Memorial Day 2026: Books at War

Poster of a WWI solder climbing a path of books labelled, drafting, citizenship, building, seamanship, etc. Captioned "Knowledge Wins" and "Public Library Books Are Free"
“Knowledge Wins” WWI propaganda poster by the American Library Association

Burton E. Stevenson, librarian at Camp Sherman in Chillicothe, Ohio, during World War I:

“When I started this work, I had some very plausible theories about the kinds of books the men would want; but I soon discarded them. We have had requests here for every sort of book, from some books by Gene Stratton Porter to Boswell’s ‘Life of Johnson’ and Bergson’s ‘Creative Evolution.’ We have had requests for Ibsen’s plays; for books on sewage disposal; and so many requests for ‘A Message to Garcia’ that I had a supply mimeographed. In one building there were so many requests for books on religion and ethics that we set up a small reference collection. Broadly speaking, of course, most of the men read fiction ; exciting, red-blooded fiction-detective stories, adventure stories, and so on. But there is also a steady demand for Conrad, and Wells, and Hardy, and Meredith. Poetry is also in demand, and good books of travel go well. The only kind of books we don’t want is the salacious, risqué sort—for they have no place in our camp libraries. And we don’t care for unattractive, cheap editions, with yellow, muddy paper and flimsy binding. We want attractive books—nice, clean copies of good editions—and the more of these we get the better service we can give the men.

Bookplate with an image of a WWI soldier carrying a huge stack of books. Captioned "War Service Library: Books are provided by the people of the United States through the American Library Association for the use of the soldiers and sailors.
War Service Library bookplate, ca. 1917

This quote is found in a 1918 pamphlet, “War Service of the American Library Association”, by Theodore Koch of the Library of Congress. It describes a project by the American Library Association, in collaboration with the War Department and other organizations, to acquire and make books available to soldiers and sailors during WWI. Libraries were set up at many training camps in the U.S. and books were sent overseas for distribution to the front lines, military hospitals, and prisoners of war. (Regarding the trenches, one British officer, when writing back home to request some books, noted “Don’t suggest that I should read ‘War and Peace.’ If one makes ambitious plans like that, one certainly gets killed in the midst of them.”).

Koch subsequently expanded his observations in a book, Books in the War; the Romance of Library War Service. The book describes not only ALA’s War Service, but also the efforts of the French and British to distribute books, including books in Braille for the benefit of soldiers blinded during the war. ALA’s overseas efforts eventually led to the establishment of a headquarters library in Paris. That HQ ended up becoming itself one of the memorials to the war that is going strong to this day: The American Library in Paris, the largest English-language lending library on the European continent.

The pamphlet ends with the following poem, read by Mr. Nixon Waterman at the dedication of the ALA Library at Camp Johnston, Florida:

Arms and the Man

Men, with War’s challenge before you,
You who must win in the fight,
You who shall bring the glad morning
After War’s terrible night;
Here find the way and the wisdom
To match and to master the Hun,
Translating the book and its message
Into the speech of the gun.

Here find the counsel to stay you
Down through the riot and ruck,
Here find the zeal that shall lift you
Out of the mire and muck.
Here are the words of your seniors,
Your masterly skill to increase,
And type’s many tongues to direct you
On toward the daybreak of peace.

Perhaps not the best example of poetry, but it serves to express two of the purposes of the Library War Service: helping the soldiers fight better via technical materials and distraction during pauses in combat, but perhaps more importantly, laying groundwork in those who survived to see the peace to make the most of it.

I will close this post with another extract from the book:

“A handsome young blond giant who looked like a native American, one arm strapped to his side, was scrutinizing closely the papers in my bag. ‘What is that you have there?’ he asked, most politely. *Oh, nothing you would care for,’ said I; ‘only two old Greek newspapers.’ ‘Well, Greek is my language,’ said he, ‘and it’s a long time since I’ve seen a word of it. May I have them?’ And as he sank into the nearest chair and lost himself in the precious papers he murmured rapturously, ‘First Greek words I’ve seen in six months.'”

This little incident. Miss Freeman went on to say, brought home to her, as nothing else had, a realization of how many nationalities have gone into the making of America, and have poured out their blood, as stanch Americans, upon the fields of France.

May we never forget the sacrifices of those who came from all over the world to be Americans and sometimes lost their lives in service to our country.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-24-26

First, you have no idea how many books I bailed on this week. Both in text and in audio. I’m not sure whether it was me or them, but I was throwing stuff to the side left, right and center. In the car. (It’s very awkward while driving!)

