Vampire horror remake Nosferatu — which draws on Bram Stoker’s classic, Dracula — is “a cryptic, beautiful and unsettling experience,” one critic wrote.
The Striker and the Clock: On Being in the Game, by Georgia Cloepfil, an autobiography of a “journeywoman career across six countries,” is “an incredible feat of formally adventurous storytelling,” says Literary Hub.
RaMell Ross’ film adaptation of Colson Whitehead’s novel Nickel Boys, is “faithful” to the original text “but draws additional power from its decidedly unusual filmmaking choices,” according to Kirkus Reviews.
The anthology series Zeit Verbrechen, based on stories covered by a Die Zeit true crime podcast, is “ambivalent and opaque,” a Der Speigel reviewer wrote.
Ædnan, by Linnea Axelsson and translated by Saskia Vogel, follows three generations of the Indigenous Sami people of Norway as they try to preserve a way of life challenged by modernity, was named one of Paris Review’s best books of 2024.