Iván Marino

Curriculum Vitae

1
Index

Personal Data.............................................................................. 3
Academic Training....................................................................... 3
Language..................................................................................... 3
Current Academic Activities ........................................................ 4
Teaching positions held............................................................... 4
Past Academic Activities ............................................................. 5
Scientific Activity Area ................................................................. 6
Field of expertise ......................................................................... 6
Biographical Note ........................................................................ 8
Professional Activities.................................................................. 9
Scholarships, grants and prizes received.................................... 17
Projects / Works .......................................................................... 19
Bibliography................................................................................. 29

2
Personal Data

First Name: Iván

Surname: Marino
Birth date: 2th July 1968
Birth place: Rosario (Argentina)
Nationalities: Italian / Argentine
Place of residence: Barcelona / Tel Aviv
Phone: +97 2 54 57 83 967
Email: i@ivan-marino.net
Web: http://www.ivan-marino.net/

Academic Training

2010-2011. Ph.D in progress, Universidade Lusófona de Lisboa, Portugal.

Science Communication PhD. 2011-2013.

1998-1999. Visiting Scholar. UCLA/University of California at Los Angeles,

School of Theater, Film and TV. USA.

1997. Visiting Scholar. UDK/Universität der Künste Berlin, Filminstitut, Berlin,

Germany.

1986-1988. Film Director. CRAC/Centro Rosarino de Acción

Cinematográfica. Rosario. Argentina.

1980-1986. Maestro Mayor. ENET Escuela Nacional de Educación Técnica

Nº 5. Rosario. Argentina.

Language Levels (reading - writing - speaking)

Spanish: Native Language

English: High - High - High
Portuguese: High - Intermediate - Intermediate

3
Current Academic Activities

Teaching positions held

2010-2011: Prof. Auxiliar Convidado, Universidade de Évora, Departamento

de Artes Visuais e Design, Portugal.

2000-2011: Professor of Interactive Systems Design at URL/Ramon Llull

University, ESDI (Electronic Art Degree), Barcelona, España.

2000-2011: Professor of Audiovisual Creation at Ramon Llull University, ESDI

(Electronic Art Degree), Barcelona, España.

2000-2011: Professor of Project IV at Ramon Llull University, ESDI

(Electronic Art Degree), Barcelona, España.

2004-2011: Professor of Digital Video, at UPF/Pompeu Fabra University,

MAD/ Master in Digital Arts, Barcelona, España.1

Invited Professor

2004-2011: Professor of Expanded Media, at Lusofona University, Master in

Production and Creation in Technological Arts, Lisboa, Portugal.2

2008-2011: Professor of Media and technologies, at 3th February National

University, Master in Technology and Aesthetic of Electronic Arts, Buenos
Aires, Argentina.3

2006-2011: Professor of Interactive Digital Video in Internet, at National

University of Córdoba, Argentina & University of Caldas,4 Colombia & ,
University of Chile5 (Postgraduate studies in Media Art, Master in Interactive
Design, Master in Media Art – respectively).

1
Ref. Online URL<
http://creaciodigital.upf.edu/web/es/ver_profesorado.php?id_professor=87&idcurs=7 >
2
Ref. Online URL<
http://www.grupolusofona.pt/portal/page?_pageid=135,515014&_dad=portal&_schema=PORTA
L>
3
Ref. Online URL< http://www.maestriaenartes.com.ar/cuerpo-academico/ >
4
Ref. Online URL< http://www.disenovisual.com/temas/temas.php?id=42&c=6&g=1 >
5
Ref. Online URL <
http://www.postgradoartes.uchile.cl/magister/mag_artes_artesmediales.php >

4
Past academic activities

2003-2004: Professor of Author’s Systems, at Autónoma University and

MECAD/ESDI Design School, International Master in Creation and Design of
Interactive System, Barcelona, España.

2005-2007: Professor of Author’s Systems, at URL/Ramon Llull University

and MECAD/ESDI Design School, International Master in Interactive Systems,
Barcelona, España.

2003-2004: Professor of Digital Video and Interactive Media, at MECAD/Media

Center of Art and Design, Master in Audiovisual Creation and Communication
for Interactive Media, Barcelona, España.

2004-2007: Professor of Media and Technology, at URL/Ramon Llull

University, ESDI/MECAD, Master in Curation and Cultural Practice in Art and
New Media, Barcelona, España.

2004: Professor of Digital Video production, at URL/Ramon Llull University

and MECAD/Media Centre of Art and Design, Postgraduate Studies in
Audiovisual Creation and Communication for Interactive Media, Barcelona,
España.

5
Scientific Activity Area

Research the foundations of audiovisual language, the formal rules of the video
and film-making apparatus. Research the strategies in writing of audiovisual
and multimedia contemporary speech, its conditions and the possibilities lying
behind the medium which produces them.

Field of expertise

Technical Area

Programming:

Programmer oriented to Media Art Design

- Object Oriented Programming: AS3 y C++

- Interpreted Programming: PHP
- Data Base Programming: MySQL
- Markup Languages Programming: HTML, XML

Audiovisual Production

- Cameraman
- Editing Software Operator (Final-cut, Premier, Media 100, Avid)
- Composition Software Operator (After Effect, Photoshop)
- Post-production Software Operator (DVD, BlueRay, HD, etc.)

Network (Internet - Intranet)

- Dedicated Server Management

- Web-master
- Database Management (MySQL)
- Remote server software operator ( SSH, FTP, SFTP, etc.)
- Web-design software operator (Dreamweaver, Flash, etc.)

