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Choral Literature Assignment

This document provides a review of 15 choral pieces organized by level and genre. It summarizes each piece including its historical period or genre, voicing, composer or arranger, and pedagogical goals and challenges. The pieces range from elementary to high school levels and cover genres like world music, spirituals, folk songs, pop, and classical pieces. For each selection, the summary highlights key details about the music and provides a difficulty assessment to help with programming.

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0% found this document useful (0 votes)
416 views8 pages

Choral Literature Assignment

This document provides a review of 15 choral pieces organized by level and genre. It summarizes each piece including its historical period or genre, voicing, composer or arranger, and pedagogical goals and challenges. The pieces range from elementary to high school levels and cover genres like world music, spirituals, folk songs, pop, and classical pieces. For each selection, the summary highlights key details about the music and provides a difficulty assessment to help with programming.

Uploaded by

api-439458210
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Micah Logan

MUED 337
Dr. Evans
Choral Literature Review

Choral Literature Annotation Checklist

Level Historical
# Name of Work & Composer/Arranger Voicing
Period/Genre

1 Elementary World Music Ning Wendete arr. Greg Gilpin 2- Part

2 Elementary Spiritual This Little Light of Mine arr. Ken Berg Unison

3 Elementary Traditional Dona Nobis Pacem arr. Mary Lynn Lightfoot 2-Part

4 Elementary Folk Song Charlotte-Town arr. Emily Crocker 2-Part

We’re All in This Together Matthew Gerald/Robbie


5 Elementary Pop 2-Part
Nevill
Middle Pong Pong Piyangaw arr. Maria Theresa Vizconde-
6 World Music SSA
School Roldan
Middle
7 Baroque Cantante Domino arr. Jerry Estes 3-Part
School
Middle
8 Octavo Homeward Bound Marta Keen/Jay Althouse SAB
School
Middle
9 Folk Song Loch Lomond arr. Ashley Nelson SSA/SAB
School
Middle Happy Together Garry Bonner & Alan Gordon/Kirby 3-Part
10 Pop
School Shaw Mixed
High
11 World Music Kpanlongo arr. Derek Bermal SSATBB
School
High
12 Pop/Jazz I Wish Stevie Wonder/Roger Emerson SATBB
School
High
13 Secular Come to the Music arr. Joseph M. Martin SATB
School
High Kyrie from Mass in G, D. 167 Franz Schubert/John
14 Mass SATB
School Leavitt
High
15 Octavo Gloria Deo arr. Jay Althouse SATB
School
• Historical Periods or Genre: HP = Medieval, Renaissance, Baroque, Classical, Romantic,
Twentieth Century, Contemporary; Genre = jazz, show choir, pop, world music

Logan 1
ELEMENTARY SCHOOL: 2-PART

WORLD MUSIC

Ning Wendete
Greg Gilpin. Two-part acapella and small rhythmic accompaniment. Shawnee Press 10503347E.
Kenyan Folk Song. Choral Octavo. Key of A major. 2/4 meter, rhythmic with movement tempo
marking (quarter note equals 104). Rhythmic notation calls for a shaker, hand claps, and
instruments.

Pedagogical Goals
• Steady, rhythmic flow of the piece.
• Intonation – do not fall flat since the melody stays consistent.
• Phrasing – ensure that words do not become ‘choppy’
Challenges
• Diction – words must be pronounced clearly and correctly.
• Part independence – at times, the two parts being sung are completely different.

Difficulty Level for Choir: medium-easy

ELEMENTARY SCHOOL: UNISON

SPIRITUALS

This Little Light of Mine


Ken Berg. Unison with cello and optional piano accompaniment. Colla Voce Music Inc. 20-96460.
Traditional Spiritual. ABA. Key of D major. 4/4 meter, no tempo marking, tempo up to
conductor.

Pedagogical Goals
• Diction – let the constantans shine!
• Flow of the piece – do not let the energy die.
• Phrasing
Challenges
• Breath support during long phrases
• Unison singing – vowel unification

Difficulty Level for Choir: easy

ELEMENTARY SCHOOL: 2-PART

TRADITIONAL

Dona Nobis Pacem


Mary Lynn Lightfoot. Two part with piano accompaniment. Heritage Music Press 15/1775H.

Logan 2
Traditional Latin. Octavo. Key of G major. 4/4 meter, expressively tempo marking (quarter
note=ca. 92.

