カテゴリー:
カート 0

カートは空です

ポリス|Synchronicity (Remastered 2003)

Synchronicity (Remastered 2003) by The Police

提供スペック
16-Bit/44.1 kHz ステレオ

ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a crappy Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses. But, like so many other Police albums, these songs are surrounded by utterly inconsequential filler. This time, the group relies heavily on jazzy textures for Sting's songs, which only work on the jumping, marimba-driven "Synchronicity I." Then, as if to prove that the Police were still a band, there's one song apiece from Stewart Copeland and Andy Summers, both of which are awful, as if they're trying to sabotage the album. Since they arrive on the first side, which is devoid of singles, they do, making the album sound like two EPs: one filled with first-rate pop, and one an exercise in self-indulgence. While the hits are among Sting's best, they also illustrate that he was ready to leave the Police behind for a solo career, which is exactly what he did.

© Stephen Thomas Erlewine /TiVo

続きを読む

Synchronicity (Remastered 2003)

ポリス

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

サンプル再生中です。

ストリーミングプランにご加入いただくことで1億曲以上の楽曲をフル再生いただけます。

¥1,280/ 月から

1
シンクロニシティーI (Remastered 2003)
00:03:22

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

2
ウォーキング・イン・ユア・フットステップス (Remastered 2003)
00:03:36

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

3
オー・マイ・ゴッド (Remastered 2003)
00:04:02

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

4
マザー (Remastered 2003)
00:03:05

Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar, ComposerLyricist

℗ 2003 A&M Records Limited

5
ミス・グラデンコ (Remastered 2003)
00:02:00

Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, ComposerLyricist, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

6
シンクロニシティーII (Remastered 2003)
00:05:00

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

7
見つめていたい (Remastered 2003)
00:04:13

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

8
キング・オブ・ペイン (Remastered 2003)
00:04:58

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

9
アラウンド・ユア・フィンガー (Remastered 2003)
00:05:13

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

10
サハラ砂漠でお茶を (Remastered 2003)
00:04:18

Sting, ComposerLyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Guitar

℗ 2003 A&M Records Limited

11
マーダー・バイ・ナンバーズ (Remastered 2003)
00:04:35

Sting, Lyricist - Hugh Padgham, Producer, Engineer - Gordon Sumner, Vocalist, BassGuitar - The Police, Producer, MainArtist, RecordingArranger - Stewart Copeland, Percussion, DrumKit - Andy Summers, Composer, Guitar

℗ 2003 A&M Records Limited

アルバム·レビュー: Synchronicity (Remastered 2003) - The Police

Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a crappy Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses. But, like so many other Police albums, these songs are surrounded by utterly inconsequential filler. This time, the group relies heavily on jazzy textures for Sting's songs, which only work on the jumping, marimba-driven "Synchronicity I." Then, as if to prove that the Police were still a band, there's one song apiece from Stewart Copeland and Andy Summers, both of which are awful, as if they're trying to sabotage the album. Since they arrive on the first side, which is devoid of singles, they do, making the album sound like two EPs: one filled with first-rate pop, and one an exercise in self-indulgence. While the hits are among Sting's best, they also illustrate that he was ready to leave the Police behind for a solo career, which is exactly what he did.

© Stephen Thomas Erlewine /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...