Audiovisual and Interactive Installations

- Programming for Audiovisual and Interactive Installations

- Programming and Management of electronics prototyping platform
(Arduino).
- Electronic and Sensors connectivity

Streaming Media

- Production and Postproduction of streaming media contents

- Design and programming of streaming media interfaces

6
 - Live streaming Management
- Programming and design of streaming media art applications

Theoretical Area

Advance knowledge in the following fields of Art:

History of Cinema
History of Videoart
History of Net-art and Web-art
Narrative and Audiovisual Language
Narrative of Interactive Media
Narrative in Documentary films
Design and development of Interactive Audiovisual Proyects
Design and development of Audiovisual Proyects

7
Biographical Note

Iván Marino was born in Rosario, Argentina, in 1968. He studied in his native
country, where he dedicated, since the beginning of his career, to experimental
production, such as art video and auteur documentary. His works started to be
internationally appreciated in the early nineties, as he received support from
Antorchas, Rockefeller and MacArthur foundations, as well as the first prize in
Latin American festivals (Videobrasil.org SP, Brazil; ForumVídeo Belo
Horizonte, Brazil). He then commenced a broad career which would take him to
study and produce projects in the University of California (TV and Film
Department, UCLA, USA), in HDK (Filminstitut, Berlin, Germany), ZKM (Center
for Art and Media, Karlsruhe, Germany), KHM (Academy of Media Art, Köln,
Germany) and MECAD (Media Centre of Art and Design, Barcelona, Spain). He
started his research and specialisation in media art in European institutions,
creating works of art in interactive supports such as the web, CD or networks in
general, which gained acknowledgment in the artistic scene.

He has been living in Barcelona since the year 2000, devoted to artistic
production, research and teaching in the realm of University. He has lately
focused his attention on exploring, through his video installation with
programmed images, the founding of audiovisual language—the formal rules of
the film-making apparatus and the ideological frame implied by them. His latest
works analyse the script strategies of audiovisual contemporary speech and the
conditions of possibilities lying behind the media which represents them.
His work is being shown in the main art fairs in Europe (ARCO, Art Cologne, Art
Brussels) and takes part in the collections of acknowledged museums and
international art festivals.

8
Professional Activities

Main Exhibitions

2011
The Line. 18th Videobrasil International Festival of Contemporary Art. São
Paulo, Brazil [group exhibition]; Other artists: Olafur Eliasson, S. Días Morales,
Eder Santos –among others-.

2010

Graham Piece: 24hrs. Museum program. Exhibition title: TV/Arts/TV. Centro

de Arte Santa Mónica. Barcelona, España. [Dates: October 15Th — 8Th
December 2010. Group Exhibition. Other artists: Pipilotti Rist, Dara Brinbaum,
AntoniMuntadas , Nam June Paik, Wolf Vostell, Frank Gillette i Ira Schneider,
Ant Farm, Dan Graham, James Turrel, Vito Acconci, Studio Azzurro.]

Disasters. Exhibition’s title: Estado de excepción. Centro Cultural de España

en Buenos Aisres, Argentina. [Dates: 15th September — 15th Octuber 2010.
Solo project in collaboration with Pedro Ortuño. ]

Disasters. Exhibition’s title: Sinergias. MEIAC/Museo Extremeño e

Iberoamericano de Arte Contemporáneo. Badajoz, España. [Dates: May 14th —
20Th September 2010. Group Exhibition. Other artist: Sandra Gamarra, Laura
Lío, Carlos Garaicoa, Tomás Ochoa, Marlon de Azambuja, Alexander Apóstol,
Carlos Capelán, Natalia Granada, Armando Mariño, César Martínez.]

About the Gaze. Exhibition’s title: Espejismos. Galería Factoría Habana. La

Habana, Cuba. [15th April — 30Th July 2010. Group exhibition. Other artist: Joan
Fontcuberta, Ana DeMatos, Lino Lago, Enrique Marty, Gisela Motta & Leandro]

2009

Sangue. Exhibition’s title: The Discreet Charm of Technology. Arts in Spain.

Neue Galerie Graz. [Dates: Dates: Sep 27, 2009 - Nov 1, 2009. Group
exhibition. Other artists: Salvador Dalí, Antonio Muntadas, Wolf Vostell.]

Metronome #1. Exhibition’s title: ARCO, Contemporary Art Fair of Madrid,

Vanguardia Gallery. Madrid, Spain [Group exhibition. Other artists: Joan
Fontcuberta].

2008

Sangue. Exhibition’s title: Sintopías. Cervantes Institute of New York. New

York, United States [Group exhibition];

Sangue. Exhibition’s title: The Discreet Charm of Technology. Arts in Spain,

MEIAC/Extremadura and Latin American Museum of Contemporary Art.

9
 Badajoz, Spain [Group exhibition. Other artists: Salvador Dalí, Antonio
Muntadas, Wolf Vostell.]

Sangue . Exhibition’s title: The Discreet Charm of Technology. Arts in Spain .

ZKM, Center for Art and Media Karlsruhe. Karsruhe, [Group exhibition.
Other artists: Salvador Dalí, Antonio Muntadas, Wolf Vostell.]
Lingua. Exhibition’s title: Canariasmediafest, 13th International Arts and
Digital Cultures Festival of Gran Canaria. Las Palmas de Gran Canaria,
Spain [solo].

TextFields ARCO, Contemporary Art Fair of Madrid, Vanguardia Gallery.