Pedagogical Goals
• Part independence
• Light legato phrases
• Dynamic variation
Challenges
• Intonation: measure 30, for example. Part I comes in on E and Part II on C. Make sure that the
interval is distinctive.
• Try to eliminate scooping from under the pitch.

Difficulty Level for Choir: easy

ELEMENTARY SCHOOL: 2-PART

FOLK SONG

Charlotte-Town
Emily Crocker. Two-part with piano accompaniment. Hal Leonard Corporation. 47103022.
Folk Song. ABA. Key of F major modulates to G major. Cut time. Lively tempo marking (half
note equals 104).

Pedagogical Goals
• Entrances – make sure each part enters at the appropriate time.
• Intonation for unison passages
• Dynamic contrast
Challenges
• Part independence – although the parts are very similar, part I & II may confuse each other at
times.
• Tempo – make sure that the choir does not rush.

Difficulty Level for Choir: easy

ELEMENTARY SCHOOL: 2-PART

POP

We’re All in This Together


Matthew Gerald/Robbie Nevill. Two-part with piano accompaniment. Hal Leonard Corporation.
47103022.
From the Disney Channel Movie “High School Musical. Verse/Chorus. Key of G major
modulates to Eb major then to F major. 4/4 time. Pop funk tempo marking (quarter note equals
116).

Pedagogical Goals
• Entrances – make sure each part enters at the appropriate time.
• Harmony – there is a minimal amount
Challenges
• Off beat entrances

Logan 3
• Part indepence – make sure everyone sings their own part.

Difficulty Level for Choir: easy

MIDDLE SCHOOL/JUNIOR HIGH: SSA

WORLD MUSIC

Pong Pong Piyangaw


Maria Theresa Vizconde-Roldan, SSA, unaccompanied; Pavane Publishing, P1588.
Key of G major. 3/4 meter. Allegro tempo marking (quarter note equals ca. 146-154). Talaandig
text with translation and pronunciation. The piece is mostly repetitive with a section starting a
pattern and continuing it throughout the rest of the piece.
Pedagogical Goals
§ Syncopation – make sure that the choir knows the rhythm well enough to enter on the off beats.
§ Strong articulation – strong ‘pong’
Challenges
• Dynamic contrast – this fun piece may lead the choir to singing forte for the entire duration of the
song.
• Balance

Difficulty Level for Choir: moderately easy

MIDDLE SCHOOL/JUNIOR HIGH: 3-PART

BAROQUE

Cantante Domino
Jerry Estes, 3-Part, with piano accompaniment; Alfred Music, 11581.
Key of C major. 4/4 meter. Simply lightly, emphasizing consonants, tempo marking (quarter note
equals ca. 112). Latin text, repetitive.
Pedagogical Goals
§ Dynamic contrast – with such a repetitive piece, it would be great to play around with the
dynamics for each phrase.
§ Lyrical phrases
Challenges
• A bit of chromatics in the piece, which are also a part of phrases. Be sure to make sure that those
pitches are correct.

Difficulty Level for Choir: medium

MIDDLE SCHOOL/JUNIOR HIGH: SAB

CHORAL OCTAVO

Logan 4
Homeward Bound
Marta Keen/Jay Althouse. SAB with piano; Alfred Publishing Co. 16209.
Key of Eb major. Moderate tempo. ¾ meter with tenderly tempo marking of a quarter note
equaling 69-76. Optional solo(s) in the beginning of the piece.

Pedagogical Goals
• Attention to vowel unification
• Balance between each voice part
• Identify and bring out moving lines and suspensions
Challenges
• Breathing – make sure that choir is not taking breaths over held notes.
• Lilting rhythm

Difficulty Level for Choir: easy-moderate

MIDDLE SCHOOL/JUNIOR HIGH: SAB

FOLK SONG

Loch Lomond
Ashley Nelson. SAB, unaccompanied; Santa Barbara Music Publishing, Inc. 1218.
Key of G major. Moderate tempo. 4/4 meter with a lilt tempo marking. Quarter note equaling
80. Repeating rhythmic bass line with accompanying alto line. Melody transfers to each part at
least once.

Pedagogical Goals
• Steady beat.
• Bring out suspensions on pages 7-8.
• Dynamic contrast – mainly on the longer passages later in the song.
Challenges
• Change of pace during the chordal passages (p.7), leaving from the rhythmic passages to a
slower, serine state.
• Steady beat

Difficulty Level for Choir: easy

MIDDLE SCHOOL/JUNIOR HIGH: 3-PART

POP

Happy Together
Kirby Shaw. 3-Part with descant, with piano accompaniment; Hal Leonard Corporation 08552187.
Key of F minor. Moderate tempo. 4/4 meter with a happy swing tempo marking. Quarter note
equaling 132.

