Directory of

INTERNATIONAL
SALES AGENTS
INTRODUCTION

This directory of international feature film sales agents provides a snapshot of companies representing Australian films around the world.

Included within are details of each seller’s acquisition policy, which markets they attend, at what stage they prefer to be approached and whether they pay
advances. There’s also a list of the Australian films that agents have handled.

The directory was compiled through contact with sellers and information derived from Screen Australia’s market reports, forums and other activities since
2012.

This directory of sales agents is in no way a recommendation or endorsement from Screen Australia. Producers should ask around before signing up with an
agent to be sure they have found the right sales partner and to check previous business dealings have gone smoothly for all parties before proceeding with
any deals. When appointing a sales agent, producers of commercially attractive titles are encouraged to negotiate for beneficial terms.

Screen Australia regularly updates this directory following key markets.

Directory of International Sales Agents September 2025

TOP TIPS FOR PRODUCERS
In December 2014, the sales agents in this directory were canvassed for their top tips for producers. Here’s what they had to say:
• Be social. Attend networking events, functions, co-production markets and • Limit the number of projects you pitch per meeting. Prioritise the project that
producer labs to get to know the international sales agents before you formally best fits the sales agent – pitch only one or two projects from your slate.
request meetings. At social events, don’t go into hard pitch mode. Just try to make • The elevator pitch works! Be succinct, you don’t need to explain every scene. With
a good impression. a good catch line and short synopsis you can grab attention and entice the agent
• Know your audience. For every film, you should have a good understanding of into reading the script. Know what is distinctive about your film. This could be the
your target audience. This should inform every step of your development and concept, story, cast, director – your sales agent needs to see how and why the film
marketing from inception to exhibition, including your pitch and pitch materials. will find its target audience.
• Ensure your project is ready to finance before arranging meetings. Sales agents • Be on point when pitching. If you have a great pitch reel, lead with that. Bring
cannot evaluate projects if they are pitched too early. Make sure your package is in printed materials with strong visuals that display an understanding of your
its best shape before introducing it to sales agents. A market-ready and developed audience. Bring a pitch summary with short synopsis, cast and crew, and finance
script, director, producer, realistic potential cast, budget, viable finance plan, information. If you’re a first-time feature making team, award-winning short films
timeline, target audience and hook should all be settled before you set up will help boost the sales agent’s confidence in your abilities. Create a standout first
meetings. impression of your team’s work through high-quality materials – remember you
• Have a water-tight finance plan. Sales agents need to know that the business are competing on an international scale in a crowded market.
points make sense before evaluating creative so make sure your budget is fully • Be passionate! It is infectious.
prepared and you have a clearly presented finance plan. Understand your finance • When citing comparable titles, be realistic and clear. Are you citing the comps as
plan especially in terms of realistic Gap vs Sales Agent Minimum Guarantee commercially successful examples or for creative reasons? Have an idea of the
requests. If you’re unsure seek advice from more experienced industry commercial success of those films. If citing as an example of the returns your film
professionals. might achieve, are the film budgets and level of cast and director a fair
• Be a market expert. Research companies before you set up meetings – check the comparison? When talking about potential cast, be realistic.
trades from previous markets, find out their latest acquisitions and sales activity, • Be open to feedback and contribution. If the sales agent has creative or business
and also watch their movies. Contact other producers who have had films with the suggestions: be open to them. They should feel like it will be their movie too if they
sales agents for advice and feedback on their experiences. become involved.
• Know what you want from the meeting. Establish what you are looking for before • Strike while the iron is hot. Be timely and considerate with your follow up after
you set up the meeting and be clear about the next steps for each party before the meeting. Don’t let weeks go by without contact. Polite persistence is
leaving the meeting. appreciated as are updates on developments on cast, finance and other
• Set up meetings well in advance. Reach out two or three weeks prior to major attachments of note. If you can, call instead of emailing, it is more personable. It
markets to set up meetings with sales agents that suit your film. takes time to commit and contract the deal so be aware and ahead of your
• Show interest in their company. When you meet the sales agents display interest deadlines. If your situation changes and you find better synergy with another sales
in their company and knowledge of their slate and recent activities. Be able to agent, inform those you have met and advise your reasons so lines of
explain why that sales agent is right for your film and vice versa. communication are left open for future collaborations.

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Alief
40 Rue Alexandre Dumas
Paris, 75011 France
+ 33 4 48 08 61 06
www.alief.co.uk
info@alief.co.uk

Alliance Media Partners (AMP) Head of Sales, Acquisitions and Genre: mostly working in the Horror, Sci-fi, action I Met a Girl
Suite 205, 014 Mead Lake Place, Distribution space. Some comedy and drama, but they are very It Will Find You
Thorpe Lea Road, Anthony Buckner cast dependant.
Egham UK, TW20 8HE anthony@amp-film.com
+44 207 535 6714 Approach: debut producers only if solid work
www.amp-film.com
Advances: yes, can assist with financing

Markets: AFM, Cannes, EFM, FILMART, Toronto

Altitude Film Sales Managing Director, International Genre: flexible with a focus on prestige drama, high Black Water: Abyss
Somerset House, Sales concept genre, IP-driven material and feature Gold
Strand, London WC2R 1LA Mike Runagall documentaries with pre-sellable elements Great White
www.altitudefilment.com MikeRunagall@altitudefilmsales.com Son of a Gun
info@altitudefilment.com Budget: US2M - $20M Speedway Murders, The
Transfusion
Approach: with script and director and (where Wyrmwood
necessary) cast. We also develop our own material
and can board projects earlier, if we feel the
material has the potential to attract high-level
talent. We can also act as an EP to help package and
pull financing together. Will look at finished films.

Advances: Yes on a case-by-case basis

Markets: AFM, Cannes, EFM, Toronto. When

necessary: Venice and Sundance.

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Architect Partner Genre: Agnostic, although audience targeted and Posthumous
167-169 Great Portland Street Max Prikis leaning towards clearly defined genres, tending
London, W1W 5PF, UK max@architect-global.com towards female audiences.
+44 203 745 5099
www.architect-global.com Budget: Agnostic, and work to guide producers on
hello@architect-global.com calibrating their budget/finance plan to the
market.