Madrid, Spain [solo].

Lingua Art and New Technologies exhibition, MAMBA, Museum of Modern Art
of Buenos Aires and Telefonica Foundation Salon. Buenos Aires, Argentina
[group exhibition].

Retrospective exhibition of videos. Telefonica Foundation Space. Buenos

Aires, Argentina [solo].

Pn = n! The Discreet Charm of Technology. Arts in Spain exhibition, MEIAC,

Extremadura and Latin American Museum of Contemporary Art. Badajoz, Spain
[group exhibition];
ZKM, Center for Art and Media Karlsruhe. Karsruhe, Germany [group
exhibition];
Límite, Laboratorio Arte Alameda, Mexico DF, Mexico [group exhibition];
Caixa Forum Media Library, La Caixa Foundation. Barcelona, Spain [solo].

Five Portraits of a Seated Woman Argentines Abroad exhibition, Museum of

Modern Art of Buenos Aires and Alliance Française. Buenos Aires, Argentina.

Retrospective of videos and installations. Miradas al videoarte, Puertas de

Castilla Cultural Centre, City Council of Murcia. Murcia, Spain [solo].

Going To 10 argentinos exhibition, Huesca City Council. Huesca, Spain.

A Bravo Day, Vaivén exhibition, CCEBA, Spanish Cultural Centre of Buenos

Aires. Buenos Aires, Argentina [group exhibition].

In Death’s Dream Kingdom Psychomotif: A Record of Craziness exhibition,

Spanish Cultural Centre. Mexico DF, Mexico [solo].

10
About the Colony Stirrings Still exhibition, Festival International de Film et
Vidéo de Création New Moving Images, 3rd Edition, Libanese Academy of Fine
Arts. Sin el Fil, Lebanon [group exhibition];
Stirrings Still: A New Vision of Video Art in Spain exhibition, Hidraulic Museum
Los Molinos del Río Segura, Murcia City Concil. Murcia, Spain [group
exhibition];
Stirrings Still: A New Vision of Video Art in Spain exhibition, NBK, Neuer
Berliner Kunstverein. Berlin, Germany [group exhibition].

2007

Videoinstallations, Vanguardia Gallery. Bilbao, Spain [solo].

Selection of video works, Caixa Forum Media Library, La Caixa

Foundation. Barcelona, Spain [solo].

Sangue Sintopías exhibition, Cervantes Institute of Beijing. Beijing, China

[group exhibition];
Arnet, cultura para todos exhibition, arteBA, Fundación. Buenos Aires,
Argentina.

Pn = n! Investigações Contemporáneas exhibition, 16th International

Festival of Electronic Art. São Paulo, Brazil [group exhibition];
ARCO, Contemporary Art Fair of Madrid, Stand of the Government of
Extremadura. Madrid, Spain [group exhibition].

Selection of video works. 7th Cinema Festival of Tandil, Art Museum.

Tandil, Argentina [group exhibition].

In Death’s Dream Kingdom Selection of Latin American Video Art 2000-

2005: Invisible Videographies exhibition. Spanish Cultural Centre, Buenos
Aires, Argentina; Spanish Cultural Centre, Rosario, Argentina; Spanish
Cultural Centre, Lima, Perú; Spanish Cultural Centre, Montevideo, Uruguay,
Spanish Cultural Centre, El Salvador, El Salvador; Spanish Cultural Centre,
San José, Costa Rica; Cultural Office, Panamá, Panamá; Spanish Cultural
Centre, Guatemala, Guatemala; Cultural Office, Caracas, Venezuela;
Embassy Centre, Bogotá, Colombia [group exhibition].

2006

11
In Death’s Dream Kingdom Une exposition-enquête : Le numérique dans
l'art exhibition, Centre Pompidou. Paris, France [group exhibition];
Enseigner / Produire : une exposition-enquête exhibition, Centre Pompidou.
Paris, France [group exhibition].

Lingua Canariasmediafest, 12th International Festival of Arts and Digital

Cultures of Gran Canaria. Las Palmas de Gran Canaria, Spain [group
exhibition].

Five Portraits of a Seated Woman Videozone exhibition, 3rd International

Video Art Biennial, Tel-Aviv, Israel [group exhibition];
05982:01 exhibition, Contemporary Art Foundation. Montevideo, Uruguay
[group exhibition].

Pn= n! Memory exercises exhibition, MUNTREF, 3 de Febrero National

University. Buenos Aires, Argentina [group exhibition].

Videoinstallations, International Image Festival. Caldas, Colombia [solo].

2005

Retrospective view of video works. Artrónica, 3rd International Show of

Electronic Arts, Bogotá, Colombia [solo].

In Death’s Dream Kingdom L’art de produire l’art exhibition, Le Fresnoy –

Studio National. Tourcoing Cedes, France [group exhibition];
Mental Images exhibition, Internationaler Medienkunstpreis 2005, ZKM,
Center for Art and Design, Karlsruhe, Germany [group exhibition];
Invisible Videographies exhibition, Museo Patio Herreriano de Arte
Contemporáneo Español. Valladolid, Spain [group exhibition];
prog:ME Programa de Mídia Eletrónica, Rio de Janeiro, Belo Horizonte, São
Paulo, Brazil [group exhibition];
Videopoesía: Selección del Archivo Videobardo (Argentina). Caixa Forum
Media Library. La Caixa Foundation, Barcelona, Spain [group exhibition].