I’m not at all sure about this coming week’s schedule, either. Even with Galen doing his usual holiday guest essay on Monday. I’m definitely starting my annual Hugo Award nomination readings this week. Both because I need at least one short thing AND because the votes are due August 8 and there are a lot of novelettes and short stories to go through first. So it’s time to start on THAT before they turn into a 12-review pileup at the end. No one wants that. Not even me.

Today’s featured feline is Hecate, because she’s perfectly posed for what looks like it will be a cool, drippy 3 day weekend around here. We bought those shelves for her. The others too, but especially her. They’re her favorite place to hang out because she can watch us and if she wants to watch the ‘kitty television’ outside, all she has to do is roll (carefully) over. But she’s looking inside watching us because its so wet out there’s not much to see outside. And we’re feeling the same!

Current Giveaways:

$10 Gift Card or $10 Book in the Spring 2026 Seasons of Books Giveaway Hop
$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in The Summer Giveaway Event

Blog Recap:

A- #AudioBookReview: A Deadly Episode by Anthony Horowitz
Summer Giveaway Event!
B #BookReview: It’s Hard to Be an Animal by Robert Isaacs
Grade A #BookReview: In a Dangerous Orbit by Anna Hackett
Grade A #BookReview: The Summer Share by Jenn McKinlay
Stacking the Shelves (706)

Coming This Week:

Memorial Day 2026 (#GuestPost by Galen)
The Monk by Tim Sullivan (#BookReview)
The Re-Do List by Denise Williams (#BookReview)
Kaiju Agonistes by Scott Lynch (#HugoReview)
The Ivory City by Emily Bain Murphy (#BookReview)

Stacking the Shelves (706)

These aren’t pretty. Seriously, they just aren’t. It’s been weird for a while. Like “pretty” book covers have gone out of style. There’s cute, there’s interesting, there’s intriguing, there’s scary, there’s outright gory, there’s occasionally downright boring, but not “pretty”. I think I’m weirded out.

The cute ones are (unsurprisingly) the romance covers, It Seemed Like a Good Idea and The Lust Crusade. This Story Might Save Your Life has an interesting cover. Grief Eater and Needlemouth certainly  have scary and gory covered (in blood). The intriguing covers – at least for this reader – are A Trade of Blood and Wickhills. (I KNOW both books are fascinating because I’ve already finished them for Library Journal reviews.

I’ll leave boring in the eye of the beholder. But pretty seems to have left the building – or at least the last few weeks’ stacks.

What about you? Anything in YOUR stack you can’t wait to dive into this 3-day weekend?

For Review:
The Curse of Hester Gardens by Tamika Thompson
Deep Black (Arcana Imperii #2) by Miles Cameron
Earth 7 by Deb Olin Unferth
The Encore by Juliet Izon
The Final Target by Nora Roberts
Grief Eater by Emma Osborne
The House That Eats the Dead by Max Doty
Innocence Road by Laura Griffin
It Seemed Like a Good Idea (Darling Springs #1) by Lauren Blakely
More Than Enough by Anna Quindlen
Needlemouth by K-Ming Chang
Nothing Tastes as Good by Luke Dumas
A Perfect Hand by Ayelet Waldman
Portrait of a Witch Undone by K.S. Shay
Sweetbitter Song by Rosie Hewlett
The Temptation of Charlotte North by Camilla Bruce
A Trade of Blood (Shadow of the Leviathan #3) by Robert Jackson Bennett
Until Death by Mary Berman
Whalesong (Arcana Imperii #3) by Miles Cameron
Wickhills by Premee Mohamed
The Write Off by Kara McDowell

Borrowed from the Library:
The Lust Crusade by Jo Segura
This Story Might Save Your Life by Tiffany Crum


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

Grade A #BookReview: The Summer Share by Jenn McKinlay

Grade A #BookReview: The Summer Share by Jenn McKinlayThe Summer Share by Jenn McKinlay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, family life fiction, friendship fiction, relationship fiction, romantic comedy, women's fiction
Pages: 368
Published by Berkley on May 26, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When two misfits discover they’ve inherited the same beach house, sparks fly in the most unexpected ways, in this hilarious and heartfelt rom-com from the New York Times bestselling author of Summer Reading.
Free-spirited travel influencer Hannah Spencer has spent five years touring the country in her vintage van. An unexpected inheritance from her Pops brings Hannah to Cape Split, North Carolina, where she learns she’s the new owner of a worse-for-wear seaside beach house. Or, rather, fifty percent of one. Turns out Simon O’Malley inherited the other half from his Gramps.
As Simon and Hannah spend the summer tag-teaming repairs on the crumbling cottage, they discover the house was once home to a timeless love story. Soon, they begin to wonder if the house’s romantic past may be a good omen for their future together. But there’s one problem—Simon is set on selling the property at the end of the summer.
Hannah thought one summer at the Split would be enough, except it isn’t like any place she’s ever been, and Simon isn’t like any man she’s ever known—and she’s thinking about putting down some roots. She just needs Simon to see their budding relationship and this newfound community the same way or their first summer share might also be their last.