Approach: Any stage except we do not originate.

Strategic late stage development is possible.
Otherwise, script onwards.

Advances: Yes.

Markets: All major markets and festivals

Arclight Films Managing Director Genre: all, but rarely acquires documentaries or Arclight:
Building 125, Suite 108, Gary Hamilton drama unless director or lead cast have high A Few Best Men
The Entertainment Quarter gary@arclightfilms.com international profiles A Few Less Men
Lang Road, Moore Park NSW 2002 Beast
Australia Budget: any, but generally over AUD$1M with Furnace, The
+61 2 8353 2650 majority in the AUD$5–30M range Goldstone
Hotel Mumbai
8730 Wilshire Blvd, Suite 508 Approach: with script and finance plan ready for Jungle
Beverly Hills, CA 90211 discussion, director and lead actors proposed for Mother Mountain
United States of America discussion, strong interest from an Australian Mystery Road
distributor preferred Poker Face
www.arclightfilms.com Portable Door, The
info@arclightfilms.com Advances: yes, depending on script, director, cast Seriously Red
and level of advance sought. Can act as EP or Streamline
producer Three Summers

Markets: AFM, Busan, Cannes, EFM, FILMART,

Sundance, Toronto Darclight:
7 Guardians of the Tomb
Bad Girl
Bloody Hell

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Autlook Film Sales CEO Genre: feature documentary and series Fighting for Hakim
Spittelberggasse 3/14, Vienna, 1070 Salma Abdalla Ghosthunter
Austria welcome@autlookfilms.com Budget: Eur150K to Eur1M Island of Hungry Ghosts
+43 670 208 7881 Knowing the Score
www.autlookfilms.com Sales and Acquisitions Approach: in production or rough cut, definitely well Make It Look Real
welcome@autlookfilms.com Martina Droandi BEFORE world premiere
martina@autlookfilms.com
Markets: Cannes, EFM, Sundance, IDFA, MIPCOM,
MIPTV, CPH:DOX, Sheffield

Bankside Films Co MD Genre: flexible, though dramas require cast and top Accidents Happen
Ashley House, 5th Flr Phil Hunt director Audrey
12 Great Portland St phil@bankside-films.com Backtrack
London, W1W 8QN, UK Budget: up to $15M Blessed
+44 207 636 6085 Director Bone Sparrow, The
www.bankside-films.com Stephen Kelliher Approach: Bankside Films is looking at material at an Bran Nue Dae
films@bankside-films.com stephen@bankside-films.com early stage and are developing/producing themselves Cargo
too, early stage scripts without attachments as well Coffin Rock
Head of Acquisitions and as treatments where they can produce/co-produce. Lou
Development Some finance in place and good finance plan. Measure For Measure
Sophie Green Moogai, The
sophie@bankside-films.com Advances: yes Of An Age
Patrick
Acquisitions & Development Manager Markets: AFM, Cannes, EFM, Toronto Photo Booth
Abdi Ali Talk to Me
abdi@bankside-films.com You Won’t Be Alone
Went Up the Hill

Beta Cinema EVP – Acquisitions, Sales and Genre: all Ali’s Wedding
Gruenwalder Weg 28D Marketing How to Please a Woman
Oberhaching, Thorsten Ritter Budget: all
Munich, 82041, Germany thorsten.ritter@betacinema.com
+49 896 734 698 28 Approach: with director and ideally main cast
www.betacinema.com Head of Sales & Acquisitions attached and essential financing in place.
beta@betacinema.com Tassilo Hallbauer
Advances: yes
Junior Sales Executive
Olga Deecke Markets: Sundance, Berlin, Cannes, Toronto, Venice,
AFM

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Blue Finch Film Releasing Managing Director Genre: Genre films (Horror, sci-fi, action, thriller) or BAAL
16 Beaufort Court, Admirals Way Mike Chapman prestige festival led titles Before Dawn
Canary Wharf mike@bluefinchfilms.com Birdeater
Budget: $100,000 to $10 Million Lesbian Space Princess
London E14 9XL United Kingdom
You’ll Never Find Me
www.bluefinchfilms.com Approach: At all stages
info@bluefinchfilms.com
Advances: Yes

Markets: EFM, Cannes, TIFF, AFM

Blue Fox Entertainment Executive Vice President, Genre: all Fear Below
Los Angeles, CA International Sales & Acquisitions Girl at the Window 2
www.bluefoxentertainment.com Lisa Gutberlet Budget: All budgets, usually >$3M US Ruby Ruby
lisa@bluefoxentertainment.com Take My Hand
sales@bluefoxentertainment.com
Approach: Any stage, so long as there is a director
attached and a budget and finance plan in place

Advances: yes

Markets: EFM, Filmart, SXSW, Cannes, TIFF, MIPCOM,

Busan, AFM

CAT&Docs President Genre: documentary Blush of Fruit

18 rue Quincampoix Catherine LeClef Despite The Gods
Paris, F-75004, France cat@catndocs.com Budget: any Love Marriage in Kabul
Tel: +33 1 44 61 77 48
www.catndocs.com Approach: when there is something to show
info@catndocs.com
Advances: yes, but rarely

Markets: Cannes, EFM, Toronto

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Celsius Entertainment Acquisitions, Legal & Business Genre: All, as long as it is high concept and is fresh,
18 Spring Street Affairs has social relevance and is entertaining, should have
Hyde Park Henreitte Wollmann brand director and/or cast
hw@celsiusnetertainment.com
London, W2 3RA, UK
Budget: USD3-15m
+ 44 20 7193 1801
www.celsiusentertainment.com Approach: Early stages is fine as long as it has a
sales@celsiusentertainment.com producer with a track record attached

Advances: Depends on the budget but we actively

help finance

Markets: All

Cercamon CEO, Acquisitions & Sales Genre: All (but genre films go through the label,
134 Al Hamoor St, Dubai, UAE Sebastien Chesneau Vorteks – see below)
www.cercamon.biz sebastien@cercamon.biz
Budget: Flexible
hello@cercamon.biz
Approach: With Director and main cast attached and
essential financing in place.