Five Portraits of a Seated Woman State of the Art exhibition, 15th Festival
of Electronic Art Videobrasil. São Paulo, Brazil [group exhibition];
Foco Sudamérica exhibition, Biennial of Art and Cinema of Köln. Köln,
Germany [group exhibition].

12
About the Colony Fenêtre sur le Cône Sud exhibition, 11th Biennial of
Moving Images, Centre for Contemporary Images. Geneva, Switzerland
[group exhibition].

2004

In Death’s Dream Kingdom International Meetings Paris/ Berlin. Paris,

France [group exhibition];
6th Belo Horizonte International Short Film Festival. Belo Horizonte, Brazil
[group exhibition];
Video Poesía exhibition, MALBA, Latin American Art Museum of Buenos
Aires. Buenos Aires, Argentina [group exhibition];
Videocreation in Latin America, Spain and Canada exhibition, Casa América
de Madrid. Madrid, Spain [group exhibition].

A Bravo Day LA Freewaves Festival of Experimental Media Art. Los

Angeles, United States [colletice].

2003

In Death’s Dream Kingdom 16th International Festival of Electronic Arts

Videobrasil. São Paulo, Brazil [group exhibition];
Observatori 2003, 4th International Festival of Art Research of Valencia,
Science Museum Príncipe Felipe. Valencia, Spain [group exhibition];
International Fetival of Short Films Sueños Cortos. Buenos Airs, Argentina
[group exhibition];
Beep exhibition, Cotxeres del Palau Robert. Barcelona, Spain [group
exhibition];
Playingfield exhibition, Netherlands Media Art Institute. Amsterdam, Holland
[group exhibition];
European Media Art Festival. Osnabrück, Germany [group exhibition];
Observatori 2003, 4th Festival of Art Research of Valencia. Valencia, Spain
[group exhibition];
Playingfield exhibition, Caixa Forum, La Caixa Foundation. Barcelona, Spain
[group exhibition];
16th International Festival of Electronic Arts Videobrasil. São Paulo, Brazil
[group exhibition].

13
Retrospective view of video works, 3rd International Image Festival.
Caldas, Colombia [solo].

Litany The Video as a Rescue of Identity exhibition, World Wide Video

Festival. Amsterdam, Holland [group exhibition];

Microwave International Media Art Festival. Hong Kong, China [group

exhibition];

Art in Progression: Meetings on Technology and Artistic Experimentation

exhibition. Centro Cultural San Martín. Buenos Aires, Argentina [group
exhibition].

2002

About the Colony Medienkunst aus Lateinamerika exhibition, Medio@rte

latino, Berlin, Germany [group exhibition];
Itinerância Videobrasil exhibition, International Fesival of Electronic Art
Videobrasil. São Paulo, Brazil [group exhibition].

DeadMother Interfaces_02 – Arte mediático exhibition, Goethe Institute of

Montevideo, Uruguay [group exhibition].

2001

Restrospective view of video works. Perfiles exhibition, Cultural Centre

Parque España of Rosario. Rosario, Argentina [solo].

Litany, 13th Festival of Electronic Arts Videobrasil. São Paulo, Brazil [group
exhibition];
5th International Festival of Video/ Art/ Electronics, ATA, Alta Tecnología
Andina. Lima, Perú [group exhibition].

Los animales DeAutor.doc exhibition, Ricardo Rojas Cultural Centre.

Buenos Aires, Argentina [group exhibition].

2000

14
A Bravo Day OVNI, Observatorio de Vídeo No Identificado, CCCB, Centro
de Cultura Contemporánea de Barcelona. Barcelona, Spain [group
exhibition].

About The Colony International Meetings Paris/ Berlin. Paris, France

[group exhibition]

Carte Blanche exhibition, International Festival of Video Videoformes.

Clermont Ferrand, France [group exhibition].

Graphic Mediation About The Dead Mother Interfereces exhibition, 2ème

Festival International d’Arts Multimédia Urbains. Belfort, France [group
exhibition]

Los animales Ricardo Rojas Cultural Centre. Buenos Aires, Argentina

[group exhibition].

Litany Ciclo de Videoarte, MAMBA, Modern Art Museum of Buenos Aires.

Buenos Aires, Argentina [group exhibition].

1999

A Bravo Day Vértigos: artes audiovisuales on-line/off-line exhibition,

INJUVE, Youth Institute. Madrid, Spain [group exhibition].

Los animales 3rd Festival of Documentary and Ethnographic Film –

Anthropology, Cinema and Video Forum. Municipal Department of Culture.
Belo Horizonte, Brazil [group exhibition];
Brasil-Argentina, 40 a 40 Short Film Exhibition. La década del 90,
Brazilian Study Centre Foundation and Ricardo Rojas Cultural Centre.
Buenos Aires, Argentina [group exhibition].

1998

Siesta Recent Videos from Argentina, Colombia, Mexico and Venezuela

exhibition, Insync, Anthology Film Archives. New York, United States [group
exhibition].

15
About The Colony 3rd International Festival of Electronic Art Videobrasil.
São Paulo, Brazil [group exhibition].

1997

About The Colony Up-And-Coming International Film Festival. Hannover,

Germany [group exhibition].

Siesta Competitive Exhibition, Bienal of Moving Images, Centre for

Contemporary Images. Geneva, Switzerland [group exhibition].

1996

A Bravo Day 11th International Festival of Electronic Art Videobrasil. São

Paulo, Brazil [group exhibition].

A Bravo Day / Going To Rio Cinema Festival. Rio de Janeiro, Brazil

[group exhibition];
UNICAMP, Estadual de Campinas University, Sao Paulo, Brazil.