My Review:

I picked this up because I loved Witches of Dubious Origin. While I wasn’t exactly hoping for the same kind of book, because Witches is cozy fantasy and this book is more cozy small town romance/relationship, I was still hoping for some of the same sensibilities – and certainly some of the same charm.

Those things I definitely got!

The meeting between Hannah Spencer and Simon O’Malley isn’t so much of a “meet-cute” as it is a meet really, really awkward with a big surprise inside. Literally inside the beach house on the Outer Banks they each thought they’d inherited from their beloved grandfather which turns out NOT to be a solo inheritance.

Hannah inherited her HALF of the cottage from her “Pops”, while Simon inherited HIS half from his beloved “Gramps”. Now they’re stuck with each other – according to their grandfathers’ wills – for two whole months during a glorious Outer Banks summer. At the end of the two months, they can each do what they like with their half. But that assumes they’ll be on something like the same page at the end.

They sure don’t start out there, not on the same page, not even in the same book. She wants to stay. After five years of being a travel influencer, Hannah is ready to stop living out of her van. The minute she sees the cottage, she recognizes that she’s tired of running from her past griefs and traumas, and that this gift from her “Pops” is a golden opportunity to make both a home and a homebase for herself and her big, goofy, Harlequin Great Dane, Dude.

Simon needs to sell. He needs the money to support his brother Charlie’s long-term medical care – and keep their rapacious father away from Charlie’s medical conservatorship and the money invested in it. And he can’t make the kind of living he needs to on the Outer Banks to make sure he has enough to be there for both of his adult siblings, because he KNOWS their father won’t.

But the story isn’t just about Hannah and Simon and Dude. (Not that Dude doesn’t steal every scene he galumphs into.) Not even though the romance that steals up on Hannah and Simon is lovely and hesitant and hot and sweet in all the right ways.

The romance that steals the story is the one that started 60 years ago, between two young men who met and fell in love over a contested fishing spot, during one golden Outer Banks summer – before one shipped off to war and the other began the life he was expected to have. Only to find each other decades later, and return to the place they were happiest, with time enough for a second chance with the love of their lives.

A secret they both kept from their entire families for decades, leaving their grandchildren with a chance for happiness of their very own. If Hannah and Simon can step out from their own secrets and traumas and grab the opportunity with all four hands – and four paws.

Escape Rating A: I picked this up early because it looked like the precise antidote for my reading slump – which it definitely turned out to be. I had a terrific reading time, to the point where I almost wish this was the start of a series because as much as I loved the main characters and THEIR story, I’d love to go back and see more of the whole community. They were great folks AND I need to see how ‘The Dude’ is abiding.

What’s driving me crazy about this book is that I can’t decide whether it’s a romance that just happens to, well, happen in the midst of a story about family relationships, found families, family secrets and a great community – or if the shoe is on the other foot and its a relationship story in which a romance occurs in the present because a different romance occurred in the past.

I know I’m splitting hairs a bit, but for my reading group it’s a serious question and I keep waffling about the answer.

Whichever comes first, the romance or the circle of family and community relationships, the story is delightful – and not just because of Dude. Not that he’s not a HUGE spread of icing on this delicious (book) cake.

What made this book work for me is the way that different plot threads played off against each other – and that the changes and revelations happen at what feels like a realistic and human length of time – and not in an instant.

Because three stories intertwine in The Summer Share. The one at the top of the pile is the ill-advised, somewhat hesitant, emotionally complex slow-burn into conflagration romance between Hannah and Simon. They’re surprised at their joint inheritance. They’re shocked at the secret their grandfathers were keeping. They’re hurt that the person they thought they were SO very close to kept such a huge secret for so many years.

At the same time, discovering that secret – and investigating the whole story of their grandfathers’ secret life in the OBX, brings them together AND connects them with the community. A community that had taken Bobby and Billy into their hearts and is more than happy to take their grandchildren to that same place. One startling revelation at a time.

And underneath all of that are the issues and family relationships and traumas that Hannah and Simon came to the cottage with in the first place. All the things that need to be resolved before they can get to their own happy ever after.

In the end, I had a lovely reading time on the Outer Banks with Hannah and Simon. And Dude. Mustn’t forget the Dude. Their troubles felt real, their solutions felt solid, and their happiness was definitely earned. This is a book that will leave readers with a big smile on their faces, whether they come for the romance or for all the intertwined relationships that make a community and a life.

