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Space and Culture

The document discusses how space and living conditions impact culture and family dynamics for three immigrant families from different backgrounds. Edwidge Danticat describes her family's living situation in a cramped apartment building in Westbury Court after immigrating from Haiti. Joyce Carol Oates contrasts this with her family, who owned land and had a larger home. Judith Ortiz Cofer's family also lived in a small apartment after moving from Puerto Rico for better opportunities. While families found community within their ethnic groups, lack of space caused issues like crime, disagreements and stress. Culture also influenced gender roles and expectations around work and family responsibilities.

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0% found this document useful (0 votes)
71 views5 pages

Space and Culture

The document discusses how space and living conditions impact culture and family dynamics for three immigrant families from different backgrounds. Edwidge Danticat describes her family's living situation in a cramped apartment building in Westbury Court after immigrating from Haiti. Joyce Carol Oates contrasts this with her family, who owned land and had a larger home. Judith Ortiz Cofer's family also lived in a small apartment after moving from Puerto Rico for better opportunities. While families found community within their ethnic groups, lack of space caused issues like crime, disagreements and stress. Culture also influenced gender roles and expectations around work and family responsibilities.

Uploaded by

basilsamuels
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOC, PDF, TXT or read online on Scribd
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1 SPACE AND CULTURE

Edwidge Danticat, Westbury Court Joyce Carol Oates, They All Just Went Away Judith Ortiz Cofer, ilent Dancing !asil a"uels E#$%&'() #orth !runswic*, #J

2 SPACE AND CULTURE

In most cultures, space represents the wealth o the tr!"e, am!l# or $!n%&om' (hen one th!n$s o culture, there !s a lot to relate to) !t !s a "!% part o what "u!l&s ones character as !n&!*!&uals' Now, let us loo$ at how these three !n&!*!&uals &ealt w!th the &! erent aspects o the!r l!*es, am!l# an& en*!ronment' E&w!&%e Dant!cat &escr!"es her l!*!n% con&!t!ons !n her (est"ur# Court+ essa#, how her l! e chan%e& a ter a tra%!c !nc!&ent' Dant!cat an& her am!l# are !mm!%rants rom -a!t!, th!s also meant that the# are a "!l!n%ual am!l#, wh!ch spo$e .rench an& Creole' The countr# o -a!t! !s *er# poor, an& com!n% rom such a soc!et# !nto a &!*erse countr# that !s !lle& w!th wealth an& where a &! erence can "e ma&e or a "etter l! e' It !s onl# natural or one to %ra*!tate to the!r ethn!c %roup when mo*!n% to a stran%e place' .or th!s cause, Dant!cat an& her am!l# ma&e the!r a"o&e !n (est"ur# Court N/' The# l!*e& !n an apartment "u!l&!n%, wh!ch was "ro$en hal the t!me the# l!*e& there' Re%ar&less o the!r l!*!n% con&!t!ons, the# lo*e& each other' There !s alwa#s a stru%%le to pro*!&e or the am!l# com!n% rom th!s "ac$%roun& or perhaps !t !s 0ust %enerat!onal' The roles that the men an& women pla#s !n Dant!cat1s ne!%h"orhoo& !s that "oth parents ha*e to "e wor$!n% to ma$e what the# woul& cons!&er a &ecent l!*!n%, an& !t &oes not matter the t#pe o 0o", 0ust as lon% as there !s oo& on the ta"le, that !s most !mportant or them' Parents ten& to wor$ lon% hours, an& e*en two to three 0o"s at a t!me' Conse2uentl#, ch!l&ren are le t home alone "ecause the# cannot a or& ch!l&care' As a result, homes are "e!n% ro""e&, !res %et starte& "# ch!l&ren an& l!*es are lost &ue to the a"sence o parents !n the house when the# are nee&e& the most'

