Jeremy Keith

The Weather Out There - Long Now

I really liked this short story.

UX London isn’t the only event from Clearleft coming your way in 2025. There’s a brand new spin-off event dedicated to user research happening in February. It’s called Research By The Sea.

I’m not curating this one, though I will be hosting it. The curation is being carried out most excellently by Benjamin, who has written more about how he’s doing it:

We’ve invited some of the best thinkers and doers from from in the research space to explore how researchers might respond to today’s most gnarly and pressing problems. They’ll challenge current perspectives, tools, practices and thinking styles, and provide practical steps for getting started today to shape a better tomorrow.

If that sounds like your cup of tea, you should put February 27th 2025 in your calendar and grab yourself a ticket.

Although I’m not involved in curating the line-up for the event, I offered Benjamin my swor… my web dev skillz. I made the website for Research By The Sea and I really enjoyed doing it!

These one-day events are a great chance to have a bit of fun with the website. I wrote about how enjoyable it was making the website for this year’s Patterns Day:

I felt like I was truly designing in the browser. Adjusting spacing, playing around with layout, and all that squishy stuff. Some of the best results came from happy accidents—the way that certain elements behaved at certain screen sizes would lead me into little experiments that yielded interesting results.

I took the same approach with Research By The Sea. I had a design language to work with, based on UX London, but with more of a playful, brighter feel. The idea was that the website (and the event) should feel connected to UX London, while also being its own thing.

I kept the typography of the UX London site more or less intact. The page structure is also very similar. That was my foundation. From there I was free to explore some other directions.

I took the opportunity to explore some new features of CSS. But before I talk about the newer stuff, I want to mention the bits of CSS that I don’t consider new. These are the things that are just the way things are done ‘round here.

Custom properties. They’ve been around for years now, and they’re such a life-saver, especially on a project like this where I’m messing around with type, colour, and spacing. Even on a small site like this, it’s still worth having a section at the start where you define your custom properties.

Logical properties. Again, they’ve been around for years. At this point I’ve trained my brain to use them by default. Now when I see a left, right, width or height in a style sheet, it looks like a bug to me.

Fluid type. It’s kind of a natural extension of responsive design to me. If a website’s typography doesn’t adjust to my viewport, it feels slightly broken. On this project I used Utopia because I wanted different type scales as the viewport increased. On other projects I’ve just used on clamp declaration on the body element, which can also get the job done.

Okay, so those are the things that feel standard to me. So what could I play around with that was new?

View transitions. So easy! Just point to an element on two different pages and say “Hey, do a magic move!” You can see this in action with the logo as you move from the homepage to, say, the venue page. I’ve also added view transitions to the speaker headshots on the homepage so that when you click through to their full page, you get a nice swoosh.

Unless, like me, you’re using Firefox. In that case, you won’t see any view transitions. That’s okay. They are very much an enhancement. Speaking of which…

Scroll-driven animations. You’ll only get these in Chromium browsers right now, but again, they’re an enhancement. I’ve got multiple background images—a bunch of cute SVG shapes. I’m using scroll-driven animations to change the background positions and sizes as you scroll. It’s a bit silly, but hopefully kind of cute.

You might be wondering how I calculated the movements of each background image. Good question. I basically just messed around with the values. I had fun! But imagine what an actually-skilled interaction designer could do.

That brings up an interesting observation about both view transitions and scroll-driven animations: Figma will not help you here. You need to be in a web browser with dev tools popped open. You’ve got to roll up your sleeves get your hands into the machine. I know that sounds intimidating, but it’s also surprisingly enjoyable and empowering.

Oh, and I made sure to wrap both the view transitions and the scroll-driven animations in a prefers-reduced-motion: no-preference @media query.

I’m pleased with how the website turned out. It feels fun. More importantly, it feels fast. There is zero JavaScript. That’s the main reason why it’s very, very performant (and accessible).

Smooth transitions across pages; smooth animations as you scroll: it’s great what you can do with just HTML and CSS.

In 1979, two books shaped my formative years • Supernatural Detective’s Field Guide

This is such a great project from Jon—a mashup of two books from his childhood!

Put that RSS feed in your feed reader.

Help us choose the final syntax for Masonry in CSS | WebKit

I really like the way that the thinking here is tied back to Bert Bos’s original design principles for CSS.

This is a deep dive into the future of CSS layout—make a cup of tea and settle in for some good nerdiness!

Is it too early to start planning for 2025 already? Perhaps. But you might want to add some dates to your calender:

June 10th, 11th, and 12th, 2025.

That’s when UX London will return!

It’ll be be back in CodeNode. That’s the venue we tried for the first time this year and it worked out really well.

You can look forward to three days of UX talks and workshops:

1. Tuesday, June 10th is Discovery Day—user research, content strategy, and planning.
2. Wednesday, June 11th is Design Day—interaction design, accessibility, and interface design.
3. Thursday, June 12th is Delivery Day—iteration, design ops, and cross-team collaboration.

I realise that the alliteration of discovery, design, and delivery is a little forced but you get the idea. The flow of the event will follow the process of a typical design project.