 

Grade A #BookReview: In a Dangerous Orbit by Anna Hackett

Grade A #BookReview: In a Dangerous Orbit by Anna HackettIn a Dangerous Orbit (Phoenix Adventures) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction romance
Series: Phoenix Adventures #4
Pages: 236
Published by Anna Hackett on May 19, 2026
Purchasing Info: Author's WebsiteAmazonBarnes & Noble
Goodreads

From the busy market world of Souk to the high-tech cyborg world of Centax, join these treasure hunts for priceless artifacts of old Earth. In a Dangerous Orbit contains two action-packed novellas in the Phoenix Adventures series.
These novellas were previously published and have been lightly edited.
BENEATH A TROJAN MOON: A woman with a secret she’ll kill to protect.
Fortune teller Relda Dela-Cruz hides in plain sight on the market world of Souk. She never lets anyone too close and protects her deadly secret. But when assailants attack her in pursuit of a powerful artifact, she collides with the city’s handsome new marshal.
War has left former Galactic Special Forces captain Hunt Calder tired and empty, but one look at the beautiful Relda—with her wild curls and lush curves—brings him back to life. When she’s threatened over the mysterious Trojan Moon, he won’t let anything stop him from protecting her. Even Relda herself.
As they face alien attackers and killer droids, Hunt wants all of her—body, mind, and her secret. Even if that secret has the power to destroy not only them, but the planet itself.
ON A CYBORG PLANET: Can he give a beautiful warrior cyborg the pleasure she’s never experienced?
After a vicious coup, cyborg Axton Saros, Prime of the planet of Centax, is trying to rebuild his world. A priceless artifact stolen during the attack is still missing, and he’ll do anything to get it back. Even work with the emotionless, infuriating Centax Security cyborg Commander Xenia Alexander.
Everybody knows CenSecs are deadly and so enhanced that their emotions are dampened to nothing. But Xenia’s been keeping a secret her entire life—her systems don’t function correctly. Working side-by-side with Axton to find the Codex Da Vinci makes every emotion in her flare to life.
As they follow a trail of clues, Axton and Xenia can’t fight their fierce desire. As their hunt takes a deadly turn, their powerful connection might be the only thing that can save Xenia from annihilation.

My Review:

When I first saw this as part of the author’s re-reissue of her Phoenix Adventures series the title did not look familiar. I read – and reviewed – the whole Phoenix Adventures series back when it originally came out and this wasn’t part of it. Or so I thought.

But it was – and it is – and I was delighted to read it again.

When the series was originally published, Beneath a Trojan Moon and On a Cyborg Planet were marvelous – and marvelously short – side stories to the main series and were released separately. Neither of these novellas features the Phoenix Brothers – or the OTHER Phoenix Brothers, but they ARE part of the same world.

Beneath a Trojan Moon takes place on Souk, the planet orbited BY the Phoenix Brothers’ HQ. On a Cyborg Planet is a follow up to the previous book in the series, On a Rogue Planet. It doesn’t feature any of the Phoenix clan, but it does deal with the aftermath of that story – which very much involved the Phoenix Brothers and cousins.

So linked, but not the main action in either case. Still, however, excellent. Because these stories take place in a setting that has already been somewhat established in the three previous books (At Star’s End, In the Devil’s Nebula and On a Rogue Planet) these particular stories concentrate a bit more on the romance part of science fiction romance, but still have plenty of adventure and further fill in the details of this particular ‘verse along with telling a terrific story.

The title of Beneath a Trojan Moon is a bit of a pun. A pun that fortune teller Relda Dela-Cruz takes advantage of as she hides in plain sight on Souk. ‘Trojan Moon’ is a pseudo-moon that occupies a Trojan point of a system. It’s a real thing that exists in astrophysics. The Phoenix Brothers’ base is located on a Trojan moon orbiting the planet Souk. But THE Trojan Moon in the story is an artifact that amplifies psionic power. Relda, one of the few survivors of a nearly extinct psionic race, is the owner AND more importantly the protector of that artifact.

A collector of rare objects, particularly objects related to psionic power, intends to collect both Relda and her Trojan Moon. But her friends, her found family, and most of all the Marshall who enforces the law on Souk, have no intention of letting her be taken. Hunt Calder will do anything to keep Relda safe – even if he has to open what little heart he has left.

The romance is between two people who have closed themselves off for different but equally necessary reasons. And it’s a terrific story because they both realize that it’s already too late, that they’ve already fallen for each other AND made a home for themselves on Souk. A home that this time they’ll fight to keep.

