Elizabeth 1

Queen Elizabeth I as "The Queen of Love And Beauty" -- 1600-1602, attr. to Isaac Oliver (1565, Ruan, Francia - 2 de octubre de 1617, Londres). Owned by the Marquess of Salisbury; on display in the Marble Hall at Hatfield House, Hatfield, Hertfordshire, England, UK. Pintor perteneciente al período manierista o alto renacimiento

With her huge, dramatic collars, ghostly pallor and flaming curls of red hair, Queen Elizabeth I’s image is etched in royal history. Trained from a young age to see power and strength in public image, she cultivated a persona that was both pure and powerful. Unwed and without children, she portrayed herself as the chase,...

Darley Portrait with restored colours - Category:Elizabeth I of England (Darnley portrait) - Wikimedia Commons

Blanchett played the title role of Elizabeth I in in both 1998 film [i]Elizabeth[/i] and the sequel, [i]Elizabeth: The Golden Years[/i], in 2007.

Elizabeth I of England was famously known as the "Virgin Queen." As the second-born daughter of Henry VIII - a daughter who was at times deemed ...

Tudor Dresses wiki 1400s fashion Bold pomegranate- or artichoke-patterned silks are characteristic of the 15th century, as are richly coloured velvets and woolens

King Sebastian of Portugal, grandson of King John III, was killed in Morocco at the battle of Ksar el-Kebir in 1578. He had never married and had no heir setting up a succession crisis. The next …

Anonymous British, 16th century Oil on canvas Toledo Museum of Art Toledo, Ohio Resplendent with pearls, gold, jewels, lace, red wig, and ostrich feather fan, England's queen Elizabeth I (reign 1588-1603) is a dazzling and commanding figure in the portrait by an unknown artist. This portrait is based on an official life-portrait done about the time of British naval defeat of the Spanish Armada 1588, when Elizabeth was 54. She is dressed in the most elaborate of costumes, the satin…

National Portrait Gallery

Princess Elizabeth, daughter of Henry VIII and Anne Boleyn and half-sister to Mary I. The painting is attributed to William Scrots and was painted in the last years of Henry’s reign. This was painted at a time when Elizabeth and her sister enjoyed a friendly relationship, prior the days when it would become incredibly strained on grounds of religion and politics (and to some degree parentage).