Advances: Possible

Markets: Cannes, Berlin, Venice, Toronto, Sundance,

AFM, Goteborg, Busan, Filmart, Locarno

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Charades Co-founder Genre: animation, romantic comedy, comedy, drama, All The Boys are Here
3 rue des Cottages, Carole Baraton documentary, musical documentary, war drama, Buoyancy
75018, Paris carole@charades.eu court room thriller. Defy genre limitations and offer a Memoir of a Snail
www.charades.eu non-autocratic, fresh experience and energy at the True-ish
sales@charades.eu Co-founder service of the film slate.
Pierre Mazars
pierre@charades.eu

Co-founder
Yohann Comte
yohann@charades.eu

Co-founder
Constantin Briest
constantin@charades.eu

Cinephil Co-Managing Director Genre: documentary features Wolves Always Come at Night,
18, Levontin St Shoshi Korman The
Tel Aviv, 6511207, Israel shoshi@cinephil.com Advances: no
+972 3 566 4129
www.cinephil.com Co-Managing Director Markets: Cannes, EFM, Toronto, CPH, IDFA, Sundance
info@cinephil.com Suzanne Nodale
and many more. Someone from Cinephil is attending a
suzanne@cinephil.com
market once a month

Cornerstone Films Co-President Genre: all genres. First run, theatrical films which are Animals
183-185 Bermondsey street, Alison Thompson pre-sellable in several territories (based on script Beast of War
London, SE1 3UW, UK with director and cast). Dirt Music
+44 782 794 8675 Co-President Dry, The
www.cornerstonefilm.com Mark Gooder Budget: AUD$6M+ Fangs
office@cornerstonefilm.com Judy and Punch
Director of International Sales Approach: with script and director and preferably Nude Tuesday
Carla Quarto Di Palo cast. Possibly interested in coming on board earlier, Sting
cq@cornerstonefilm.com but material would need to have strong potential to
attract high-level director/cast. Occasionally will look
at finished films.

Advances: case by case

Markets: AFM, Cannes, EFM, Toronto, Venice and

others as and when required

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Dogwoof CEO Genre: documentaries, features or series Deeper
Ground Floor 19-23 Anna Godas Every Little Thing
Ironmonger Row Budget: any Family, The
London, EC1V 3QN, UK CCO Golden Spurtle, The
+44 207 253 6244 Oli Harbottle Approach: can get involved in development stage Have You Seen the Listers?
www.dogwoof.com Oli@dogwoof.com through to rough cut Mountain
www.dogwoofsales.com Mystify
Advances: handles each acquisition individually and Playing with Sharks
will structure each deal accordingly. Can act as co- River Only the Dead
producers or financiers. Shane

Markets: AFM, Busan, Cannes, EFM, FILMART,

Sundance, Toronto

Elle Driver Co-Founder and Managing Director Genre: all, if art-house, needs to have festival Kid Snow
66 rue Miromesnil Adeline Fontan Tessaur potential, if genre, needs to be edgy, crazy, very Samson & Delilah
Paris, 75008, France adeline@elledriver.eu conceptual, if mainstream, needs established cast
+33 1 56 43 48 76 and director
www.elledriver.fr
sales@elledriver.eu Budget: up to US$20M

Approach: when director and most of cast are

attached and 50% of financing secured

Markets: AFM, Cannes, EFM, Toronto, Ventana Sur

Embankment Partner Procures pre-sales, tax-credit facilities and gap An Ideal Wife
Westbourne Studios, WE 020 Tim Haslam financing for quality and award-winning projects with Breath
242 Acklam Road th@embankmentfilms.com projects' targeted audiences in mind. Down Under
London, W10 5JJ, UK Dressmaker, The
Tel: +44 207 183 4739 Partner Markets: AFM, Busan, Cannes, EFM, FILMART, Prima Facie
www.embankmentfilms.com Hugo Grumbar Sundance, Toronto, Ventana Sur Ride Like a Girl
hg@embankmentfilms.com

Head of Production & Acquisitions

Toby Hill
tobyhill@embankmentfilms.com

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Epsilon Film VP, Acquisitions & Sales Genre: All kinds of high concept feature films for
Gruenwalder Weg 28d Matthias Ziegler broad audience; with a focus on family
Oberhaching, 82041,Germany matthias.ziegler@epsilonfilm.de entertainment, but not limited to it; both live-action
+ 49 0 89 673469 80 and animation features
www.epsilonfilm.de
info@epsilonfilm.de Budget: All

Approach: Epsilon Film scouts for and participate in

projects at the earliest stage and have a close hands-
on approach during development, financing and
production.

Advances: Yes

Markets: All
Fifth Season SVP Film Development and Genre: all Penguin Bloom
9560 Wilshire Blvd Production
Beverly Hills, CA 90210, USA Dan Guando (US) Budget: US$1M- $100M
+1 310 270 4900
www.fifthseason.com Associate Director, Acquisitions Approach: script and packaging stages
Ava Knight
Advances: no

Markets: AFM, EFM, Cannes, Toronto, FILMART

Film Mode Entertainment President Genres: commercial Occupation

324 S. Beverly Dr., suite 313, Clay Epstein Occupation: Rainfall
Beverly Hills, CA 90212, USA clay@filmmodeentertainment.com Budget: up to US$10M Scurry
+1 310 844 9174
www.filmmodeentertainment.com Coordinator, Worldwide Sales & Approach: when packaged (director and /or cast,
info@filmmodeentertainment.com Acquisitions some finance in place) to completed
Henry Finer
Assistant@filmmodeentertainment.co Advances: Yes, depending on script, Director, Cast
m and Level of advance sought. Can act as EP or
Producer.

Markets: AFM, Cannes, EFM, FILMART, Toronto

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Film Seekers Managing Director Genre: all genre, with a preference for feel- June Again
Floor 3, 85 Hatton Garden, Caroline Couret-Delègue good/uplifting dramas and elevated genre, thrillers, Love Adjacent
London, EC1N 8JR, UK+44 203 950 caroline@film-seekers.com horror, sci-fi Primal
0698
www.film-seekers.com Sales & Acquisitions Budget: up to US$10M
info@film-seekers.com Ethan Cross
ethan@film-seekers.com Approach: from script stage, although we prefer
projects already partially packaged, to completion.