I loved On a Cyborg Planet, both originally and now, because it finished a story that I still wanted more of at the end of On a Rogue Planet. Not that the romance wasn’t complete in that earlier book, and not that Xander and Malin’s HEA wasn’t well earned, but that the thing that brought them together – the coup that nearly destroyed Xander’s planet Centax – didn’t feel as if it had been fully closed. Or rather, that the damage hadn’t been fully recovered from – that THAT process had only just begun.

So this is a story about lingering damage, to a planet, to a people, and to one person in particular, Prime Axton Saros of Centax. Axton was held prisoner when his planet was temporarily occupied by a coup. He was tortured physically and mentally, and he’s still suffering from both the physical damage and PTSD from the whole experience. And he’s neglecting taking care of himself because he feels compelled to continue suffering because he was helpless during the occupation.

So his brother Xander assigns his own second-in-command to take care of his brother one way or another. Xander guesses that Commander Xenia Alexander is both Axton’s weakness AND his strength – if he’ll just let himself see it. And if Xenia can overcome her cyborg conditioning just as Xander has, and let herself feel the emotions she’s been forced to keep hidden to survive. That Axton and Xenia manage to find another missing artifact, a whole lot of deadly traps, and their own HEA made this story exciting in more ways than one!

Escape Rating A: These two stories worked well together for a number of reasons. First, yes, well, they’re both short. Second because they’re side stories, interludes between the main events of the series. But third, and the thing I really loved about both of them, is that both are stories where the female main character is WAY more dangerous – and deadly – than the male. Relda’s psionic powers are capable of destroying an entire planet. Possibly even a solar system. Xenia Alexander is every inch the Centax Security cyborg that Xander was in the previous book. Not that her consort (although technically she’s HIS consort) can’t kick ass and take names with the best of anyone else, but Xenia is a cut above that and he knows that and loves her for it.

I loved this book even more than I did the separate parts the first time around – at least in part because this broke me out of a terrible reading slump and I’m very grateful. I’m also looking forward to the author’s next book, whether that turns out to be the next book in the Unsanctioned series, Worth the Fight, or the next up in this re-release of the Phoenix Adventures, Beyond Galaxy’s Edge. They’re both worth the wait!

#BookReview: It’s Hard to Be an Animal by Robert Isaacs

#BookReview: It’s Hard to Be an Animal by Robert IsaacsIt's Hard to Be an Animal by Robert Isaacs
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: literary fiction, magical realism, relationship fiction
Pages: 288
Published by Grand Central Publishing on May 19, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

For readers of Shark Heart and Hollow Kingdom, a funny, magical, and tender debut novel following a lonely, conflict-averse man whose sudden ability to understand animals sends him on a wild romp around NYC, and ultimately helps him discover his own voice.

Strolling through Central Park on a blind date with the hilarious, irrepressible Molly Bent, Henry Parsons feels hopeful for the first time in years. He’s even daring to wonder if he and Molly might have a future together... when a migratory warbler, the sweetest of little birds, tells him to f*** off.

A gentle soul, troubled enough by the unkindness of fellow humans, Henry tries to brush the moment aside as a hallucination. But soon he’s hearing voices dogs mocking their owners, sparrows fat-shaming each other, police horses profiling attendees at a street fair — even a pontificating, misogynistic snake. The man who never speaks up for himself is now besieged by animals who do.

When (inevitably) he overhears three rats discussing a corpse in the New York subway, he lets it slip to Molly. She’s keen to investigate, and Henry’s desperate for a second date, so he follows her nervously into an abandoned tunnel under the West Fourth Street Station. There, sure enough, they find a body... and the murderers find them.

Cue the most terrifying week of this cautious man’s life. Inspiration and courage arrive, unexpectedly, from a pair of feuding betta fish and the neighbor’s yapping Pomeranian — whose wisdom will transform both Henry and Molly forever.

My Review:

I picked this up for the concept. I mean that sincerely. We all wish we knew what the animals around us – especially our own companion animals – are thinking and saying. Or at least we mostly do, as those of us with feline companions are fairly sure they’re judging us all the time and that we’re generally found wanting. I’m not certain that confirming that’s true would help anyone’s ego. Except for the cats, of course.

That being said, this isn’t that kind of cutesy story where the animals all talk and think and act like us. For one thing, it’s a complete shock to Henry Parsons’ whole entire system when he suddenly discovers that the voices he’s hearing all around him in Central Park aren’t humans. That he’s hearing the birds around him pretty much scream at each other – and him – and that all of them are speaking in “expletive deleted”. And that even the ones who aren’t dropping F-bombs in every other sentence are outright assholes. Some of them just dress it up in more erudite language.

