Portal of Church of Saint Trophime, Arles (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Visiting the remains of saints, or relics, is the driving force behind a pilgrimage. A saint is a familiar and figure, with whom religious believers create emotional bonds, placing themselves under the saint’s protection. The presence and the influence of the saint are tangible.
Portal of Sainte-Marie Abbey, Mimizan (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Among an endless number of saints, one of the foremost figures is James the Great. He was one of the twelve apostles of Christ and a witness to the main events on which the Christian faith is based.
Stained glass window, James the Greater, Bourges Cathedral (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Miracles serve to prove the active power of the saints and provide lessons for the faithful. The apostles were given a mission to spread the gospel. In Bourges, James is depicted as having overcome the spell of the magician Hermogenes by converting him to the Christian faith.
Retable à Ourdis-Cotdoussan (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Legends always contain an element of truth, and oral traditions becomes established in writing. For example, it is said that James went to spread the gospel in a land of the Roman Empire, and in 44 AD, on his return to Jerusalem, he was beheaded.
Mural painting, Notre-Dame-du-Bourg church, Rabastens (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The myth of Saint James, who spent time preaching in Spain, took hold in around 813, when a sarcophagus in the Spanish region of Galicia was identified as being his burial place.
A legend telling of the transporting of his remains was fabricated to support the claim: a stone boat ‘guided by the hand of God’ was said to have drifted from Palestine to Galicia, where his body was buried.
Statue of Saint James, Sainte-Marie Cathedral, Bayon (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The attributes of the saints are symbols that enable their identification. Saint James is depicted as an apostle: dressed in a toga, he is often carrying the Bible and holding up his finger to show that he is teaching.
Grande-Sauve Abbey (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Saint James is also depicted in the clothing of those who come to honour him and confide in him: the pilgrims. He can be recognised by the items he carries, including a shell, a staff, a satchel and a calabash, and by the cape or coat and the wide hat that he wears.
A reliquary from Saint-Bertrand de Comminges (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Relics marked the routes of pious travellers. They were displayed in superb shrines or under a marble or stone canopy, or kept in a crypt or cabinet.
Codex (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The Codex Calixtinus is a manuscript which was written in around 1130. It asserts the existence of four routes leading to the tomb of the apostle James. Four is a symbol to signify that people came from all over the world. Quatuor Viae sunt, quae ad Sanctum Jacobum tendentes.
The Alyscamps, Arles (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The Via Tolosana begins in Arles, home to the relics of the first Christian martyrs. Pilgrims admired the tombs in the Alyscamps cemetery of the church of Saint-Honorat, and magnificent representations of pilgrims can be found in the cloister of the Cathedral of Saint-Trophime.
Portal of the abbey church of Saint-Gilles (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The church of Saint-Gilles du Gard preserves the rich ancient portal of its abbey. The hermit Gilles is buried there: ‘He is the one who, before all others, is accustomed to coming most quickly to the aid of the unfortunate, the afflicted and the distressed who call upon him’.
Chevet-apse chapel of the Basilica of Saint-Sernin, Toulouse (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
In order to display as many relics as possible and to manage the flow of pilgrims, the Basilica of Saint-Sernin in Toulouse was designed with an apse with an ambulatory and radiating chapels. It is one of the most elaborate examples of Romanesque architecture.
Tour des corps saints (ambulatory), Basilica of Saint-Sernin, Toulouse (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Inside the Basilica of Saint-Sernin, the radiating chapels behind the apse house a Tower of Holy Bodies: cabinets where the relics of the saints are on view for pilgrims and the faithful.
"Fever stone" Le Puy Cathedral (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
Renowned for its ancient cult of the Virgin Mary, the Via Podiensis starts in Le Puy-en-Velay. A fever stone is said to be behind the construction of the city’s cathedral: a pilgrim lay down on a dolmen slab, saw the Virgin Mary in an apparition and recovered from a fever.
The hill of Vezelay (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The Via Lemovicensis enshrines the sanctuary of Vézelay. The Abbot of Cluny recognized the authenticity of the relics of Mary Magdalene in 1058. As was common, a collection of her miracles was compiled to promote her pilgrimage. A sumptuous basilica is dedicated to her.
The collegiate church of Saint-Léonard de Noblat (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The legend of Saint Leonard dates back to around the year 1000. The hermit, said to be a godson of King Clovis, was venerated for freeing prisoners. The collegiate church was built to house his remains. Today, over 1,200 places of worship are dedicated to him throughout Europe.
Périgueux Cathedral (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The city of Périgueux developed around a modest oratory where, as early as the 7th century, pilgrims were visiting the tomb of Saint Front. In the 12th century, atypical Romanesque architecture raised the roof domes towards the sky in a brilliant oriental dream.
Church of Saint-Pierre d'Aulnay (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
According to the author of Book V of the Codex Calixtinus in around 1130, the Via Turonensis passes through Saint-Martin de Tours, Saint-Hilaire de Poitiers, Saint-Jean d'Angély, Saint-Eutrope de Saintes and Bordeaux. It was a natural route, marked out by sanctuaries.
Church of Saint-Hilaire le Grand in Poitiers (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The Church of Saint-Hilaire in Poitiers was built to house the tomb of its first bishop and evangelist, Hilaire, who died in around 368. Although altered and reduced, its size reflects the intention to welcome crowds. In the 11th century, it was covered with sumptuous paintings.
Royal Abbey of Saint-Jean-d'Angély (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The Abbey of Saint-Jean-d'Angély illustrates an unfinished ambition. Originally, a dream guided Brother Félix to Egypt to take the head of Saint John the Baptist. The relic performed so many miracles that King Pepin ordered the abbey be built at the beginning of the 9th century.
Crypt of the Saint-Eutrope basilica in Saintes (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The current Church of Saint-Eutrope in Saintes is a 19th-century section of an ambitiously planned building constructed in the 11th century at the instigation of the Order of Cluny. The Romanesque crypt housing the body of Saint Eutrope retains its spectacular appearance.
Basilica of Saint Severinus, Bordeaux (1998) by Routes of Santiago de Compostela in FranceUNESCO World Heritage
The Basilica of Saint-Seurin in Bordeaux perpetuates the memory of Saint Severinus. Mothers would lay their children on his sarcophagus to ‘make them stronger’. The relic of the ivory horn of Charlemagne's nephew, Roland, made it a memorial to his epic adventures.
This exhibit was created by the Agency of the Routes of Compostela: 
www.chemins-compostelle.com
More on the Routes of Santiago de Compostela in France and World Heritage: whc.unesco.org/en/list/868
Photos: Jean-Jacques Gelbart, Agence française des chemins de Compostelle.
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