Advances: sometimes, for the right project to help

the film get made/finished. We don’t offer MGs on
completed films.

Markets: AFM, Cannes, EFM, FILMART, Toronto

FilmNation Entertainment CEO Genre: specialty filmmaking with global appeal, focus Nightingale, The
150 West 22nd St, 9th Flr Glen Basner on a highly selective group of filmmakers and projects Rover, The
New York, NY10011, USA that emphasize both creative integrity and Three Thousand Years of
+1 917 484 8900 Executive Vice President Marketing commercial potential Longing
www.filmnation.com & Distribution
nyoffice@filmnation.com Heta Paarte Budget: flexible (US$5M - $100M)

VP, Sales Advances: no

Rob Carney
Approach: focus on pre-sales
VP, Sales
Alice Laffille Markets: AFM, Cannes, EFM, Toronto

Films Boutique COO & Head of Acquisitions Genre: no restrictions Last Cab to Darwin
Köpenicker Strasse 184 Gabor Greiner Top End Wedding
Berlin, 10997, Germany gabor@filmsboutique.com Budget: flexible
+49 30 69 53 78 50
www.filmsboutique.com Approach: when director is attached
info@filmsboutique.com
Advances: possible

Markets: AFM, Cannes, EFM, FILMART, Toronto,

Ventana Sur

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Fortitude International VP International Advances: varies Angel of Mine
15260 Ventura Blvd. Samantha Peel
Suite 1040 samantha@fortitudeint.com Markets: AFM, Cannes, EFM, FILMART
Sherman Oaks, CA 91403 USA
+1 424 204 9330
www.fortitudeint.com
info@fortitudeint.com

Galloping Entertainment Managing Director Genre: any, though prefers international cast, Bad Bush
9 Atthow Ave, Ashgrove Carlos Alperin amazing concept Forever First Love
Brisbane, QLD 4060, Australia carlos@gallopingentertainment.com Laps: Tasmania, The
+61 414 447 743 Budget: appropriate for cast and concept Mad Max Exposed
www.gallopingentertainment.com Monkey Puzzle
Approach: when part of the finance in place, ie Sunset Six, The
Australian distribution and name cast committed Tailgate
Tan Lines
Advances: no

Markets: AFM, Cannes, EFM, FILMART

Global Constellation Founder & CEO Genre: all, particularly commercial art-house films Bloom
Sonnenstraße 21 Fabien Westerhoff with an emotional core and a marketing hook, and Death and Life of Otto, The
Munich, D-80331, Germany also thriller, action and animation Fear is the Rider
+49 89 244 1295 500 Girls Can’t Surf
www.globalscreen.de Markets: AFM (sometimes), Cannes, EFM, FILMART, Oddball
info@globalscreen.de Toronto, Ventana Sur Relic
Run, The
Van Diemen’s Land
Goalpost Film Managing Director Genre: Any Closed for Winter
54 Lynette Ave, Clapham South Tristan Whalley Clubland
London, SW4 9HD, UK tristan@goalpostfilm.com Budget: up to US$12M Holding the Man
+44 777 196 6190 Sapphires, The
www.goalpostfilm.com Approach: as early as possible

Advances: yes and can be involved as co-producer as

well

Markets: Cannes, EFM, Toronto

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Goodfellas Head of Sales Genre: all Alexandra’s Project
73 rue Sainte-Anne Eva Diederix Inside
Paris, 75002, France Budget: up to US$20M Nitram
+33 1 88 53 03 11 Head of Acquisitions Strangerland
www.goodfellas.film Noemie Devide Approach: when director and cast in place and a Ten Canoes
portion of the financing is in place
International Sales
Flavien Eripret Advances: yes
feripret@goodfellas.film
Markets: Busan, Cannes, EFM, FILMART, Toronto,
Ventana Sur

HanWay Director of Acquisitions Genre: no restrictions Blueback

Kodak Building Genevieve Segall Boys Are Back, The
11 Keeley Street gms@hanwayfilms.com Budget: flexible Dead Europe
London, WC2B 4AN, UK One Heart
+44 207 290 0750 Approach: when director is attached Rabbit-Proof Fence
www.hanwayfilms.com Royal Hotel, The
info@hanwayfilms.com Advances: no Shayda
Tracks
Markets: AFM, Cannes, EFM, FILMART, Toronto, Two Fists
Ventana Sur

Independent Entertainment MD, Film Sales Genre: Drama, Horror, Thriller, Art House, Comedy, First Light
24 Hanway Street Sarah Lebutsch Romance, LGBTQ+
London, W1T 1UH, UK sarah@independent-ent.com
www.independent-ent.com Markets: AFM, EFM, Cannes, Toronto
mail@independent-ent.com Head of Acquisitions
Marc Hofstatter
marc@independent-ent.com

Indigo Entertainment Director Genre: all as long as it has international resonance. Evicted
Framlingham Technology Centre Emma Collin Ideally action, thriller and romance. Last of the Great Apes
Station Road, Framlingham emmacollin@indigoentertainment.me MAMIL
Woodbridge dia Budget: varied
Suffolk, IP13 9EZ, UK
www.indigoentertainment.media Approach: 70% finance in place as minimum
info@indigoentertainment.media
Markets: Cannes, EFM

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Kaleidoscope Film Distribution Ltd CEO Genre: Documentary, Drama, Action, Thriller, Horror, A Savage Christmas
86-90 Paul Street, Spencer Pollard Comedy, Romance, Animation, Science Fiction Siege of Robin Hood
London, EC2A 4NE, UK spencer@kaleidoscopehomeentertain Time Addicts
+44 20 3397 4410 ment.com Budget: US$250K-$25M
www.kaleidoscopefilmdistribution.c
om Advances: yes
sales@kaleidoscopefilmdistribution.c
om Approach: script stage