3 SPACE AND CULTURE

4n the other han&, 5o#ce 4ates &escr!"es her cultural e6per!ence !n 71The# All 5ust (ent Awa#'11 5o#ce1s am!l!es owne& the!r propert#, an& her ather &!& all the carpentr# on the!r house' The# appeare& to ha*e a &ecent s!8e house an& a lot o armlan&' The houses !n her ne!%h"orhoo& were m!les apart so the# coul& not e6actl# see or hear the!r ne!%h"ors 2uarrel or no!ses' 5o#ce1s mother &!& not nee& to wor$ so the# were &e !n!tel# the "etter hal o the!r culture' 9eh!n& 5o#ce1s armhouse &eep throu%h the potato !el&s there la!& a home the commun!t# calle& the (e!&el house+' Th!s house, wh!ch wasn1t actuall# owne& "# the (e!&el:s "ut rente&, was 2u!te !n amous !n the commun!t#' ;r' an& ;rs' (e!&el l!*e& !n th!s run&own home w!th the!r s!6 ch!l&ren' It was the tal$ o the ne!%h"orhoo& that, ;r' (e!&el woul& "eat an& a"use the %!rls' The commun!t# woul& o ten won&er as to wh# ;rs' (e!&el woul& sta# w!th such a man' 5o#ce1s ather was rom a "ro$en home h!msel , so he ma&e !t h!s &ut# to %!*e h!s am!l# a "etter l! e' -e wante& them to "e a close<$n!t am!l#, one !lle& w!th lo*e, space an& a &ecent econom!c status' There ore, one coul& sa# that 5o#ce1s am!l# was o the m!&&le class or the!r t!me, an& that the# elt sa e an& secure !n the ne!%h"orhoo&, wh!ch the# l!*e&' S!m!larl#, Dant!cat1s am!l# an& the Co er1s am!l# were also !mm!%rants' The Co er1s mo*e& to the US rom Puerto R!co !n search or a "etter l! e &ue !nanc!al &! !cult#' In a&&!t!on, the# l!*e& !n a t!n# apartment "u!l&!n% !n Paterson N5 !n wh!ch most o the!r ethn!c %roup res!&es' Co er re ers to th!s $!n& o l!*!n% to "e as o a

= SPACE AND CULTURE

71"eeh!*e11 l! est#le' The Co ers were not use to th!s t!n# space "ecause the# ha& a much "!%%er home !n Puerto R!co' Co er1s ather was a&amant a"out %ett!n% h!s am!l# out o the "arr!o thus, he !nstructe& them not to ha*e an# attachment to the commun!t# or the people that l!*e& there'+ In compar!son to the 4ates am!l#, the Co ers were 0ust as close<n!t an& !lle& w!th lo*e or each other' .urthermore, Co ers ather was the pro*!&er or the house, an&

the mother was a homema$er' The Co er1s ha& a s!n%le am!l# home !n Puerto R!co one that pro*!&e& them w!th secur!t#, pr!*ac# an& eel!n% o "e!n% ree' The Co er1s am!l# &!& not ha*e to worr# a"out the!r ne!%h"or1s part# mus!c throu%hout the n!%ht, the *o!ces that protru&e& throu%h the walls, an& the stran%ers l!*!n% un&er the!r loors an& a"o*e the!r hea&s' In conclus!on, space can cause one to orm a su"culture !n the %eo%raph!c locat!on that one ma# choose to res!&e &ue to !nance or am!l!ar!t# to ethn!c!t#' (h!le one ma# &o th!s "ecause o com ort, the ps#cholo%!cal e ect that th!s ma# ha*e on one1s l! e coul& pro*e to "e &ramat!c to ones character' Not ha*!n% enou%h space can "r!n% rustrat!on, con us!on, &!sa%reements, "ro$en homes an& l!*es re%ar&less o the cultural "ac$%roun&' 4n the other han&, ha*!n% enou%h space so one can ha*e some pr!*ac#, a chance to "reathe, can ma$e a "!% &! erence !n the am!l#' Commun!cat!on !s a "!% $e#, !t helps us to cope !n these s!tuat!ons an& to un&erstan& each other' Cultures are what orm each

> SPACE AND CULTURE person, an& whether one &ec!&es to ollow !t or "rea$ the tra&!t!on w!ll &e !ne one1s &est!n#'

Re erences Dant!cat, E' ?n'&'@' (est"ur# court' Retr!e*e& 4cto"er 1A, 2B13, rom http)CCwww'%oo%le'comCurlD saEtFrctE0F2EFesrcEsF rmE1FsourceEwe"Fc&E1F*e&EBCC$G.0AAFurlEhtt pH3AH2.H2.en%l!sh'"as&'$12'w!'usH2.mocars$!H2.colle%een%l!sh H2.(EST9UR/C4URT'rt Fe!E6/h!Ur2%IJ-C#w-NnoD/AGFus%EA.G0C N.#K6" LmwR%%;&15rU2.MaKtGUaw 4ates, 5' ?1AA>, 4cto"er@' The# all 0ust went awa#' The New Yorker' Retr!e*e& 4cto"er 1A, 2B13, rom http)CCwww'new#or$er'comCarch!*eC1AA>C1BC1MC1AA>N1BN1MN1KJNTN/NCARDS NBBB3K3=3J 4rt!8 Co er, 5' ?n'&'@' Silent dancing' Retr!e*e& 4cto"er 1A, 2B13, rom http)CCwww2'hawa!!'e&uCO aco"aCrea&!n%sCco er'htm

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