The best way to experience UX London is to come for all three days, but each day also works as a standalone event.

I’m now starting the process of curating the line-up for each day: a mix of inspiring talks and hands-on workshops. If you trust me, you can get your ticket already at the super early-bird price.

If you reckon you’d be a good addition to the line-up, here’s a form you can fill out.

Now, I’ll be up-front here: if you’re a typical white dude like me, you’re not going to be top of the pile. My priority for UX London is creating a diverse line-up of speakers.

So if you’re not a typical white dude like me and you’ve ever thought about giving a conference talk, fill out that form!

If you don’t fancy speaking, but you want to see your company represented at UX London, check out our sponsorship options.

If you don’t want to speak and you don’t want to sponsor, but you want to be at the best design conference of 2025, get your ticket now.

Speaking of serendipity, not long after I wrote about making a static archive of The Session for people to download and share, I came across a piece by Alex Chan about using static websites for tiny archives.

The use-case is slightly different—this is about personal archives, like paperwork, screenshots, and bookmarks. But we both came up with the same process:

I’m deliberately going low-scale, low-tech. There’s no web server, no build system, no dependencies, and no JavaScript frameworks.

And we share the same hope:

Because this system has no moving parts, and it’s just files on a disk, I hope it will last a long time.

You should read the whole thing, where Alex describes all the other approaches they took before settling on plain ol’ HTML files in a folder:

HTML is low maintenance, it’s flexible, and it’s not going anywhere. It’s the foundation of the entire web, and pretty much every modern computer has a web browser that can render HTML pages. These files will be usable for a very long time – probably decades, if not more.

I’m enjoying this approach, so I’m going to keep using it. What I particularly like is that the maintenance burden has been essentially zero – once I set up the initial site structure, I haven’t had to do anything to keep it working.

They also talk about digital preservation:

I’d love to see static websites get more use as a preservation tool.

I concur! And it’s particularly interesting for Alex to be making this observation in the context of working with the Flickr foundation. That’s where they’re experimenting with the concept of a data lifeboat

What should we do when a digital service sinks?

This is something that George spoke about at the final dConstruct in 2022. You can listen to the talk on the dConstruct archive.

I described using my feed reader like this:

I would hate if catching up on RSS feeds felt like catching up on email.

Instead it’s like this:

When I open my RSS reader to catch up on the feeds I’m subscribed to, it doesn’t feel like opening my email client. It feels more like opening a book.

It also feels different to social media. Like Lucy Bellwood says:

I have a richer picture of the group of people in my feed reader than I did of the people I regularly interacted with on social media platforms like Instagram.

There’s also the blessed lack of any algorithm:

Because blogs are much quieter than social media, there’s also the ability to switch off that awareness that Someone Is Always Watching.

Cory Doctorow has been praising the merits of RSS:

This conduit is anti-lock-in, it works for nearly the whole internet. It is surveillance-resistant, far more accessible than the web or any mobile app interface.

Like Lucy, he emphasises the lack of algorithm:

By default, you’ll get everything as it appears, in reverse-chronological order.

Does that remind you of anything? Right: this is how social media used to work, before it was enshittified. You can single-handedly disenshittify your experience of virtually the entire web, just by switching to RSS, traveling back in time to the days when Facebook and Twitter were more interested in showing you the things you asked to see, rather than the ads and boosted content someone else would pay to cram into your eyeballs.

The only algorithm at work in my feed reader—or on Mastodon—is good old-fashioned serendipity, when posts just happened to rhyme or resonate. Like this morning, when I read this from Alice:

There is no better feeling than walking along, lost in my own thoughts, and feeling a small hand slip into mine. There you are. Here I am. I love you, you silly goose.

And then I read this from Denise

I pass a mother and daughter, holding hands. The little girl is wearing a sequinned covered jacket. She looks up at her mother who says “…And the sun’s going to come out and you’re just going to shine and shine and shine.”

2004 was the first year of the future

I enjoyed reading through these essays about the web of twenty years ago: music, photos, email, games, television, iPods, phones…

Much as I love the art direction, you’d never know that we actually had some very nice-looking websites back in 2004!

My solar-powered and self-hosted website | Dries Buytaert

This is a neat project form Dries:

This project is driven by my curiosity about making websites and web hosting more environmentally friendly, even on a small scale. It’s also a chance to explore a local-first approach: to show that hosting a personal website on your own internet connection at home can often be enough for small sites. This aligns with my commitment to both the Open Web and the IndieWeb.

At its heart, this project is about learning and contributing to a conversation on a greener, local-first future for the web.

CSS { In Real Life } | I’ve Been Doing Blockquotes Wrong

It’s pretty easy to write bad HTML, because for most developers there are no consequences. If you write some bad Javascript, your application will probably crash and you or your users will get a horrible error message. It’s like a flashing light above your head telling the world you’ve done something bad. At the very least you’ll feel like a prize chump. HTML fails silently. Write bad HTML and maybe it means someone who doesn’t browse the web in exactly the same way as you do doesn’t get access to the information they need. But maybe you still get your pay rise and bonus.

So it’s frustrating to see the importance of learning HTML dismissed time and time again.