Markets: AFM, EFM, Cannes, TIFF, Sundance

Kathy Morgan International President Crocodile Dundee in Los

12250 Sky Lane Kathy Morgan Angeles
Los Angeles, CA 90049, USA kathy@kmifilms.com Interceptor
+1 310 472 6300 Infini
http://www.kmifilms.com/ Storm Boy
Warrior's Way, The
Very Excellent Mr. Dundee, The

Lakeshore Entertainment Head of International Sales Budget: US$5-50M Bliss

10100 Santa Monica Boulevard Jason Buckley Dead End Drive-In
Suite 200 Markets: All major markets and festivals I, Frankenstein
Los Angeles, California 90067
USA
+1 310 867 8057
www.lakeshoreentertainment.com
contact@lakeshoreentertainment.co
m

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
LevelK Founder & CEO Genre: Looking for edgy, original films that will Butterfly Tree, The
Gl. Kongvej 137B, 3rd Flr Tine Klint resonate with international audiences. High quality Celeste
1850 Frederiksberg C, Denmark tine@levelk.dk productions across all genres (Children & Family, Chasing Millions
Documentaries and Features), working with Downriver
www.levelk.dk
Head of Acquisitions established and emerging international talents in Ellipsis
Mark Tucker both English and foreign language. Films must have H is for Happiness
mark@levelk.dk strong festival potential, international marketability Little Death, The
and digital possibilities. LevelK is a world-wide Lone Wolf
preferred aggregator. Rabbit
Reflections in the Dust
Markets: Cannes, EFM, FILMART, Toronto, Busan Rocket, The
Second, The
Sissy
Spear
Standing up For Sunny
Teenage Kicks
Turning, The
Wish You Were Here
With or Without You
Lionsgate EVP International Sales Daybreakers
5th Floor, 45 Mortimer Street Wendy Reeds Gods of Egypt
London, W1W 8HJ, UK Railway Man, The
+44 203 176 2861
www.lionsgate.com

Media Luna New Films Managing Director Genre: arthouse and commercial from directors and A Beautiful Request
Hohenstaufenring 29-37 Ida Martins producers with a unique signature on their work Big Mamma’s Boy
50674 Cologne, Germany idamartins@medialuna.biz Blind Company
www.medialuna.biz Markets: AFM, Busan, Cannes, EFM, FILMART, Dream Children, The
info@medialuna.biz Toronto, Ventana Sur My Tehran for Sale

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Metro International Entertainment Partner/CEO Genre: will consider most genres. Looking for quality- 2040
16 Lincoln’s Inn Fields Holborn Will Machin driven, commercial projects with international appeal Goddess
London, WC2A 3ED, UK that will attract significant cast. Will also look at Salvation Creek
+44 207 396 5301 Partner/Head of Sales strong arthouse with cross-over potential. Good That Sugar Film
www.metro-films.com Michael Yates production and filmmaking credentials are essential.
sales@metro-films.com
Partner/Head of Production and Budget: any up to around US$25M
Acquisitions
Sam Parker Approach: early, with script in good shape, ideally
with an idea of director and cast to be approached

Advance: occasionally, can provide co-production

support and financing depending on requirements but
essentially provide presales, tax credit facilities and
gap and may consider providing other financing
project pending.

Markets: AFM, Cannes, EFM, FILMART, Sundance,

Toronto

Miramax Genre: Commercial, global stories

1901 Avenue of the Stars, 20th Floor
Los Angeles, 90067, USA Budget: US$5M - $80M
www.miramax.com
Approach: with either director or cast attachment to
distributionassist@miramax.com a script

Advance: yes, we tend to fully finance

Markets: AFM, Cannes, EFM, TIFF

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Mister Smith Entertainment CEO Genre: no specific genre, strong cast, strong director Convert, The
85 Charing Cross Road, London David Garrett driven films Dangerous Animals
WC2H 0AA I Am Mother
+44 207 494 1724 COO Budget: US$5M - $100M+ Water Diviner, The
www.mistersmithent.com Dave Mepham
info@mistersmithent.com Approach: when script is ready, No unsolicited
material, no treatments, script with elements
SVP, International Sales and
attached preferred
Distribution
Shane Kelly Advance: yes

Markets: AFM, Cannes, EFM, Toronto

MK2 Films Acquisitions and International Sales Genre: all Blaze

55 Rue Traversière Emmanuel Pisarra
Paris, 75012, France Emmaniel.pisarra@mk2.com Budget: US$1-10M
Tel: +33 1 44 67 30 30
www.mk2films.com Approach: script stage or completed titles
intlsales@mk2.com
Advances: yes

Markets: AFM, Cannes, EFM, Toronto and others as

appropriate

Moviehouse Entertainment Managing Director - Head of Sales Genre: any. feature films. Actively looking for horror, Appleton Ladies Potato Race,
Black Hangar Studios Gary Phillips action, drama, sci-fi and music docs The
Lasham Airfield gary.phillips@moviehouseent.com Correspondent, The
Alton, GU34 5SG, UK Budget: micro to US$7m Go Betweens: Right Here, The
+ 44 1256 385909 Head of Productions and Spit
www.moviehouseent.com Acquisitions Advance: yes (occasionally).
Mark Vennis
mark.vennis@moviehouseent.com Approach: happy to look at completed, in post-
production or read scripts with a view to getting
attached early and EP’ing.