No one else can hear the animals – and Henry is afraid to reveal that HE’s hearing them. Even his therapist thinks they’re just a manifestation of Henry’s “real” issues – and he already has plenty of those. Most of them self-defeating or depressing or both.

But as much as Henry might be just “hearing things” as a way of expressing his own angst, he would not be hearing the sort of things he’s actually hearing. Like the way that his roommate’s two betta fish spend their days slinging Shakespearean insults at each other.

Certainly, the voices in his head – if that’s what this is – would not manifest as a trio of rats behind a sewer grate discussing their weekly corpse feasts in the abandoned station BELOW the station currently in use. Nor would he imagine said rats talking about the humans who dump those corpses they feast on every week. Or the particularly delicacy of the human eyeball.

Which is the point where the story gets interesting – and so does Henry’s previously dull life. A life so dull that it honestly even bores Henry himself – in between self-castigation that he’s not more or better or happier or less angsty or WHATEVER.

Because Henry tells his new friend Molly, who might become a girlfriend if he doesn’t chicken out, that the voices he’s hearing are telling him stuff that needs to be investigated at the first opportunity – and maybe reported to the police.

From that point, Henry’s life is off and running, to explore under the subway, to listen to the animals telling him things he needs to hear, and to Henry realizing that it’s hard to be an animal – including a human one – and that there are lots of lessons to learn if he wants to do better.

So he does.

Escape Rating B: I had mixed feelings about this one. There were parts I really liked, and parts that didn’t work for me. I think that part of that was that the story is sold by its description as magical realism – Henry understands the animals – but Henry himself read as kind of a stock character from literary fiction.

By that I mean that a lot of the story – at least at the beginning – is wrapped around Henry’s internal angst of which there is rather a lot. He’s entirely REactive and I prefer my protagonists to be a bit more PROactive. (And your reading mileage may vary. Some people love literary fiction for exactly the same things that I don’t. C’est la reading vie.)

Two things wake Henry up and shift his narrative. The first, of course, is the animals. Not just those birds, or even the insult-flinging betta fish. The star of THAT show is Gracie. I think because the opinion of Henry and all of the tenants in Henry’s NYC apartment building is that Gracie is a yappy little bitch of a Pomeranian who never seems to stop barking. But one Gracie is in Henry’s care, everything changes.

Through a series of unfortunate coincidences, Henry ends up dogsitting for Gracie when her person is struck by a taxi and is whisked away in an ambulance. In Henry’s apartment, Gracie turns out to be a quiet philosopher who speaks in beautifully apropos aphorisms, is always gentle and is entirely on point whenever she deigns to speak.

The second thing that changes Henry’s life is Molly Bent, the friend who might be a girlfriend if Henry can just get out of his own way in his own life. Because Molly is a bit over-the-top. She’s a ‘leap and assume the net will appear’ kind of person, while Henry has always been a ‘measure four times and think about cutting once but turn back because it will probably be wrong anyway’. It’s Molly who encourages Henry to investigate the derelict subway station under the station and the results of that shake Henry out of his defeated complacency even as everything seems to go horribly wrong.

When it all comes round right, Henry’s life is forever changed – and for the better – because he was forced into his discomfort zone and discovered himself there. That he gets to keep both Molly and Gracie in his life gives the story a delightful ending – even if we never do learn why Henry started understanding the animals – and why he stopped.

In the end, I stuck with this so that I could make sure that Gracie came out of the story alright. Which she does – and beautifully and dare I say it – gracefully so. That Henry and Molly also get their happy ever after was kind of the puppucino on the dog biscuit for this reader. Even though Gracie would probably turn her nose up at either or both.

Summer Giveaway Event!

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Giveaway: 1 lucky winner a $150 Amazon eGift Card or PayPal Cash. The event is running from May 17th to August 8th. Giveaway open Worldwide everywhere PayPal is negotiable & age 18+.

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$150 Amazon eGift Card or PayPal Cash

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That’s a LOT to celebrate in one giveaway event, even one as big as this one! And here’s one more giveaway JUST at Reading Reality!

A- #AudioBookReview: A Deadly Episode by Anthony Horowitz

A- #AudioBookReview: A Deadly Episode by Anthony HorowitzA Deadly Episode (Hawthorne & Horowitz, #6) by Anthony Horowitz
Narrator: Rory Kinnear
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Hawthorne and Horowitz #6
Pages: 384
Length: 8 hours and 4 minutes
Published by Harper, HarperAudio on April 28, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the global bestselling author of Moonflower Murders and Close to Death comes an unputdownable new mystery in the Hawthorne and Horowitz series.
‘Easily the greatest of our crime writersSunday Times'Nobody does this crime fiction better than Anthony HorowitzCrime Time FM'Anthony Horowitz is a national treasure' Ragnar Jónasson
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The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film.
The actors have been cast, the script written, and filming has already started in Hastings.
But when Hawthorne and Anthony visit the set, they find a far from happy family.
The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money.
And things are about to get much, much worse.
In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder.
Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?
A Deadly Episode is a wild ride through a world that the author knows only too well, and the most personal case Hawthorne has had to deal with so far.

