Weekend Roundup.

Various Artists-A Kool Kat Kristmas Vol. 2. Kool Kat's 2010 A Kool Kat Kristmas was the best power pop Christmas compilation in recent years, so Ray Gianchetti & company decided to greenlight a sequel. And while it may not be as consistently great as the original, Volume 2 is another fine collection of power poppers giving us original holiday-themed tunes. The Pencils' "Christmas is Coming Again" starts things off in majestic fashion, sounding like an outtake from Phil Spector's A Christmas Gift for You, and the Honeymoon Stallions (f/k/a The Goldbergs) follow with the suitably jaunty "Snowbirds". Other standouts include the Tor Guides wishing for "Beatles Vinyl", The Geniune Fakes with the Christmas power ballad "You Always Come Back Home", Shake Some Action's typically jangly "Christmas in the Sun", and Stephen Lawrenson's unmistakeable Jeff Lynne-influenced psych-pop sound on "Glad it's Christmas". As with the first volume, proceeds from the disc will benefit the Susan Giblin Foundation for Animal Wellness and Welfare. Good music for a good cause - you can't beat that.

Listen at Soundcloud | Kool Kat

Secret Powers-Secret Powers 6. Another early Christmas present for power poppers is the return of Secret Powers. I have to admit, I was getting a bit worried about them; after releasing an album a year from 2008 to 2012, Ryan "Schmed" Maynes & the boys from Missoula, Montana had gone dark for 2 1/2 years. But they're back, and what they lacked in imagination in naming the disc they more than made up for with the new tunes. For those joining us in that time frame, what makes Secret Powers great is their heavy ELO/Jellyfish influence and knack for the great melody. The epic ballad "Bitter Sun" serves doubly well as an album opener and a re-introduction, and that leads us into the frantic and hyper-catchy "Palarium" (the most Jellyfish-esque of tracks) and the ELO homage "Spare Parts", which is half "Mr. Blue Sky" and half "Yours Truly, 2095" in its story of an android. Elsewhere, "She's Electrical" glides along on a sweet melody with all the band's attendant bells and whistles, and the closing ballad "Ready to Get Old and Die" evokes McCartney. Great to have these guys back.

CD Baby | iTunes | Listen at Spotify

CD of the Day, 8/29/12: The Honeymoon Stallions-Moonlighting

Andy Goldberg is back! Last heard from (with the exception of a track on Kool Kat's Christmas album in 2010) as The Goldbergs with 2008's Under the Radar, the Long Island purveyor of hooks (lines and sinkers as well) resurfaces with a new band name but the same top-notch power pop. Hearing the opener "If it Wasn't for You" will be putting on an old pair of slippers as Goldberg makes the melodies sound easy, and if this were 1975 "Radio Song" would actually be on the radio. Meanwhile, the piano-based "Every Now & Then" conjures memories of Badfinger and "A Little Love Tonight" closes the album on a real high with perhaps his catchiest number to date. There are a few stylistic detours here which mostly work as well - "Gonna Fall in Love" is bluesy power pop, "By the Moon.." is almost a torch song, and "Driftin'" is janglier than normal for Goldberg. Add it all up, and you have a triumphant return for one of the top power poppers of the last 6-7 years.

CD Baby | iTunes

CD of the Day, 3/19/08: The Goldbergs-Under The Radar

About a year and a half ago, The Goldbergs truly were under the radar. Out of nowhere, Andy Goldberg's debut Hooks, Lines & Sinkers came across as one of top power pop albums of 2006. As a result, at this point The Goldbergs certainly are on the radar of any savvy power pop fan; so while the followup to Hooks, Under The Radar, may not take anyone by surprise, there's no sophomore slump in evidence here.

Picking up where its predecessor left off, Under The Radar is 11 winning tracks of power pop in the style of Marshall Crenshaw, Eugene Edwards, Badfinger and Nick Lowe. Also like its predecessor, there are no weak tracks, but some are more equal than others: opener "Please Won't You Please" with its anthemic-yet-poppy final 60 seconds or so; the Michael Carpenter-like "Fool The Sun"; the lovely sway of "Water Blue"; the Merseybeat-influenced "Better Times"; and "I'm a Hero (Waiting to Happen)", which sounds like it could have come from Edwards' My Favorite Revolution. Hearing a followup of this quality is quite gratifying - it leads me to believe Andy Goldberg has become the type of power pop artist that will reliably release quality albums every couple of years for the foreseeable future.

If you're going to (quite sensibly) pick this disc up, make sure you do so at Kool Kat, where you also get a 5-disc bonus CD with 4 outtakes from the Under The Radar sessions (better than most folks' intakes) plus a cool cover of "Somewhere Over The Rainbow".

MySpace

CD of the Day, 11/21/06: The Goldbergs-Hooks, Lines & Sinkers

Wow. Let me say that again: Wow. This one came out of nowhere. I noticed it last week on Kool Kat's weekly new release email, and it sounded intriguing. Before I could get around to sampling it and checking it out, Andy Goldberg sent me an email offering up a promo copy. I said bring it on, and after listening to it today, my jaw dropped at how good it is. This is perhaps the most fully realized power pop debut since Eugene Edwards' My Favorite Revolution a couple of years ago.

Although nominally a band, it's pretty much all Andy Goldberg here, and the comparisons that leap to mind are several: Marshall Crenshaw, Michael Carpenter, Walter Clevenger, the aforementioned Mr. Edwards, and to head back to the 70s, Badfinger and Nick Lowe. Normally at this point of the review I tout the top tracks on the disc, but I really can't do that here as all ten are nearly equally outstanding. So head on over to The Goldbergs' myspace page, where you can download and/or stream three tracks. Then pop on over to either Kool Kat (where they also reacted with "Wow!") or CD Baby (where as always you can sample the rest) and pick it up. Although I want to listen a few (dozen) more times before ranking it, all I can say right now is that Bob Evans and Supraluxe need to be looking over their shoulders.