Markets: AFM, Cannes, EFM, FILMART

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
MPI Media Group EVP Genre: Elevated genre, specialising in horror/thriller
16101 S. 108th Ave Greg Newman
Orland Park gnewman@mpimedia.com Budget: majority under US$3m
IL 60467, USA
+1 626 737 8357 Advance: case by case, dependent on project needs
www.mpimedia.com
international@mpimedia.com Approach: As early as possible following first draft of
script

Markets: AFM, Cannes, EFM, Toronto, Frontieres

MultiVisionnaire Pictures Managing Partner Genre: any. feature films and series. Actively looking Dark Lurking
3080 W. Valley Blvd. Sean Haley for sci-fi, family, adventure, and series, but open to Lone Wolves
Ste B, Alhambra, all big concepts, good material with international Love You Like That
CA 91803, USA Managing Partner appeal. One Less God
Tel: +1 626 737 8357 Erika Kao-Haley Sheborg
www.multivisionnaire.com Budget: any, majority under US$5m TKG: The Kids of Grove
acquisitions@multivisionnaire.com
Advance: case by case

Approach: from production stage (majority financed,

with confirmed talent and production schedule) to
completed

Markets: AFM, Cannes, EFM, FILMART, Toronto,

Ventana Sur, MIPTV, MIPCOM

Myriad Pictures President & CEO Genre: all, small budget dramas though, need names, Boys in the Trees
11726 San Vincente Blvd Kirk D’Aimco debut directors not a priority Buen Camino
Suite 650 Cup, The
Los Angeles, 90049, USA SVP, Distribution & Acquisitions Budget: above US$5M Elephant Tales
www.myriadpictures.com Scott Bendo Death Defying Acts
info@myriadpictures.com Markets: AFM, Cannes, EFM, FILMART, Toronto Little Fish
Never Too Late
Red Dog
Red Dog: True Blue

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
New Europe Film Sales Partner & Head of Acquisitions Genre: All genres with filmmaker's touch. We're All the Boys are Here
Pulawska 152/5 Marcin Łuczaj directors' driven company and looking for prestige It's All Going Very Well No
Warsaw, 02-670, Poland marcin@neweuropefilmsales.com art-house fiction projects worldwide. Problems at All
+ 48 600 173 205 True-ish
www.neweuropefilmsales.com Budget: US$2 – US$10m
office@neweuropefilmsales.com
Approach: We do sales and development

Advances: Yes

Film Markets: EFM, Cannes, TIFF, AFM,

NEON VP, International Acquisitions & Genre: All We Bury the Dead
636 Broadway, Suite 1000, Operations
New York, 10012, USA Laurel Charnetsky Budget: US$5m - US$30m+
www.neonrated.com sales@neonrated.com
Markets: AFM, Sundance, EFM, Filmart, Cannes, TIFF
info@neaonrated.com

Odin’s Eye Entertainment CEO Genre: no specific genre - strong concept, premise A Savage Christmas
Level 2, 85 The Grand Parade Michael Favelle and cast-driven features with international appeal Arrowhead
PO Box 173 michael@odinseyeent.com Brothers’ Nest
Brighton Le Sands, Budget: low–high Combat Wombat
NSW 2216, Australia Director of Sales and Acquisitions Daisy Quokka: World’s Scariest
+61 295 672 294 Lauren Thomas Approach: when creative team in place and script Animal
www.odinseyeent.com lauren@odinseyeent.com ready. Can get involved as producer and match-make Legend of Ben Hall, The
info@odinseyeent.com with financiers. Open Water 3: Cage Dive
ScaryGirl
Advances: modest but depending on project Wishmas Tree, The

Markets: AFM, Busan, Cannes, EFM, FILMART, Toronto

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Paradise City Sales (AKA Memento) CEO Genre: commercial and arthouse with commercial Berlin Syndrome
50, rue de Chabrol Emilie Georges potential, renowned directors Darkside, The
Paris, 75010, France Drover’s Wife: The Legend of
Tel: +33 1 53 34 90 33 Head of International Sales & Approach: script and some package in place Molly Johnson, The
www.memento-films.com Acquisitions Girl Asleep
sales@memento-films.com Alexandre Moreau Advances: yes Lore
amoreau@memento-films.com Sweet Country
Markets: AFM, Busan, Cannes, EFM, FILMART, Tree, The
Toronto, Ventana Sur True History of the Kelly Gang

Paramount Executive Vice President Worldwide Genre: films that will work in the domestic US market Tomorrow, When the War
5555 Melrose Avenue Acquisitions Began
Hollywood, CA 90038, USA Sejin Croninger Approach: when some elements in place
Tel: +1 323 956 5000
www.paramount.com Vice President - Worldwide Advances: yes
Acquisitions
Lauren Fisher

Acquisitions Manager
Rachel Kiner

Pathé International Senior Vice President, International Genre: eclectic but with an international focus, Better Than Sex
2 rue Lamennais Sales interested in low/medium-budget projects where the Bright Star
Paris, 75008, France Agathe Theodore concept is the star rather than cast, original or fresh Square, The
+33 1 71 72 33 05 agathe.theodore@pathe.com interpretations
www.patheinternational.com
sales@patheinternational.com Budget: flexible

Approach: when director is attached

Advances: yes, but depends on project

Markets: AFM, Cannes, EFM, Toronto

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Playtime Partner - Acquisitions Genre: festival eligible drama High Ground
5, rue Nicolas Flamel Sébastien Beffa Killing Ground
Paris, 75004, France bef@playtime.group Budget: US$1M – 10M Last Cab to Darwin
+33 1 53 10 33 99 Scare Campaign
info@playtime.group Approach: script
www.playtime.group
Advances: yes

Markets: AFM, Cannes, EFM, Toronto

Pluto Film Managing Director & Head of Genre: Quality and engaging cinematic feature films
Schliemannstrasse 5 Acquisitions for the international market and global audiences. In
Berlin, 10437, Germany Daniela Cölle focus are arthouse, genre and cross-over films,
Tel: + 49 30 21 91 82 20 daniela@plutofilm.de especially by emerging talents.
www.plutofilm.de
info@plutofilm.de Approach: Script stage, rough cut stage, a festival
invitation from A-listed or other top prestigious
festivals.

