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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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To overwhelmed moms everywhere, this book is for you

The cover image on Mary Catherine Starr’s new book says it all: A mother sits on the toilet, head in her hands, as her two young children plead for her attention. “Mom, look at me,” says one. Then her husband chimes in to ask where his keys are.

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‘Woodworking’ is a funny, convincing takedown of American prejudice

When my fiancée, Denise, declared themself gender nonbinary and started using they/them pronouns, I didn’t get it. In fact, I fought it. I used grammar, biology, any stick I could grab to argue that humans come in only two genders – thereby proving two disturbing revelations of the 2024 election. One, the power of transphobia. It worked for Donald Trump and his fellow Republicans, who spent $215 million on anti-trans ads ahead of the election. Two, despite our nation’s name (the “United” States) and founding principle (“All people are created equal”), Americans, including me, are prone to disparaging people who are different from us. Not because they’ll do us harm. Just because they’re different.
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This week’s bestsellers from Publishers Weekly

Here are the bestsellers for the week that ended Saturday, Feb. 22, compiled from data from independent and chain bookstores, book wholesalers and independent distributors nationwide, powered by Circana BookScan © 2025 Circana. (Reprinted from Publishers Weekly, published by PWxyz LLC. © 2025, PWxyz LLC.) HARDCOVER FICTION 1. "Onyx Storm (Deluxe Limited Edition)" by Rebecca Yarros (Red Tower) ...
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Joseph Wambaugh, author with a cop’s-eye view, is dead at 88

Joseph Wambaugh, the master storyteller of police dramas, whose books, films and television tales powerfully caught the hard psychic realities of lonely street cops and flawed detectives trapped in a seedy world of greed and senseless brutality, died Friday at his home in Rancho Mirage, California. He was 88.
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This week’s bestsellers from Publishers Weekly

Here are the bestsellers for the week that ended Saturday, Feb. 15, compiled from data from independent and chain bookstores, book wholesalers and independent distributors nationwide, powered by Circana BookScan © 2025 Circana. (Reprinted from Publishers Weekly, published by PWxyz LLC. © 2025, PWxyz LLC.) HARDCOVER FICTION 1. "Onyx Storm (Deluxe Limited Edition)" by Rebecca Yarros (Red Tower) ...
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‘Stone Yard Devotional’ is as extraordinary as you’ve heard

Given the monastic pacing of Charlotte Wood’s “Stone Yard Devotional,” I suppose it’s appropriate that we’ve had to wait patiently for it. Wood’s fellow Australians have been praising this story about a small abbey of nuns since the novel was published in 2023. Last year, it was a finalist for Britain’s Booker Prize. And now, as though publishing were operating by steam ship, “Stone Yard Devotional” has finally arrived in the United States.
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Jules Feiffer and the art of crossing the line

To understand Jules Feiffer the legendary comic mind, one must look to a transformative point in his young adulthood. He didn’t set his early sights on becoming one of America’s greatest satirists. But his powerful creative conscience was sparked by one event and never ebbed across nearly the next eight decades.
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Q&A: ‘Sinkhole’ author Leyna Krow talks fictionalizing Spokane, wrestling climate change, reader secrets and more ahead of Tuesday book release

Leyna Krow’s newest short story collection, “Sinkhole and Other Inexplicable Voids” delivers on the fabulist elements fans of Krow’s have come to expect from her writing – an octopus love story originally published in The Spokesman-Review’s 2022 Summer Stories, a baby’s twin appearing out of nowhere, a sinkhole that improves everything tossed into it – while exploring complicated family dynamics and climate change anxiety. Instead of looking to Spokane’s past, as she did in her debut novel, “Fire Season,” “Sinkhole” is a return to the “fiction-science” (a term coined by Spokane author Sharma Shields for Krow’s writing specifically) of her first short story collection, “I’m Fine, But You Appear to be Sinking.”
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‘Good Girl’ is a harrowing portrait of family, fury and exile

What it means to be good – or not – is the infected wound at the center of Aria Aber’s debut novel, “Good Girl.” The narrator is a forlorn young woman named Nila Haddadi, and the story she tells sounds like a howl of despair transposed into the key of poetic retrospection. Indeed, the fact that this harrowing story recalls events from more than a decade ago provides the only reassurance that the narrator survived her teens.