1995

Going To / Siesta International Video Festival FORUM BH. Belo

Horizonte, Brazil.

A Bravo Day Selección Argentina exhibition, 4th Franco-Latin American

Video Art Festival, Centro Cultural Ricardo Rojas. Buenos Aires, Argentina
[group exhibition].

1989

A Bravo Day Rivoire Gallery. Rosario, Argentina [solo].

1988

A Bravo Day Rosario Cine Club. Rosario, Argentina [solo].

16
Scholarships, grants and prizes received

2006
First Prize in Digital Creation for the project The Disasters. Policies of
Representation. MALBA Awards, Telefonica Foundation, Buenos Aires,
Argentina.

First Prize in Multimedia Creation for Sangue. Canariasmediafest, 12th

International Festival of Digital Arts and Cultures of Gran Canaria. Las
Palmas de Gran Canaria, Spain.

Special Mention of the Jury, in Documentary Film for Five Portraits of a

Seated Woman. Canariasmediafest, 12th International Festival of Digital
Arts and Cultures of Gran Canaria. Las Palmas de Gran Canaria, Spain.

CAM Fellowship (work production and acquisition), Obra Social CAM,

Caja de Ahorros del Mediterráneo, Alicante, Spain.

2005

Finalist with In Death’s Dream Kingdom (Net version). Videokunstpreis,

International Festival of Electronic Art of ZKM, Centre for Art and Media,
Karlsruhe, Germany.

2003
Best Short Film for In Death’s Dream Kingdom. “Sueños Cortos”
International Film Festival. Buenos Aires, Argentina.

2002
Fellowship for multimedia research and development. ZKM, Centre for
Art and Media, Germany, and MECAD, Media Centre for Art and Design.
Barcelona, Spain.

2000
Mención Especial del Jurado por Letanías. Centro Cultural de España
(ICI), Fundación Telefónica. Buenos Aires, Argentina.

Special Mention of the Jury for Letanies. Spain Cultural Centre (ICI),
Telefonica Foundation. Buenos Aires, Argentina.

1999
Special Mention of the Jury for Los animales. Festival of Ethnographic
Documentary and Cinema. Belo Horizonte, Brazil.

17
 Fellowship for research and production of multimedia art in interactive
formats. MECAD, Media Centre for Art and Design, Barcelona, Spain.

1998
Third Prize for Uber die Kolonie. Videobrasil, Video International Festival.
São Paulo, Brazil.

Second Prize for Uber die Kolonie. Videobrasil. Spain Cultural Centre
(ICI), Telefonica Foundation, Buenos Aires, Argentina.

Fellowship for research on Interactive Digital Media, UCLA, University of

California at Los Angeles, United States.

1997
First Prize for Uber die Kolonie. International Video and Film Festival of
Hannover. Hannover, Germany.

Fellowship for the study of German language and culture. Goethe Institut.
Berlin, Germany.

Fellowship for study and post-production. Hochshule der Künste,

Filminstitut (Academy of the Arts, Institut of CInema). Berlin, Germany.
Antorchas Foundation. Buenos Aires, Argentina.

1996
Fellowship for audiovisual creation in digital formats. Secretariat of
Culture of Rosario. Rosario, Argentina.

1995
First Prize for A Bravo Day and Going To. Forum BH Video, International
Video Festival. Belo Horizonte, Brazil.

1993
Fellowship for video creation. Rockefeller, Mac Arthur and Antorchas
Foundations. Buenos Aires, Argentina.

18
Projects / Works

Interactive Installations Projects

Title: 24Hrs Museum Program (tribute to Dan Graham, Emition-Reception,

1976). Format : Interactive Instalation (Web TV, control room and live
broadcast)
Year 2010
Production: Ars Santa Mónica, Barcelona, Spain. Presented at Art-TV-Arts:
The TV Shoted by Artist. Ars Santa Monica, Spain.

Title: Sangue
Year 2006
Format Instalación audiovisual generativa (pantalla acrílica fresnel,
proyector HD y ordenador). Generative audiovisual installation (fresnel acrylic
screen, HD projector and computer)
Audio Silente Silent
Production MEIAC, Museo Extremeño e Iberoamericano de Arte
Contemporáneo, Badajoz, España. MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Colección Collection CAM, Caja de Ahorros del Mediterráneo, España;
MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo,
Badajoz, España. CAM, Spain; MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Distribution Galería Vanguardia, Bilbao, España. Spain
Award Beca de artes plásticas CAM, Caja de Ahorros del
Mediterráneo, España, 2006. CAM Fellowship for the Arts, Caja de Ahorros
del Mediterráneo, Spain, 2006

The installation deconstructs and re-contextualises an

audiovisual war report. The original recording shows
a journalist who has circumstantially switched his camera
on at the moment of a bomb explosion. When this
happens, the cameraman looses the control of the device.
However, the camera continues recording the facts, in
its machine condition. The installation rearticulates the
images, automatically recorded by the device, assigning
the function of re-presentation to an interface.