Markets: Cannes, CineMart, EFM, FILMART, Toronto,

Ventana Sur

Protagonist Pictures CEO Genre: all, first features need body of work Bad Behaviour
57-61 Mortimer St Dave Bishop Fox, The
London W1W 8HS dave@protagonistpictures.com Budget: any Jimpa
+44 207 734 9000 One More Shot
www.protagonistpictures.com Approach: when director is attached, possibly
info@protagonistpictures.com interested in coming on board earlier

Advances: yes

Markets: AFM, Cannes, EFM, Toronto

Rapt Films International CEO Genre: Flexible although favour debuts, new talent, Fwends
The Lodge Gate Russell Webber and under-represented voices Sunflower
Church Lane russell@raptfilmsinternational.com
Barham CT4 6QS United Kingdom Budget: Up to $3m
www.raptfilmsinternational.com
Approach: In production, post or completed

Markets: EFM, Cannes, Toronto, AFM

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Rocket Science Managing Director Better Man
77 Dean St Thorsten Schumacher Clean
London, W1D 3SH, UK Stranger, The
+44 207 434 0032 Tenzing
www.rocket-science.net
info@rocket-science.net

Saboteur Media (Goldcrest Films Owner Genre: all Danger Close: The Battle of
International) Nick Quested Long Tan
799 Washington Street Budget: any
New York, NY 10014, USA
+1 (212) 897-3922 Approach: script stage
www.saboteurmedia.com
sales@saboteurmedia.com Markets: AFM, Cannes, EFM, Toronto, Sundance

SC Films International CEO & Founder Genre: commercial theatrical, looking for films with Dust Walker, The
614 Fulham Road, Simon Crowe an international hook – director, cast or universal Uninhabited
London SW6 5RP simon@scfilmsinternational.com story of the script. Can help with finance on very
+44 07764942149 commercial projects
www.scfilmsinternational.com
info@scfilmsinternational.com Budget: US$1–30M

Markets: AFM, Cannes, EFM, Toronto

Searchlight President Bootmen

10201 W. Pico Blvd, Bldg 38, #214 Rebecca Kearey Garage Days
Century City, CA 90064, USA Oscar & Lucinda
+1 310 369 1570
www.foxsearchlight.com

Sony Pictures Worldwide VP, Worldwide Acquisitions Budget: any Gabriel

Acquisitions Katie Anderson Ladies in Black
10202 West Washington Blvd Approach: flexible – usually when packaged, but also Overture
Culver City, CA 90232, USA Manager, Worldwide Acquisitions promos or finished films Predestination
+1 (310) 244-4000 Daniel de Boulay Spin Out
www.sonypicturesworldwideacquisit Markets: AFM, Cannes, EFM, Toronto
ions.com
acquisitions@spe.sony.com

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Studio 100 Film Director Business Operations Genre: animation, children’s and family movies 100% Wolf
Neumarkter Straße 18-20 Production 200% Wolf
Munich, 81673, Germany Thorsten Wegener Budget: up to US$20M Being Betty Flood
+49 89 960 550 Thorsten.Wegener@studio100media.c Blinky Bill - The Movie
www.studio100film.com om Approach: upon finished script and trailer Heidi – Rescue of the Lynx
info@studio100film.com Maya the Bee – First Flight
Advances: to be negotiated Maya the Bee – The Honey
Senior Manager, Sales & Acquisitions Games
Lorena Booth Markets: AFM, Cannes, EFM Maya the Bee – The Golden Orb
Lorena.b@studio100int.com Mia and Me – The Hero of
Centopia

Studiocanal International Creative Director Studiocanal is particularly focusing on the acquisition Kangaroo
50 Rue Camille Desmoulins, Sam Shipp of (1) family titles, preferably with strong pre- Long Story Short
Issy-les-Moulineaux, 92130, France Sam.shipp@canal-plus.com existing brand awareness, (2) prestige titles from Runt
+33 1 71 35 35 35 filmmaking teams with a festival or critical pedigree,
www.studiocanal.com (3) genre (horror/high-concept etc) with both
platform and theatrical/festival potential

Budget: any

Approach: once a financing package is in place,

including director, cast and budget

Advances: yes
Markets: AFM, Cannes, EFM, Toronto

TF1 Studio EVP Dev & Co Pro Advances: yes Carmen

123 Boulevard de Grenelle Mikael Govciyan Drift
Paris, 75015, France Markets: AFM, Cannes, EFM, Toronto, Ventana Sur Muriel’s Wedding
+33 1 41 41 21 68 EVP Dev & Co Pro Piano, The
www.tf1studio.com Emilie Pegurier
sales@tf1.fr
VP Intl Co Pro
Alice Kaminski

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
The Film Sales Company President Genres: all Gillian Armstrong’s Love, Lust
515 east 118th street Andrew Herwitz and Lies
New York, NY10035, USA andrew.herwitz@filmsalescorp.com Approach: all types of material at various stages Highly Strung
+1 212 481 5020 Donkey in Lahore, A
www.filmsalescorp.com For Every Jew a .22

The Match Factory GmbH Acquisitions Manager Genre: all, focus on originality, style.
Domstraße 60 Claudia Solano
Cologne, 50668, Germany claudia.solano@matchfactory.de Approach: from script stage with director attached to
+49 22 15 39 70 90 rough cut/picture lock.
www.the-match-factory.com/
info@matchfactory.de Markets: AFM, Cannes, EFM, FILMART, Toronto,
Ventana Sur, Sundance

The Party Film Sales Sales Executive ANZ Genre: any kind of film combining a strong subject Slam
16 rue Frochot Melen Bouetard that matters and a unique director’s vision
Paris, 75009, France sales@thepartysales.com
+ 33 1 76 21 51 77 Budget: small to medium, depending on the project
www.thepartysales.com
Approach: case by case

Advances: depends on the project

Markets: AFM, Busan, Cannes, EFM, FILMART,

Sundance, Toronto

The Yellow Affair CEO Genre: thriller, drama, comedy, rom-com, horror, Ellis Park
c/o Just Republic, Linnoitustie 6 Steven Bestwick action/adventure, sci-fi, family, documentary, TV Fell
Espoo, Finland steven@yellowaffair.com series unINDIAN
+358 50 02600 350 Rooster, The
www.yellowaffair.com Festival and Sales Manager Budget: up to US$10m
contact@yellowaffair.com Wen-Yung Chang
yung@yellowaffair.com Approach: will look at scripts early when director is in
place and some finance already raised.

