introducing aikido to Ha-
Cee ec eect
Belt interviewed him recently to find
Ce UT
POTS ne Rend
CoccaTOHEI: Well, the Japanese are skep-
tical too, but they are easier
to convince,
BLACK BELT: Many readers want
to know the differences, if
any between the various Aiki:
do groups, such as Hombu,
Yeshinkai, Goshin, and others,
Are there any differences?
TOHEI: The techniques look alike
but only Hombu applies the ki.
Without the ki, this, to me, is
not Aikido. If you use physical
force to do the techniques,
your movements will not be na
tural.
BLACK BELT: Are there many police
forces using Aikido?
TOHEI: Yes, Hawaii police depart:
‘ments have been using Aikido
for many years and so have
the Japanese police depart.
ments.
BLACK BELT: What about the Japa:
nese Army and Navy?
TOHEL: Every military camp in Japan
has an Aikido organization,
BLACK BELT: I notice that you tiave
been giving many exhibitions
to the police in New York, San
Francisco, Los Angeles and the
other large cities. What were
their reactions?
TOHE!: They were very receptive to
Aikido, but the problam in New
York was how ta teach 27,000
policemen, | remained only a
short time in that city. The
only way to-each 27,000 police
men is to have an instructor in
each department.
BLACK BELT: Recently we noticed
a pocketbook entitled The
Power of Aikido by Claude St.
Denise that sells for 95 cents.
‘Any comment on the book?
TOHEI: I've seen this book and
frankly believe the author
46doesn’t know the principles of
Aikido because such state:
ments as: '"More powerful than
karate and judo..." is con.
trary to Aikido’s teaching. The
mountain doesn't laugh at the
river because it is lowly nor
does the river laugh at the
mountain because it cannot
move. Each art has its own
‘goad points and philosophy and
never should we criticize any
of the other arts. Such a book
as this will only give a miscon-
ception of Aikido and slow its
growth. | personally do not
know the author, Claude St.
Denise,
BLACK BELT: If a police department
wants to see a demonstration
of Aikido how much will they
have to pay?
TOHEI: Nothing, I'll do it free any.
time,
BLACK BELT: Do you think Aikido
can be applied to your daily
lite?
TOHEL: Certainly! The most impor.
tant concept of Aikido training
is to applying it to daily life.
Aikido teaches you to relax and
that alone is beneficial. | wrote
a book recently entitled How
to Apply Aikido Principles To
Your Daily Life.
BLACK BELT; Is that book written
in Japanese or English?
TOHEL: in Japanese, but an English
translation should be out soon.
BLAGK BELT: Gould you give us an
idea as to the main theme of
the book?
TOHEI: This book explains the de-
tails of ki, The first book tells
readers how they can under-
stand ki, how they can develop
it, and how they can apply it
to their daily life in sleeping.
waking, eating, walking, and
thinking
a7BLACK BELT: Do you actually con:
centrate or keep your one
point 24 hours a day or are
‘you like most people in the
United States and only do it in
tthe dojo (school)?
I: I definitely keep my one
point at all times. If you do it
only in the dojo, you cannot
develop your ki because the
training you receive in the do
jo is too short. Only an hour or
two a day is not enough. You
must do it until it becomes a
part of you and you do it na-
turally — unconsciously like
breathing. Too many begin
ners do not really understand
and keep concentrating on the
one point (a point 2 inches be-
low your navel) almost in a
physical manner. They look at
their expanded bellies and
think they are doing it right
They do not understand they
must concentrate, not inten- ;
sively, but calmly.
BLACK BELT: Why is it that while
‘the demand for Aikido instruc:
tors in the United States has
gone up considerably there
still seems to be a lack of do:
ios?
TOHE!: Because there aren't enough
instructors. If Aikido was only
a physical art, you could easily
teach a person to become an
instructor. But because Aikido
stresses. the ki, the training
takes much longer. Until an in
steuctor knows the art - phy ¢
sically and mentally ~ he can’t —
do a good job. It would be like /
the blind leading the blind
BLACK BELT: Is it possible to study
‘Aikido from a book for many
of these people who do not
have a dojo in their area?
ToHI
It is very difficult to under:
stand the movements of Aikido
from a book but you may be
able to leam and apply the
48mental aspect of Aikido trom
a book, You must, of course
read the book thoroughly may.
be four or five times, before
you can really understand it
Then you must practice the
movements and attempt ta fol
low what you have read.
BLACK BELT; In other words, you do
recommend a person to study
from a book if a doja is not
available?
TOHE!: Yes, if a dojo is not avail
able, But if one is, you should
attend a good dojo because
‘you'll be able to learn the finer
points of the art which you may
miss from a book
BLACK BELT: If | should read your
book and misinterpret ane of
the techniques or exercises,
and keep practicing it wrong,
will that hinder my develop-
ment ster on when I join a
dojo?
TOHE!: No. When | visited Chicago
a few months ago, four Ohio-
ans came to study under me
and | was surprised because
they knew the techniques quite
well. When | inquired who
‘taught them, they said that they
had learned it from my book.