Title: Pn=n!
Year 2006
Format Instalación audiovisual generativa (pantalla acrílica fresnel,
proyector HD y ordenador). Generative audiovisual installation (fresnel acrylic
screen, HD projector and computer)
Audio Silente Silent
Production MEIAC, Museo Extremeño e Iberoamericano de Arte
Contemporáneo, Badajoz, España. MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Colección Collection CAM, Caja de Ahorros del Mediterráneo, España;

19
MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo,
Badajoz, España. CAM, Spain; MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Distribution Galería Vanguardia, Bilbao, España. Spain
Award Beca de artes plásticas CAM, Caja de Ahorros del
Mediterráneo, España, 2006. CAM Fellowship for the Arts, Caja de Ahorros
del Mediterráneo, Spain, 2006

The installation consists of a scene which is constantly

regenerated, adopting diverse appearances though always
keeping its initial meaning. The original sequence, from Carl
Theodor Dreyer’s The Passion of Joan of Arch (1928), was
divided into its constituent takes, and represented through an
algorithmic edition. The algorithm permuted indefinitely the
order of the takes, generating new groupings and executing
endless sequences.

Title: Lingua
Year 2006
Format Instalación audiovisual generativa (pantalla acrílica fresnel,
proyector HD y ordenador). Generative audiovisual installation (fresnel acrylic
screen, HD projector and computer)
Audio Silente Silent
Production MEIAC, Museo Extremeño e Iberoamericano
de Arte Contemporáneo, Badajoz, España. MEIAC, Extremadura and
Iberoamerican Museum of Contemporary Art, Badajoz, Spain
Colección Collection CAM, Caja de Ahorros del Mediterráneo, España;
MEIAC, Museo Extremeño e Iberoamericano de Arte Contemporáneo,
Badajoz, España. CAM, Spain; MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Distribution Galería Vanguardia, Bilbao, España. Spain
Award Beca de artes plásticas CAM, Caja de Ahorros
del Mediterráneo, España, 2006. CAM Fellowship for the Arts,
Caja de Ahorros del Mediterráneo, Spain, 2006

The images/ texts in this work are articulated as a formal

system: 1. Letters can be grouped up to a maximum of six
elements. 2. Real sets cannot articulate two vowels or
consonants in a row. 3. Each group of letters is followed by
a blank space. 4. A fixed duration of video is given to each
consonant. 5. Each vowel is paired with a hazardous expansion
of the frame, the space or the duration associated with the
previous consonant. 6. The system is immeasurable: it is
constantly regenerating and is always different from itself.
CatMarino_

20
Title: The Cudgel
Year 2007
Format Instalación audiovisual generativa (pantalla acrílica fresnel,
proyector HD y ordenador). Generative audiovisual installation (fresnel acrylic
screen, HD projector and computer)
Audio Silente Silent
Production MEIAC, Museo Extremeño e Iberoamericano
de Arte Contemporáneo, Badajoz, España. MEIAC, Extremadura and
Iberoamerican Museum of Contemporary Art, Badajoz, Spain
Colección Collection MEIAC, Museo Extremeño e Iberoamericano
de Arte Contemporáneo, Badajoz, España. MEIAC, Extremadura and
Iberoamerican Museum of Contemporary Art, Badajoz, Spain
Distribution Galería Vanguardia, Bilbao, España. Spain
Award Beca de artes plásticas CAM, Caja de Ahorros
del Mediterráneo, España, 2006. CAM Fellowship for the Arts,
Caja de Ahorros del Mediterráneo, Spain, 2006

The work posits the comparison of two images produced

in different periods of History: Goya’s Duel with Cudgels
(1819-1823), from the series of the Black Paintings, and
a sequence of torture by battering, recently recorded
somewhere in the Middle East (though the place does not
matter: it could have been Guantanamo, Sarajevo, Paris, etc.).
The resemblance and differences of both representations
incites the reflection over time passage and transformations
of the elemental torture proceedings (the cudgel), now
incorporated to complex devices (the cudgel multiplied and
distributed in digital versions).

Title: Gallows
Year 2007
Format Instalación audiovisual generativa (pantalla acrílica fresnel,
proyector HD y ordenador). Generative audiovisual installation
(fresnel acrylic screen, HD projector and computer)
Audio Silente Silent
Production MEIAC, Museo Extremeño e Iberoamericano de Arte
Contemporáneo, Badajoz, España. MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Colección Collection MEIAC, Museo Extremeño e Iberoamericano de Arte
Contemporáneo, Badajoz, España. MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Distribution Galería Vanguardia, Bilbao, España. Spain
Award Beca de artes plásticas CAM, Caja de Ahorros del
Mediterráneo, España, 2006. CAM Fellowship for the Arts, Caja de Ahorros
del Mediterráneo, Spain, 2006

This work is based upon a piece of software for image

visualisation which was exclusively designed to reproduce

21
the execution of a man sentenced to die in the gallows.
The software was designed to reproduce a specific fragment
of the scene: the free fall and consequent strangling of the
condemned man. The original action happened in one second,
which was transformed by the camera into twenty-five video
frames. Out of the twenty-five frames, twelve describe the
free fall, and the other thirteen show the dead body, hanging
from a rope tied to its neck. The reason of the representation
of that movement and its circumstances constitute the central
axis of research for this software.