Pedagogical Goals

Logan 5
• Syncopation – a lot of the entrances are on off beats.
• Bring out suspensions on pages 7-8.
• Dynamic contrast – mainly on the longer passages later in the song.
Challenges
• Swing rhythm is a little hard to feel when you’re first being introduced
• Expression! Make sure that the students are actually expressing what they’re singing about.
• A small amount of chromatics.

Difficulty Level for Choir: medium

HIGH SCHOOL: SSATBB

WORLD MUSIC

Kpanlongo
Derek Bermel. SSATBB, unaccompanied (optional percussion); Santa Barbara Music Publishing, Inc.
150.
Key of Bb major. Rousing tempo. Cut time. Half note equaling 100-108. Repeating rhythmic
bass line, very percussive. Melody transfers to each part at least once.

Pedagogical Goals
• Rhythmic independence – each part has their own different rhythm.
• Dynamic contrast – mainly on the longer passages later in the song.
Challenges
• Sopranos entering at the correct time (ex. Page 6, enters on off beat)
• Enunciation

Difficulty Level for Choir: easy

HIGH SCHOOL: SATBB

POP/JAZZ

I Wish
Roger Emerson. SATBB, unaccompanied (optional percussion); Hal Leonard Corporation. 08202320.
Key of F major. Bright funk tempo marking. 4/4-time signature. Quarter note equaling 104.
Arrangement of the familiar pop hit recorded by Stevie Wonder. Fun piece filled with a ton of
jazz chords and vocal percussion.

Pedagogical Goals

Logan 6
• Balance – there is a bit of call and response between the SSA line and lower lines. The lower line
may be outnumbered.
• Energy = Intonation. Performing this piece without the necessary energy will cause the intonation
to fall flat. This piece is the upper range for most parts, must be supported.

Challenges
• Devise – may be a little difficult, since most of the piece is pretty similar (rhythm-wise), Soprano
section may be confused as to what parts split into the division.
• Some chromatics throughout the piece.

Difficulty Level for Choir: medium-hard

HIGH SCHOOL: SATB

SECULAR

Come to the Music


Joseph M. Martin. SATB, accompanied by piano (optional piccolo and percussion); Shawnee Press.
35004454.
Key of G major. Allegro tempo marking. 6/8-time signature changes to 3/4 and 4/4. Dotted
quarter note equaling ca. 76. Rhythmic selection with meter changes which allows for a varied
staccato and legato feeling in the piece.

Pedagogical Goals
• Steady tempo – the pronunciation of the words and the rhythm that they are set to may lead the
students to rush through the piece.
• Meter changes

Challenges
• Legato vs. Staccato – The top line is singing such a rhythmic, staccato line while the bottom
voice as more of a legato ling. These two contrasts and may confuse each voice.
• Key change – very brief (m. 61-65)

Difficulty Level for Choir: medium-hard

HIGH SCHOOL: SATB

MASS

Kyrie from Mass in G, D. 167 arr. John Leavitt


Arranged by John Leavitt. Music by Franz Schubert. SATB, soprano solo accompanied. Shawnee Press.
35012156.

Logan 7
Key of G major. Andante con moto tempo marking. 3/4-time signature. Quarter note equaling ca.
96. Excerpt of the well-known mass by Schubert. This arrangement enables choirs to create
varied musical lines.

Pedagogical Goals
• Diction – elongated vowels and strong starting constantans.
• Rise and fall for each phrase

Challenges
• Bringing out the suspensions in each part – for example, the first page and phrase starts at a piano
dynamic, while we want to the suspensions to be brought out, students may be more focused on
the dynamic marking.
• Measure 25, starting on chromatics. Ensure that the pitch is correct after the two beats of rests.

Difficulty Level for Choir: medium

OCTAVO

Gloria Deo
Jay Althouse. SATB, acapella. Alfred Music. 43181.
Key of F major. Brightly tempo marking. 7/8-time signature changes to 4/4 occasionally. Quarter
note equaling ca. 132-138.

Pedagogical Goals
• Special attention to the tenuto markings.
• Attention to the ritar(s). in the middle of the piece.

Challenges
• Intonation around m. 40- 52
• Meter changes.

Difficulty Level for Choir: medium-hard

Logan 8

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