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supported by 4 fans who also own “can we die?”
This wicked album is filled with very interesting and experimental rhythmic excursions that has a sort of meditative effect on me. And with somewhat mysterious drones and wonderful field recordings added as sonic flavours to those rhythms i find this release mesmerizing to say the least. Might not be the average Mr/Mrs Smiths cup of tea, but i have an incling that this label doesn't bother to cater to those either. Very highly recommended.
go to albumsupported by 4 fans who also own “can we die?”
Bcs I speak Slovak I watch A4TV interview with her. Its very interesting or (sorry Adela) strange her way to this music (still I like to know more). Its like (very simple and from perspective of what she is/was listening) pop - gap (almost not listening to music) - boyfriend (introduce to different kinds of music). Not a traditional way of music artist. Her way to become artist its like I can do smthg on my own.....and here you can listen the outcome from this idea, enjoy. C U in Prague.
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The Music of Hildegard von Bingen Part Two
by Larum
The Brooklyn duo use musique concrète, dub, field recordings, and free jazz to explore music of medieval mystic Hildegard von Bingen.
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I thought U thought I
by St Celfer™
Always inventive, always challenging sound artist St. Celfer returns with another album of glitchy experiments to dazzle & fascinate.
go to albumSt Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
go to albumOn this uncompromising LP, the UK outfit NOISE use haunting drone, hissing static and stark electronics to explore repressed trauma.
go to albumSeattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
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