Title: Goya’s Imagery

Year 2007
Format Instalación audiovisual generativa (pantalla acrílica fresnel,
proyector HD y ordenador). Generative audiovisual installation
(fresnel acrylic screen, HD projector and computer)
Audio Silente Silent
Production MEIAC, Museo Extremeño e Iberoamericano de Arte
Contemporáneo, Badajoz, España. MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Colección Collection MEIAC, Museo Extremeño e Iberoamericano de Arte
Contemporáneo, Badajoz, España. MEIAC, Extremadura and Iberoamerican
Museum of Contemporary Art, Badajoz, Spain
Distribution Galería Vanguardia, Bilbao, España. Spain
Award Beca de artes plásticas CAM, Caja de Ahorros del
Mediterráneo, España, 2006. CAM Fellowship for the Arts, Caja de Ahorros
del Mediterráneo, Spain, 2006

Title: TextField
The work is composed by nine digital pictures, set in
a rectangular room. The screen shows dynamic visual
compositions based on the movement of typographies. The
animations are generated in real time by means of algorithms
programmed by the author. The typographies coincide at
times, forming intelligible words, or mere random movements.
The work resumes the tradition of visual poetry from the
perspective of digital art, inviting the spectator to reflect upon
language order and aesthetic chaos.

Title: Metronome # 1
Year 2009
Format Instalación audiovisual computarizada (pantalla HD,
ordenador, metrónomo intervenido). Computarized audiovisual installation
(HD screen, computer and metronome)
Audio Silente Silent
Production Trabajo realizado en colaboración con Andrea
Nacach, sobre una performance de Natividad Insúa. In collaboration with

22
Andrea Nacach, based on a performance by Natividad Insúa
Colección Collection Colección del artista. Artis’s collection
Distribution Galería Vanguardia, Bilbao, España. Spain
The work is composed by an analogue metronome, an HD
screen, a computer and digital video frames. The musical
apparatus, technically modified by a wireless device, has
been synchronised with the computer. The data sent by the
metronome into the computer control the video edition in real
time, adapting the duration of the takes to the tempo chosen by
the spectator. Consequently, the users can modify the rhythm
—thus, the sense—of the image sequence. Inspired in Robert
Bresson’s ideas about automatism and the subordination of
desires and thought to mechanical functioning, the work’s main
character is an apparatus, the metronome, which generates
rhythms and organises the audiovisual editing of corporal
movements completely subordinate to the apparatus’ will.

Net-art Project

Title: In Death’s Dream Kingdom (Net Version)

Year 2002
Format Online; <http://www.ivan-marino.net>
Audio Estéreo Stereo
Production Trabajo realizado en colaboración con
Luis Negrón y Andrea Nacach. Producido con el apoyo de
CULTURE 2000 UE, MECAD, Media Centre d’Art i Disseny y Netherlands
Media Art Institute. In collaboration with Luis Negrón and Andrea Nacach.
Produced with the support of CULTURE 2000 EU, MECAD, Media Centre for
Art and Design and the Netherlands Media Art Institute
Colección Collection Netherland Media Art Institute, MECAD, Media
Centre d’Art i Disseny
Distribution E-dumedia SL
Award Finalista Videokunstpreis, Festival Internacional de Arte
Electrónico del ZKM, Centre for Art and Media, Karlsruhe, Alemania.
Videokunstpreis finalist, International Festival of Electronic Art of ZKM,
Centre for Art and Media, Karlsruhe, Germany

The work, which is an Internet version of the homonym piece

made in mono-channel format, is composed of a series of
interfaces. They offer non-linear parcours of videographic
fragments. Each interface constitutes a narrative unity,
which tackles a subject or situation in a definite space or time.
The user, by using the computer mouse, can move throughout
the graphic interactors which are in the different levels
of navigation, select them and build their own audiovisual
setting through the piece.

23
Audiovisual Projects

Title: Un día Bravo

A Bravo Day
Year 1987-1999
Duración Duration 18’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production Cinem@licia
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos
Aires, Argentina
Distribution Hamaca
Award Primer Festival Internacional de Belo Horizonte
Forum Video, Belo Horizonte, Brasil, 1995. First Prize in the International
Festival of Belo Horizonte Forum Video, Belo Horizonte, Brazil, 1995

This work, of a documentary kind, narrates the vicissitudes in

the life of an old lady, during one day. The scenes in the video
develop in the context of a fearful family, who is reluctant
to the footage. The silent agreement of the protagonist
(the old lady), and the intruding and inquisitional character of
the camera, constitute the central conflict presented in the
work. Paraphrasing the theorist Raquel Schefer, the work
stages the conflict between the desire to watch and the
ethical limits of the act of watching.

Title: Ir A
Going To
Year 1995
Duración Duration 6’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production Cinem@licia
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos
Aires, Argentina
Distribution Hamaca
Award Primer Festival Internacional de Belo Horizonte
Forum Video, Belo Horizonte, Brasil, 1995. First Prize in the International
Festival of Belo Horizonte Forum Video, Belo Horizonte, Brazil, 1995

This is an audiovisual essay made of images filmed during

a train trip. The video is a reflection on the concept of ‘trip,’
relating it to the fact of recording, and to the temporal and spatial
connotations of image. The camera captures shots of the trip,
intending to portray the course of time and the instances of

24
transition between the two ends that mark the trip: the points
of departure and arrival.

Title: Siesta
Year 1997
Duración Duration 7’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production HDK, Escuela Superior de Artes (Hochschule
der Künste), Berlín, Alemania The Berlin University of the Arts, Germany;
Goethe Institute, Buenos Aires, Argentina; Fundación Antorchas,
Buenos Aires, Argentina
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos
Aires, Argentina
Distribution Hamaca

This visual poem reflects the stage which is halfway between

lethargy and vigil in an old lady, who rests in her coach during
siesta time. The slow, almost motionless relay of images,
together with the monotonous cadence of the soundtrack,
stresses a description of the absence of time: vanished time,
yielding to a continuous present, where actions have no
beginning or end.

