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  4. The American Steamer Burnt, & Forc’d into the Tremendous Falls of Niagara

    Events in Canada: The ‘Caroline’ was burnt 29 December, 1837.

    Published by G.S. Tregear 96, Cheapside - Lithograph on wove paper

     
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  6. nekasuz:

    Kissing Mermaids.  Art by Alphonse Mucha (1860 - 1939).  Lithograph printing in 1982 approved by his son, Jiri Mucha.     icollector.com

    (via mudwerks)

     
  7. The New Excursion Steamer Columbia, “Gem of the Ocean.” The Largest Steamboat ever built for the Excursion Business.
    Currier & Ives hand-colored lithograph; 1877

     
  8. antiquememes:

    Morskiia sireny.  [Sea mermaids.] (1866)

    Creator: Golyshev, I. A. (Ivan Aleksandrovich), 1838-1894, 1838-1894 – Lithographer

     
  9. U.S. Sloop of War, “Jamestown”

    George W. Atkinson; Lithograph, hand-colored

    “U.S. Sloop of war, Jamestown: Capt. R. B. Forbes. This print, commemorative of the splendid generosity of the American government in dismantling a ship of war for a mission of peace and charity, & of the noble-hearted citizens who humanely & benevolently responded to the call of Irish distress, is respectfully dedicated to the President, House of Representatives, Congress and people of the United States of America, by their obedt. servants, George M. W. Atkinson, William Scraggs, Cove of Cork 13th April, 1847”

     
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  11. SALVADOR DALI (Spanish, 1904 - 1989)
    Untitled Lithograph
    38 x 32in.
    Signed and dated upper left
    Inscribed lower right “Pour VVillim L. Fort, Dali”

     
  12. ROY LICHTENSTEIN (American, 1923-1997)
    Shipboard Girl, 1965
    Offset lithograph in colors

     
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  14.  lithograph: Sebastopol from the sea - sketched from the deck of HMS Sidon

    “Print shows sailors and cannons on deck of the H.M.S. Sidon, with a distant view of the forts and other buildings in Sevastopol.”

    Bibliodyssey: The Crimean War

     
  15. The Llangollen Canal - lithograph by John Nash from “Men & the Fields”, Adrian Bell, 1939

    The 1939 book by Adrian Bell is lavishly illustrated by John Nash and includes a series of fine lithographs printed at the renowned Curwen Press in Plaistow, London.

    This view of the canal is a charming scene - rumour has it that Nash was not happy with the outcome of the work at Curwen but personally I think they are very fine illustrations.

    The book itself is a superb evocation of rural England before the huge changes wrought by the Second World War.