My Review:

This series has been very meta from the very first book, The Word is Murder, but this sixth “episode” in the series is even more meta than the previous ones. And OMG that’s saying something.

They’ve always been meta (“A movie, book, or conversation is described as “meta” when it consciously references or comments upon its own medium or nature”) because the author, his more-or-less, somewhat sorta/kinda, real-life self is a character in the book who acknowledges all along that he’s writing the book – no matter his mixed feelings about the person/character he’s made famous, former Metropolitan Police Chief Inspector Daniel Hawthorne – AND about the way that Horowitz himself is treated by Hawthorne and pretty much everyone else when Hawthorne is around. Very much like a second banana – and an afterthought of one at that.

This time around the murder occurs on the site of a previous murder that was investigated by Hawthorne and Horowitz. In fact, on the site of their very first case, written up as The Word is Murder.

But not exactly the same site. Because this murder takes place on the set where The Word is Murder is being filmed. And this time around it’s Hawthorne himself who is the victim. Not the real Hawthorne, of course. Merely the actor playing Hawthorne in the production.

Not that there aren’t plenty of people around the set AND in Hastings where it’s being filmed who wouldn’t love to stick a knife in EITHER the real or the fictional Hawthorne. Neither of them has made a lot of friends in whichever business they’re in. Although not the same way. The real Hawthorne is a single-minded misanthrope who (mostly) pisses people off to get the job done. The actor playing Hawthorne, on the other hand, is a real piece of work with all the negative connotations of that phrase.

So Hawthorne has been murdered, and Hawthorne is investigating while Tony is, as usual, a day late and a pound short, following behind a character who will figure out whodunnit – no matter how twisted the path to getting there – without anyone giving poor Tony half the credit he’s due for getting yet another mess of a case into shape for eventual publication.

Then again, Watson didn’t get the credit he was due, either. And it hasn’t stopped a single one of us from getting caught up in THOSE cases. Or, for that matter, Hawthorne’s cases, with Tony tagging along behind and never quite catching up to the solution until Hawthorne lays it out for him – and the reader – on the proverbial silver salver – no matter how tarnished either that platter, or Hawthorne’s reputation or poor Tony’s ego, have gotten in the process of the investigation.

Escape Rating A-: This is the rating I usually end up at with this series, with the exception of The Twist of a Knife which I loved.

The reason I generally end up at A-, and why I did here, is that the initial parts of the story generally make me feel mean. Which needs a bit of an explanation.

Part of what makes the series as a whole equal parts interesting and meta is the life imitates art imitates life of the whole thing. Anthony Horowitz, the real-life author, is also Hawthorne’s very much put upon sidekick ‘Tony Horowitz’. He hates being called Tony, but he can’t get people – particularly Hawthorne – to stop doing it. He’s disregarded at every turn and it just weirds me out. Because if the real person were as much of a whiny, petulant, doormat as the character is, he wouldn’t have half the successful career that he actually has. And yet, so many of the details of the story that set up each book do mirror the author’s real life. There’s a disconnect for me in the early parts of each book in the series because it’s all Tony’s internal angst and reluctance to get involved with Hawthorne again and that part is getting a bit repetitive.

But as soon as the body drops, the story is off and running. I just find myself wanting to scream at ‘Tony’ to “get on with it already” frequently and often up to that point.

Speaking of screaming at the characters, I generally start these books in audio (in the car when I’m alone and can scream to my heart’s discontent), and the narrator, Rory Kinnear is always excellent and does a terrific job differentiating all the voices AND dragging me through the parts I’d skim in text. Once the story gets going – once that body hits the floor – NO narrator is fast enough and I switch to text because I HAVE to know whodunnit.

The series as a whole is very quirky, the sort of thing that if you like it, you like it, but if you don’t you don’t. I LOVE them once somebody dies – which sounds terrible – but I find the scene and stage-setting at the beginning to be a bit of a slog. However, I think that’s a ‘me’ thing. I want my protagonists to have more agency than Tony seems to have in his own (fictional) life, but from his perspective it’s clear that Hawthorne is the protagonist whether Tony likes it or not.

Again, meta.

The case in this one was particularly twisted because it’s wrapped up in the shared past of many of the participants in this film shoot AND it’s tied up in a surprising bit of Hawthorne’s past that he has refused to share details of with Tony – and therefore with the reader. (And he still doesn’t even when he does which is a fascinating trick in itself.)