Title: De la colonia
About the Colony
Year 1997
Duración Duration 18’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production HDK, Escuela Superior de Artes (Hochschule der
Künste), Berlín, Alemania The Berlin University of the Arts, Germany; Goethe
Institute, Buenos Aires, Argentina; Fundación Antorchas, Buenos Aires,
Argentina
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica, Buenos
Aires, Argentina; Mediateca Centro Cultural de España, Buenos Aires,
Argentina
Distribution Hamaca
Premios Awards Primer Festival Internacional de Cine Up and
Coming, Hannover, Alemania, 1997; Tercer Festival Internacional de
Vídeo Videobrasil, São Paulo, Brasil; Segundo Concurso Buenos Aires
Video, Centro Cultural de España, Buenos Aires, Argentina, 1998. First Prize
in the International Festival Up and Coming, Hannover, Germany, 1997;
Third Prize in the International Video Festival Videobrasil, São Paulo, Brazil;
Second Prize in Buenos Aires Video Competition, Centro Cultural España,
Buenos Aires, Argentina, 1998

25
The video portrays the vicissitudes of everyday life in a former
correctional centre, currently housing under-age criminals since
the beginnings of the 20th century. The work was edited by
combining two kinds of audiovisual records: on the one hand,
contemporary material, filmed by the own author, and on the
other hand, archive material registered in the same institution
in the 1920s. The insertion of these records originates amazing
metaphors which invite us to reflect upon the role of lock-up
institutions, their transformations throughout the 20th century
and the dubious idea of progress of life in society.

Title: Los animales

The Den
Year 1998
Duración Duration 40’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production Cinem@licia
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos
Aires, Argentina
Distribution E-dumedia SL
Award Mención Especial del Jurado, Festival de Cine
Antropológico de Belo Horizonte, Brasil, 1999. Special mention by
the Jury in the Festival of Anthropological Cinema of Belo Horizonte,
Brazil, 1999

This poetic documentary portrays the rasping breaths of

a locale which is in danger of extinction: the former tango dive,
almost buried by modern tango houses and fashions deriving
from the export of the erstwhile Argentinean popular music.
The scenes occur in a tavern in the outskirts of Buenos Aires,
where bizarre people, worn out by time, alcohol and social
marginalisation, used to end their evenings.

Title: Letanías
Litanies
Year 2000
Duración Duration 8’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production E-dumedia SL
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos

26
Aires, Argentina
Distribution Hamaca
Award Mención especial del jurado, Concurso Buenos Aires Video,
Centro Cultural de España, Buenos Aires, Argentina, 1998 Special Mention
by the Jury, Buenos Aires Video Competition, Centro Cultural de España,
Buenos Aires, Argentina, 1998

A portrait of the nude body of a woman standing on

a cornice. The narrative is introduced by Nicolás Guillén’s
poem Chant to Kill a Snake, interpreted by the actress Idilia
Solari. The soundtrack uses sound landscapes recorded in
a mental institution. The narrative elements which constitute
the visual poem focus on the pairs of images and sounds
which represent the concepts of balance and imbalance,
outside and inside, concrete and abstract.

Title: En el reino de sueño de la muerte

In Death’s Dream Kingdom
Year 2002
Duración Duration 18’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
con el apoyo de Production with the support of
ZKM | Center for Art and Media Karlsruhe, Alemania Germany;
MECAD, Media Centre d’Art i Disseny, Barcelona, España Spain.
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos
Aires, Argentina
Award Primer Festival Internacional de Cine y Video de
Buenos Aires Sueños Cortos, Buenos Aires, Argentina, 2003. First Prize
in the International Film and Video Festival of Buenos Aires Sueños Cortos,
Buenos Aires, Argentina, 2003

The name of the work was taken from a line in T. S. Eliot’s

poem The Hollow Men, from 1925. The work has the structure
of an audiovisual poem, and was inspired by experimental
poetry: frozen times without anecdote, collages of realist
images with representations of the subconscious, combined
with the technique of temporal simultaneous accumulation.
The video was recorded in institutions housing deranged and
disabled people, whose sense of perception is altered by
their illness. The soundtrack is composed by a combination
of silences and minimal sounds, obtained from black boxes
of crashed planes, industrial machines and incomprehensible
monologues.

27
Title: Cinco retratos de una mujer sentada
Five Pictures of a Seated Woman
Year 2005
Duración Duration 18’00’’
Format Vídeo monocanal Mono-channel video, 4:3
Audio Estéreo Stereo
Production E-dumedia SL
Colección Collection Mediateca Caixa Forum, Fundación La Caixa,
Barcelona, España Spain; Mediateca Espacio Fundación Telefónica,
Buenos Aires, Argentina; Mediateca Centro Cultural de España, Buenos
Aires, Argentina
Distribution Hamaca
Award Mención Especial del Jurado, XII Canariasmediafest,
Festival Internacional de Artes y Culturas Digitales de Gran Canaria,
Las Palmas de Gran Canaria, España, 2006.
Special mention by the Jury, XII Canariasmediafest International Arts
and Digital Cultures Festival of Gran Canaria, Las Palmas de Gran Canaria,
Spain, 2006

Five scenes, each one shot on a yearly basis, describe

the last stage in the life of an old lady. The succession of
portraits keeps a strict chronological order which goes with
the character till her death’s eve. Knitting, counting the pearls
of a rosary, eating and walking are the actions registered by
the author in order to capture those moments and gestures
in which death seems to anticipate itself, briefly haunting and
then withdrawing, somehow foretelling its definite advance.

28
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