Silk Fragment Embroidered with Pearl Roundel (China, Tang Dynasty 7th~8th century) by UnknownThe Chung Young Yang Embroidery Museum
The exhibition 'Recording the History of Fiber Art' explores East Asian fiber art from its earliest traces to the pre-modern era. Religious attire, wedding garments, and official uniforms highlight the traditions of fiber art.
The History of Fiber Art
Embroidery designs used in ancient East Asia seem to have been inspired by hunting, shamanistic symbolism and incantation ceremonies. Fiber art became a medium for conveying political, religious, and cultural messages for the elite through intricate techniques.
In East Asia, silk embroidery was more than decoration; it was a status symbol. The designs reflected the wearer's aspirations and position in society.
Woman’s Robe (Replica) by UnknownThe Chung Young Yang Embroidery Museum
The Chain Stitch
In 1972, the Mawangdui tombs in China revealed a treasure trove of Han dynasty silks (221BCE~226CE). These well-preserved textiles are adorned with flowing, abstract designs of animals, plants, and clouds, all meticulously created using chain stitch.
The chain stitch enabled embroiderers to create such sweeping, curvilinear patterns.
Chain Stitch on Woman’s Robe (Replica) by UnknownThe Chung Young Yang Embroidery Museum
East Asian Ceremonial Costumes
Ceremonial garments in East Asia use symbols to represent the wearer's life, culture, and role in the universe. These aren't just decorations; they visually communicate deep religious and cultural meanings through instrumental expressions.
Twelve-symbol Semiformal Robe Worn during a Ritual for Rain (China Qing dynasty(1644-1911)) by unknownThe Chung Young Yang Embroidery Museum
Symbols of Power
In East Asia, certain design patterns like dragons, phoenixes, and clouds traditionally symbolized the authority of the royal family and aristocrats.
Dragon motifs on royal garments reinforced authority. The color and pattern combinations visually communicated the social status and hierarchy of the wearer.
Woman's Court Robe (Korea, 19th century) by UnknownSookmyung Women’s University Museum
Symbols in Women's Attire
The phoenix symbolizes royal women, while the peony represents wealth and good fortune in East Asian fiber art. These motifs were used to communicate status and auspicious wishes through clothing.
Uchikake with Cranes, Pine Trees, and Mt. Fuji_front (Japan Edo period(1603–1868)) by unknownThe Chung Young Yang Embroidery Museum
Symbols of Long Life
Costumes are often designed with symbols of longevity and dignity to wish the wearer happiness and a long life. Patterns featuring cranes, pine trees, and turtles were often incorporated.
Mongolian Woman's Robe (Mongol, 19th century) by UnknownThe Chung Young Yang Embroidery Museum
Ceremonial Attire of East Asia
Here's a look at various ceremonial attire from East Asia, each piece reflecting deep cultural and symbolic meanings through its design and materials.
Hanging with Twenty Embroidered Buddhas Appliqued on a Yellow Silk Ground (China Qing dynasty(1644-1911)) by unknownThe Chung Young Yang Embroidery Museum
East Asian Religious Symbols
Buddhism
This Thangka exemplifies sacred paintings and embroideries displayed in Tibetan, Mongolian, and Nepalese temples, monasteries, and shrines.
As for Taoist clothing, patterns that depict immortals and natural elements were used to express the state of ultimate bliss in Taoism and its connection with humans.
Wedding Banner Woven Pheonix and Dragon Design Symbolized Man and Women (China Qing dynasty(1644-1911)) by unknownThe Chung Young Yang Embroidery Museum
East Asian Wedding Traditions
In East Asian cultures, red symbolizes good fortune, making it a popular choice for wedding garments.
In East Asian wedding traditions, red symbolizes happiness. Wedding robes use this color as a base, embroidered with symbols of longevity and dignity to bless the wearer.
In traditional wedding ceremony of China and Korea, the bride and groom exchanged letters containing personal details such as their birth dates before marriage. This artifact was used to hold and deliver those letters.
The Times of Fiber: Korean Embroidery Art
Explore the captivating beauty and enduring value of Korean traditional embroidery art.→Read more
The Times of Fiber: Modern Korean Embroidery
Learn more about modern embroidery art that continues the tradition of Korean embroidery.→Read more
This story is based on the special exhibition The Times of Fiber: Carrying Tradition and Connecting the Future, which was selected for the “2025 University Museum Promotion & Support Project,” hosted by the Ministry of Culture, Sports and Tourism and organized by the Korean Association of University Museums.
Planned by The Chung Young Yang Embroidery Museum and Sookmyung Women's University Museum
Photographyed by Han Jung-youp and Seo Heon-kang
You are all set!
Your first Culture Weekly will arrive this week.