&udm=14 | the disenshittification Konami code

The value is in the difficulty - Annotations

We’ve seen this arc before, and music is the richest analogy.

Like Bruce Sterling always says:

Whatever happens to musicians happens to everybody.

I knew my writing students were using AI. Their confessions led to a powerful teaching moment | AI (artificial intelligence) | The Guardian

AI writing reminds me of Tennyson’s description of the beautiful Maud in the titular poem:

Faultily faultless, icily regular, splendidly null
Dead perfection; no more

It’s Not AI. It’s FOMOnetization.

FOMO is a feeling. But it’s also a business model—and increasingly, one of the more successful ones. Fear, in general, makes people much easier to separate from their money. It’s perfectly suited to this moment of ubiquitous grift, where everything feels like a lottery ticket or a multi-level marketing scheme.

It’s even more perfectly suited for “the age of AI,” which squeezes economic FOMO from both sides. AI could make you wildly rich (the first person to start a billion-dollar company with zero employees!) or leave you hopelessly destitute (part of the looming “permanent underclass”). Which one do you want to be? Smash that like button, sign up for my online course, and use my new AI-powered business platform!

Expansion artifacts || Matt Ström-Awn, designer-leader

Compression made the information age possible by stripping things down to fit the pipes. Expansion made the AI age possible by blowing data back up again. Both operations leave marks; we’ve learned to spot compression artifacts, but we’ve only just begun to reckon with expansion artifacts. Until we do, there’s a lot of risk to manage.

AI Might Be Our Best Shot At Taking Back The Open Web | Techdirt

Not sure I buy the argument here, though I do very much look forward to local language models getting better so we can ditch the predatory peddlars of today’s slop. But this trip down memory lane to the early web of the 1990s could’ve been describing my own experience:

But the thing I do remember was the first time I came across Derek Powazek’s Fray online magazine. It was the first time I had seen a website look beautiful. This was without CSS and without Javascript. I still remember quite clearly an “issue” of Fray that used frames to create some kind of “doors” you could slide open to reveal an article inside.

Fray was what made me want to make websites:

I distinctly remember sites like prehensile tales, 0sil8 and the inimitable Fray triggering something in my brain that made me realise what it was I wanted to do with my life.