Advances: yes, depending on the project

Markets: Cannes, EFM, Toronto, Mipcom, AFM

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Totem Films International Sales & Acquisitions Genre: All genre, director's driven
5 Rue de Charonne Margo Hervée
Paris, 75011, France margot@totem-films.com Budget: Around 3M€
+ 33 6 64 68 70 69
hello@totem-films.com Approach: As early as possible but we also watch
www.totem-films.com rough cuts

Advances: Yes depending on the profile of the

project

Markets: Berlin, Cannes, Venice

Universal Pictures EVP International Distribution Drone Racers

100 Universal City Plaza Niels Swinkels Mary Magdalene
Universal City, CA 91608, USA Sanctum
+1 818 777 1000 Whale Shark Jack
www.universalpicturesinternational.
com

Upgrade Penny Lane is Dead

info@upgradeprods.com

Urban Sales Managing Director Genre: international art-house films, animation Hounds of Love
2 rue Charles Renouvier Frederic Corvez Joe Cinque’s Consolation
Paris, 75020, France frederic@urbandistribution.fr Approach: either at script stage or when a rough cut Little Sparrows
+33 1 48 70 46 55 is available for viewing
www.urbandistrib.com
contact@urbandistrib.com Advances: yes, depending on the project

Markets: AFM, Busan, Cannes, FILMART, Toronto,

Ventana Sur, EFM

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Visit Films President Genre: all, but essentially looking for movies they like 52 Tuesdays
140 Havemeyer St. Ryan Kampe A Month of Sundays
Brooklyn, NY 11211, USA info@visitfilms.com Budget: typically under US$5M Alice
+1 718 312 8210 Beneath Clouds
www.visitfilms.com Approach: if director is well known, at script stage, Charlie’s Country
info@visitfilms.com otherwise some financing and cast in place is ideal Hearts and Bones
Jirga
Advances: yes, depends on the project Sam Klemke’s Time Machine
Toomelah
Markets: ALL Tanna
We Are Still Here
Voltage Pictures Executive Vice President, Genre: looking for elevated high concept thrillers,
4019 Tujunga Ave International Sales sci-fi, action, contained genre, prestige dramas, high
Studio City, CA 91604, USA Alexandra Cocean concept female comedies
+ 1 323 606 7630
www.voltagepictures.com Budget: range from US$500K to $30M
salescoordinator@voltagepictures.co
m Approach: when producers have some elements on
board ie. director and cast as well if possible

Markets: AFM, Busan, Cannes, EFM, FILMART, Toronto

Vorteks Partner, Acquisitions & Sales Genre: Elevated Genre: Horror, Sci-Fi, Action,
134 Al Hamoor St, David Kwok Thriller, Fantasy, Dark Comedy
Dubai, UAE david@cercamon.biz
www.cercamon.biz Budget: Flexible
hello@cercamon.biz
Approach: With Director and main cast attached and
essential financing in place.

Advances: Possible

Markets: AFM. Cannes, EFM, Venice, Toronto,

Sundance, Goteborg, Busan, Filmart, Locarno

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
Warner Bros EVP, International Productions and Elvis
4000 Warner Blvd Acquisitions Furiosa: A Mad Max Saga
Burbank, CA 91522, USA Monique Esclavissat Great Gatsby, The
+1 818 954 6000 Happy Feet
www.warnerbros.com Happy Feet Two
Mad Max franchise

WestEnd Films Head of Acquisitions Genre: all genres, but must be quality, theatrical and Falling For Figaro
99 Kenton Road Toby Hill pre-saleable Flammable Children/Swinging
Harrow, UK toby@westendfilms.com I Am Woman
HA3 0AN Budget: any Safari
+44 0 207 494 8300 Head of Development & Production RAMS
www.westendfilms.com Daisy Allsop Approach: script stage, with director attached
info@westendfilms.com daisy@westendfilms.com
Advances: yes
Head of Sales
Sofia Neves Markets: AFM, Cannes, EFM, Toronto
sofia@westendfilms.com

Sales & Acquisitions

Noemie Becache
noemie@westendfilms.com

Wide Management President Markets: AFM, Cannes, EFM, FILMART, Toronto, Being Venice
17, rue Cadet Loïc Magneron Ventana Sur Moja Vesna
Paris, 75009, France lm@widemanagement.com Unsound
+33 1 53 95 04 64
www.widemanagement.com Head of Acquisitions, Content and
infos@widemanagement.com Sales of VR
Maxime Montagne

Head of Sales
Marco Urizzi

Directory of International Sales Agents September 2025

SALES AGENT CONTACT ACQUISITION POLICY TITLES
WME Independent Agent Budget: USD$5M+ Addition
9601 Wilshire Blvd. Beverly Hills Zach Glueck Deb, The
90210, USA zglueck@wmeagency.com Approach: Script stage at the earliest, ideally Force Of Nature
www.wmeagency.com including a director or cast attachment. Together
filmsalesinfo@wmeagency.com
Advances: Rarely

Markets: AFM, Cannes, EFM, FILMART, Toronto

WTFilms Head of Acquisitions and Festivals Genre: Horror, Sci-fi, Fantasy, Thriller, Animation -
98 rue du Faubourg, Poissonnière Maxime Duchateau Anything with a strong concept and vision
Paris France 75010 maxime@wtfilms.fr
Tel. + 33 1 42 61 09 83 Budget: Flexible
www.wtfilms.fr
sales@wtfilms.fr Approach: From when a script is (or almost is) ready
to the movie being in post-production

Advances: yes

Markets: Cannes, EFM, Busan, Toronto, AFM, Filmart,

Rome

XYZ Films Partner Sales Genre: elevated genre - crime, thriller, action, 2067
2639 S. La Cienega Blvd. Nate Bolotin horror, sci-fi, black comedy Better Watch Out
Los Angeles, CA 90034, USA nate@xyzfilms.com EMO the Musical
+1 310 956 1554 Budget: US$1M–$20M Infini
www.xyzfilms.com Monolith
info@xyzfilms.com Approach: director and cast attached Osiris Child, The
Run Rabbit Run
Advances: yes, project-by-project Saccharine
Storm Surfers 3D
Markets: AFM, Busan, Cannes, EFM, FILMART, Wyrmwood
Sundance, Toronto Wyrmwood: Apocalypse

Directory of International Sales Agents September 2025