This series is one where the detective keeps all the details VERY close to the vest and drives his sidekick crazy with it. So Tony doesn’t know and we don’t know (I didn’t) because we don’t see most of the truth behind the scattered clues because Hawthorne ALWAYS has information we don’t.

So if you’re looking for a ‘fair play’ mystery you won’t find it in the series. But if you’re looking for twisted suspense that will keep you well suspended, Hawthorne and Horowitz – but mostly Hawthorne – are going to pin you to the edge of your seat until the bitter end.

Initially, I thought that The Word is Murder was a one-trick pony. I’m thrilled that it hasn’t been, and that this series shows no sign of ending. I’ll be back for Hawthorne and Horowitz’s next case, whenever that next body drops.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-17-26

This coming week’s schedule feels like it’s almost but not quite final. The Summer Giveaway Event might start tomorrow and might start Tuesday – it depends on when I receive the materials – and the graphic. I’m hoping for tomorrow – which turned out to be later than I hoped for so I’ll post the giveaway on TUESDAY. I’m also torn between three books where I have two slots. So it’s most likely two out of the following three: It’s Hard to Be an Animal, That’s What Friends Are For, and The Pillagers’ Guide to Arctic Pianos. I’m very curious about what the heck is going on with those Arctic Pianos, so if that one doesn’t turn up this week it’ll be next week. Inquiring minds kind of DEMAND to know at this point.

Today’s cat picture is George, looking a bit concerned. Mostly, he’s concerned that he doesn’t look innocent enough in regards to whatever mess SOMEONE made that we just discovered. And he’s concerned that we’ll take away his temporary nest – which he’s right to be worried about because we will! (Eventually, we will. We don’t mind indulging him for a bit – at least not until we start tripping over the box as it gets scooted around!)

Current Giveaways:

$10 Gift Card or $10 Book in the Spring 2026 Seasons of Books Giveaway Hop

Winner Announcements:

The winner of the Come What May Giveaway Hop is Wendy
The winner of the Spring Giveaway Event! is Clemencio

Blog Recap:

Grade A #BookReview: Radiant Star by Ann Leckie
A+ #BookReview: Villain by Natalie Zina Walschots
B- #BookReview: And Side by Side They Wander by Molly Tanzer
B- #BookReview: Never and Always by Anna Hackett
A+ #AudioBookReview: Out of Her League by Ava Rani
Stacking the Shelves (705)

Coming This Week:

A Deadly Episode by Anthony Horowitz (#AudioBookReview)
Summer Giveaway Event!
It’s Hard to Be an Animal by Robert Isaacs (#BookReview)
In a Dangerous Orbit by Anna Hackett (#BookReview)
That’s What Friends Are For by Wade Rouse (#BookReview)

Stacking the Shelves (705)

This looks like another one of those stacks where there’s a whole HELL (literally) of a lot more pretty creepy than there is purely pretty. Although The Fox Hunt and Year of the Mer manage to be both at the same time.  Dead But Dreaming of Electric Sheep and especially Wife Shaped Bodies are just plain creepy.

The one TRULY pretty cover, IMHO, is Sing the Night, although I love the beautiful blue of The Sixth Nik. And I’m finding the cover of The Republic of Memory to be pretty darn interesting and I hope the book will be the same when I get to it.

The two I’m most looking forward to catching the ’round tuit’ for are Someone Your Own Age and The Tailor – for entirely different reasons.

What are you looking forward to – or shuddering at – in YOUR stack this week?

For Review:
The Angel at the Gates by Karen Lord
The Children by Melissa Albert
Dead But Dreaming of Electric Sheep by Paul Tremblay
The Fox Hunt by Caitlin Breeze
I Am Agatha by Nancy Foley
The Intrigue by Silvia Moreno-Garcia
It Should Have Been You by Andrea Mara
The Left and the Lucky by Willy Vlautin
Marion by Leah Rowan
Murder Most Delicious by Danielle Postel-Vinay
Not With a Bang by Temi Oh
Puck by Samantha Allen
The Republic of Memory (Song of the Safina #1) by Mahmud El Sayed
Sing the Night (Opera Magique #1) by Megan Jauregui Eccles
The Sixth Nik by Daniel Kraus
Someone Your Own Age by Alex Neve
Sublimation by Isabel J. Kim
The Tailor (DS George Cross #8) by Tim Sullivan
The Traveler by Joseph Eckert
Wife Shaped Bodies by Laura Cranehill
Year of the Mer by L.D. Lewis


If you want to find out more about Stacking The Shelves, please visit the official launch page

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