One person would read while
the others practiced the tech:
niques. They didn't reveal any
major faults in their move-
ments. I'm glad that my book
‘can help people who live in an
area where a dojo is not ac:
cessible.
BLACK BELT: Do you recommend
any specific exercise for a
student outside the do}
TOHE!: Yes, a student should prac
tice whatever he learned in the
dojo. This will develop his tech:
nique much faster,
BLACK BELT: Could you say how'a
student could be mare con:
scious of the one point so he
can develop his ki faster?
TOHEI: | always teach in the dojo
‘that you must apply your one
point and keep applying it con-
tinuously until it becomes a
habit. | even tell students to
teach others so they can un-
derstand,
BLACK BELT: Don't you think it is
dangerous to concentrate on
the one point while driving?
TOHE!: Too many people misunder-
stand concentrating on the
one point and nothing else
This is a misconception. Con-
centration of the one point
means to keep your mind calm
and after you receive that feel+
ing to retain that feeling, Then
you can drive your car or do
anything else more safely and
with better judgment,
BLACK BELT: Will you return to the
United States after this trip?
TOHE!
I Yes, I'll try to be back again
1966 or 1967.
BLACK BELT: Are you satisfied with
the growth of Aikido in the
United States?
TOHEI: Actually, I'm flabbergasted
by the growth of Aikido in the
United States. | didn’t think it
would grow as fast as it has
within the last four years
"
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slTOURNAMENT
RESULTS
Mike Stone shows grand champion trophy he just won at the
1968 international Karare Tournasnent held August I in Lome
Beach. Congratulating him is Ed Parker, producer of the
Mike Stone of Honolulu captured his second straight
international karate championship August 1 by defeating
Tommy Tulleners of Altadena, Calif, before a capacity
crowd of 4,000 at Long Beach, Cali
Stone, recently discharged from the U. S. Army, has
been sweeping first place honors in every contest he has
entered. He won this year's championship, held in the
municipal auditorium, with one point when the two-minute
time limit expired
Middleweight Tulleners got his opportunity at Stone
by defeating lightweight Al Caraulia in a playoff of the
winners of the two black belt divisions
Art Pelela, heavyweight black belt winner, lost his bid
for the championship match to Stone in a contest heavily
applauded for beautiful technique.
Matches were two minutes long with a “sudden death”
52
rule applied when neither contestant was ahead at the
end of the time limit, This rule gave the match to the op-
ponent who was either ahead at the end of the time limit
or who scored the first point after the time limit
Brown belt winners in the light, middle, and heavy
weight divisions respectively were Tony Martinez of Salt
Lake City, Utah, Skipper Mullins, of Dallas, Tex., and
Chris Wells, of Redondo Beach, Calif.
White belt winners in the same categories were Steve
Sanders of Los Angeles, Calif., George E. Card of Boston,
Mass,, and Amold Urquidez of North Hollywood, Calif.
Producer of the international karate championship was
Ed Parker, president of Kenpo Karate Studios.
Complete coverage of the tournament with photos will
appear in next month's issue.160-Pound Tony Owed of Toledo, Ohio, competes againse
260-pound Nick Bieyandaht of Canada during 13th Annual
Midwestern AAU Judo Championships. Owed won.
THIRTEENTH ANNUAL MIDWESTERN AAU
JUDO CHAMPIONSHIPS
Jim Walesley
Detroit, Mich. ~The high point at this tournament held
in the University of Detroit Memorial Field House was
Koji Oshima’s full-point win to lead the U.S. team to a
50 to 30 victory over the Canadian team.
More than 460 persons competed before 4,000 spec-
tators at the tournament held this year on June 19. The
“Best Player” award went to 160-pound Tony Owed of
Toledo, Ohio, for his determination in defeating 260-
pound Nick Bleyandahl in the team matches, Junior grand
champion was Kerry Shintani of Chicago.
White Bele
Ist — Gary Weaver (Mansfield YMCA); 2nd — Robert
Perry (Detroit YMCA)
Inrermediane
Ist— Rickey Marlette (Saginaw, Mich.); 2nd — Phillip
Otten (Ishikawa, Penn.)
Brown Belt
Ist— Larry Kaminski (Canada); 2nd— Luiz Gonzalez
(OFA, Ohio)
Black Belt
Ist— Koji Oshima, (OSA, Ohio); 2nd— Dave Malloy
(Canada)
JO Year Old
Ist— Steve Cohen (Chicago); 2nd — Craig Fujioka (Chi-
ago)
J? Year Old
Ist— Bruce Umekubo (Chicago); 2nd — Jerry Okuba
(Chicago)
14 Year Old
Ist— Scott Berge (Detroit); 2nd—Ray Suginomori
(Canada)
Kerry Shintani_ (Chicago) ;
16 Year Old
(Canada) Junior Grand Champion: Kerry Shintani
2nd— Morgan Blackmore
33